Out Now! Sven Laux & Fione – Tomorrow Everything Could Be Different

Our June releases are out today and in this edition we have a collaboration between our regular artist Sven Laux, and his fellow Berliner Fione, a pianist and musician. ‘Tomorrow Everything Could Be Different’ is a collection of solo piano compositions that have been adapted into a magical soundtrack of strings, synths and electronics.

Tomorrow Everything Could Be Different is out now in a run of 100 copies! The best way to keep informed about our low-run releases, is to join our mailing list, and we’ll make sure you’re the first to hear!

press release
“With this latest edition to the Whitelabrecs discography, we welcome back composer Sven Laux with a collaboration with fellow Berliner and musician Fione. This record began from a chance meeting at a party after Fione had discussed her improvisational piano performances and how it might lend itself to Sven’s orchestral Ambient music. After over a year, Fione recorded a track and sent it to Sven, who added layers of additional texture and detail; enough to be a catalyst from which they produced an album.

Each original piano composition was adapted one by one, piece by piece, into its magical whole. Fione tells us that for her, the music was always about what could have been, a sort of pain that we feel inside of us that we know we can’t change, because it is impossible to turn back time. Instead, we live with what we know we have to deal with, facing every day with the uncertainty that something might change in a minute, an hour or, tomorrow. From here, Tomorrow Everything Could Be Different’s concept can be gleaned as we contemplate the past, present and future and it can be interpreted differently by the listener.

Quiet moments of reflection weave a pensive environment in which you can either concentrate your thoughts, or allow them to evaporate. The music feels at times as if it is containing and conserving its energy, only for swells of strings and fleeting crescendos to release the tension. It’s a release which reveals either negative, or positive energy, depending on its listener. The artwork from painter Maliana Wang reflects the album’s themes by offering what appears to be storm clouds or crashing waves.

We all see the future in different ways. Tomorrow Everything Could Be Different doesn’t tell you what will change, that things will get better, or worse. The clouds may thicken, or they may disappear.

credits
Written and Produced by Sven Laux and Fione
Mastered by James Edward Armstrong
Painting by Maliana Wang
Art and design by Andrew Heath

out now! glåsbird – cinéma noir

 

We usually release new music at the weekends but for this one, we decided to give a traditional Monday morning release a try! In this new digital edition, a departure from our CDr editions and eRecord series, we welcome Glåsbird with an album called cinéma noir, themed around black and white drama film. Each track has a cryptic title, with an accompanying photograph by Peter Nejedly. Along with the music, these sketch out scenes from an un-written movie, yet to be filmed.

cinéma noir is out now in a digital-only format. The best way to keep informed about our releases, is to join our mailing list, and we’ll make sure you’re the first to hear!

press release
“Since the project’s inception in 2018, anonymous artist Glåsbird has amassed a discography entirely dedicated to geographic themes. Each album from the ‘A Sonic Expedition’ series has been composed specifically as an imaginary film documentary, themed around a specific country, region or remote location. This work has led to some film work, such as Return To Sea and Sardinia and Casa Occupata. With this latest record, the music and its close affinity to visuals is the central theme, as Glåsbird explores a non-geographic theme for the first time. It is also the first digital-only album by this artist.

Cinéma Noir is intended to play out the soundtrack to a film that was never made. The track titles are cryptic, as the music sketches out scenes of a noir movie. Some pieces use wide-screened orchestration techniques whereas others use pensive, sprawling or tensioned tones to draw out cinematic moods.

If the track titles are too mysterious, then it may become ever so slightly clearer with monochrome photography by Peter Nejedly, who has provided 10 images; one to accompany each track. These pictures were matched to the track titles and their compositions by Glåsbird, who hopes that your own imagination will form the missing movie scenes.

credits
Written and Produced by Glåsbird
Mastered by James Edward Armstrong
Photography by Peter Nejedly

Coming soon… Sven Laux & Fione – Tomorrow Could Be Different

Here’s the second of two new releases lined-up for the 17th of June and in this one, we welcome back Sven Laux who has collaborated with a fellow Berlin-based artist Fione, who is a musician and pianist. Tomorrow Everything Could Be Different is an album inspired by time and place, with Sven taking Fione’s piano compositions into lush, orchestrated Ambient territory. The release is complete, with an original painting as the cover artwork, by Maliana Wang. Tomorrow Everything Could Be Different‘ will be up for pre-order this coming Bandcamp Friday, the 3rd of June.

