Home Diaries 030: Luis Miehlich

We’ve taken a pause from our schedule of CD albums due to our local post office closing, following the outbreak of Covid19. We launched a digital series called Home Diaries, in which we’ll release EPs and albums by an international line-up of artists, with the music created during lockdown and social distancing conditions.

The series reflects a range of sounds, styles and ideas, as each artist portrays their own reflections uniquely. Each release is digital only for now, as we hope to raise what we can to help keep our label ticking over at this time. The releases feature a recurring polaroid image of a small lonely house, with a coloured filter chosen by the artist for each respective release.

In final Home Diaries release, we welcome back Luis Miehlich, who provided last year’s ‘Timecuts‘. Heidelberg, Germany based Luis has also had a release back in 2018 with Archives and we’re excited to present this almost hour-long suite of piano improvisations. Luis found that the repetition of days indoors made time go quickly in lockdown, so he used this as inspiration to try to revers this, by making an album centralised on his piano, with only the slightest of subtle electronic techniques

Each Home Diaries release will include bonus PDF liner notes, which has an interview with the artist on how they made the album, what their situation is like, what they have planned, their influences and what equipment/techniques they used.  There are also additional photos provided by the artist as part of the PDF too. Click on the link below to check it out:

-LABEL LINK-
https://whitelabrecs.bandcamp.com/album/home-diaries-030

-ARTIST LINK-
https://woolookologie.bandcamp.com/album/home-diaries-030

press release
“Home Diaries is an invitation to artists and musicians to create an album or EP to document their personal experience during the lockdown or social distancing conditions that are upon us, due to the coronavirus outbreak. The series reflects a range of sounds, styles and ideas, as each artist portrays their own reflections uniquely. Each release is digital only for now, as we hope to raise what we can to help keep our label ticking over at this time. The releases feature a recurring polaroid image of a small lonely house, with a coloured filter chosen by the artist for each respective release. We interview each artist and this is included as a bonus PDF with the download. You can also check out the Home Diaries series on Spotify if you prefer, which will be available to stream in due course.

Our final Home Diaries sees the return of Luis Miehlich whose album Timecuts was released by us last year. Luis has also been active with self-released works as well as the beautiful ‘Silences’ on Archives in 2018. He is a music student and pianist and the pandemic resulted in the cancellation of a performance he’d written music for. Whilst the lockdown in Heidelberg, Germany was less stringent than many other countries, Luis spent his time at home and the endless repetition of days gave him a sense of time running away at pace.

Luis’ Home Diaries is an expansive, almost hour-long collection of piano improvisations, which he created to counter his perception of time, to slow the world down. He used subtle delay effects to force him to have an awareness of the past and future as he played. The gentlest of electronics and guitar is used to accompany the piano at times and the result is something we feel is the perfect way to end the journey that has been this Home Diaries series.”

credits
Written and produced by Luis Miehlich
Mastered by James Edward Armstrong
Artwork by Harry Towell

Home Diaries 025: Sven Laux

We’ve taken a pause from our schedule of CD albums due to our local post office closing, following the outbreak of Covid19. We launched a digital series called Home Diaries, in which we’ll release EPs and albums by an international line-up of artists, with the music created during lockdown and social distancing conditions.

The series reflects a range of sounds, styles and ideas, as each artist portrays their own reflections uniquely. Each release is digital only for now, as we hope to raise what we can to help keep our label ticking over at this time. The releases feature a recurring polaroid image of a small lonely house, with a coloured filter chosen by the artist for each respective release.

In our next edition, we welcome back Berlin, Germany’s Sven Laux, who has regularly collaborated with us over the years, including albums ‘Schachmatt‘ and ‘ODD‘. Sven’s Home Diaries entry is themed around separation and is a full album of fine cinematic modern classical music, clocking in at almost an hour.

