Out Now! Edu Comelles – Línia Pedra Paisatge Solc

We’re ready to begin an exciting catalog of artist albums for 2020, starting with Línia  Pedra Paisatge Solc by Barcelona based artist Edu Comelles. This two track album of mid-length drones was mastered by Pedro Pina and was composed based on the skyline which can be seen from the castle of Culla. The pieces are drone soundscapes, full of evolving textural detail from acoustic instruments. Those who like Greg Haines, The Humble Bee and Ben McElroy. The album will be released officially on Saturday the 8th of February but if you join our mailing list using the link below, we’ll make sure you’re the first to hear.

Línia  Pedra Paisatge Solc was released to subscribers of our mailing list last weekend, who had the first opportunity to grab a copy and the CDs. Many have sold already but we still have some copies available. You can also stream the album in full on Bandcamp and of course, grab a digital version if you like, by clicking the link below or image above. To avoid missing out on future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/l-nia-pedra-paisatge-solc

press release
“Línia / Pedra / Paisatge / Solc (Line, stone, landscape and groove in Catalan) is a sound composition in two parts, based on the skyline that can be seen from the top of the ruins of the castle of Culla, a small village inland of the Castelló province (Eastern Spain). The first piece (Línia / Pedra) is composed based on the skyline between northeast and southwest. The second piece (Paisatge / Solc) has been composed using the skyline between southwest and northeast.

The line is the voice that describes the landscape. The stone is the central element, a source of history, legacy and shelter for those who live in this hard land. The landscape is all around us, it extends in-clemently into the stratified and muffled horizon. The groove is the drawing of man in this land, a cut on the ground, and the groove where the sound travels in this album.

Both sonic pieces were recorded and composed at the old school at Pla del Sabater nearby Culla, during October 2018. All sound sources used in the production of this work were captured during a period of a week living in residence on that isolated place. Sound sources include field recordings and voice, nothing else.

Weeks after the residency period at Culla, double bass was overdubbed in Valencia by Rafa Ramos. Mastering for the vinyl version was done by Pedro Pina in Barcelona. Four unique vinyl discs enclosed each on handcrafted wooden boxes, which have been left in Culla as artistic objects to be preserved and listened to there in its definitive format. The project is a commission of the Culla City Hall as part of a contemporary art program held on this small village. ■ Edu Comelles”

credits
Written and produced by Edu Comelles
Mastered by Pedro Pina
Photography by Edu Comelles
Packaging design by Harry Towell

Coming soon…Edu Comelles – Línia Pedra Paisatge Solc

We’re ready to begin an exciting catalog of artist albums for 2020, starting with Línia  Pedra Paisatge Solc by Barcelona based artist Edu Comelles. This two track album of mid-length drones was mastered by Pedro Pina and was composed based on the skyline which can be seen from the castle of Culla. The pieces are drone soundscapes, full of evolving textural detail from acoustic instruments. Those who like Greg Haines, The Humble Bee and Ben McElroy. The album will be released officially on Saturday the 8th of February but if you join our mailing list using the link below, we’ll make sure you’re the first to hear.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“Línia / Pedra / Paisatge / Solc (Line, stone, landscape and groove in Catalan) is a sound composition in two parts, based on the skyline that can be seen from the top of the ruins of the castle of Culla, a small village inland of the Castelló province (Eastern Spain). The first piece (Línia / Pedra) is composed based on the skyline between northeast and southwest. The second piece (Paisatge / Solc) has been composed using the skyline between southwest and northeast.

The line is the voice that describes the landscape. The stone is the central element, a source of history, legacy and shelter for those who live in this hard land. The landscape is all around us, it extends in-clemently into the stratified and muffled horizon. The groove is the drawing of man in this land, a cut on the ground, and the groove where the sound travels in this album.

Both sonic pieces were recorded and composed at the old school at Pla del Sabater nearby Culla, during October 2018. All sound sources used in the production of this work were captured during a period of a week living in residence on that isolated place. Sound sources include field recordings and voice, nothing else.

Weeks after the residency period at Culla, double bass was overdubbed in Valencia by Rafa Ramos. Mastering for the vinyl version was done by Pedro Pina in Barcelona. Four unique vinyl discs enclosed each on handcrafted wooden boxes, which have been left in Culla as artistic objects to be preserved and listened to there in its definitive format. The project is a commission of the Culla City Hall as part of a contemporary art program held on this small village. ■ Edu Comelles”

credits
Written and produced by Edu Comelles
Mastered by Pedro Pina
Photography by Edu Comelles
Packaging design by Harry Towell

Out Now! Various Artists – Sleeplaboratory2.0

2019 was a truly landmark year for us, with our new gatefold-LP packaging style being so well received, not to mention all of the support and great feedback we received from fans and the press alike. We started the year with a special compilation album themed on sleep; Sleeplaboratory1.0. We’re delighted to launch a new decade and exciting times ahead with the follow-up to this series, Sleeplaboratory2.0. We’ve been working behind the scenes on this one since last summer and we’re proud of the results in an album which features established artists within the scene, alongside label familiar favourites.

