Coming soon…Francis M. Gri – Apart

We’ve some big news to announce and that’s that Harry (the label owner) will be having a baby in October, so things may slow down just a little towards the end of the year as he adjusts to a few changes…
There’s a lot of the schedule to work to so the plan is step things up a bit so don’t be surprised to see a couple of albums emerge per month from here on in. Stay tuned too for something special to celebrate our 50th release!

Next we head over to Italy to welcome Francis M. Gri, who records under his own name and is based in Milan. Francis runs the KrysaliSound label and is also scheduled to release an album with US label Time Released Sound. His work for us was produced using reworked material assembled from his hard-drive and these are longer pieces than we tend to release. Each piece is completely enveloping, with guitar and synth drones joined by loops, reversing textures and light shards of noise/static. This should grab those who follow Christopher Willits, Fennesz or Leandro Fresco.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
Francis M. Gri is a multi-instrumental composer currently residing in Milan, Italy, who also curates the KrysaliSound record label. His previous releases have appeared on his own label as well as Final Muzik and he’s also due an album on US imprint Time Released Sound.
Francis began playing guitar when he was 13 before he also progressed to piano and in time he began to perform as part of his first dark ethereal band ‘All My Faith Lost’. His musical experiences have culminated in his work under his own name since 2010, which straddles the Ambient, Electro Acoustic and Electronic genres. His studio material draws influence from many contemporary artists, such as Taylor Deupree, Ryuichi Sakamoto, Sigur Ros and Ludovico Einaudi.

Apart shares a name with a former production moniker, as Francis compiles recordings made from unpublished works under this name. The material was gathered from a hard-drive backup created between 2003 and 2005 where he found the previously completed tracks would not load due to a technical glitch. Fortunately he had saved the individual sound components so he decided to rework these into new compositions. He decided not to add any additional tracks and set about stretching, detuning, reversing and treating the sounds with effects before he arrived at a set of 2 mid-length pieces. He created a new piece entitled ‘Last’ which was created around the time he was working with ‘In This Room’ and ‘Hidden Reflections’ and originally shared the work as a free download.

Not long after, Francis had sent us his album and we were thoroughly impressed, feeling that these three tracks serve as a cohesive album experience and deserved a physical release.
The longer-form nature of the tracks which loop with folds of subtle emotional detail make for an immersive listening experience that you’ll surely get lost in, as shimmering drones, synth and guitar lines collide effortlessly.

credits
Written, produced and mastered by Francis M. Gri
Artwork by Francis M. Gri

Out Now! Paper Relics – The Road Home

This morning we announce a release we’ve been working on for quite some time and we’re pleased to increase the run count to 100 copies rather than the usual 50. This is because we have two editions – our usual white label vinyl effect CDrs as well as a special printed gatefold LP effect CDr which we’ve pushed the boat out for.

The Road Home‘ is an album from Paper Relics (brothers Harry Towell (Spheruleus) and Stuart Towell). The record centres around Stuart’s electric guitar and is joined by Harry’s electronics, acoustic guitar, zither, violin, voice, tapeloops, samples and field recordings. It’s also had some additional strings and production from Berlin’s Sven Laux.

This one should appeal to fans of The Frozen Vaults, Gentleman Losers or Mute Forest

You can listen to a preview of the album by using the Soundcloud player below or grab one of the remaining copies or a digital version by clicking the bandcamp player or link below.

This went to out to our mailing list last weekend and at time of writing, we’ve got some copies left. To find out more, you can click the link below or on the image above to listen. To avoid missing out on future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/the-road-home


press release

“Paper Relics are brothers Harry and Stuart Towell who reside 16.1 miles apart. Their debut album was released back in the summer of 2011 on American imprint Time Released Sound, entitled ‘Over Exposure’. This was a record steeped in the past as they used lo-fi blues and folk guitar Ambience to reflect over childhood memories spent on a farm on which their grandparents live. The farm was set to become a housing development so the memories became all the more cherished through the recordings and accompanying artwork.