We have an exciting line-up to follow and each release will include bonus PDF liner notes, which has an interview with the artist on how they made the album, what their situation is like, what they have planned, their influences and what equipment/techniques they used.  There are also additional photos provided by the artist as part of the PDF too. Click on the link below to check it out:

-LABEL LINK-
https://whitelabrecs.bandcamp.com/album/home-diaries-024

-ARTIST LINK-
https://svenlaux.bandcamp.com/album/scattered-fragments-of-separation

press release
“Home Diaries is an invitation to artists and musicians to create an album or EP to document their personal experience during the lockdown or social distancing conditions that are upon us, due to the coronavirus outbreak. The series reflects a range of sounds, styles and ideas, as each artist portrays their own reflections uniquely. Each release is digital only for now, as we hope to raise what we can to help keep our label ticking over at this time. The releases feature a recurring polaroid image of a small lonely house, with a coloured filter chosen by the artist for each respective release. We interview each artist and this is included as a bonus PDF with the download. You can also check out the Home Diaries series on Spotify if you prefer, which will be available to stream in due course.

Next we welcome back a regular contributor to our catalog, Berlin’s Sven Laux. Sven has released albums ‘Schachmatt’ and ‘ODD’ with us as well as contribute remixes and compilation pieces. Aside from working with us, Sven has also released with labels such as Archives, Dronarivm and more recently Fluid Audio, in a collaborative release with our label owner Harry Towell. He also runs the Seasides On Postcards label.

Sven’s Home Diaries came about suddenly, after his experience of the pandemic saw him living away from home, some 100km from Berlin. He was staying with family for childcare purposes but the weeks away from his art drove him to head back home alone. Over some intense days in his studio, Sven had created ‘Scattered Fragments of Separation‘, a full and immersive album of modern classical compositions. The dreamy but emotive sound of the piano became the focus of his sound, as he wanted to both lose himself whilst also, channel his experiences into a documentary record which preserve this strange time.”

credits
Written and produced by Sven Laux
Mastered by James Edward Armstrong
Artwork by Harry Towell

Home Diaries 018: Time Rival

We’ve taken a pause from our schedule of CD albums due to our local post office closing, following the outbreak of Covid19. We launched a digital series called Home Diaries, in which we’ll release EPs and albums by an international line-up of artists, with the music created during lockdown and social distancing conditions.

The series reflects a range of sounds, styles and ideas, as each artist portrays their own reflections uniquely. Each release is digital only for now, as we hope to raise what we can to help keep our label ticking over at this time. The releases feature a recurring polaroid image of a small lonely house, with a coloured filter chosen by the artist for each respective release.

Our 18th Home Diaries edition is by Richrmond, Illinois based artist Time Rival. Michael Southard the man behind the project, also runs the Triplicate Records label. Michael and his wife are used to working from home but the pandemic has made this more difficult with taking care of two children. He has managed to balance his time carefully and ‘Indoors‘ is a blend of Modern Classical and Ambient compositions which has a careful blend of intimate piano moments and wide open, cavernous spaces.

We have an exciting line-up to follow and each release will include bonus PDF liner notes, which has an interview with the artist on how they made the album, what their situation is like, what they have planned, their influences and what equipment/techniques they used.  There are also additional photos provided by the artist as part of the PDF too. Click on the link below to check it out:

-LABEL LINK-
https://whitelabrecs.bandcamp.com/album/home-diaries-018

-ARTIST LINK-
https://open.spotify.com/album/0SMyd0lnItfy4G32c3AMPj

press release
“Home Diaries is an invitation to artists and musicians to create an album or EP to document their personal experience during the lockdown or social distancing conditions that are upon us, due to the coronavirus outbreak. The series reflects a range of sounds, styles and ideas, as each artist portrays their own reflections uniquely. Each release is digital only for now, as we hope to raise what we can to help keep our label ticking over at this time. The releases feature a recurring polaroid image of a small lonely house, with a coloured filter chosen by the artist for each respective release. We interview each artist and this is included as a bonus PDF with the download. You can also check out the Home Diaries series on Spotify if you prefer, which will be available to stream in due course.

For our next Home Diaries, we’re joined by Michael Southard who records as Time Rival and also runs the Triplicate Records label. Based in Richmond, Illinois in the United States, Michael and his wife have already been quite used to home working for their respective jobs. One of the challenges has been fitting this full-time since the pandemic, around the needs of their two young children.

