Emanuele Errante

ARTIST NAME: Emanuele Errante
LOCATION: Baia, Napoli, Italy
FILE UNDER: Electro-Acoustic, Ambient, Modern Classical
RELEASES: Coming soon…

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Out Now! Logic Moon – I See Planets

The show must go on and we’re over mid-way through our busy schedule for 2019. Next we’re back in Germany as we welcome Mainz based artist Tobias Lorsbach who records as Logic MoonI See Planets is a deep and dense Ambient/Drone album created using guitar and retro synths and it features the collage artwork of Thomas Easton. This will be available in 2019’s signature gatefold-LP style CD, in a run of 100 copies with packaging design arranged by the artists themselves. The album is out today and has plenty of detail, so should not be viewed as a pure drone album. It should appeal to those who follow artists such as Truthiscolor, Hotel Neon or Tone Color.

I See Planets is available now after having been released to subscribers of our mailing list last weekend, who had the first opportunity to grab a copy. These have been going well but we still have copies left at the time of writing and you can buy one of these or grab a digital copy by clicking the link or image above. To avoid missing out on future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/i-see-planets

 

press release
“Logic Moon is Tobias Lorsbach, an artist from Mainz, Germany. His previous releases have appeared on labels such as Archives, Archipel and his own spontanMusik imprint across all physical and digital formats. He spent many years in the minimal techno scenes since the early 2000s and whilst out on a field recording excursion, he fell upon the idea of layering some Ambient drones. From here, his debut album as Logic Moon was born, Herbst11.

Tobias’ musical background has drawn in a widescreen of genres with him having performed guitar in a death metal band, embarked on a DJ career and now as an Ambient musician. His varied experiences have only served to give birth to a range of ideas which are evident in his latest album ‘I See Planets’, clocking in at just over an hour.
Compositions typically start life as a sketch on guitar before synth and additional components were added to build an environment.

Retro-futurism is the over-arching concept to I See Planets, something which Tobias does not map out for you the listener to read so you’re clear. Instead, this bewildering atmosphere is a heady journey that requires the time and space for it to unfold carefully.
The title track opens proceedings over 8 minutes, taking its time to wash over science fiction tales from the 70s. ‘Somnia’ follows, hinting of a drowsy night’s gaze into the black sky above as you imagine all kinds of stars, galaxies and planets. Fleeting moments of warmth are interspersed with themes of artificial intelligence, comprehension of time and darkness.

We’ve teamed up with Thomas Easton for the artwork, who produces retro-futuristic collages. We discovered his work through Instagram and we’re pleased to find a work of art which truly encapsulates the tales of I See Planets.”

credits
Written, produced and mastered by Tobias Lorsbach
Artwork by Thomas Easton
Packaging design by Harry Towell

Out Now! anthéne – asymmetry

We’re moving towards spring and have racked up 3 releases this year so far. Next the run count of 100 copies continues with another gatefold LP style packaging design, this time by Polar Seas label boss anthéne. Asymmetry not only provides a set of lulling synth and guitar drones laced with hiss and static but it also features two familiar names in Ambient music; Peter Nejedly returns with more beautiful photography and Ian Hawgood is on mastering duty. We’ll release this on or around the 6th of April 2019. The theme within asymmetry was originally about assembling unrelated and differing material. However, somewhere unintentionally, an indescribable theme emerges from nothing to blanket your eyes and ears. Those who follow artists such as Kyle Bobby Dunn, Stars of the Lid or Billow Observatory may enjoy this one!

Asymmetry is available now after having been released to subscribers of our mailing list last weekend, who had the first opportunity to grab a copy. These have been going well after some reviews, particularly on Stationary Travels but we still have a few left and you can buy one of these or grab a digital copy by clicking the link or image above. To avoid missing out on future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/asymmetry

press release
“Anthéne is Toronto, Canada based artist Brad Deschamps who has been recording Ambient music since 2011, after also forming part of the duo North Atlantic Drift for which he’d performed alongside artists such as Benoit Pioulard and Bing and Ruth. Solo releases have emerged on leading labels such as Hibernate, Sound In Silence and most recently Home Normal, who released ‘weightless’ only last month which label boss Ian Hawgood describes on the website as ‘warm analog sleep echoes’. Brad also runs the magnificent Polar Seas Recording label, which has released material from artists such as Mikael Lind, Celer and Andrew Tasselmyer.

