Coming soon…Jazzdefector and Slow Clinic – Green Echo


We’ve been busy shipping parcels of the recent Gray Acres album and also, preparing our next limited edition CDr. This one features a collaboration between two artists who have released solo albums with us; Sebastian Buccheri as Jazzdefector and James Armstrong’s Slow Clinic. The duo met after James admitted on social media that he was suffering from writer’s block and their work together produced something that flowed freely. ‘Green Echois an album of varying drones, full of peaks and troughs which ebb and flow through moments of solitude and more epic bursts. Sebastian’s signature guitar sound is interspersed careful soundscaping. This will be available in 2019’s signature gatefold-LP style CD, in a run of 100 copies  and we’ll release this officially on or around the 19th of October 2019. This one might appeal to artists such as Robin Guthrie, Darkroom or Thom Brennan.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“Our next release sees the return of both Jazzdefector and Slow Clinic, who contributed albums to our catalog in 2016 and 2018 respectively. The pair have been connected via social media for quite some time but when James Armstrong (Slow Clinic) had posted about a stint of writer’s block, Sebastian Buccheri (Jazzdefector) messaged to suggest a collaboration.
James agreed and set about creating the sort of paired-back material which started this journey, with his debut for Somehow Recordings; a guitar, a volume pedal, octaver and an endless feedback delay. This was passed over to Sebastian who added his signature guitar sound to add new layers of improvised melody to James’ drones.

The collaboration that became ‘Green Echo’ drew out a combined strength between two artists who had reached a plateau in their creativity at that point. In their mutual brick walls they found that the blocks were removed through the creation of Green Echo. The bouncing back and sharing of ideas, or echoes if you prefer, translated into something greener, as hope and optimism took hold. The album itself has also become a collection of memories which reflect this positive experience created in winter and for Sebastian in particular, he recalls the fading green landscapes of the midlands, UK countryside in which he lives.”

credits
Written and produced by Sebastian Buccheri and James Edward Armstrong
Mastered by James Edward Armstrong
Packaging design by Harry Towell

Advertisements

Whitelabrecs Box Set Volume 2

We’ve managed another 20 releases since our last box set, so we thought we’d prepare ‘volume 2’ following our last set which covered releases 1-20.
This new box set starts at re-issuing a ‘whitelabel vinyl’ effect version of our Whitelabsounds compilation and includes all catalog numbers until WLR040, which is Daliah’s Holy Mountain.

Also included are some out of print items, from artists such as Sven Laux, Steve Pacheco, The Prairie Lines and Slow Heart Music.

We’re committed not to re-press any albums as we want to keep things small and collectable but for those looking to either preserve the collection or play ‘catch-up’ if you’ve only recently discovered us, we think it’d be nice to make things available as a box set.

The package itself is simple and ‘DIY‘, very much like each of the CDr releases we put out with a card board box being the perfect size to comfortably house the 20 discs. The boxes are hand-stamped in an ink colour of your choosing and the vinyl-style CDrs will be contained with a polaroid of the cover artwork and inside card sleeves. Again, you can choose the colour of the sleeves.
You’ll be contacted following your purchase and we’ll consult on your options and then we’ll order the materials, burn the discs and deliver to you securely!

You can visit our dedicated page on the Whitelabrecs Bandcamp site where an order can be placed by clicking below or HERE

https://whitelabrecs.bandcamp.com/merch/whitelabrecs-cdr-box-set-21-40

Out Now! Slow Clinic – Discarded Things Once Lost

Today we’ve another edition this morning to our growing catalog as we continue to release the exciting set of records we’ve got lined up for 2018. Next we welcome James Armstrong as Slow Clinic with a pair of mid-longform guitar drones, full of warmth and texture.

Discarded Things Once Lost‘ was recorded for a dance production at Northampton University, UK and it was created using gifts James had received from a previous relationship which gave the album an unintended theme.

This one should appeal to fans of Gareth HardwickWil Bolton or Ian Hawgood

You can listen to a preview of the album by using the Soundcloud player below or grab one of the remaining copies by clicking the bandcamp player or link below.