Michael has still managed to work in some free-time into his new-found routine by getting up early and this space has been mostly reserved for music. Household environments and every day objects, toys and sounds were used to develop modern classical compositions and contemporary soundscapes. Some pieces feel intimate, particularly when piano notes and strings combine, whereas others feel cavernous and dreamy. ‘Indoors’ was created during a time when a new routine was being established by this family and if you allow yourself the time to absorb this mini album in full, you’ll be struck by a sheer level of detail, order and balance.”

credits
Written, produced and mastered by Michael Southard
Artwork by Harry Towell

Home Diaries 015: Francis M. Gri

We’ve taken a pause from our schedule of CD albums due to our local post office closing, following the outbreak of Covid19. We launched a digital series called Home Diaries, in which we’ll release EPs and albums by an international line-up of artists, with the music created during lockdown and social distancing conditions.

The series reflects a range of sounds, styles and ideas, as each artist portrays their own reflections uniquely. Each release is digital only for now, as we hope to raise what we can to help keep our label ticking over at this time. The releases feature a recurring polaroid image of a small lonely house, with a coloured filter chosen by the artist for each respective release.

In our next edition, we welcome back Francis M. Gri from Milan, Italy. Francis contributed Apart to our catalog back in 2018 and also has releases on Time Released Sound and Slowcraft as well as his own label, KrysaliSound. For his Home Diaries edition, he original created a longform piece in the midst of the peak of the pandemic in Italy’s Lombardy region, based around Electric Piano keys. After he got in touch, Stanze e Distanze was a longform piece which he has developed further into a suite of 5 pieces, with added guitar, sansula and singing bowls. Electronic piano keys reflect the lonely socially-distant streets but also, the intimate warmth of being safe inside your own home. The singing bowls give a sense of distance and travel then, again, they also retain a meditative hum that is very much of the present. It is hoped that this record will provoke or aid an inner reflection and become a spring-board of positivity.

We have an exciting line-up to follow and each release will include bonus PDF liner notes, which has an interview with the artist on how they made the album, what their situation is like, what they have planned, their influences and what equipment/techniques they used.  There are also additional photos provided by the artist as part of the PDF too. Click on the link below to check it out:

-LABEL LINK-
https://whitelabrecs.bandcamp.com/album/home-diaries-015

press release
“Home Diaries is an invitation to artists and musicians to create an album or EP to document their personal experience during the lockdown or social distancing conditions that are upon us, due to the coronavirus outbreak. The series reflects a range of sounds, styles and ideas, as each artist portrays their own reflections uniquely. Each release is digital only for now, as we hope to raise what we can to help keep our label ticking over at this time. The releases feature a recurring polaroid image of a small lonely house, with a coloured filter chosen by the artist for each respective release. We interview each artist and this is included as a bonus PDF with the download. You can also check out the Home Diaries series on Spotify if you prefer, which will be available to stream in due course.

We’re pleased to see Francis M. Gri return to our label after he contributed the album ‘Apart’ to our catalog back in 2018. Francis runs the KrysaliSound label and also has material on Slowcraft and Time Released Sound. Francis is from Milan in Italy’s worst affected area during this pandemic, the Lombardy region. He originally composed a longform piece named Stanze e Distanze shortly after the peak of the virus in his area, before he discovered our Home Diaries series.

After chatting with Francis, he went away to develop this piece into a suite of 5 sections, which he adapted with additional elements including guitar, sansula and singing bowls. It became a mini album and the title translates to ‘rooms and distances’, a simple title yet with plenty of scope for interpretation. Electronic piano keys reflect the lonely socially-distant streets but also, the intimate warmth of being safe inside your own home. The singing bowls give a sense of distance and travel then, again, they also retain a meditative hum that is very much of the present. It is hoped that this record will provoke or aid an inner reflection and become a spring-board of positivity.”

credits
Written, produced and mastered by Francis M. Gri
Artwork by Harry Towell

Home Diaries 014: Polaroid Notes

We’ve taken a pause from our schedule of CD albums due to our local post office closing, following the outbreak of Covid19. We launched a digital series called Home Diaries, in which we’ll release EPs and albums by an international line-up of artists, with the music created during lockdown and social distancing conditions.

