Caminauta

ARTIST: Caminauta
LOCATION: Uruguay
FILE UNDER: Ambient, Electronic, Drone
RELEASES: WLR047

Out Now! teleferick – sixteen frames

For our next release we’re pleased to present a debut from Brugge, Belgium based artist Teleferick who also contributes the weekly electronic/experimental music show ‘Klankschap‘. This is a record compiling some 10 years of work as the artist Christophe Ywaska selects ‘Sixteen Frames‘ that cross section his ranging production styles. Beautiful Ambient moments are juxtaposed against more playful pieces which experiment with electronics and modern classical composition in an unconventional way. This one may appeal to those who enjoy Monolyth & Cobalt, Roel Funcken or Sylvain Chauveau

Sixteen Frames is out this weekend in a limited edition run of 50 copies to the world, packaged in our usual vinyl-imitation CDrs with polaroid artwork prints.

This went to out to our mailing list last weekend and at time of writing, we’ve got copies still available – to find out more or grab a copy, you can click the link below or on the image above to listen. To avoid missing out on future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/sixteen-frames

press release
“Teleferick is Bruges, Belgium based artist Christophe Ywaska who also runs a radio show called Klankschap which dives into the world of experimental music each week. This show has been running for many years and whilst being exposed to a wide range of multi-disciplinary artists, it’s no surprise that Christophe has also been recording his own work as Teleferick since around 2005.

We’re pleased to present his debut physical release after all these years, a sort of ‘selected works’ of sixteen unheralded gems from his collection. These are highlights from a ten year period with tracks presented as ‘frames’ which when played in their intended sequence, draw together as a vivid and cinematic soundtrack to a short film. There is a sheer wealth of production techniques and texture woven into these pieces that gives great variety as you listen; the moods of tracks flit from sad to intense, from serene to amusing. In releasing Sixteen Frames, Christophe intends to ‘archive’ these production methods and ideas and move onto the next chapters that lie ahead.

We’re told that before composing the work of ‘Sixteen Frames’ Christophe would isolate himself from the rest of the world, starting with virtually nothing before kneading the resulting elements into a unique identity. There was no clear plan when sculpting the music or of a deeper album concept. The true meaning of the album reveals itself to you only when the record is complete and could perhaps be compared to therapeutic sessions where there are more questions than answers. Sixteen Frames may indeed feel like a puzzle at times, but something that is appreciated all the more for getting lost in its complexity and in doing so, perhaps you will begin to understand?

Catalog number WLR028
Written and produced by Christophe Ywaska
Mastered by Tim Diagram
Artwork by Christophe Ywaska

Out now! WLR012 Colbets – Come To The Surface

We’ve just moved house and we’re already up online and ready to crack on releasing some of the wonderful demos that are building up.

Next up we welcome a duo from Japan called Colbets, who some may be familiar with their recent work on now defunct Australian label Twice Removed. ‘Come To The Surface’ is a set of 5 mid-length synth and guitar led Ambient drones that will appeal to fans of Darkroom, Twine and Colbets’ compatriot Shaula. It’s available now on Whitelabrecs in a very low run of just 50 CDrs.

We released the album to our mailing-list subscribers last weekend and most copies have sold – there are just a few left however at time of writing. To find out more or to secure your copy, you can click the link below or on the image above to listen. To avoid missing out on future releases, you can join our mailing list HERE

Take a look through this email to find out more or click the link below, or image above.

https://whitelabrecs.bandcamp.com/album/come-to-the-surface

 

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Press release
“Colbets is a duo from Tokyo, Japan consisting of Saitoh Tomohiro and Kari Takemoto. They have previously released music on labels such as Twice Removed, Twisted Treeline, U-Cover and Vent in a project that began in 2011.
Saitoh also records solo electronic material as Shreber Harber Mole Flying Wheel whilst Kari is a guitarist; together they produce dense and hazy linear drones.