Now nearly 7 years on, the brothers’ follow-up record ‘The Road Home’ traces the journey from that very point of reflecting on childhood memories as young adults circa 2010/11, to now. The title might read to some as a return home, a struggle back to a family abode however, this record deals with the trials, triumphs and time in between, having both set out to forge their own paths to become homeowners with their respective wives. When they began recording, the brothers lived in the same home with their parents, each with a new relationship and a stuttering career. Yet whilst The Road Home tells the story of the last 7 years reflecting on what is now already history – it is an album firmly about the present as they enjoy the foundation for their futures, clinging onto what they’ve worked hard to achieve. The lyrics in ‘Timeframing’ are about freezing these moments and the dozens of clocks you can hear ticking at the beginning can also be heard in ‘Tinted by Time’ on Over Exposure. Harry revisited the same antique shop where these were originally captured to see if they were still there and was able to re-record them once more. This recording plays briefly as the track opens to focus your thoughts on time once more.

Opening track ‘Stoke’s Hall’ was something Stuart penned and recorded the night before Harry’s wedding and the title reflects the name of the venue. Likewise, Wyke’s Retreat harks back to Stuart’s wedding from the summer of 2017. Over Exposure was creaking with rustic charm, whereas The Road Home sees a more structured approach to production. There is more variety, as some pieces drone gloriously in an elegant daze, others are more alive as the subtle power of Stuart’s guitar takes centre stage. Then this time around Harry has provided vocals in ‘Timeframing’ and ‘Frost’ as well as building a couple of tracks that use drumloops and percussion, recalling some of his downtempo work as Spheruleus. To give one final twist to the presentation, Harry and Stuart enlisted the assistance of Berlin artist Sven Laux, who provided additional orchestration and sound mixing.

Paper Relics albums are never likely to be released on a regular basis due to the busy lifestyles the brothers lead, so we felt our usual run of 50 copies wouldn’t be enough to do this album justice. So The Road Home is available in two runs of 50 copies; our familiar ‘white label vinyl-effect CDr’ as well as a special printed CDr edition that looks just like a mini gatefold LP.”

credits
Catalog number WLR037

Paper Relics are Harry and Stuart Towell
Tracks were written, produced and recorded by Harry and Stuart Towell with additional sound mixing and orchestration by Sven Laux

Stuart Towell: Electric Guitar, Acoustic Guitar, eBow, Bass
Harry Towell: Acoustic Guitar, Voice, Violin, Harmonica, Zither, Electronics, Sampling, Field Recordings, Tapeloop

Mastered by James Armstrong
Artwork by Harry Towell

Coming soon…Paper Relics – The Road Home

Next on Whitelabrecs, we’re set to increase the run count to 100 copies for the second time in our history, as we welcome brothers Harry and Stuart Towell to our catalog, as Paper Relics. Their last release emerged some 7 years ago on Time Released Sound, a set of lo-fi rustic folk/blues recordings. This time round, they’ve spent more time honing their craft, along with help from Sven Laux in a record that charts their personal progress since their debut album.

This one draws in many sub-genres from Post Rock, Shoegaze and Ambient to Neo Classical, Blues and some Folk and it may perhaps appeal to those who enjoy Mute Forest, Gentleman Losers or The Frozen Vaults. It will be made available in the Whitelabrecs store in two different versions – our classic white label vinyl-effect style CDrs as well as a deluxe printed version which imitates a gatefold vinyl LP.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
“Paper Relics are brothers Harry and Stuart Towell who reside 16.1 miles apart. Their debut album was released back in the summer of 2011 on American imprint Time Released Sound, entitled ‘Over Exposure’. This was a record steeped in the past as they used lo-fi blues and folk guitar Ambience to reflect over childhood memories spent on a farm on which their grandparents live. The farm was set to become a housing development so the memories became all the more cherished through the recordings and accompanying artwork.

Now nearly 7 years on, the brothers’ follow-up record ‘The Road Home’ traces the journey from that very point of reflecting on childhood memories as young adults circa 2010/11, to now. The title might read to some as a return home, a struggle back to a family abode however, this record deals with the trials, triumphs and time in between, having both set out to forge their own paths to become homeowners with their respective wives. When they began recording, the brothers lived in the same home with their parents, each with a new relationship and a stuttering career. Yet whilst The Road Home tells the story of the last 7 years reflecting on what is now already history – it is an album firmly about the present as they enjoy the foundation for their futures, clinging onto what they’ve worked hard to achieve. The lyrics in ‘Timeframing’ are about freezing these moments and the dozens of clocks you can hear ticking at the beginning can also be heard in ‘Tinted by Time’ on Over Exposure. Harry revisited the same antique shop where these were originally captured to see if they were still there and was able to re-record them once more. This recording plays briefly as the track opens to focus your thoughts on time once more.

