Out Now! Mikael Lind & S.hel – RAMMI

For this new digital edition, we welcome back Icelandic artists Mikael Lind and S.hel who both released solo albums on Whitelabrecs last year. RAMMI is the Icelandic word for frame, as Mikael and Sævar re-contextualised piano sounds within the plush surroundings of Valgeir Sigurðsson‘s renowned Greenhouse Studios.

RAMMI is released today, Saturday the 24th of April with no pre-order. If you join our mailing list , we’ll make sure you’re the first to hear about future editions.

press release
“In this digital EP release we welcome back two artists from Iceland who each released solo albums with us in 2020. This four track EP combines the contemporary modern classical work of Mikael Lind with the prepared-piano sound of S.hel. ‘RAMMI’ was recorded at Valgeir Sigurdsson’s Greenhouse studios in Reykjavik. The accompanying imagery is a photograph taken in Iceland by Mikael, with misty clouds of volcanic ash obscuring the landscape..

‘RAMMI’ is Icelandic for frame and this takes on its loose meaning to reflect the processing and techniques of the pianos that Mikael and S.hel created, as they aimed to extend beyond the framework of piano music. The rearrangement of the recorded sounds is also reflected in the track titles, as the letters of RAMMI are shuffled to give way to new meanings.

credits
Written and produced by Mikael Lind & Sævar Helgi Jóhannsson
Recorded at Greenhouse Studios
Mastered by James Edward Armstrong
Photography by Mikael Lind

Out Now! Mikael Lind & S.hel + Rachel Jutková – RAMMI

Today we’re proud to launch our new digital series called <facets> in collaboration with Art North Magazine. This series will involve a range of composers and sound artists, teaming up with talented visual artists, for an audio-visual release. For this first edition, we welcome back Icelandic artists Mikael Lind and S.hel who both released solo albums on Whitelabrecs last year. They’ve been paired with Slovakian painter and artist Rachel Jutková who took her one metre square painting out into the fields to shoot photographs of it, which placed the art in a new ‘frame’. RAMMI is coincidentally the Icelandic word for frame, as Mikael and Sævar re-contextualised piano sounds within the plush surroundings of Valgeir Sigurðsson‘s renowned Greenhouse Studios.

Each <facets> edition will include either an EP or album of music available in a range of high quality audiophile formats, accompanied by a work of art as the cover image and a booklet PDF which contains art, profile imagery, background information and an interview, featuring both the sonic and visual artist.

RAMMI is released today, Saturday the 24th of April with no pre-order. If you join our mailing list , we’ll make sure you’re the first to hear about future editions.


press release

“<facets> is an audio-visual series, co-curated between Whitelabrecs and Art North Magazine. This collection provides a space in our catalog for digital music, in which we aim to provide more than a few mp3s and a low resolution square image. Each edition of <facets> is pitched equally at both your eyes and ears. Sonic and visual textures overlap as we pair musicians, composers or sound designers with painters, sculptors or photographers. The work includes the music in a range of formats, specially created visual artwork and a PDF art booklet containing imagery, interviews and liner notes. Our collective aim is to create a coherent work of cross-media art, where the creative outputs of a sonic artist and a visual artist complement each other as a singular creative output.

In this inaugural edition of <facets> we welcome back two artists from Iceland who each released solo albums with us in 2020. This four track EP combines the contemporary modern classical work of Mikael Lind with the prepared-piano sound of S.hel. ‘RAMMI’ was recorded at Valgeir Sigurdsson’s Greenhouse studios in Reykjavik. The collaboration is complete with Fine Art BA (Hons) student Rachel Jutková, who has contributed her painting ‘Morning fog and walking on painting’. This is a mixed-media intuitive painting which was created in her studio and then later placed outdoors in a foggy field.