The series reflects a range of sounds, styles and ideas, as each artist portrays their own reflections uniquely. Each release is digital only for now, as we hope to raise what we can to help keep our label ticking over at this time. The releases feature a recurring polaroid image of a small lonely house, with a coloured filter chosen by the artist for each respective release.

In our next edition, we welcome back Polaroid Notes from Munich, Germany. The artist, Andreas, contributed Unsung Memories to our catalog back in 2017 and in fact, we’ve worked with him across each of our labels with The Long Bright Dark on Audio Gourmet and Sea Shores on Tessellate. Andreas also records more electronic based works as Kraut Sounds, as well as running his own label Drone Works International. He has had to stop his 300km commute and now spends 7 days a week at home, rather than 3. This extra time indoors has given him a chance to revisit and re-record some old rhodes piano tones and he’s added some newer tracks too. Moonlight Sessions is a pensive album, ideal for late night listening.

We have an exciting line-up to follow and each release will include bonus PDF liner notes, which has an interview with the artist on how they made the album, what their situation is like, what they have planned, their influences and what equipment/techniques they used.  There are also additional photos provided by the artist as part of the PDF too. Click on the link below to check it out:

-LABEL LINK-
https://whitelabrecs.bandcamp.com/album/home-diaries-014

-ARTIST LINK-
https://polaroidnotes.bandcamp.com/album/home-diaries-moonlight-sessions

press release
“Home Diaries is an invitation to artists and musicians to create an album or EP to document their personal experience during the lockdown or social distancing conditions that are upon us, due to the coronavirus outbreak. The series reflects a range of sounds, styles and ideas, as each artist portrays their own reflections uniquely. Each release is digital only for now, as we hope to raise what we can to help keep our label ticking over at this time. The releases feature a recurring polaroid image of a small lonely house, with a coloured filter chosen by the artist for each respective release. We interview each artist and this is included as a bonus PDF with the download. You can also check out the Home Diaries series on Spotify if you prefer, which will be available to stream in due course.

In our next edition, we welcome back Polaroid Notes from Munich, Germany. The artist, Andreas, contributed Unsung Memories to our catalog back in 2017 and in fact, we’ve worked with him across each of our labels with The Long Bright Dark on Audio Gourmet and Sea Shores on Tessellate. Andreas also records more electronic based works as Kraut Sounds, as well as running his own label Drone Works International.

Before the pandemic took hold, we were in discussions with Andreas about releasing a new Polaroid Notes album, which has now been delayed. He’d moved from his office to a home-working environment, saving a 300km commute and adding four extra days at home. He had already created a Home Diaries themed album during the lockdown period, having re-recorded some older material as well as new improvisations using Rhodes piano keys as the main sound source.
Moonlight Sessions as its name suggests, is an album for quiet night-time reflection.”

credits
Written and produced by Andreas S
Mastered by James Edward Armstrong
Artwork by Harry Towell

Home Diaries 002: Edu Comelles

We’ve taken a pause from our schedule of CD albums due to our local post office closing, following the outbreak of Covid19. We launched a digital series called Home Diaries, in which we’ll release EPs and albums by an international line-up of artists, with the music created during lockdown and social distancing conditions.

The series reflects a range of sounds, styles and ideas, as each artist portrays their own reflections uniquely. Each release is digital only for now, as we hope to raise what we can to help keep our label ticking over at this time. The releases feature a recurring polaroid image of a small lonely house, with a coloured filter chosen by the artist for each respective release.

Our next album sees the return of Edu Comelles, who released a CD album with us in February called Línia Pedra Paisatge Solc. Mirar Lluny is a single longform arrangement of modern classical tones, including unused recordings from past collaborators Isabel Latorre (piano) and Sara Galán (cello). The piece is meditative and restful, but evolves throughout its duration which Edu says is the exact time it takes to walk his dog!

