Out Now! Simon McCorry – The Illusion of Endings & Beginnings

We have another two physical editions set to release on the 13th of November following a Bandcamp Friday pre-order on the 5th of November. The first of these is from Gloucestershire, UK based cellist and composer Simon McCorry, who had previously collaborated with anthene for Whitelabrecs in May’s The Equation of Time. Simon has released with labels such as Naviar, Polar Seas and most recently, Rusted Tones. In this new album, he has also enlisted the help of pianist Simeon Walker, to close out the album.

The Illusion of Beginnings and Endings is out now in a run of 100 copies! The best way to keep informed about our low-run releases, is to join our mailing list, and we’ll make sure you’re the first to hear!

press release
“Simon McCorry is a cellist and composer from Gloucestershire, UK who has released music through the likes of Polar Seas, Naviar and Rusted Tone. He has also been a regular collaborator, most recently with anthéne, with whom he created The Equation of Time, released here on Whitelabrecs in May 2021.
Simon has prepared a new solo album called The Illusion of Beginnings & Endings, which draws upon a body of work he composed for a contemporary dance film production.

For this release, Simon has worked once again with visual artist Tom Tebby, who has designed the packaging around imagery techniques using a camera and paper. The result provides a stark and obscure focal point, which projects itself into the cinematic textures of this album. The concepts and ideas behind The Illusion of Beginnings & Endings are based loosely around ambition. We all have different views on ambition and what this means for us, and the artist states that their preference is to live for the moment. This album reflects that this idealistic view on the world is at odds with a society that pushes us to constantly strive for a brighter future. To some, this is a grey cloak of fear; a fear of failure or underachievement. To others, taking stock might be hard.

The drama of this sound, its deep pensive cello, pulsing modular synth movements and transcendent piano, provides a space in which we can ponder upon our own ambitions. The lens through which we see ourselves may differ from one person to the next. Perhaps you will feel an urge to be present, or the opposite; an urge to feel vacant? Either way, the weight of our own ambition may feel that bit lighter as a result, as we decode the contents of this album.

-“You can never get outside it; you must always turn back. There is no outside; outside you cannot breathe. Where does this idea come from? It is like a pair of glasses on our nose through which we see whatever we look at. It never occurs to us to take them off”- (Ludwig Wittgenstein)

credits
Written and produced by Simon McCorry
Mastered by James Edward Armstrong
Piano on track 10 by Simeon Walker
Art and Design by Tom Tebby

Coming soon… Simon McCorry – The Illusion of Endings & Beginnings

 

We have another two physical editions set to release on the 13th of November following a Bandcamp Friday pre-order on the 5th of November. The first of these is from Gloucestershire, UK based cellist and composer Simon McCorry, who had previously collaborated with anthene for Whitelabrecs in May’s The Equation of Time. Simon has released with labels such as Naviar, Polar Seas and most recently, Rusted Tones. In this new album, he has also enlisted the help of pianist Simeon Walker, to close out the album.

The Illusion of Endings & Beginnings‘ will be available in one of our typically low runs of 100 gatefold vinyl-effect CDrs, complete with art and design by Tom Tebby.

It will be released for pre-order on Friday the 5th of November and then released officially on Saturday the 13th of November.If you join our mailing list using the link below, we’ll make sure you’re the first to hear.

press release
“Simon McCorry is a cellist and composer from Gloucestershire, UK who has released music through the likes of Polar Seas, Naviar and Rusted Tone. He has also been a regular collaborator, most recently with anthéne, with whom he created The Equation of Time, released here on Whitelabrecs in May 2021.
Simon has prepared a new solo album called The Illusion of Beginnings & Endings, which draws upon a body of work he composed for a contemporary dance film production.

For this release, Simon has worked once again with visual artist Tom Tebby, who has designed the packaging around imagery techniques using a camera and paper. The result provides a stark and obscure focal point, which projects itself into the cinematic textures of this album. The concepts and ideas behind The Illusion of Beginnings & Endings are based loosely around ambition. We all have different views on ambition and what this means for us, and the artist states that their preference is to live for the moment. This album reflects that this idealistic view on the world is at odds with a society that pushes us to constantly strive for a brighter future. To some, this is a grey cloak of fear; a fear of failure or underachievement. To others, taking stock might be hard.

The drama of this sound, its deep pensive cello, pulsing modular synth movements and transcendent piano, provides a space in which we can ponder upon our own ambitions. The lens through which we see ourselves may differ from one person to the next. Perhaps you will feel an urge to be present, or the opposite; an urge to feel vacant? Either way, the weight of our own ambition may feel that bit lighter as a result, as we decode the contents of this album.

-“You can never get outside it; you must always turn back. There is no outside; outside you cannot breathe. Where does this idea come from? It is like a pair of glasses on our nose through which we see whatever we look at. It never occurs to us to take them off”- (Ludwig Wittgenstein)

credits
Written and produced by Simon McCorry
Mastered by James Edward Armstrong
Piano on track 10 by Simeon Walker
Art and Design by Tom Tebby

Out Now! anthéne & simon mccorry – the equation of time

Today we announce the latest new addition to our series, which sees the return of anthéne who has joined forces with cellist and composer Simon McCorry.