Then ‘Tomorrow Everything Could Be Different‘ will be available officially in one of our typically low runs of 100 gatefold vinyl-effect CDrs, complete with art and design by Andrew Heath.

It will be released officially on Saturday the 17th of June. If you join our mailing list using the link below, we’ll make sure you’re the first to hear.

press release
“With this latest edition to the Whitelabrecs discography, we welcome back composer Sven Laux with a collaboration with fellow Berliner and musician Fione. This record began from a chance meeting at a party after Fione had discussed her improvisational piano performances and how it might lend itself to Sven’s orchestral Ambient music. After over a year, Fione recorded a track and sent it to Sven, who added layers of additional texture and detail; enough to be a catalyst from which they produced an album.

Each original piano composition was adapted one by one, piece by piece, into its magical whole. Fione tells us that for her, the music was always about what could have been, a sort of pain that we feel inside of us that we know we can’t change, because it is impossible to turn back time. Instead, we live with what we know we have to deal with, facing every day with the uncertainty that something might change in a minute, an hour or, tomorrow. From here, Tomorrow Everything Could Be Different’s concept can be gleaned as we contemplate the past, present and future and it can be interpreted differently by the listener.

Quiet moments of reflection weave a pensive environment in which you can either concentrate your thoughts, or allow them to evaporate. The music feels at times as if it is containing and conserving its energy, only for swells of strings and fleeting crescendos to release the tension. It’s a release which reveals either negative, or positive energy, depending on its listener. The artwork from painter Maliana Wang reflects the album’s themes by offering what appears to be storm clouds or crashing waves.

We all see the future in different ways. Tomorrow Everything Could Be Different doesn’t tell you what will change, that things will get better, or worse. The clouds may thicken, or they may disappear.

credits
Written and Produced by Sven Laux and Fione
Mastered by James Edward Armstrong
Painting by Maliana Wang
Art and design by Andrew Heath

Out Now! Anne Chris Bakker – A Sketch in Leaving

Our May releases are out today and in this edition we have an album by Netherlands based artist Anne Chris Bakker. This record follows last year’s collaborative album for Whitelabrecs alongside Andrew Heath, ‘How To Breathe Like A Stone’ and through these twelve tracks, we’re pleased to present ‘A Sketch in Leaving‘ which is a range of piano, synth and experimental compositions, themed around the Scandinavian landscape.

A Sketch in Leaving is out now in a run of 100 copies! The best way to keep informed about our low-run releases, is to join our mailing list, and we’ll make sure you’re the first to hear!

press release
“In this edition we welcome back Anne Chris Bakker, a musician and composer from the Netherlands. Some may recall 2021’s collaboration with Andrew Heath, with their album ‘How To Breathe Like A Stone’ and we are pleased to be able to present this solo record, ‘A Sketch in Leaving’.

Anne Chris Bakker’s music makes use of electro acoustic sound sources, to create minimal and experimental ambient music. Releases have been made available through labels such as White Paddy Mountain, Dronarivm and Unknown Tone, as well as a further collaboration with Andrew Heath on Rusted Tone Recordings. There were also recordings as Kleefstra|Bakker|Kleefstra on labels which include Low Point.

Bakker typically starts with small compositions created with guitar and for A Sketch in Leaving, a new approach was forged by using a piano and samples so that a new experimental path could be explored. Inspiration has been drawn from long walks in the Norwegian mountains and this album is in part based upon these experiences. The immense landscape, battered and bruised by the elements represents change and loss, as well as the emergence of freshly formed details. The titles of the album are mainly of places, people and concepts all set to the vast Scandinavian landscape, which is placed as a focal point within the packaging artwork.

credits
Written and produced by Anne Chris Bakker
Pre-mastered by Andrew Heath
Mastered by James Edward Armstrong
Packaging design by Andrew Heath

Out Now! Glåsbird – Himalaya

Our May releases are out today and the first sees the next installment of Glåsbird’sA Sonic Expedition‘ series. The next destination on the horizon for this anonymous artist, is the Himalayan mountain range and this album traces a fictitious mountain expedition to the summit, followed by an ascent back down from the peak. The sequence of the tracks trace this journey and the packaging contains imagery from an actual expedition in the Himalayas, provided by climber Jay Whiting. There are also some additional words that give further conceptual insight into this record, provided by Neil McRoberts.