We have an exciting line-up to follow and each release will include bonus PDF liner notes, which has an interview with the artist on how they made the album, what their situation is like, what they have planned, their influences and what equipment/techniques they used.  There are also studio and artist profile images as part of the PDF too. Click on the link below to check it out:

FROM WHITELABRECS:
https://whitelabrecs.bandcamp.com/album/home-diaries-002

DIRECT FROM THE ARTIST:
https://educomelles.bandcamp.com/album/mirar-lluny-home-diaries-002

press release
“Home Diaries is an invitation to artists and musicians to create an album or EP to document their personal experience during the lockdown or social distancing conditions that are upon us, due to the coronavirus outbreak. The series reflects a range of sounds, styles and ideas, as each artist portrays their own reflections uniquely. Each release is digital only for now, as we hope to raise what we can to help keep our label ticking over at this time. The releases feature a recurring polaroid image of a small lonely house, with a coloured filter chosen by the artist for each respective release. We also interview each artist and this is included as a bonus PDF with the download. You can also check out the Home Diaries series direct from the artist themselves or on Spotify if you prefer.

Next we welcome the return of Edu Comelles, who contributed the album Línia Pedra Paisatge Solc back in February this year. Edu is the founder of the Audiotalaia netlabel and has released music through labels such as Fluid Audio, Archives and Crónica. During the years of his work, he has collaborated with musicians such as Isabelle Latorre (piano) and Sara Galán (cello). It is during this time of ‘lockdown’, where his native Spain is being particularly hit hard, that he finds himself revisiting recordings made with these musicians.

He has had a busy 2020, with the arrival of his twin sons, his release with us and this extra time at home has given rise to Mirar Lluny, meaning to look far away in Catalan. The work was the small moments of time he had spare from caring for his newborn children and he looked to create a meditative sort of modern classical piece, which is surely his most musical yet.”

credits
Originally conceived in Valencia, Spring 2019. Finally composed, mixed and arranged by Edu Comelles between March 13th and April 5th 2020.

Written and produced by Edu Comelles
Grand Piano: Isabel Latorre
Cello: Sara Galán
Recordings: Edu Comelles
Mastered by James Edward Armstrong
Artwork by Harry Towell

Out Now! S.hel – Disconnect

For our next release then, we have something truly striking in the form of this debut album by Reykjavik’s S.hel. It will be released on Piano Day, combines piano and strings compositions with electronics and cinematic effects. To my ears, it sits somewhere between the quieter moments of Aphex Twin’s Drukqs, and then the work of composers such as Hauschka, Nils Frahm and perhaps even the artist’s mentor Mikael Lind, who mixed the album. For us, the artwork absolutely sets this album off in a truly unique way, thanks to the work of Sarah Maria Yasdani, helped by Rakel Ýr Stefánsdóttir. It really embodies the concept of this album which is disconnection and questions of origin. We have a feeling it may very well strike a chord with people right now, even though the concept for this album was born long before Covid 19 was a thing and is not actually related! Our message to the world right now is to think of the people all around you and care for one another. Get connected, even if it has to be at a distance. The album was released on Piano Day, Saturday the 28th of March

Disconnect was released to subscribers of our mailing list last weekend, who had the first opportunity to grab one of these 100 CDs. We do have some available however, please note, there will be a delay in shipping following the closure of our post office due to Covid 19. We aim to ship every order as soon as we can but please bear this in mind if you decide to order. You can also stream the album in full on Bandcamp as well as Spotify and of course, you can grab a digital version if you prefer, by clicking the player above or link below. To avoid missing out on future releases, you can join our mailing list HERE: low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

https://whitelabrecs.bandcamp.com/album/disconnect


press release

“There’s a well-known German saying ‘Ich bin Weltbürger: überall zu Hause, überall fremd’ which roughly translates to ‘I’m a world citizen: I am everywhere at home and everywhere a stranger’. S.hel believes this is a phrase which describes him well; London his birthplace, being partly raised in Germany and residing in Iceland.

Disconnect is a debut album by an emerging artist, arriving at a time of uncertainty and disarray, where terms such as self-isolation and social distancing are on everyone’s lips. However, this record’s theme is not born out of the adversity that coined these phrases. Instead, when creating these works the artist was informed by his thoughts around identity and how we perceive it as a whole. Do places of origin matter? He moved around a lot as a child and at times, felt he had no roots which left him feeling very disconnected at times. Some years on and settling in Iceland, he now realises the valuable lessons and skills the experience has brought.