‘RAMMI’ is Icelandic for frame and this takes on its loose meaning to reflect the processing and techniques of the pianos that Mikael and S.hel created, as they aimed to extend beyond the framework of piano music. The rearrangement of the recorded sounds is also reflected in the track titles, as the letters of RAMMI are shuffled to give way to new meanings. This links into Rachel’s idea of placing her work outside of its usual context, physically, to allow for alternative meanings to be reflected upon.


credits
Music: Mikael Lind & S.hel
Mastering: James Edward Armstrong
Art Direction & Editing: Ian McKay
Additional Camera Work: Rachel Jutková

Featured artwork by Rachel Jutková: ‘Morning fog, walking on painting’ 100 x 100 cm, 2021

Music & Artwork © 2021, The Artists (Mikael Lind, Sævar Helgi Jóhannsson, Rachel Jutková), All Rights Reserved. Video ℗ by Art North Projects. Music ℗ by Whitelabrecs, 2021

Project Curators: Harry Towell (Music) & Ian McKay (Visual Art)

whitelabrecs.com
whitelabrecs.bandcamp.com
artnorth-projects.org

mikaellind.com
facebook.com/shelmusik
instagram.com/racheljutka

Out Now! S.hel – Disconnect

For our next release then, we have something truly striking in the form of this debut album by Reykjavik’s S.hel. It will be released on Piano Day, combines piano and strings compositions with electronics and cinematic effects. To my ears, it sits somewhere between the quieter moments of Aphex Twin’s Drukqs, and then the work of composers such as Hauschka, Nils Frahm and perhaps even the artist’s mentor Mikael Lind, who mixed the album. For us, the artwork absolutely sets this album off in a truly unique way, thanks to the work of Sarah Maria Yasdani, helped by Rakel Ýr Stefánsdóttir. It really embodies the concept of this album which is disconnection and questions of origin. We have a feeling it may very well strike a chord with people right now, even though the concept for this album was born long before Covid 19 was a thing and is not actually related! Our message to the world right now is to think of the people all around you and care for one another. Get connected, even if it has to be at a distance. The album was released on Piano Day, Saturday the 28th of March

Disconnect was released to subscribers of our mailing list last weekend, who had the first opportunity to grab one of these 100 CDs. We do have some available however, please note, there will be a delay in shipping following the closure of our post office due to Covid 19. We aim to ship every order as soon as we can but please bear this in mind if you decide to order. You can also stream the album in full on Bandcamp as well as Spotify and of course, you can grab a digital version if you prefer, by clicking the player above or link below. To avoid missing out on future releases, you can join our mailing list HERE: low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

https://whitelabrecs.bandcamp.com/album/disconnect


press release

“There’s a well-known German saying ‘Ich bin Weltbürger: überall zu Hause, überall fremd’ which roughly translates to ‘I’m a world citizen: I am everywhere at home and everywhere a stranger’. S.hel believes this is a phrase which describes him well; London his birthplace, being partly raised in Germany and residing in Iceland.

Disconnect is a debut album by an emerging artist, arriving at a time of uncertainty and disarray, where terms such as self-isolation and social distancing are on everyone’s lips. However, this record’s theme is not born out of the adversity that coined these phrases. Instead, when creating these works the artist was informed by his thoughts around identity and how we perceive it as a whole. Do places of origin matter? He moved around a lot as a child and at times, felt he had no roots which left him feeling very disconnected at times. Some years on and settling in Iceland, he now realises the valuable lessons and skills the experience has brought.

Disconnect follows the self-released EP ‘Lucid’ in 2018 and the primary instrument is the piano. Aptly, we will be releasing this album for piano day as this unique record draws in wide influences including mentor Mikael Lind who mixed the album, S.hel’s piano teachers Sunna Gunnlaugs and Kjartan Valdemarsson as well as compatriots Jóhann Jóhannsson and Hildur Guðnadóttir. Contemporary composers play their part too in the stimulus, such as Nils Frahm, Arvo Pärt and Max Richter. Disconnect flits between intimate and organic piano compositions and granulated or randomised electronic effects, interspersed with swathes of strings and synthesizer. Creaks and pensive moments navigate perceived silence and suspense, whilst the mood switches effortlessly to the grandeur of modern classical orchestration in equal measure.