Sleeplaboratory2.0 was released to subscribers of our mailing list last weekend and unfortunately these have now sold out already! You can still stream the album on Bandcamp and of course, grab a digital version by clicking the link below or image above. To avoid missing out on future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/sleeplaboratory20

press release
“Sleeplaboratory is a compilation series that we launched in 2019 and the success of this effectively launched our printed gatefold-LP style CDrs which featured all of last year. The Sleeplaboratory1/.0 compilation was created as a special celebration for our fiftieth release and we enjoyed the concept so much, that we decided to run another one. Sleeplaboratory2.0 continues the themes of sleep, rest and personal reflection, not necessarily aiming to meet the current trend of mindfulness and well-being but instead, it intends to rest the listener in a way that is appropriate to them.

The idea was originally came about after our label owner Harry and his wife had a baby daughter, Isla. Harry curated a full-length compilation to help soothe his daughter to sleep and whilst Isla hasn’t needed much of a helping hand where sleep is concerned, he was keen to continue this project as a series. Throughout much of last year, we have been working on a follow-up, inviting artists to meet this sleepy brief of minimalist Ambient tones. We’ve invited familiar label artists back as well as established names and perhaps you’ll see that the odd one or two go on to have releases with us later this year.

Over the 16 tracks, a serene and enveloping environment is established. The physical product is as usual presented across four printed panels and this time, artwork is provided by Harry’s wife Beth in an image taken on a family day out. As usual, we will not make any recommendation on how our listeners might best enjoy this record and so it’s down to you to choose the best environment to listen, whether this be late at night with headphones, on a loud system or perhaps played through Bluetooth speakers in and around your home.”

credits
Curated by Harry Towell
Mastered by James Edward Armstrong
Cover Photography by Bethany Towell
Packaging design by Harry Towell

Coming soon…Various Artists – Sleeplaboratory2.0


2019 was a truly landmark year for us, with our new gatefold-LP packaging style being so well received, not to mention all of the support and great feedback we received from fans and the press alike. We started the year with a special compilation album themed on sleep; Sleeplaboratory1.0. We’re delighted to launch a new decade and exciting times ahead with the follow-up to this series, Sleeplaboratory2.0. We’ve been working behind the scenes on this one since last summer and we’re proud of the results in an album which features established artists within the scene, alongside label familiar favourites. The album will be released officially on Saturday the 25th of January but if you join our mailing list using the link below, we’ll make sure you’re the first to hear.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“Sleeplaboratory is a compilation series that we launched in 2019 and the success of this effectively launched our printed gatefold-LP style CDrs which featured all of last year. The Sleeplaboratory1/.0 compilation was created as a special celebration for our fiftieth release and we enjoyed the concept so much, that we decided to run another one. Sleeplaboratory2.0 continues the themes of sleep, rest and personal reflection, not necessarily aiming to meet the current trend of mindfulness and well-being but instead, it intends to rest the listener in a way that is appropriate to them.

The idea was originally came about after our label owner Harry and his wife had a baby daughter, Isla. Harry curated a full-length compilation to help soothe his daughter to sleep and whilst Isla hasn’t needed much of a helping hand where sleep is concerned, he was keen to continue this project as a series. Throughout much of last year, we have been working on a follow-up, inviting artists to meet this sleepy brief of minimalist Ambient tones. We’ve invited familiar label artists back as well as established names and perhaps you’ll see that the odd one or two go on to have releases with us later this year.

Over the 16 tracks, a serene and enveloping environment is established. The physical product is as usual presented across four printed panels and this time, artwork is provided by Harry’s wife Beth in an image taken on a family day out. As usual, we will not make any recommendation on how our listeners might best enjoy this record and so it’s down to you to choose the best environment to listen, whether this be late at night with headphones, on a loud system or perhaps played through Bluetooth speakers in and around your home.”

credits
Curated by Harry Towell
Mastered by James Edward Armstrong
Cover Photography by Bethany Towell
Packaging design by Harry Towell

Out Now! James Osland – Gone For A While

We’ve a lot to get through this year so it’s full steam ahead!
Next we welcome Elm Records chief James Osland with ‘Gone For A While‘. James has released records on the likes of Flaming Pines, Shimmering Moods and our own netlabel Audio Gourmet.
This body of work is a travelogue that is steeped in nostalgia and flickering, forgotten memories, revealing intricate detail with each listen. Gone For A While should be a record for those who enjoy work by Gallery Six, Chihei Hatakeyama or José Soberanes

You can listen to a preview of the album by using the Soundcloud player below or grab one of the remaining copies by clicking the bandcamp player or link below.

