Out now! WLR024 Sea Trials – S/T

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We’re back from a holiday by the sea and raring to go with more limited edition releases. So fittingly, we welcome Sea Trials, an artist from Hungary (originally Cork, Ireland) called Ian W. McCarthy. This one’s a fascinating record using the decaying, dilapidated sounds of dying loops from cassette tapes that had been left out in the rain, submerged in salt-water and even burnt. This record certainly has its refreshing Ambient moments as old fragments of music float to the surface but this is experimental in nature as the synths and instrument sounds glean occasionally on a bed of noise and murk. This should appeal to those who enjoy sounds by Maps and Diagrams (or his work as Atlantis)Billy Gomberg or Skjølbrot.

At time of writing, we’ve got copies still available – to find out more or grab a copy, you can click the link below or on the image above to listen. To avoid missing out on future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/sea-trials

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
“The self-titled Sea Trials album is the debut from Irish born, Hungary based artist Ian McCarthy who has previously released in the Techno field under monikers Romart and Wilhelm on labels such as Flux Recordings, Nice Try Records and I Had An Accident Records. Sea Trials was spawned in 2015 as the foundations for Ian’s idea began with him creating a pool of material to draw from as he planned a number of recordings and we’re pleased to present his eponymous debut album to serve as the perfect introduction to this sound.

The 9 tracks were created from source material recorded to old or damaged cassette tapes which were treated by either being left outside exposed to the elements, by being burnt or submerged in salt-water for long periods. Inevitably, the deterioration of sound and medium became a crucial part of the process and became the concept: decay and rebirth.
Ian found himself unexpectedly longing for the sea as he was land-locked in North Eastern Hungary and so maritime references are aplenty along with a sweeping nostalgia that creates feelings of loss and longing.

Originally, Ian had set out to create almost orchestral styled pieces by using various instruments and synthesisers as his starting point for loops however, the methods of tape erosion played a part in warping this sound into dilapidated memories of the original works which occasionally resurface and reimagine as sections are spared the decay of the sea bed. Other sections of the source material did not survive the process so well and somewhere on this record, you will hear a tape machine dying an uncomfortable death.”

Catalog number WLR024
Written, produced and Mastered by Ian W. McCarthy
Mastered by Tim Diagram
Photo by Ian W. McCarthy
Artwork by Harry Towell
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Out now! WLR008 Russell Glynn – Examples Of

Today we can announce the official release date of our next highly limited physical edition. WLR008 is Cambridge, Massachusetts (USA) based artist Russell Glynn. In ‘Examples Of Russell presents an album of guitar and violin drones that will appeal to fans of William Basinski, Stars Of The Lid and Kyle Bobby Dunn. The cover artwork is provided by the artist and the album sees the return of Maps and Diagrams on mastering duty.

The album went out to the Whitelabrecs mailing list last weekend and at time of writing, just 9 physical copies remain! To grab one of these remaining copies simply click HERE or on the Bandcamp player above. Once it’s all sold out, you’ll still be able to purchase a digital version – to avoid missing out in the future, why not join our mailing list?

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Press release
“Russell Glynn is a Cambridge, MA, US-based musician. ‘Examples Of’ is Russell’s first album to be released for label distribution, the homespun result of freewheeling experimentation and careful tinkering.

Russell picked up a violin at age nine, with guitar and keyboard following shortly thereafter. True to his lineage in makeshift home recording, Russell’s work is driven by improvisation and sonic spontaneity. Russell starts by building a barebones structure from a loop, then hits record and allows layers to crystallise naturally. As the inspiration to improvise wanes, Russell digs up previously recorded sessions, eventually committing to a found idea or theme. Russell then takes stock of his experiments and decides what is best to include as part of an album or other body of work.

‘Examples Of’ is one such body of work with the nine tracks that comprise the album being derived from three key elements: guitar, violin, and tape-loops. Each track began as a loop crafted from one of these three elements, then joined with the other two. Russell also incorporated noise elements to allow the sounds natural space. He recorded about half of the songs to tape then re-recorded them into Logic, carefully setting microphones around an old tape deck to capture the crackles and warmth of analog cassettes in combination with electro-acoustic drones. Experimentation with household objects also features; ‘Measured’ includes a clever loop of a metal tape measure cast around Russell’s bedroom. Field recordings further expand the aural atmosphere, with snippets suggesting the sound of distant winds, muddled conversation, and far-off chimes.

‘Examples Of’ is a remarkably cohesive body of work grounded in Russell’s experimental approach to sound. Whilst there is no overall concept, Russell cites nostalgia as a point of reference for the album, striving to convey an optimism tempered by the unsettling quality of drone noise.

The beautifully textured drones found within ‘Examples Of’ will appeal to fans of Stars Of The Lid, William Basinski, and Kyle Bobby Dunn.”

credits
Catalog number: WLR008
Written and produced by Russell Glynn
Mastered by Tim Diagram
Artwork by Russell Glynn