We’re pleased to present the next release in Brad’s catalog, which is entitled ‘asymmetry’ as he strived to explore different depths of sound. The title of the album was born out of his idea of recording in different ways to create narrow, saturated recordings as well as widescreen ambience yet trying to blend these works together as a cohesive whole. Guitar and effects pedals, synthesizers and field recordings are some of the elements that form the basis of this dynamic yet minimal range of compositions but a simple yet key ingredient can be heard in the warm and gentle tape hiss which underpins the record.

Whilst Brad’s ideas are rooted in joining disparate, unrelated textures, the resulting record is something that makes sense; the seven pieces have been lovingly mastered by Ian Hawgood, the sheer patience of each gently unfolding track will comfort even the most restless of soul and the packaging design features artwork from Peter Nejedly. Somewhere, unintentionally, an indescribable theme emerges from nothing to blanket your eyes and ears.”

credits
Written and produced by Brad Deschamps
Mastered by Ian Hawgood
Photography by Peter Nejedly
Packaging design by Harry Towell

Coming soon…anthéne – asymmetry

We’re moving towards spring and have racked up 3 releases this year so far. Next the run count of 100 copies continues with another gatefold LP style packaging design, this time by Polar Seas label boss anthéne. Asymmetry not only provides a set of lulling synth and guitar drones laced with hiss and static but it also features two familiar names in Ambient music; Peter Nejedly returns with more beautiful photography and Ian Hawgood is on mastering duty. We’ll release this on or around the 6th of April 2019. The theme within asymmetry was originally about assembling unrelated and differing material. However, somewhere unintentionally, an indescribable theme emerges from nothing to blanket your eyes and ears. Those who follow artists such as Kyle Bobby Dunn, Stars of the Lid or Billow Observatory may enjoy this one!

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“Anthéne is Toronto, Canada based artist Brad Deschamps who has been recording Ambient music since 2011, after also forming part of the duo North Atlantic Drift for which he’d performed alongside artists such as Benoit Pioulard and Bing and Ruth. Solo releases have emerged on leading labels such as Hibernate, Sound In Silence and most recently Home Normal, who released ‘weightless’ only last month which label boss Ian Hawgood describes on the website as ‘warm analog sleep echoes’. Brad also runs the magnificent Polar Seas Recording label, which has released material from artists such as Mikael Lind, Celer and Andrew Tasselmyer.

We’re pleased to present the next release in Brad’s catalog, which is entitled ‘asymmetry’ as he strived to explore different depths of sound. The title of the album was born out of his idea of recording in different ways to create narrow, saturated recordings as well as widescreen ambience yet trying to blend these works together as a cohesive whole. Guitar and effects pedals, synthesizers and field recordings are some of the elements that form the basis of this dynamic yet minimal range of compositions but a simple yet key ingredient can be heard in the warm and gentle tape hiss which underpins the record.

Whilst Brad’s ideas are rooted in joining disparate, unrelated textures, the resulting record is something that makes sense; the seven pieces have been lovingly mastered by Ian Hawgood, the sheer patience of each gently unfolding track will comfort even the most restless of soul and the packaging design features artwork from Peter Nejedly. Somewhere, unintentionally, an indescribable theme emerges from nothing to blanket your eyes and ears.”

credits
Written and produced by Brad Deschamps
Mastered by Ian Hawgood
Photography by Peter Nejedly
Packaging design by Harry Towell

Out Now! Jens Pauly – Vihne

Still we keep the run count at 100 copies of special gatefold LP style packaging design, with our last release by Glåsbird which has almost sold out. Next up we welcome Cologne, Germany based artist Jens Pauly whose last album r/f emerged in 2017 and Karlrecords. Vihne is a delicate sprinkling of electro-acoustic melancholy over 8 tracks, complete with beautiful artwork courtesy of photography by Chung Sungdong and Peter Nejedly, as well as the nifty design work by Jens. We’ll release this on or around the 9th of March 2019. The floating fragments of piano, guitars, synth and sine waves will surely appeal to those who follow the 12k catalog, in particular Marcus Fischer, Taylor Deupree or Solo Andata.