Himalaya is out now in a run of 100 copies! The best way to keep informed about our low-run releases, is to join our mailing list, and we’ll make sure you’re the first to hear!

press release
“Glåsbird’s A Sonic Expedition series continues, arriving at the Himalayas as the destination for the 6th album installment of this global exploration. For those of you who are unaware, this is a project for this anonymous producer to explore far-flung geographic themes over the course of 10 albums. The series began inside the Arctic circle, moved into Scandinavia and surrounding area, onto Siberia and in this second half, it emerges in the highest mountain range on earth. It moves from expansive open landscapes and onto a new theme of treacherous peaks.

Himalaya was created as a fictitious film soundtrack, tracking the struggles and triumphs of a climber as they embark on and summit an unspecified mountain. The album begins with an ancient quietude, follows to snow-damped hikes before it delves into high-altitude ascents, with the music becoming ever more dramatic and at times, triumphant. The album closes with a descent, as the music gradually softens again but it carries with it, a sense of weary achievement.

As usual, Glåsbird has spent hours trawling archive film footage and documentary series’ as well as studying the terrain, through old maps and Google Earth. The album package includes photography by climber Jay Whiting, with the front, inner and rear images taken in the Himalayas during an expedition. Inside the sleeve, you’ll find some words provided by Neil McRoberts which give a poignant reflection on the Himalayas themselves, and the symbolism of mountains as a mammoth challenge. There is much to be discovered from a struggle and we hope that in some way, this record can provide inspiration, encouragement and some kind of peace.

credits
Written and produced by Glåsbird
Mastered by James Edward Armstrong
Photography by Jay Whiting
Words by Neil McRoberts
Art and design by Andrew Heath

out now! edu comelles & rafa ramos sania – de camp

Here’s our second of two new releases for April. For this one, we welcome Valencia, Spain based artists Edu Comelles and Rafa Ramos Sania. In this album ‘de camp‘ which means from the field in Catalan, the many instrument sounds of Rafa Ramos Sania are arranged by Edu Comelles, and adapted into a form of contemporary chamber music, with sensitively added electronics.

The album download includes a bonus track, a 32 minute live performance at the VolumensFest in November 2021. There are also music videos for the tracks Argilaga, Heura and Lantana, created by Jorge Dabaliña.

De Camp I is out now in a run of 100 copies! The best way to keep informed about our low-run releases, is to join our mailing list, and we’ll make sure you’re the first to hear!

press release
“de camp is the second album by the Spanish duo formed by sound artist Edu Comelles and multi-instrumentalist Rafa Ramos Sania. After their debut on Archives label with Botánica de Balcón, the two artists expand their sonic universe by refining their own style, aesthetics and sound design. The outcome is ‘de camp’, an album featuring five new compositions and Bleda, a piece originally released on El Muelle Records as part of a charity compilation album.

de camp encompasses a widening of the musical horizons of this duo, stretching the colour palette of their timbres and shedding some light to their darker first album on Archives. Botánica de Balcón revolved around setting up a dialogue between austere electronics and the sombre strength of the double bass. On de camp the composition process has been a back and forth exercise of recording and re-recording, dissolving the lines between instrumentation, electronics and field recordings and striving for a unity in language and aesthetics.

de camp means ‘from the field’ or ‘from land’ in Catalan. All track titles refer to Catalan names of plants found in the outskirts of Valencia, the city where both artists live.

credits

Recorded, composed and mixed by Edu Comelles & Rafa Ramos Sania between Patraix and Alboraia 2021

Edu Comelles: Electronics & Field Recordings
Rafa Ramos Sania: Double Bass, Cello, Piano, Acoustic Guitar, Music Box and Objects

Videos by Jorge Dabaliña

Mastered by David Mata

Art and design by Andrew Heath

August Pre-orders: Adrian Lane and Glåsbird

Today we have two new albums available to pre-order, especially for Bandcamp Friday. They are from artists who have both released in our catalog before, with Adrian Lane following up his Home Diaries edition ‘Indigo and Salt Peter’, and Glåsbird providing the next instalment of their Sonic Expedition series.