Opening track ‘Stoke’s Hall’ was something Stuart penned and recorded the night before Harry’s wedding and the title reflects the name of the venue. Likewise, Wyke’s Retreat harks back to Stuart’s wedding from the summer of 2017. Over Exposure was creaking with rustic charm, whereas The Road Home sees a more structured approach to production. There is more variety, as some pieces drone gloriously in an elegant daze, others are more alive as the subtle power of Stuart’s guitar takes centre stage. Then this time around Harry has provided vocals in ‘Timeframing’ and ‘Frost’ as well as building a couple of tracks that use drumloops and percussion, recalling some of his downtempo work as Spheruleus. To give one final twist to the presentation, Harry and Stuart enlisted the assistance of Berlin artist Sven Laux, who provided additional orchestration and sound mixing.

Paper Relics albums are never likely to be released on a regular basis due to the busy lifestyles the brothers lead, so we felt our usual run of 50 copies wouldn’t be enough to do this album justice. So The Road Home is available in two runs of 50 copies; our familiar ‘white label vinyl-effect CDr’ as well as a special printed CDr edition that looks just like a mini gatefold LP.”

credits
Paper Relics are Harry and Stuart Towell
Tracks were written, produced and recorded by Harry and Stuart Towell with additional sound mixing and orchestration by Sven Laux

Stuart Towell: Electric Guitar, Acoustic Guitar, eBow, Bass
Harry Towell: Acoustic Guitar, Voice, Violin, Harmonica, Zither, Electronics, Sampling, Field Recordings, Tapeloop

Artwork by Harry Towell

Introducing: Paper Relics

We tend to keep news of emerging releases on Whitelabrecs a secret until 1-2 weeks before it goes live. However, we’ve got some news that’s burning a hole in our pocket… the return of Paper Relics, a project featuring brothers Harry and Stuart Towell. They released their debut album ‘Over Exposure‘ on American label Time Released Sound some 7 years ago and it’s apt that they return to their homeland in their follow-up, on Harry’s own Whitelabrecs.

If you’re unfamiliar with Paper Relics, then here’s a track from Over Exposure:

Although it must be said, their new work has evolved somewhat as their recording methods and techniques have developed over the years. There are many exciting details, including two versions, a special guest and an increased run of copies but for now, we just wanted to get the announcement out there! And what better time to do so than on Stuart’s birthday?

For now, if you’ve a spare moment you can check out Over Exposure at the following link which includes remixes from Pleq, Listening Mirror and Byron Felthttps://audiogourmet.bandcamp.com/album/over-exposure

Artist profile image by Ruth Towell: www.ruthtowell.co.uk

Coming soon…Floor Overhead – Uses For Pavement

We’re keen to release more of the exciting collection of albums we have lined up for the summer months and next up our artist roster heads across the pond to Brooklyn, NYC, USA. Floor Overhead is a project by Andrew Farwell and Uses For Pavement is his debut album after a couple of self-released works. This one sees us return to our Ambient roots after a couple of more experimental/musical releases as Andrew’s Guitar drones will recall work by artists such as Tsone, Darren Harper or Field Rotation. You can listen to a preview of the album by using the Soundcloud player below or keep a check on our Facebook page to preview the packaging when we share it.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
“Floor Overhead is Brooklyn, USA based artist Andrew Farwell who some may recognise from our recent compilation album ‘Whitelabsounds’. His previous output has seen a few self-released projects on Bandcamp and we’re now pleased to be able to present the debut album ‘Uses For Pavement’

Andrew has been playing guitar since the age of 12 and eventually migrated to making electronic and ambient music on computers some years later. His current approach to sound uses guitar recordings deconstructed and processed with inspiration drawn from industry heavyweights such as Steve Reich, Kevin Drumm, William Basinski and Fennesz.

Uses For Pavement is the product of quiet, happy accidents from guitar recordings that have been gently brushed over with some production to create a collage focused on spacing and permanence.
The album is an attempt to refuse the temptation to alter accident-prone inputs and superimpose the ‘shoulds’ of creation. Like thoughts, inputs are inherently unchangeable while our reaction to those inputs is negotiable. The result of this album is a heavy but structure-less space that serves as a shelter for otherwise lost ideas.”