The Equation Of Time‘ is an album which combines processed guitar and cello, to contemplate the enormity of time. It’s rounded off by the stunning collage artwork of Tom Tebby, who also designed the CD packaging which we’ll be revealing the packaging on release day.

Whitelabrecs low-run releases are likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“We’re pleased to welcome back Toronto, Canada’s anthéne in the form of this collaborative album with UK cellist and composer Simon McCorry. Between them, they have released solo recordings on labels such as Home Normal, Archives, Past Inside The Present, Naviar and Fallen Moon. They’ve also both released on Polar Seas, a label helmed by Brad Deschamps, the man behind anthéne.

Both artists are comfortable collaborators, having worked alongside the likes of Ian Hawgood, Andrew Tasselmyer and Andrew Heath. It was in 2020 when their remote recording sessions translated into The Equation Of Time, combining and processing Brad’s guitar and Simon’s cello into a collage of droning textures. A concept sprang from their work together, during the unfolding pandemic and its resulting lockdowns, where time itself seemed to stand still, go backwards and go forwards, all at once. Add to this the the sheer geographical distance and time zones separating these artists, the often-explored artistic muse of time and space became the central theme.

The title ‘The Equation Of Time’ relates to the differences between the day of the earliest sun rise, the day of the latest sunset, the longest day. Each of these days are different, noted by the ancient Greeks and the Persians before them. The enormity of time and the ability for humans to occupy the same space as multiple predecessors is particularly fascinating when faced with something ancient, such as a cave painting, a forest or the ruins of a fallen civilisation. The track titles are aptly borrowed from parts of T.S. Eliot’s 4 Quartets, which also deals with the contemplation of time. You can surmise from these poems that ideally, one would focus only on the present, in order to make the most of each turn of the clock; the past cannot be altered and the future is unknown. Our memory can subconsciously serve us back our own recollection of past times, which can result in nostalgia, melancholy or both. Our minds can also influence our perception of the future, with feelings of either fear, excitement or both.

The Equation Of Time grapples at these themes and ideas without the intention of ever truly being able to define time. A wash of faded memories, unknowns and current thoughts stir into one-another; ambient music itself always seems so able to reflect and evoke a sense of wonder, at things far bigger than we can ever comprehend.”

credits
Written and Produced by Brad Deschamps and Simon McCorry
Mastered by Ian Hawgood
Artwork by Tom Tebby
Packaging design by Tom Tebby

Coming soon… anthéne & simon mccorry – the equation of time

Cover

It seems to have been a while since we last released a CD in our catalog so we’re excited to announce this new addition to our series, which sees the return of anthéne who has joined forces with cellist and composer Simon McCorry.

The Equation Of Time‘ is an album which combines processed guitar and cello, to contemplate the enormity of time. It’s rounded off by the stunning collage artwork of Tom Tebby, who also designed the CD packaging which we’ll be revealing the packaging on release day.

The Equation Of Time will be released on Saturday the 22nd of May with no pre-order. If you join our mailing list using the link below, we’ll make sure you’re the first to hear.

press release
“We’re pleased to welcome back Toronto, Canada’s anthéne in the form of this collaborative album with UK cellist and composer Simon McCorry. Between them, they have released solo recordings on labels such as Home Normal, Archives, Past Inside The Present, Naviar and Fallen Moon. They’ve also both released on Polar Seas, a label helmed by Brad Deschamps, the man behind anthéne.

Both artists are comfortable collaborators, having worked alongside the likes of Ian Hawgood, Andrew Tasselmyer and Andrew Heath. It was in 2020 when their remote recording sessions translated into The Equation Of Time, combining and processing Brad’s guitar and Simon’s cello into a collage of droning textures. A concept sprang from their work together, during the unfolding pandemic and its resulting lockdowns, where time itself seemed to stand still, go backwards and go forwards, all at once. Add to this the the sheer geographical distance and time zones separating these artists, the often-explored artistic muse of time and space became the central theme.

The title ‘The Equation Of Time’ relates to the differences between the day of the earliest sun rise, the day of the latest sunset, the longest day. Each of these days are different, noted by the ancient Greeks and the Persians before them. The enormity of time and the ability for humans to occupy the same space as multiple predecessors is particularly fascinating when faced with something ancient, such as a cave painting, a forest or the ruins of a fallen civilisation. The track titles are aptly borrowed from parts of T.S. Eliot’s 4 Quartets, which also deals with the contemplation of time. You can surmise from these poems that ideally, one would focus only on the present, in order to make the most of each turn of the clock; the past cannot be altered and the future is unknown. Our memory can subconsciously serve us back our own recollection of past times, which can result in nostalgia, melancholy or both. Our minds can also influence our perception of the future, with feelings of either fear, excitement or both.

The Equation Of Time grapples at these themes and ideas without the intention of ever truly being able to define time. A wash of faded memories, unknowns and current thoughts stir into one-another; ambient music itself always seems so able to reflect and evoke a sense of wonder, at things far bigger than we can ever comprehend.”

credits
Written and Produced by Brad Deschamps and Simon McCorry
Mastered by Ian Hawgood
Artwork by Tom Tebby
Packaging design by Tom Tebby