This went to out to our mailing list last weekend and at time of writing, we’ve got just 12 copies left! To find out more, you can click the link below or on the image above to listen. To avoid missing out on future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/discarded-things-once-loved


press release

“Slow Clinic is Farnham, UK based artist James Armstrong who also runs the newly formed tape label Rusted Tone Recordings and has works previously released through labels such as Elm Recordings, ARCHIVES, Cruel Nature Recordings and Audio Gourmet. The Slow Clinic sound varies depending on the reason it is being created but typically, James starts by building layers of guitar swells pushed through an endless feedback delay pedal and then into a large reverb pedal. He will then usually improvise loops until something develops, incorporating unconventional techniques along the way such as using violin bows, hand percussion and found objects as a way of conjuring unusual sounds and textures.

‘Discarded Things Once Loved’ was originally created as part one of a two movement composition for a dance production choreographed by Vania Gala at the University of Northampton. Initially, James began making textural recordings by playing various hand percussion instruments and non-musical objects against muted strings. Things like rattles, shakers and hand drums were used to bring out the non-standard qualities of the electric guitar. He added some more conventional drones by sending swells through the usual delay and reverb combination so that it retains some of the characteristics of my previous releases. Everything was improvised and none of the sounds recorded were planned and James would like listeners to treat the album as an opportunity for discovery, to allow the longform recordings time and space to evolve.

All of the items that were used to play the guitar were gifts from an ex-partner and their family. As much as James was trying to avoid thinking about that period of time, there was no escaping it when the items were physically in his hands. From here the title ‘Discarded Things Once Loved’ emerged as the instruments had been hidden away gathering dust for quite some time. James also strived to see what sort of sounds could be created as a result of playing the guitar in such a way that the majority of his control and intention was removed from what came out of the instrument.”

credits
Catalog number WLR036
Written and produced by James Armstrong
Mastered by Alexander Roberts
Photography by Penny Day
Artwork by Harry Towell

Coming soon…Slow Clinic – Discarded Things Once Loved

We’ve another release lined up on Whitelabrecs and this time, we welcome Slow Clinic to the catalog. Discarded Things Once Loved is two longform guitar improvisations; a mixture of texture and beautiful drones. Some of our listeners may recognise Slow Clinic from his releases on Audio GourmetArchives or Elm Recordings or perhaps you may have noticed James Armstrong’s name in the credits for mastering on a few Whitelabrecs releases?

You can listen to a preview of the album by using the Soundcloud player below or keep a check on our Facebook or Instagram pages to preview the packaging when we share it.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
“Slow Clinic is Farnham, UK based artist James Armstrong who also runs the newly formed tape label Rusted Tone Recordings and has works previously released through labels such as Elm Recordings, ARCHIVES, Cruel Nature Recordings and Audio Gourmet. The Slow Clinic sound varies depending on the reason it is being created but typically, James starts by building layers of guitar swells pushed through an endless feedback delay pedal and then into a large reverb pedal. He will then usually improvise loops until something develops, incorporating unconventional techniques along the way such as using violin bows, hand percussion and found objects as a way of conjuring unusual sounds and textures.

‘Discarded Things Once Loved’ was originally created as part one of a two movement composition for a dance production choreographed by Vania Gala at the University of Northampton. Initially, James began making textural recordings by playing various hand percussion instruments and non-musical objects against muted strings. Things like rattles, shakers and hand drums were used to bring out the non-standard qualities of the electric guitar. He added some more conventional drones by sending swells through the usual delay and reverb combination so that it retains some of the characteristics of my previous releases. Everything was improvised and none of the sounds recorded were planned and James would like listeners to treat the album as an opportunity for discovery, to allow the longform recordings time and space to evolve.

All of the items that were used to play the guitar were gifts from an ex-partner and their family. As much as James was trying to avoid thinking about that period of time, there was no escaping it when the items were physically in his hands. From here the title ‘Discarded Things Once Loved’ emerged as the instruments had been hidden away gathering dust for quite some time. James also strived to see what sort of sounds could be created as a result of playing the guitar in such a way that the majority of his control and intention was removed from what came out of the instrument.”

credits
Catalog number WLR036
Written and produced by James Armstrong
Mastered by Alexander Roberts
Photography by Penny Day
Artwork by Harry Towell