Winter Sale 2018

With our latest album now out, that’s us done for the year in terms of new releases. 2018 has been a brilliant year on so many levels and we’ve been delighted to put out some great albums from both new and established artists. We equalled our personal best of 17 albums released so we’ve certainly been busy!
 
Plans are already in place for 2019 and we’ve so much wonderful Ambient music lined up from artists such as Jens Pauly, Sven Laux, Anthéne and Glåsbird with a few more exciting new packaging ideas along the way!.
In the meantime as we sign out, we thought we’d have a bit of a winter sale! If you enter your purchase price followed by the discount code ‘festive15’, you can enjoy 15% off all physical and digital items.
 
Check out our catalog by clicking the following link:
 
The offer runs from the 1st of December until 31st of December at 11:59pm and even includes our latest release which is by James A McDermid.
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Out Now! James A. McDermid – Kern-Host

For the final release of 2018, James A. McDermid joins our catalog with the final album to a triptych which has seen records released on Polar Seas Recordings, KrysaliSound and now Whitelabrecs. Kern-Host is an album which represents closure, as James has spent the duration of production struggling to come to terms with his sister’s terminal illness and death. This album was created in Paris, as James spent days wandering the city alone and nights working on sound experiments in the evening. This album should appeal to fans of  Sea Trials, Janek Schaefer or Dino Spiluttini might enjoy.

This album was announced to our mailing list last weekend and there are but a few copies left at the time of writing. You can listen to the album in full by hitting play above or clicking the link below, where you can purchase a physical or digital version. To avoid missing out on our future releases, you can join our mailing list HERE

press release
James A. McDermid is a Bristol, UK based artist who has also spent some time in Portugal. He became inspired to write music under the name Like Kisses of Thread after discovering artists such as Philip Jeck, Janek Schaefer, Christian Marclay and Kaffe Matthews; a project which ran alongside the curation of his label Nastycandy, which even piqued the interest of a certain John Peel, who played a piece on his Radio 1 show. The label ceased operation in 2005 due to work commitments and the rigours of running the demands of a job and a label simultaneously.

James stopped writing and recording music in 2010; this was until the sudden tragedy of his sister Harriet being diagnosed as terminally ill threw his world upside down. Struggling to understand the gravity of it all – or know what to do to help – he turned to music once more. In fact, the music poured out of him to the extent that he decided to create a trilogy of albums all dedicated to the memory of Harriet. The initial record ‘Ghost Folk’, made up of 25 tracks, was released on Polar Seas in 2017 and earlier this year KrysaliSound released the follow-up, ‘Tonal Glints’. The triptych is now complete with the final piece which is ‘Kern-Host’. ‘Ghost Folk’ represents his sister’s diagnosis and worsening condition, ‘Tonal Glints’ represents her death and the immediate aftermath, while ‘Kern-Host’ embodies closure. In the three albums, James tried to focus on melody and structured each track around it. Not all of the tracks worked out this way but working through his grief seemed to lend itself to finding melodies.

‘Kern-Host’ began as James spent some time alone in Paris. He’d walk around the city during the day and then work on music at night in his hotel room. He’d sift and rework sounds he had captured at home; he has a piano, a couple of accordions, a violin, guitar and ukulele. Using his laptop, headphones and a tiny keyboard controller he is able to work in a location away from the environment that his sample library had been created and Paris became the backdrop to this project. The ten recordings, aptly titled in French, feel as if James has recorded a sonic diary of his time spent alone in Paris and the beautiful texture to these drones will help you feel a part of his solitary visit. The accompanying cover artwork is of arranged, dried flowers against a plain background. Of the trilogy, this is the first cover that is in colour to represent the themes of closure that are present in Kern-Host.

credits
“For my sister, Harriet (1975-2016)”
Written and produced by James A. McDermid
Written in Paris, Bristol and the Algarve
Mastered by Tim Diagram
Artwork by James A. McDermid
Thanks to: Inês; Harry; Brad; Francis; Paul; Tom; Susie; Al.

Coming soon…James A. McDermid – Kern-Host

For the final release of 2018, James A. McDermid joins our catalog with the final album to a triptych which has seen records released on Polar Seas Recordings, KrysaliSound and now Whitelabrecs. Kern-Host is an album which represents closure, as James has spent the duration of production struggling to come to terms with his sister’s terminal illness and death. This album was created in Paris, as James spent days wandering the city alone and nights working on sound experiments in the evening. This album should appeal to fans of  Sea Trials, Janek Schaefer or Dino Spiluttini might enjoy.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
James A. McDermid is a Bristol, UK based artist who has also spent some time in Portugal. He became inspired to write music under the name Like Kisses of Thread after discovering artists such as Philip Jeck, Janek Schaefer, Christian Marclay and Kaffe Matthews; a project which ran alongside the curation of his label Nastycandy, which even piqued the interest of a certain John Peel, who played a piece on his Radio 1 show. The label ceased operation in 2005 due to work commitments and the rigours of running the demands of a job and a label simultaneously.

James stopped writing and recording music in 2010; this was until the sudden tragedy of his sister Harriet being diagnosed as terminally ill threw his world upside down. Struggling to understand the gravity of it all – or know what to do to help – he turned to music once more. In fact, the music poured out of him to the extent that he decided to create a trilogy of albums all dedicated to the memory of Harriet. The initial record ‘Ghost Folk’, made up of 25 tracks, was released on Polar Seas in 2017 and earlier this year KrysaliSound released the follow-up, ‘Tonal Glints’. The triptych is now complete with the final piece which is ‘Kern-Host’. ‘Ghost Folk’ represents his sister’s diagnosis and worsening condition, ‘Tonal Glints’ represents her death and the immediate aftermath, while ‘Kern-Host’ embodies closure. In the three albums, James tried to focus on melody and structured each track around it. Not all of the tracks worked out this way but working through his grief seemed to lend itself to finding melodies.