Both of these vinyl effect CDrs are available in a limited run of 100 copies and more information about each album can be gleaned below. The packaging images above are mock examples, as we await the delivery of these items and so it should be pointed out that the CD colour is going to be different (Adrian Lane Gold, Glåsbird White). The albums will both release officially on Saturday the 28th of August.

What is Bandcamp Friday?
For those unaware, this initiative was set-up by Bandcamp as a way to support artists, musicians and labels throughout the pandemic. Once a month they were waiving their commission charged to platform users. Recently these have been more infrequent but Bandcamp are still committed to providing support and so August the 6th has been a date in the diary for some time.


Adrian Lane – The Fleet

The Fleet is a Modern Classical album that is equally steeped in drama and melancholy, with soaring strings, pensive piano and subtle soft synths. Composer Adrian Lane lives by the sea and the coastal air gave rise to an unexpected nautical theme, which is brought together by the artwork, which he hand-painted in his studio.”

whitelabrecs.bandcamp.com/album/the-fleet


Glåsbird – Siberia

Siberia is the 5th edition of anonymous artist Glåsbird’s Sonic Expedition series, soundtracking imaginary films from different geographic locations. This album spans over two discs, with the first one focusing on the beauty of this huge region and disc two provoking thoughts about climate change.”

whitelabrecs.bandcamp.com/album/siberia


Out Now! anthéne & simon mccorry – the equation of time

Today we announce the latest new addition to our series, which sees the return of anthéne who has joined forces with cellist and composer Simon McCorry.

The Equation Of Time‘ is an album which combines processed guitar and cello, to contemplate the enormity of time. It’s rounded off by the stunning collage artwork of Tom Tebby, who also designed the CD packaging which we’ll be revealing the packaging on release day.

Whitelabrecs low-run releases are likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“We’re pleased to welcome back Toronto, Canada’s anthéne in the form of this collaborative album with UK cellist and composer Simon McCorry. Between them, they have released solo recordings on labels such as Home Normal, Archives, Past Inside The Present, Naviar and Fallen Moon. They’ve also both released on Polar Seas, a label helmed by Brad Deschamps, the man behind anthéne.

Both artists are comfortable collaborators, having worked alongside the likes of Ian Hawgood, Andrew Tasselmyer and Andrew Heath. It was in 2020 when their remote recording sessions translated into The Equation Of Time, combining and processing Brad’s guitar and Simon’s cello into a collage of droning textures. A concept sprang from their work together, during the unfolding pandemic and its resulting lockdowns, where time itself seemed to stand still, go backwards and go forwards, all at once. Add to this the the sheer geographical distance and time zones separating these artists, the often-explored artistic muse of time and space became the central theme.

The title ‘The Equation Of Time’ relates to the differences between the day of the earliest sun rise, the day of the latest sunset, the longest day. Each of these days are different, noted by the ancient Greeks and the Persians before them. The enormity of time and the ability for humans to occupy the same space as multiple predecessors is particularly fascinating when faced with something ancient, such as a cave painting, a forest or the ruins of a fallen civilisation. The track titles are aptly borrowed from parts of T.S. Eliot’s 4 Quartets, which also deals with the contemplation of time. You can surmise from these poems that ideally, one would focus only on the present, in order to make the most of each turn of the clock; the past cannot be altered and the future is unknown. Our memory can subconsciously serve us back our own recollection of past times, which can result in nostalgia, melancholy or both. Our minds can also influence our perception of the future, with feelings of either fear, excitement or both.

The Equation Of Time grapples at these themes and ideas without the intention of ever truly being able to define time. A wash of faded memories, unknowns and current thoughts stir into one-another; ambient music itself always seems so able to reflect and evoke a sense of wonder, at things far bigger than we can ever comprehend.”

credits
Written and Produced by Brad Deschamps and Simon McCorry
Mastered by Ian Hawgood
Artwork by Tom Tebby
Packaging design by Tom Tebby

Coming soon… anthéne & simon mccorry – the equation of time

Cover

It seems to have been a while since we last released a CD in our catalog so we’re excited to announce this new addition to our series, which sees the return of anthéne who has joined forces with cellist and composer Simon McCorry.

The Equation Of Time‘ is an album which combines processed guitar and cello, to contemplate the enormity of time. It’s rounded off by the stunning collage artwork of Tom Tebby, who also designed the CD packaging which we’ll be revealing the packaging on release day.