Catalog number WLR023
Written and produced by Andrew Farwell
Mastered by Tim Diagram
Artwork by John Robert Clark Moore (http://johnrcm.com/)

 

Out now! WLR022 Covarino/Incorvaia – Granada

After the excitement of releasing our very first compilation which has all but sold out, we’re now keen to press on with the demos we have lined up as the summer months approach. Fittingly, we are pleased to present a live album by Francesco Covarino and Alessandro Incorvaia (Covarino/Incorvaia) entitled Granada which is full of warmth. The cover artwork features Granada’s signature cactus, the prickly pear and provides a focal point to this concept-free set of improvisations for guitar and drumsGranada draws on influences of Post Rock, Ambient and Free Jazz and should appeal to fans of Mogwai, Dirty Three or Godspeed You Black Emperor. It’s available now on Whitelabrecs in a very low run of just 50 CDrs.

At time of writing, copies are still available – to find out more or grab a copy, you can click the link below or on the image above to listen. To avoid missing out on future releases, you can join our mailing list HERE

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
“Covarino/Incorvaia are musicians Francesco Covarino (drums) and Alessandro Incorvaia (guitar), originally from Perugia in central Italy. Their debut release emerged last year on UK imprint Preserved Sound and was named after the artists’ hometown.
Both artists currently reside in countries further afield now with Alessandro based in London, UK and Francesco in Granada, Spain. So their follow-up album is named after the latter as they focused on a live and more improvised set as a duo, without the additional musicians included in ‘Perugia’.

Both artists grew up together and were in a band in the late nineties before it disbanded. It wasn’t until 2015 until Francesco and Alessandro re-united to work together musically as they set about recording over several sessions during the Christmas holidays. Their musical influences of Post Rock, Indie, Free Jazz and Ambient collide and spiral fluidly into the material that can be heard within ‘Granada’.
Over the course of six unedited live tracks, percussion and warm guitar meld together beautifully in one afternoon session, best enjoyed in daylight when there is at least a glimmer of sunshine. The cover artwork was fittingly taken in Granada, of a Prickly Pear Cactus plant on a clear-sky day.

The album is simply named after the location it was recorded and since it was spontaneous, the tracks do not have specific titles as the artists wish to leave the album as free from a concept as possible. It was felt that to add some fabric or stories to their work post-production would devalue the fact that this record was made off the cuff.”

Catalog number WLR021
Francesco Covarino: Drums, Classical guitar on #6
Alessandro Incorvaia: GuitarRecorded in Granada, may 1st, 2016, at Sonobalance by Marcos Muniz
Mixed by Marcos Muniz at Love Thy Neighbour Labs
Mastered at KadiforniaCover photo by Francesco Covarino

Coming soon…Covarino/Incorvaia – Granada

After the excitement of releasing our very first compilation which has all but sold out, we’re now keen to press on with the demos we have lined up as the summer months approach. Fittingly, we are pleased to present a live album by Francesco Covarino and Alessandro Incorvaia (Covarino/Incorvaia) entitled Granada which is full of warmth. The cover artwork features Granada’s signature cactus, the prickly pear and provides a focal point to this concept-free set of improvisations for guitar and drumsGranada draws on influences of Post Rock, Ambient and Free Jazz and should appeal to fans of Mogwai, Dirty Three or Godspeed You Black Emperor. You can listen to a preview of the album by using the Soundcloud player below or keep a check on our Facebook page to preview the packaging when we share it.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
“Covarino/Incorvaia are musicians Francesco Covarino (drums) and Alessandro Incorvaia (guitar), originally from Perugia in central Italy. Their debut release emerged last year on UK imprint Preserved Sound and was named after the artists’ hometown.
Both artists currently reside in countries further afield now with Alessandro based in London, UK and Francesco in Granada, Spain. So their follow-up album is named after the latter as they focused on a live and more improvised set as a duo, without the additional musicians included in ‘Perugia’.