Disconnect follows the self-released EP ‘Lucid’ in 2018 and the primary instrument is the piano. Aptly, we will be releasing this album for piano day as this unique record draws in wide influences including mentor Mikael Lind who mixed the album, S.hel’s piano teachers Sunna Gunnlaugs and Kjartan Valdemarsson as well as compatriots Jóhann Jóhannsson and Hildur Guðnadóttir. Contemporary composers play their part too in the stimulus, such as Nils Frahm, Arvo Pärt and Max Richter. Disconnect flits between intimate and organic piano compositions and granulated or randomised electronic effects, interspersed with swathes of strings and synthesizer. Creaks and pensive moments navigate perceived silence and suspense, whilst the mood switches effortlessly to the grandeur of modern classical orchestration in equal measure.

This striking album package is complete with the wonderful concept artwork of Sarah Maria Yasdani and Rakel Ýr Stefánsdóttir who have also produced and directed accompanying music videos. The concept works hand in hand with the music and the themes of disconnection S.hel portrays and reflects on the loneliness resulting from being part of a society that has lost itself in daily routine. Currently the routine may be all we crave, but maybe amongst all this we can all find some way to connect again.”

credits
Written and produced by S.hel
Mixed by Mikael Lind
Mastered by James Edward Armstrong
Art concept and photography by Sarah Maria Yasdani and Rakel Ýr Stefánsdóttir

Coming soon…S.hel – Disconnect

The world is faced with a huge wave of adversity right now and the uncertainty will continue over the coming months and dare I say, beyond. Uncertainty isn’t anything new of course but I guess many of us get used to the status quo and find our normal. What do these times mean for Whitelabrecs? Well, the truth is – we don’t know in the short term. We’re pretty sure however, that the long term will be fine.
So with the rest of this year’s releases, we’ll be guided by you our listeners and followers and see what happens! For some regions, expect postal delays but for now here in the UK, my trusty postman assures me he still wants my business. So for now until I’m forced to stop, I’ll keep selling CDs and visiting him once or twice a week 🙂

Onto our next release then, we have something truly striking in the form of this debut album by Reykjavik’s S.hel. It will be released on Piano Day, combines piano and strings compositions with electronics and cinematic effects. To my ears, it sits somewhere between the quieter moments of Aphex Twin’s Drukqs, and then the work of composers such as Hauschka, Nils Frahm and perhaps even the artist’s mentor Mikael Lind, who mixed the album. For us, the artwork absolutely sets this album off in a truly unique way, thanks to the work of Sarah Maria Yasdani, helped by Rakel Ýr Stefánsdóttir. It really embodies the concept of this album which is disconnection and questions of origin. We have a feeling it may very well strike a chord with people right now, even though the concept for this album was born long before Covid 19 was a thing and is not actually related! Our message to the world right now is to think of the people all around you and care for one another. Get connected, even if it has to be at a distance.

The album will be released officially on Piano Day, Saturday the 28th of March but if you join our mailing list using the link below, we’ll make sure you’re the first to hear.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“There’s a well-known German saying ‘Ich bin Weltbürger: überall zu Hause, überall fremd’ which roughly translates to ‘I’m a world citizen: I am everywhere at home and everywhere a stranger’. S.hel believes this is a phrase which describes him well; London his birthplace, being partly raised in Germany and residing in Iceland.

Disconnect is a debut album by an emerging artist, arriving at a time of uncertainty and disarray, where terms such as self-isolation and social distancing are on everyone’s lips. However, this record’s theme is not born out of the adversity that coined these phrases. Instead, when creating these works the artist was informed by his thoughts around identity and how we perceive it as a whole. Do places of origin matter? He moved around a lot as a child and at times, felt he had no roots which left him feeling very disconnected at times. Some years on and settling in Iceland, he now realises the valuable lessons and skills the experience has brought.