‘Kern-Host’ began as James spent some time alone in Paris. He’d walk around the city during the day and then work on music at night in his hotel room. He’d sift and rework sounds he had captured at home; he has a piano, a couple of accordions, a violin, guitar and ukulele. Using his laptop, headphones and a tiny keyboard controller he is able to work in a location away from the environment that his sample library had been created and Paris became the backdrop to this project. The ten recordings, aptly titled in French, feel as if James has recorded a sonic diary of his time spent alone in Paris and the beautiful texture to these drones will help you feel a part of his solitary visit. The accompanying cover artwork is of arranged, dried flowers against a plain background. Of the trilogy, this is the first cover that is in colour to represent the themes of closure that are present in Kern-Host.

credits
“For my sister, Harriet (1975-2016)”
Written and produced by James A. McDermid
Written in Paris, Bristol and the Algarve
Mastered by Tim Diagram
Artwork by James A. McDermid
Thanks to: Inês; Harry; Brad; Francis; Paul; Tom; Susie; Al.

Out Now! vau – ways of stillness

For our penultimate release of 2018, we welcome Portuguese artist vau with his debut album ways of stillness. For his first solo album, Nuno Craveiro spent four years since 2014, building the intricate finer detai to this electro acoustic masterpiece. The record is designed to be a resting space for its listeners and should appeal to fans of  Ghost and Tape, Hummingbird or Ben Rath might enjoy.

This album was announced to our mailing list last weekend and there are but a few copies left at the time of writing. You can listen to the album in full by hitting play above or clicking the link below, where you can purchase a physical or digital version. To avoid missing out on our future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/ways-of-stillness

press release
vau is a Portuguese artist named Nuno Craveiro and Ways Of Stillness is his debut release after having started recording the album in 2014. Nuno is also one of the lead members of the duo Névoa, in which he has performed in festivals alongside bands such as Swans, Mono, Kayo Dot and Anna Von Hausswolff.

Under his solo project, Nuno usually makes music at home, beginning by either playing an instrument or sampling his own recordings that consist of field recordings and past experiments. Once a song begins to develop, he may then record specific instruments on purpose if required, either at home or at a friend’s studio for example.
‘Ways of Stillness’ took four years to complete in its entirety and so lots of experiences and memories are etched into it: places, moments and relationships. All of its sounds have stories attached to them and they are very much a reflection of Nuno’s own thoughts as an individual and musician. He considers the album to be the most personal record he could have wished to create but to us, these stories can only be experienced through the medium of sound, as these six pieces imbue a sense of stillness.

The main ideas behind the concept to this body of music, was to create something which could perfectly fill the listener’s surroundings. Using field recordings, some virtual synthesizers, nyckelharpa, piano, ukulele, sounds sampled from saxophone, Portuguese guitar, Korg Volca Keys and other instruments, Nuno was interested in making sound almost as comfortable as silence. Looking to create a kind of slower time frame, introspection and self-awareness becomes effortless. These conditions may not always be achievable when you first hit play, but it is hoped that Ways of Stillness can unfold its tiny and unobtrusive detail to leave you the listener feeling weightless as it progresses. Vau is the Portuguese word for ‘ford’, so he wanted this debut to be a shallow place amidst the water. A harbour in a way, safe and peaceful.

credits
Written and produced by Nuno Craveiro
Mastered by Luís Neto
Photograph by Leonor Freitas

Coming soon…vau – ways of stillness

For our penultimate release of 2018, we welcome Portuguese artist vau with his debut album ways of stillness. For his first solo album, Nuno Craveiro spent four years since 2014, building the intricate finer detai to this electro acoustic masterpiece. The record is designed to be a resting space for its listeners and should appeal to fans of  Ghost and Tape, Hummingbird or Ben Rath might enjoy.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
vau is a Portuguese artist named Nuno Craveiro and Ways Of Stillness is his debut release after having started recording the album in 2014. Nuno is also one of the lead members of the duo Névoa, in which he has performed in festivals alongside bands such as Swans, Mono, Kayo Dot and Anna Von Hausswolff.

Under his solo project, Nuno usually makes music at home, beginning by either playing an instrument or sampling his own recordings that consist of field recordings and past experiments. Once a song begins to develop, he may then record specific instruments on purpose if required, either at home or at a friend’s studio for example.
‘Ways of Stillness’ took four years to complete in its entirety and so lots of experiences and memories are etched into it: places, moments and relationships. All of its sounds have stories attached to them and they are very much a reflection of Nuno’s own thoughts as an individual and musician. He considers the album to be the most personal record he could have wished to create but to us, these stories can only be experienced through the medium of sound, as these six pieces imbue a sense of stillness.

The main ideas behind the concept to this body of music, was to create something which could perfectly fill the listener’s surroundings. Using field recordings, some virtual synthesizers, nyckelharpa, piano, ukulele, sounds sampled from saxophone, Portuguese guitar, Korg Volca Keys and other instruments, Nuno was interested in making sound almost as comfortable as silence. Looking to create a kind of slower time frame, introspection and self-awareness becomes effortless. These conditions may not always be achievable when you first hit play, but it is hoped that Ways of Stillness can unfold its tiny and unobtrusive detail to leave you the listener feeling weightless as it progresses. Vau is the Portuguese word for ‘ford’, so he wanted this debut to be a shallow place amidst the water. A harbour in a way, safe and peaceful.

credits
Written and produced by Nuno Craveiro
Mastered by Luís Neto
Photograph by Leonor Freitas