Both artists grew up together and were in a band in the late nineties before it disbanded. It wasn’t until 2015 until Francesco and Alessandro re-united to work together musically as they set about recording over several sessions during the Christmas holidays. Their musical influences of Post Rock, Indie, Free Jazz and Ambient collide and spiral fluidly into the material that can be heard within ‘Granada’.
Over the course of six unedited live tracks, percussion and warm guitar meld together beautifully in one afternoon session, best enjoyed in daylight when there is at least a glimmer of sunshine. The cover artwork was fittingly taken in Granada, of a Prickly Pear Cactus plant on a clear-sky day.

The album is simply named after the location it was recorded and since it was spontaneous, the tracks do not have specific titles as the artists wish to leave the album as free from a concept as possible. It was felt that to add some fabric or stories to their work post-production would devalue the fact that this record was made off the cuff.”

Catalog number WLR021
Francesco Covarino: Drums, Classical guitar on #6
Alessandro Incorvaia: Guitar

Recorded in Granada, may 1st, 2016, at Sonobalance by Marcos Muniz
Mixed by Marcos Muniz at Love Thy Neighbour Labs
Mastered at Kadifornia

Cover photo by Francesco Covarino

Out Now! WLR020 FragileField – Wing-half

 

We’ve had an uncharacteristic break these last few weeks but behind the scenes we’ve been working on future material in the Whitelabrecs catalog. We’ve a huge announcement lined up and loads of new ideas but first, we’d like to present our 20th release, back in our home country, the UK. ‘Wing-half‘ is the debut album by Lancashire-born Londoner FragileField or Lawrence Berry to his mother (who features in the cover artwork, by the way). Wing-half really pushes the boundaries in terms of genre in general, and certainly for Whitelabrecs. Lawrence skillfully blends notes of Jazz, Modern Classical, Ambient and Post Rock music with the assistance of several musicians and the studio space at Huddersfield University. This one should cross over and appeal to fans of several different experimental styles so it’s difficult to pin-point similar artists. But if we’re pressed, we’d have to say Hood, Sam Prekop or Tape. It’s available now on Whitelabrecs in a very low run of just 50 CDrs.

At time of writing copies of this album are still available – to find out more or grab a copy, you can click the link below or on the image above to listen. To avoid missing out on future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/wing-half

press release
“Wing-half is the debut album from FragileField and was recorded using the facilities available whilst studying at Huddersfield University, UK. Lawrence Berry, originally from Lancashire has been writing and composing music for as long as he can remember and has been playing guitar since the age of six. Towards the end of his studies, Lawrence established the FragileField project as he made use of the wealth of musical equipment available at the university. With the aid of studios kitted with top quality hardware and a range of instruments including grand pianos, double basses, trumpets and saxophones, the varying but musical sound of FragileField developed.

Lawrence adopts a free-thinking approach to composition, incorporating his myriad influences of William Walton, Wayne Shorter, Talk Talk, Burial and Tim Hecker as Modern Classical sounds meet Ambient, Post-Rock and Jazz. With the cover artwork scanned from an old photograph of his mother, Lawrence’s chosen theme for this mini album is in part family. The album’s title ‘Wing-half’ was the position his grandfather Walter Whitehurst played for Manchester United in the 1950’s, a brilliant man that he got to know well up until the first year of college when he passed away suddenly.

Wing-half is comprised of five tracks that are all inter-related, sequenced to allow the off-kilter moments chance to evolve. This is perhaps the most melodic record we have released on Whitelabrecs so far and marks a departure for the warmer months that lie ahead. There is a real vibrancy as the wealth of musical genres blend together yet the sound ebbs and flows as quieter, more reflective moments are overlapped by drums, jazz and rock inspired passages. Clocking in at 28 minutes, you’ll find that the album can easily be listened to in one sitting as it flits between moods and themes, as if reflecting on a life well-lived.
At the end, thoughts return to Mr Whitehurst as this colourful journey curtails suddenly – on reflection you’ll be left breathless as you
contemplate the ups and downs of the constantly evolving Wing-Half.”

credits
Catalog number WLR020
Written and produced by Lawrence Berry
Mastered by Tim Diagram
Artwork by Lawrence Berry

Drums by John Kirby
Cello by Keely Willox
Cello by Ernest Romancukas
Bass by Joe Sage
Trumpet by- Alex Windwood
Saxophone by George Winsall
Guitar, Piano, Dulcimer, Bass, Drums, Synths, Double Bass – Lawrence Berry