Come To The Surface was composed as the soundtrack to an imaginary nostalgic movie, designed to evoke thoughts of flickering, grainy film imagery. The entire album is an immersive listen from start to finish, designed with Brian Eno’s original description of Ambient music in mind: to be neither foreground nor background. There is a weight and power to the contemplative sound palette that will pull you into thoughts of nostalgia as you try to recall abandoned memories to the surface of your mind.



credits
Catalog number: WLR012
Written and produced by Saitoh Tomohiro and Kari Takemoto
Mastered by Tim Diagram
Photography by Peter Nejedly

Coming soon…Russell Glynn | Examples Of

Straight onto our next release then, next we’d like to present ‘Examples Of‘, the first label release for Russell Glynn, from Cambridge, Massachusetts (USA). So far Russell’s work has been through his Bandcamp page and his work for Whitelabrecs focuses on Guitar, Violin and Tapeloops. The record features photography from the artist themselves as well as mastering from Tim Diagram (Maps and Diagrams). Russell’s work is centred around beautiful electro-acoustic drones that will appeal to fans who enjoy Stars Of The Lid, William Basinski or Kyle Bobby Dunn. You can listen to a preview of the album using the Soundcloud player below or keep tabs on our Facebook page to preview the packaging when we decide to share it.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
“Russell Glynn is a Cambridge, MA, US-based musician. ‘Examples Of’ is Russell’s first album to be released for label distribution, the homespun result of freewheeling experimentation and careful tinkering.

Russell picked up a violin at age nine, with guitar and keyboard following shortly thereafter. True to his lineage in makeshift home recording, Russell’s work is driven by improvisation and sonic spontaneity. Russell starts by building a barebones structure from a loop, then hits record and allows layers to crystallise naturally. As the inspiration to improvise wanes, Russell digs up previously recorded sessions, eventually committing to a found idea or theme. Russell then takes stock of his experiments and decides what is best to include as part of an album or other body of work.

‘Examples Of’ is one such body of work with the nine tracks that comprise the album being derived from three key elements: guitar, violin, and tape-loops. Each track began as a loop crafted from one of these three elements, then joined with the other two. Russell also incorporated noise elements to allow the sounds natural space. He recorded about half of the songs to tape then re-recorded them into Logic, carefully setting microphones around an old tape deck to capture the crackles and warmth of analog cassettes in combination with electro-acoustic drones. Experimentation with household objects also features; ‘Measured’ includes a clever loop of a metal tape measure cast around Russell’s bedroom. Field recordings further expand the aural atmosphere, with snippets suggesting the sound of distant winds, muddled conversation, and far-off chimes.

‘Examples Of’ is a remarkably cohesive body of work grounded in Russell’s experimental approach to sound. Whilst there is no overall concept, Russell cites nostalgia as a point of reference for the album, striving to convey an optimism tempered by the unsettling quality of drone noise.

The beautifully textured drones found within ‘Examples Of’ will appeal to fans of Stars Of The Lid, William Basinski, and Kyle Bobby Dunn.”

Out now! WLR006 Andrew Lang – Burnt Shades

We’re not just looking to work with established artists but we’d also like to be known for releasing débuts. The next of these is the very first album by Australian pianist/composer Andrew Lang entitled Burnt Shades. This is a record full of piano notes, varying in pace and timbre – recorded in a small music room which is adjacent to a busy road. As a result, accidental sounds from the world outside creep in between the creaky notes of Lang’s old piano. The album will appeal to anyone that routinely enjoys the work of Peter BroderickGoldmundNils Frahm or perhaps Andrew Lang’s compatriot Sophie Hutchings.

The album went live to our mailing list at the weekend and physical copies have nearly sold out already! There are still just a few available at time of writing and you can grab one of these by clicking HERE or the player above. Once it’s all sold out, you’ll still be able to purchase a digital version – to avoid missing out in the future, why not join our mailing list?

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Press release
“Andrew Lang is a pianist and composer from Adelaide, Australia and ‘Burnt Shades’ is his debut album which follows a free EP released via his Bandcamp page. His influences are varied but he cites fellow pianists/composers Max Richter, Nils Frahm and Philip Glass as being particularly important. He also mentions another key inspiration in books, as he began to read again whilst recording ‘Burnt Shades’ – in fact, some of the track titles stem from literary references.

We’re pleased to be able to present Andrew’s first long-player, a moody and creaky but magical album that retains a live feel. This raw, honest effect was achieved by simply playing and recording piano improvisations in his music room, which is situated near a busy road and park. Andrew began to embrace the sounds of the outdoors as the world went on by whilst he sat recording, with birds, creaks and traffic noises accidentally making their way onto the album.