The Equation Of Time will be released on Saturday the 22nd of May with no pre-order. If you join our mailing list using the link below, we’ll make sure you’re the first to hear.

press release
“We’re pleased to welcome back Toronto, Canada’s anthéne in the form of this collaborative album with UK cellist and composer Simon McCorry. Between them, they have released solo recordings on labels such as Home Normal, Archives, Past Inside The Present, Naviar and Fallen Moon. They’ve also both released on Polar Seas, a label helmed by Brad Deschamps, the man behind anthéne.

Both artists are comfortable collaborators, having worked alongside the likes of Ian Hawgood, Andrew Tasselmyer and Andrew Heath. It was in 2020 when their remote recording sessions translated into The Equation Of Time, combining and processing Brad’s guitar and Simon’s cello into a collage of droning textures. A concept sprang from their work together, during the unfolding pandemic and its resulting lockdowns, where time itself seemed to stand still, go backwards and go forwards, all at once. Add to this the the sheer geographical distance and time zones separating these artists, the often-explored artistic muse of time and space became the central theme.

The title ‘The Equation Of Time’ relates to the differences between the day of the earliest sun rise, the day of the latest sunset, the longest day. Each of these days are different, noted by the ancient Greeks and the Persians before them. The enormity of time and the ability for humans to occupy the same space as multiple predecessors is particularly fascinating when faced with something ancient, such as a cave painting, a forest or the ruins of a fallen civilisation. The track titles are aptly borrowed from parts of T.S. Eliot’s 4 Quartets, which also deals with the contemplation of time. You can surmise from these poems that ideally, one would focus only on the present, in order to make the most of each turn of the clock; the past cannot be altered and the future is unknown. Our memory can subconsciously serve us back our own recollection of past times, which can result in nostalgia, melancholy or both. Our minds can also influence our perception of the future, with feelings of either fear, excitement or both.

The Equation Of Time grapples at these themes and ideas without the intention of ever truly being able to define time. A wash of faded memories, unknowns and current thoughts stir into one-another; ambient music itself always seems so able to reflect and evoke a sense of wonder, at things far bigger than we can ever comprehend.”

credits
Written and Produced by Brad Deschamps and Simon McCorry
Mastered by Ian Hawgood
Artwork by Tom Tebby
Packaging design by Tom Tebby

Out Now! Sven Laux – Scattered Fragments of Separation (The Complete Story)

We’re to announce today this new double album by Sven Laux, who has adapted last year’s Home Diaries album ‘Scattered Fragments of Separation‘ with a new album of material. This is available now in a special double gatefold CD edition, with the 2 discs containing a total of 17 tracks.

Whitelabrecs low-run releases are likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“In 2020’s mammoth Home Diaries series, Berlin composer Sven Laux contributed the 25th edition in this collection, which focused on the lives of sonic artists from across the globe and their own unique experiences during the pandemic.

Sven was handed an unplanned hiatus from creating music, due to staying some 100 kilometres away from his studio. He was based with relatives for childcare purposes and the weeks away from his art led to him returning home alone. He knew that whichever path he took, a compromise was required as he had to either be away from his family or separated from the creativity that so defines him. Separation became the theme to an immersive collection of ‘fragments’, which was created almost instinctively over a short period of time following his return.

Later in 2020, sunken and heartbroken, Sven set about exploring these themes once again. The result is an expansive double album, containing both the original 9 pieces that were released as the Home Diaries edition and 8 new pieces. This is a record that is unapologetically cinematic, presented by an artist who is adept in sound design and writing music for film. The honest and reflective portrait photography by Polina Georgescu cements this as an auto-biopic experience, Laux’s most personal album to date. Scattered Fragments of Separation (The Complete Story) follows the ‘Schachmatt’ and ‘ODD’ albums released in 2018 and 2019 respectively and marks four successive years of releasing music with us. Sven has also released with labels including Archives, Dronarivm and Fluid Audio.

In the liner notes on the CD, it is stated that this is ‘music for the brokenhearted, written by a broken heart’ and in just under 2 hours of sound texture, the music will both break and restore you, as melancholy moods are interspersed with moments of drama, peace and acceptance.

credits
Written and produced by Sven Laux
Mastered by James Edward Armstrong
Photography by Polina Georgescu
Art and design by Andrew Heath