Home Diaries 014: Polaroid Notes

We’ve taken a pause from our schedule of CD albums due to our local post office closing, following the outbreak of Covid19. We launched a digital series called Home Diaries, in which we’ll release EPs and albums by an international line-up of artists, with the music created during lockdown and social distancing conditions.

The series reflects a range of sounds, styles and ideas, as each artist portrays their own reflections uniquely. Each release is digital only for now, as we hope to raise what we can to help keep our label ticking over at this time. The releases feature a recurring polaroid image of a small lonely house, with a coloured filter chosen by the artist for each respective release.

In our next edition, we welcome back Polaroid Notes from Munich, Germany. The artist, Andreas, contributed Unsung Memories to our catalog back in 2017 and in fact, we’ve worked with him across each of our labels with The Long Bright Dark on Audio Gourmet and Sea Shores on Tessellate. Andreas also records more electronic based works as Kraut Sounds, as well as running his own label Drone Works International. He has had to stop his 300km commute and now spends 7 days a week at home, rather than 3. This extra time indoors has given him a chance to revisit and re-record some old rhodes piano tones and he’s added some newer tracks too. Moonlight Sessions is a pensive album, ideal for late night listening.

We have an exciting line-up to follow and each release will include bonus PDF liner notes, which has an interview with the artist on how they made the album, what their situation is like, what they have planned, their influences and what equipment/techniques they used.  There are also additional photos provided by the artist as part of the PDF too. Click on the link below to check it out:

-LABEL LINK-
https://whitelabrecs.bandcamp.com/album/home-diaries-014

-ARTIST LINK-
https://polaroidnotes.bandcamp.com/album/home-diaries-moonlight-sessions

press release
“Home Diaries is an invitation to artists and musicians to create an album or EP to document their personal experience during the lockdown or social distancing conditions that are upon us, due to the coronavirus outbreak. The series reflects a range of sounds, styles and ideas, as each artist portrays their own reflections uniquely. Each release is digital only for now, as we hope to raise what we can to help keep our label ticking over at this time. The releases feature a recurring polaroid image of a small lonely house, with a coloured filter chosen by the artist for each respective release. We interview each artist and this is included as a bonus PDF with the download. You can also check out the Home Diaries series on Spotify if you prefer, which will be available to stream in due course.

In our next edition, we welcome back Polaroid Notes from Munich, Germany. The artist, Andreas, contributed Unsung Memories to our catalog back in 2017 and in fact, we’ve worked with him across each of our labels with The Long Bright Dark on Audio Gourmet and Sea Shores on Tessellate. Andreas also records more electronic based works as Kraut Sounds, as well as running his own label Drone Works International.

Before the pandemic took hold, we were in discussions with Andreas about releasing a new Polaroid Notes album, which has now been delayed. He’d moved from his office to a home-working environment, saving a 300km commute and adding four extra days at home. He had already created a Home Diaries themed album during the lockdown period, having re-recorded some older material as well as new improvisations using Rhodes piano keys as the main sound source.
Moonlight Sessions as its name suggests, is an album for quiet night-time reflection.”

credits
Written and produced by Andreas S
Mastered by James Edward Armstrong
Artwork by Harry Towell

Out Now! Masaya Kato – Contact

Next up, we’re pleased to welcome Yokohama, Japan based artist Masaya Kato who has previously released with Time Released Sound and Somehow RecordingsContact is an album which focuses on just two elements: subtle drones using Rhodes keys and magnetic noise using tape reel noise, 8mm film, vinyl and VHS noise. The album unfolds subconsciously over 8 movements, with a minimalist approach to production serving as a sleepy listen from start to finish. This might be one for those who enjoy work by Jan Jelinek, Sustainer’s ‘Taps’ or Masayoshi Fujita.

This album was announced to our mailing list last weekend and there are a few copies left at the time of writing. You can listen to the album in full by hitting play above or clicking the link below, where you can purchase a physical or digital version. To avoid missing out on our future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/contact

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
Masaya Kato is an artist from Japan who has been active since 2011, with previous releases on Time Released Sound and Somehow Recordings. Masaya’s influences tend to be from poetry as well as video and performing arts.

Typically, his compositions will are born out of Fender Rhodes or Piano sketches along with additional sounds of magnetic noises. ‘Contact’ is an album which focuses on two elements: Fender Rhodes keys and layers of magnetic noise derived from tape reels, vinyl, 8mm film and VHS. Masaya has created a body of work that serves to relax, unrest and restore through passages of crackling, unassuming Rhodes drones.

The tone of Rhodes keys is typically an immediate rush of melody, instantly recognisable and usually used in soul, house and jazz genres for its deep tones. When used to create Ambient drones, the feint swells of decaying chords serve as the subtlest blend. Against the hiss, crackle and pop of the magnetic noise sounds, the minimalist melodic textures were created as Masaya has strived to extinguish his body into the empty air around him.
Contact is something that simply exists and seems to transcend time as if dozens of blank audio/visual recording mediums are combined, to reveal lulling caverns of light. If you’ve ever seen dust rise into a room when sunlight appears through partially open curtains, or puddles of water rippling in the rain, you’ll already know how this feels.

credits
Written, produced and mastered by Masaya Kato
Artwork by Peter Nejedly

Coming soon…Masaya Kato – Contact

Next up, we’re pleased to welcome Yokohama, Japan based artist Masaya Kato who has previously released with Time Released Sound and Somehow RecordingsContact is an album which focuses on just two elements: subtle drones using Rhodes keys and magnetic noise using tape reel noise, 8mm film, vinyl and VHS noise. The album unfolds subconsciously over 8 movements, with a minimalist approach to production serving as a sleepy listen from start to finish. This might be one for those who enjoy work by Jan Jelinek, Sustainer’s ‘Taps’ or Masayoshi Fujita.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
Masaya Kato is an artist from Japan who has been active since 2011, with previous releases on Time Released Sound and Somehow Recordings. Masaya’s influences tend to be from poetry as well as video and performing arts.

Typically, his compositions will are born out of Fender Rhodes or Piano sketches along with additional sounds of magnetic noises. ‘Contact’ is an album which focuses on two elements: Fender Rhodes keys and layers of magnetic noise derived from tape reels, vinyl, 8mm film and VHS. Masaya has created a body of work that serves to relax, unrest and restore through passages of crackling, unassuming Rhodes drones.

The tone of Rhodes keys is typically an immediate rush of melody, instantly recognisable and usually used in soul, house and jazz genres for its deep tones. When used to create Ambient drones, the feint swells of decaying chords serve as the subtlest blend. Against the hiss, crackle and pop of the magnetic noise sounds, the minimalist melodic textures were created as Masaya has strived to extinguish his body into the empty air around him.
Contact is something that simply exists and seems to transcend time as if dozens of blank audio/visual recording mediums are combined, to reveal lulling caverns of light. If you’ve ever seen dust rise into a room when sunlight appears through partially open curtains, or puddles of water rippling in the rain, you’ll already know how this feels.

credits
Written, produced and mastered by Masaya Kato
Artwork by Peter Nejedly