This went to out to our mailing list last weekend and at time of writing, we’ve got just 14 copies left! To find out, you can click the link below or on the image above to listen. To avoid missing out on future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/gone-for-a-while

press release
“James Osland is an audio visual artist from Devon, UK who as well as running Elm Records, has also released on labels such as Green Field Recordings, Shimmering Moods Records, Flaming Pines, Sonospace and Audio Gourmet.
He’s been recording and making music for around 7 years but over the last 2 years has been recording under his own name with a focus on our relationship between sound, memory and place. He has performed as a solo live artist in various countries including The UK, New Zealand and Vietnam as well as being part of live improvised groups including The Elm Collective and The Bristol Ambient Ensemble.

Gone For A While is an album built around a core made from field recordings, taken from South East Asia and Europe. These were then processed using various computer software programs and a small amount of instrumentation was added throughout the album. The album was written after James had returned back to his home town after several years spent living abroad. He was suddenly confronted with lots of old memories that he’d pushed to the back of his mind. Having lost his father not long before leaving the UK and having watched his grandfather suffer through dementia for the past 7 years, he began to reflect heavily on themes of memory, loss and decay. The concept of the album seeks to explore the processes our minds go through whilst dealing with loss.”

credits
Catalog number WLR034
Written and produced by James Osland
Mastered by James Edward Armstrong (Slow Clinic)
Artwork by James Osland

Out Now! Andrew Sherwell – Orthodox Tales

We’re pleased to kick off 2018 with a release from Andrew Sherwell who has chosen Whitelabrecs as home for his debut album ‘Orthodox Tales‘. This London based artist draws influence from the likes of Svarte Greiner, Xela and The Caretaker and his record has been mastered by German sound engineer Stephan Mathieu.

The record is full of snap, crackle and pop thanks to carefully arranged tape loops, Korg Volca keys, samples, effects, and field recordings and is a sleepy soundtrack to East European travelogue tales told by Andrew’s Grandfather in his childhood. We’re also pleased to welcome back Federica Jeanne de Luca who kindly provided the beautiful artwork.
Orthodox Tales should appeal to those who enjoy work by BvDubErinome or José Soberanes – you can listen to a preview of the album by using the Soundcloud player below or grab one of the remaining copies by clicking the bandcamp player or link below.

This went to out to our mailing list last weekend and at time of writing, we’ve just got just 5 copies left! To find out, you can click the link below or on the image above to listen. To avoid missing out on future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/orthodox-tales

press release
“Orthodox Tales is the debut album from West London, UK based artist Andrew Sherwell. He was part of a stream of bands in and beyond his teenage years centred initially on jangly post-punk Funk. The band’s name would change routinely each time a band member left which was regularly and eventually, it was just Andrew left as the band grew more and more experimental in their approach. He did manage to rack up some releases around this period, some 30 years ago – however these are lost to the mists of time due to the Rough Trade period when things would come and go within a weekend.

Andrew is still an avid collector of physical records and thanks to inspiration drawn from Svarte Greiner, The Caretaker and Xela as well as Eastern European choral music, Film and soundtracks, Andrew has increasingly been inspired to create his own experimental music.
After a good deal of time spent working on the backbone of an album, Andrew had a demo in place and before submitting it to a label, he had it professionally mastered by Stephan Mathieu. He then dropped it over to us and the rest is history…

Orthodox Tales sees us welcome back Federica Jeanne De Luca, the artist that supplied the cover artwork for Philippe Lamy’s Inner Stretch. Her artwork provides a beautiful backdrop for this six track journey through tape loops, Korg Volca keys, samples, effects, and field recordings which re-enact the tales told by Andrew’s grandfather.

For the whole of the inter-war period, his grandfather travelled back and forth through the turmoil of the Balkans, Central Europe, the Caucasus and South Russia, returning with many treasures on the eve of the Second World War. Andrew recalls his Grandfather as an old man when he’d spend school holidays at his house. On occasion at bedtimes, his Grandfather recounted wild tales of his ‘adventuring’: of the peoples he met and their folk tales, of days lost in endless forests, of nights camped out on a sea of grasslands when the frost was so hard that his blanket twinkled in the moonlight, as brightly as the myriad stars above. He told of feasting with mountain goat herders and with Orthodox Bishops, of shape-shifting shaman and of beautiful Princesses, of demons and of angels in human form. After a while, he’d be lost, transported to the magical world of his descriptions. Grandfather would lower his voice, he would wander from the story into more philosophical byways and soon, Andrew would fall asleep.

Orthodox Tales is a deeply personal account of Andrew’s childhood experience but as the themes and anecdotes play out in musical form, the album works as a conduit in which to transfer these tales to you the listener.”

credits
Catalog number WLR033
Written and produced by Andrew Sherwell
Mastered by Stephan Mathieu
Artwork by Federica Jeanne de Luca