This striking album package is complete with the wonderful concept artwork of Sarah Maria Yasdani and Rakel Ýr Stefánsdóttir who have also produced and directed accompanying music videos. The concept works hand in hand with the music and the themes of disconnection S.hel portrays and reflects on the loneliness resulting from being part of a society that has lost itself in daily routine. Currently the routine may be all we crave, but maybe amongst all this we can all find some way to connect again.”

credits
Written and produced by S.hel
Mixed by Mikael Lind
Mastered by James Edward Armstrong
Art concept and photography by Sarah Maria Yasdani and Rakel Ýr Stefánsdóttir

Coming soon…S.hel – Disconnect

The world is faced with a huge wave of adversity right now and the uncertainty will continue over the coming months and dare I say, beyond. Uncertainty isn’t anything new of course but I guess many of us get used to the status quo and find our normal. What do these times mean for Whitelabrecs? Well, the truth is – we don’t know in the short term. We’re pretty sure however, that the long term will be fine.
So with the rest of this year’s releases, we’ll be guided by you our listeners and followers and see what happens! For some regions, expect postal delays but for now here in the UK, my trusty postman assures me he still wants my business. So for now until I’m forced to stop, I’ll keep selling CDs and visiting him once or twice a week 🙂

Onto our next release then, we have something truly striking in the form of this debut album by Reykjavik’s S.hel. It will be released on Piano Day, combines piano and strings compositions with electronics and cinematic effects. To my ears, it sits somewhere between the quieter moments of Aphex Twin’s Drukqs, and then the work of composers such as Hauschka, Nils Frahm and perhaps even the artist’s mentor Mikael Lind, who mixed the album. For us, the artwork absolutely sets this album off in a truly unique way, thanks to the work of Sarah Maria Yasdani, helped by Rakel Ýr Stefánsdóttir. It really embodies the concept of this album which is disconnection and questions of origin. We have a feeling it may very well strike a chord with people right now, even though the concept for this album was born long before Covid 19 was a thing and is not actually related! Our message to the world right now is to think of the people all around you and care for one another. Get connected, even if it has to be at a distance.

The album will be released officially on Piano Day, Saturday the 28th of March but if you join our mailing list using the link below, we’ll make sure you’re the first to hear.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“There’s a well-known German saying ‘Ich bin Weltbürger: überall zu Hause, überall fremd’ which roughly translates to ‘I’m a world citizen: I am everywhere at home and everywhere a stranger’. S.hel believes this is a phrase which describes him well; London his birthplace, being partly raised in Germany and residing in Iceland.

Disconnect is a debut album by an emerging artist, arriving at a time of uncertainty and disarray, where terms such as self-isolation and social distancing are on everyone’s lips. However, this record’s theme is not born out of the adversity that coined these phrases. Instead, when creating these works the artist was informed by his thoughts around identity and how we perceive it as a whole. Do places of origin matter? He moved around a lot as a child and at times, felt he had no roots which left him feeling very disconnected at times. Some years on and settling in Iceland, he now realises the valuable lessons and skills the experience has brought.

Disconnect follows the self-released EP ‘Lucid’ in 2018 and the primary instrument is the piano. Aptly, we will be releasing this album for piano day as this unique record draws in wide influences including mentor Mikael Lind who mixed the album, S.hel’s piano teachers Sunna Gunnlaugs and Kjartan Valdemarsson as well as compatriots Jóhann Jóhannsson and Hildur Guðnadóttir. Contemporary composers play their part too in the stimulus, such as Nils Frahm, Arvo Pärt and Max Richter. Disconnect flits between intimate and organic piano compositions and granulated or randomised electronic effects, interspersed with swathes of strings and synthesizer. Creaks and pensive moments navigate perceived silence and suspense, whilst the mood switches effortlessly to the grandeur of modern classical orchestration in equal measure.

This striking album package is complete with the wonderful concept artwork of Sarah Maria Yasdani and Rakel Ýr Stefánsdóttir who have also produced and directed accompanying music videos. The concept works hand in hand with the music and the themes of disconnection S.hel portrays and reflects on the loneliness resulting from being part of a society that has lost itself in daily routine. Currently the routine may be all we crave, but maybe amongst all this we can all find some way to connect again.”

credits
Written and produced by S.hel
Mixed by Mikael Lind
Mastered by James Edward Armstrong
Art concept and photography by Sarah Maria Yasdani and Rakel Ýr Stefánsdóttir