The piano itself was purchased by his parents several years ago, having formerly been used in a church crèche. For that reason, it has seen better days; physically worn in appearance and the keys themselves sometimes create odd sounds due to kids with sticky fingers and biscuit crumbs. Andrew wouldn’t have it any other way, cherishing the sound of his old piano with its creaking pedals and the noticeably audible resonances of hammers at work.

Andrew had been writing an album for some time, only to scrap it as he grew frustrated at the dead ends he’d encounter. Then at the turn of 2015 on New Year’s Day, Andrew started work on Burnt Shades with a fresh determination; he wanted to build on his previous work by approaching the recording process a little differently. Previously he’d taken to working tirelessly on recordings taken on a mobile phone, by applying several EQ chains; this time he wanted to change his approach by focusing purely on his piano as well as upgrading his recording techniques.. So Andrew began to record into a DAW with a pair of carefully placed microphones and simply applied some compression and EQs. He also gave himself the challenge of playing the piano using just two fingers at any one time to rid himself of the constraints of complex playing – this allowed him to focus more on building the tracks carefully, with more freedom.

The result of Andrew’s work through 2015 is a short but beautiful set of tracks that will appeal to fans of Nils Frahm, Goldmund and Modern Classical Ambient music in general, featuring artwork from Slovakian photographer Milan Očenáš.”

credits
Catalog number: WLR006
Written, produced and mastered by Andrew Lang
Artwork by Milan Očenáš

Coming soon…Andrew Lang | Burnt Shades

We’ve recently posted a preview of our sixth release, which sees us veer in a modern classical direction in the form of Andrew Lang’sBurnt Shades‘ The record is Lang’s debut and features delicate piano compositions recorded in a music room on an old church piano – this will appeal to fans of Goldmund, Nils Frahm or Peter Broderick. You can check out a preview of the album using the Soundcloud player below or keep an eye on our Facebook page to preview the packaging when we decide to share it.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
“Andrew Lang is a pianist and composer from Adelaide, Australia and ‘Burnt Shades’ is his debut album which follows a free EP released via his Bandcamp page. His influences are varied but he cites fellow pianists/composers Max Richter, Nils Frahm and Philip Glass as being particularly important. He also mentions another key inspiration in books, as he began to read again whilst recording ‘Burnt Shades’ – in fact, some of the track titles stem from literary references.

We’re pleased to be able to present Andrew’s first long-player, a moody and creaky but magical album that retains a live feel. This raw, honest effect was achieved by simply playing and recording piano improvisations in his music room, which is situated near a busy road and park. Andrew began to embrace the sounds of the outdoors as the world went on by whilst he sat recording, with birds, creaks and traffic noises accidentally making their way onto the album.

The piano itself was purchased by his parents several years ago, having formerly been used in a church crèche. For that reason, it has seen better days; physically worn in appearance and the keys themselves sometimes create odd sounds due to kids with sticky fingers and biscuit crumbs. Andrew wouldn’t have it any other way, cherishing the sound of his old piano with its creaking pedals and the noticeably audible resonances of hammers at work.

Andrew had been writing an album for some time, only to scrap it as he grew frustrated at the dead ends he’d encounter. Then at the turn of 2015 on New Year’s Day, Andrew started work on Burnt Shades with a fresh determination; he wanted to build on his previous work by approaching the recording process a little differently. Previously he’d taken to working tirelessly on recordings taken on a mobile phone, by applying several EQ chains; this time he wanted to change his approach by focusing purely on his piano as well as upgrading his recording techniques.. So Andrew began to record into a DAW with a pair of carefully placed microphones and simply applied some compression and EQs. He also gave himself the challenge of playing the piano using just two fingers at any one time to rid himself of the constraints of complex playing – this allowed him to focus more on building the tracks carefully, with more freedom.

The result of Andrew’s work through 2015 is a short but beautiful set of tracks that will appeal to fans of Nils Frahm, Goldmund and Modern Classical Ambient music in general, featuring artwork from Slovakian photographer Milan Očenáš.”