Out Now! Glåsbird – Grønland

Our discography for 2019 continues and for the second time in as many releases, we have increased the run count to 100 copies and opted for a special printed gatefold LP style packaging! Last December we privileged to present the debut Glåsbird release, a 2 track digital EP named Drift Stations. We’re very excited to present this anonymous artist’s debut album Grønland which is a cinematic suite of Modern Classical music with dramatic strings, frosty piano and hints of electric guitar. It releases on February 9th 2019 in a run of 100 copies. The album is a sonic expedition around Greenland and fittingly, the sound design feels icy cold, reminiscent of work by artists such as A Winged Victory For The Sullen, The Frozen Vaults and Sven Laux. This one features artwork by photographer Lennart Pagel, who travels the world and shares his images via Instagram.

Grønland is available now after having been released to subscribers of our mailing list last weekend, who had the first opportunity to grab a copy. These have been going well after some reviews, particularly on Stationary Travels but we still have a few left and you can buy one of these or grab a digital copy by clicking the link or image above. To avoid missing out on future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/gr-nland

press release
“Glåsbird returns following the debut EP ‘Drift Stations’ which was a digital only release on Whitelabrecs just prior to Christmas last year. The eagerly awaited full-length debut album is something that this currently anonymous artist has carefully shaped over a lengthy period of time and it is entitled Grønland. Those looking to the themes of the North Pole and travel through the treacherous Arctic Circle which were contained within Drift Stations, will see a pattern of travel or rather, migration developing. Next stop – Greenland, the world’s largest island as well as one of the most uninhabited landmasses on the planet, which is thanks to stark temperatures and the permanent ice sheet which occupies most of this land.

Glåsbird imagined that they were assigned the task of scoring the soundtrack to a film about Greenland and spent a great deal of time researching the subject. Hours of documentaries, drone helicopter footage, NASA and satellite images, Instagram traveller accounts, 360° photos, web articles and maps were surveyed, to the point where this artist felt sufficiently immersed in this sub-zero but beautiful land. One such traveller/photographer who has physically witnessed the splendour of Greenland is Lennart Pagel, who kindly provided the cover image; the shot not only captures the essence of this country with its iced mountains, freezing lake and primary-coloured cabin but also there is a bold starkness which lends itself to this soundtrack.

Two releases in and whilst we’re no clearer as to who is behind this project, it is clear that Glåsbird is becoming synonymous with storytelling and specifically travel or migration, if you prefer.
The music itself adopts a Modern Classical approach with icy piano shards shimmering alongside glacial violin and cello drones as well as the occasional hint of grounding electric guitar. We’re told that the artist even recorded some sections of sounds to cassette before placing the tape in the freezer to give an added chill factor.

We’ve decided that such an impactful concept would suit a special ‘gatefold LP’ style packaging that we’ve run a couple of times as well as an increased run of 100 copies. Where will the Glåsbird land next?”

credits
Written and produced by
Mastered by James Edward Armstrong
Artwork by Lennart Pagel (instagram.com/Lennart)

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Out Now! Various Artists – Sleeplaboratory1.0

In our first release of 2019, we’re pleased to be celebrating our 50th release since the label began 3 years ago! Sleeplaboratory1.0 is a concept album compilation in which we invited label artists and friends to create a piece of sleepy music. It’s out now in a run of 100 copies after having been released last weekend to our mailing list. We wanted the compilation to help relax and lull our listener and we’re delighted with the result – we hope you will be too. This one features artwork by our regular collaborator Federica Jeanne de Luca and sound art from a line-up which includes Janek Schaefer, Sven Laux, M. Grig, Maps and Diagrams and Daniela Orvin. The album is presented in a special gatefold-LP style CD, similar to the Paper Relics special edition we did last year. We love this style of packaging and so prepare to see more of this for 2019…

This album was announced to our mailing list last weekend and has done extremely well – we’ve only got 25 copies left! You can listen to the album in full by hitting play above or clicking the link below, where you can purchase a physical or digital version. To avoid missing out on our future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/sleeplaboratory10

press release
Whitelabrecs began in January 2016 and since our first limited edition release three years ago, we’re proud to announce our fiftieth edition in the form of a special compilation album. Previously we’d released ‘Whitelabsounds’, which had no particular theme; a cross section of label artists and friends. This time, our label owner Harry Towell wanted to curate something with a specific theme so that this occasion was marked by a concept album.

‘Sleeplaboratory1.0’ is a sixteen track cross section of modern Ambient artists touching on everything from minimalist drone and modern classical cinematics to electro acoustic and synth influenced works. It is released in a run of 100 physical copies, as we’ve chosen to create a ‘gatefold LP’ styled CD package, complete with beautiful artwork provided over 4 panels by our regular collaborator Federica Jeanne de Luca. The album is also available digitally in a range of formats, carefully mastered by Tim Diagram who also contributes a track as Maps and Diagrams.