Vihne is available now after having been released to subscribers of our mailing list last weekend, who had the first opportunity to grab a copy. These have been going well after some reviews, particularly on Stationary Travels but we still have a few left and you can buy one of these or grab a digital copy by clicking the link or image above. To avoid missing out on future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/vihne-2

press release
“Floating through empty streets late at night. No other people around, no distraction from a dialogue happening inside of you – looking for something, looking for nothing, looking for anything relevant.
Jens Pauly’s second album ‘Vihne’ is the soundtrack to a search between flickering lights and a cloudy sky, between emptiness and being alive. It asks the essential questions within us, in a tranquil state neither here nor there.
Each track marks a microcosm of its own, a small journey through worlds engulfed in memories.

Jens Pauly is a musician and artist from Cologne, Germany, who has previously released an album named r/f on Karlrecords. In his earlier years, Jens performed in punk and metal bands before he eventually began to compose more synth-based solo work as Ghostrider which he released with labels such as Digitalis and Tranquility Tapes.
Since debuting under his own name with r/f in 2017, Jens has developed an electro-acoustic sound which is both sparse and engulfing yet at the same time warm and melancholic. When we first heard Jens’ demo, we were reminded of the beautiful Ambient sounds that 12k might put out, such as work by Marcus Fischer, Solo Andata and Taylor Deupree. However, Jens has since shared with us that some of the artists that influenced this work are Oren Ambarchi, early Hiroshi Yoshimura and Vikki Jackman.

There is a sound palette that at first listen is stripped back but on closer inspection, Vihne is something steeped in detail, the music flows and feels weightless, as passages of guitars, piano, sine wave and cassette dictaphone recordings softly collide into a dreamy collage. If r/f was ‘5 straight lines in a circle’, Vihne is ‘8 circles on a line’ and although these tracks are parts of the wider picture of this album, it is intended to transfer an overall atmosphere as one whole journey.”

credits
Written and produced by Jens Pauly
Mastered by Alexandr Vatagin
Photography by Choi Sungdong and Peter Nejedly
Packaging design by Jens Pauly
Press release foreword by Ralph Schmidt

Coming soon…Jens Pauly – Vihne

Still we keep the run count at 100 copies of special gatefold LP style packaging design, with our last release by Glåsbird which has almost sold out. Next up we welcome Cologne, Germany based artist Jens Pauly whose last album r/f emerged in 2017 and Karlrecords. Vihne is a delicate sprinkling of electro-acoustic melancholy over 8 tracks, complete with beautiful artwork courtesy of photography by Chung Sungdong and Peter Nejedly, as well as the nifty design work by Jens. We’ll release this on or around the 9th of March 2019. The floating fragments of piano, guitars, synth and sine waves will surely appeal to those who follow the 12k catalog, in particular Marcus Fischer, Taylor Deupree or Solo Andata.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“Floating through empty streets late at night. No other people around, no distraction from a dialogue happening inside of you – looking for something, looking for nothing, looking for anything relevant.
Jens Pauly’s second album ‘Vihne’ is the soundtrack to a search between flickering lights and a cloudy sky, between emptiness and being alive. It asks the essential questions within us, in a tranquil state neither here nor there.
Each track marks a microcosm of its own, a small journey through worlds engulfed in memories.

Jens Pauly is a musician and artist from Cologne, Germany, who has previously released an album named r/f on Karlrecords. In his earlier years, Jens performed in punk and metal bands before he eventually began to compose more synth-based solo work as Ghostrider which he released with labels such as Digitalis and Tranquility Tapes.
Since debuting under his own name with r/f in 2017, Jens has developed an electro-acoustic sound which is both sparse and engulfing yet at the same time warm and melancholic. When we first heard Jens’ demo, we were reminded of the beautiful Ambient sounds that 12k might put out, such as work by Marcus Fischer, Solo Andata and Taylor Deupree. However, Jens has since shared with us that some of the artists that influenced this work are Oren Ambarchi, early Hiroshi Yoshimura and Vikki Jackman.

There is a sound palette that at first listen is stripped back but on closer inspection, Vihne is something steeped in detail, the music flows and feels weightless, as passages of guitars, piano, sine wave and cassette dictaphone recordings softly collide into a dreamy collage. If r/f was ‘5 straight lines in a circle’, Vihne is ‘8 circles on a line’ and although these tracks are parts of the wider picture of this album, it is intended to transfer an overall atmosphere as one whole journey.”

credits
Written and produced by Jens Pauly
Mastered by Alexandr Vatagin
Photography by Choi Sungdong and Peter Nejedly
Packaging design by Jens Pauly
Press release foreword by Ralph Schmidt