This album is intended as a relaxing companion for either conscious or sub-conscious listening, with contributing artists briefed to create something vacant which is likely to induce sleep. Harry selected the artists with the theme in mind and to help them understand his vision, he shared a link to Janek Schaefer’s ‘Lay-by Lullaby’ released on 12k back in 2014. It is an album which has been a huge part of his personal sleep routine, with him playing it at low volume on his iPod in bed ever since it was released so it seemed to be the perfect starting point.

Harry’s motivation behind creating this sleepy album was primarily due to his fascination on the relationship between Ambient music and sleep: Robert Rich, Max Richter and Tanner Menard all performed notable sleep concerts for starters. Harry was particularly honoured when Janek Schaefer agreed to provide the opening track to this accumulation of calming works and it was he that introduced the National Geographic edition at the time which had a large article about the science of sleep and how it sits in modern society.
Additionally, Harry was expecting the arrival of his first child during the production stages of Sleeplaboratory1.0 and he wanted the album to be particularly calming for babies.

We will not make any recommendation on how our listeners might best enjoy this record and so it’s down to you to choose the best environment to listen, whether this be late at night with headphones, on a loud system or perhaps played through Bluetooth speakers in and around your home.

credits
Curated by Harry Towell
Mastered by Tim Diagram
Artwork by Federica Jeanne de Luca

Coming soon…Various Artists – Sleeplaboratory1.0

Happy New Year to anyone who’s reading – we’re all set for 2019 as we plan an exciting schedule! We’re working on plans on a few new ideas but firstly, we’ve some celebrating to do: we’re about to achieve our 50th album release! Sleeplaboratory1.0 is a concept album compilation in which we invited label artists and friends to create a piece of sleepy music. It releases on January 26th 2019 in a run of 100 copies. We wanted the compilation to help relax and lull our listener and we’re delighted with the result – we hope you will be too. This one features artwork by our regular collaborator Federica Jeanne de Luca and sound art from a line-up which includes Janek Schaefer, Sven Laux, M. Grig, Maps and Diagrams and Daniela Orvin. The album is presented in a special gatefold-LP style CD, similar to the Paper Relics special edition we did last year. We love this style of packaging and we’re toying with the idea of making this option a more regular thing…

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
Whitelabrecs began in January 2016 and since our first limited edition release three years ago, we’re proud to announce our fiftieth edition in the form of a special compilation album. Previously we’d released ‘Whitelabsounds’, which had no particular theme; a cross section of label artists and friends. This time, our label owner Harry Towell wanted to curate something with a specific theme so that this occasion was marked by a concept album.

‘Sleeplaboratory1.0’ is a sixteen track cross section of modern Ambient artists touching on everything from minimalist drone and modern classical cinematics to electro acoustic and synth influenced works. It is released in a run of 100 physical copies, as we’ve chosen to create a ‘gatefold LP’ styled CD package, complete with beautiful artwork provided over 4 panels by our regular collaborator Federica Jeanne de Luca. The album is also available digitally in a range of formats, carefully mastered by Tim Diagram who also contributes a track as Maps and Diagrams.

This album is intended as a relaxing companion for either conscious or sub-conscious listening, with contributing artists briefed to create something vacant which is likely to induce sleep. Harry selected the artists with the theme in mind and to help them understand his vision, he shared a link to Janek Schaefer’s ‘Lay-by Lullaby’ released on 12k back in 2014. It is an album which has been a huge part of his personal sleep routine, with him playing it at low volume on his iPod in bed ever since it was released so it seemed to be the perfect starting point.

Harry’s motivation behind creating this sleepy album was primarily due to his fascination on the relationship between Ambient music and sleep: Robert Rich, Max Richter and Tanner Menard all performed notable sleep concerts for starters. Harry was particularly honoured when Janek Schaefer agreed to provide the opening track to this accumulation of calming works and it was he that introduced the National Geographic edition at the time which had a large article about the science of sleep and how it sits in modern society.
Additionally, Harry was expecting the arrival of his first child during the production stages of Sleeplaboratory1.0 and he wanted the album to be particularly calming for babies.

We will not make any recommendation on how our listeners might best enjoy this record and so it’s down to you to choose the best environment to listen, whether this be late at night with headphones, on a loud system or perhaps played through Bluetooth speakers in and around your home.

credits
Curated by Harry Towell
Mastered by Tim Diagram
Artwork by Federica Jeanne de Luca

Out Now! Glåsbird – Drift Stations EP

We recently announced our final release of the year and a winter sale, ready to put our feet up and relax for the rest of the year.
We’ve decided to scrap that and release an EP we’d lined up for next year a little early, so that we can introduce a project that we’re particularly excited about – Glåsbird.
Drift Stations is a 2 track EP of Modern Classical soundtrack music, recommended if you enjoy Hammock, Stars of the Lid or The Frozen Vaults and this digital only release tracks the beginning of the journey as the artists heads from the North Pole, towards the chosen theme of the debut album – Greenland.

press release
Glåsbird is an anonymous project by an established artist within the Ambient/Modern Classical scene. To date this artist name has not produced any work that has been published and we’re proud to present both the first ever Glåsbird release as well as the debut album, due out early next year.

The Glåsbird sound is undefined and we’re told that it will be used to demonstrate working to themes, ideas and soundtracks. The artist studies their chosen topic intently before crafting electro-acoustic recordings into evocative cinematic soundscapes. The debut album Grønland is a sonic expedition to Greenland, tracking the enormous frozen ice cap, the colourful scandi huts and its lack of human inhabitants.
The preceding Drift Stations EP features two tracks which tell the story of embarking on this imaginary journey to Greenland, as it begins in the North Pole before traversing the frozen Arctic Circle sea towards the monolithic landmass.

In a brief section of recording space, the artist has stitched together a shrill and lonely coldness using violin, cello, sparse piano notes and other digitally effected acoustic instruments. Drift Stations is then set off with a magnificent photograph, taken on Greenland by photographer and tour guide Lasse Kyed.

credits
Written and produced by Glåsbird
Mastered by James Edward Armstrong
Photography by Lasse Kyed (https://www.instagram.com/greenland_explorer)

Out Now! Caminauta – Fragments

We’ve a few more limited edition vinyl-effect CDr releases left to release before the year’s out so we’d best get moving. So next up, we welcome Caminauta. Cami Gadea is a Uruguayan sound artist who is residing in Sweden at the time of writing, with a previous release on Ukrainian label Delta Shock. Fragments is the debut Caminauta album and features ten tracks that span the sonic territories of electronic, neo classical and Ambient music. This should be a record that fans of either Jürgen Müller, Andy Stott or Ricardo Donoso might enjoy.

This album was announced to our mailing list last weekend and there are some copies available still at the time of writing. You can listen to the album in full by hitting play above or clicking the link below, where you can purchase a physical or digital version. To avoid missing out on our future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/fragments

press release
Caminauta is an artist originally from the small town of Treinta y Tres, Uruguay, currently based in Sweden. Her only previous release to date was a cassette EP named ‘Extinct’ released in September 2017 by Ukrainian label Delta Shock. We’re pleased to be able to present her debut album ‘Fragments’.

She has been performing music since she was 14 years old, starting with guitar before progressing to bass and synthesizers.
Her current sound continues to explore synths, with both software and performance based work being the backbone of the Caminauta sound. She has a live set up too and last year she was able to participate as part of the Flo Festival in Porto Alegre, Brazil.

‘Fragments’ is a record centered around melancholia, loneliness but also nature and stylistically it adopts her signature sound but with plenty of variation within these generous 10 tracks. The opening moments use arpeggios where as other pieces are more drone and soundtrack based. Some pieces have the lightest hint of ‘electronica’, as subtle beats provide a feint pulse and you can even hear poetry, in a tribute to the memory of her friend Alec Wildey.

This album was recorded during a process of personal growth, as she wanted to express those emotions. The recordings are intended to speak of her perception of how she sees the world in general and her process of internal search. The tracks themselves and the details within each of these are fragments, to represent moments in her life and this is where the album adopts a melancholic approach as well as a sense of wonder to the world around us.

credits
Written and produced by Cami Gadea
Mastered by Raul Tizze
Photograph by Carlos Ramirez

Coming soon…Caminauta – Fragments

We’ve a few more limited edition vinyl-effect CDr releases left to release before the year’s out so we’d best get moving. So next up, we welcome Caminauta. Cami Gadea is a Uruguayan sound artist who is residing in Sweden at the time of writing, with a previous release on Ukrainian label Delta Shock. Fragments is the debut Caminauta album and features ten tracks that span the sonic territories of electronic, neo classical and Ambient music. This should be a record that fans of either Jürgen Müller, Andy Stott or Ricardo Donoso might enjoy.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
Caminauta is an artist originally from the small town of Treinta y Tres, Uruguay, currently based in Sweden. Her only previous release to date was a cassette EP named ‘Extinct’ released in September 2017 by Ukrainian label Delta Shock. We’re pleased to be able to present her debut album ‘Fragments’.

She has been performing music since she was 14 years old, starting with guitar before progressing to bass and synthesizers.
Her current sound continues to explore synths, with both software and performance based work being the backbone of the Caminauta sound. She has a live set up too and last year she was able to participate as part of the Flo Festival in Porto Alegre, Brazil.

‘Fragments’ is a record centered around melancholia, loneliness but also nature and stylistically it adopts her signature sound but with plenty of variation within these generous 10 tracks. The opening moments use arpeggios where as other pieces are more drone and soundtrack based. Some pieces have the lightest hint of ‘electronica’, as subtle beats provide a feint pulse and you can even hear poetry, in a tribute to the memory of her friend Alec Wildey.

This album was recorded during a process of personal growth, as she wanted to express those emotions. The recordings are intended to speak of her perception of how she sees the world in general and her process of internal search. The tracks themselves and the details within each of these are fragments, to represent moments in her life and this is where the album adopts a melancholic approach as well as a sense of wonder to the world around us.

credits
Written and produced by Cami Gadea
Mastered by Raul Tizze
Photograph by Carlos Ramirez