Disconnect follows the self-released EP ‘Lucid’ in 2018 and the primary instrument is the piano. Aptly, we will be releasing this album for piano day as this unique record draws in wide influences including mentor Mikael Lind who mixed the album, S.hel’s piano teachers Sunna Gunnlaugs and Kjartan Valdemarsson as well as compatriots Jóhann Jóhannsson and Hildur Guðnadóttir. Contemporary composers play their part too in the stimulus, such as Nils Frahm, Arvo Pärt and Max Richter. Disconnect flits between intimate and organic piano compositions and granulated or randomised electronic effects, interspersed with swathes of strings and synthesizer. Creaks and pensive moments navigate perceived silence and suspense, whilst the mood switches effortlessly to the grandeur of modern classical orchestration in equal measure.

This striking album package is complete with the wonderful concept artwork of Sarah Maria Yasdani and Rakel Ýr Stefánsdóttir who have also produced and directed accompanying music videos. The concept works hand in hand with the music and the themes of disconnection S.hel portrays and reflects on the loneliness resulting from being part of a society that has lost itself in daily routine. Currently the routine may be all we crave, but maybe amongst all this we can all find some way to connect again.”

credits
Written and produced by S.hel
Mixed by Mikael Lind
Mastered by James Edward Armstrong
Art concept and photography by Sarah Maria Yasdani and Rakel Ýr Stefánsdóttir

Out Now! Glåsbird – Norskfjǫrðr

For our next release we welcome back Glåsbird, an anonymous artist who debuted last year with two albums, both of which received plenty of critical acclaim. Both Grønland and Svalbarð sold out quickly, thanks in part to being picked up by Bandcamp’s ‘best Ambient’ feature and a few other trusty blogs, reviewers and radio shows. Norskfjǫrðr sees the sonic expedition continue, with the destination this time being the Norwegian fjords, again, accompanied by the landscape photography of Aldona Pivoriene. The album uses familiar hints of modern classical orchestration alongside creaks, clangs and acoustic instruments.

Norskfjǫrðr was released to subscribers of our mailing list last weekend, who had the first opportunity to grab one of these 200 CDs. They’ve been selling fast but we do still have copies available at the time of writing. You can also stream the album in full on Bandcamp as well as Spotify and of course, you can grab a digital version if you prefer, by clicking the player above or link below. To avoid missing out on future releases, you can join our mailing list HERE:

https://whitelabrecs.bandcamp.com/album/norskfj-r-r

press release
“Glåsbird’s anonymous and imaginary travels to far flung locations continues, with this next excursion landing at the Norwegian fjords. The first two releases dealt with the more treacherous locations of Greenland and Svalbard but in Norskfjǫrðr, the dramatic and breathtaking landscape is underpinned by a road network which connects islands, peninsulas and mountains. A human thread of highway runs through this wild and rugged setting, passing lonely wood cabins and flashes of green.

To reflect this landscape, Glåsbird imagined a journey north to the edge of the Arctic sea over several days, stopping to capture the intimate acoustics of painted wooden shacks and drawing in the landscape through tiny window panes. Whilst the previous releases use reverb-heavy strings or tape-decaying piano to reflect the cold, stark expanse of snow, Norskfjǫrðr makes use of more acoustic instruments with more emphasis on the raw sound. Various creaks and scrapes rustle underneath these melodies to reflect the sound from inside the cabin, micro-sound fragments being all the more audible due to the silent outdoors. A hint of folk is present at times in the form of bowed and plucked strings, to reflect the fauna and flora present across the West of Scandinavia. The familiar modern classical tones of piano and strings breathe a stark and chilling spine from time to time before the gently dramatic Endeligfjord marks the end of the journey, looking back out to the Barents sea.”

credits
Written and produced by Glåsbird
Mastered by James Edward Armstrong
Photography by Aldona Pivoriene
Packaging design by Harry Towell

Coming soon…Glåsbird – Norskfjǫrðr

For our next release we welcome back Glåsbird, an anonymous artist who debuted last year with two albums, both of which received plenty of critical acclaim. Both Grønland and Svalbarð sold out quickly, thanks in part to being picked up by Bandcamp’s ‘best Ambient’ feature and a few other trusty blogs, reviewers and radio shows. Norskfjǫrðr sees the sonic expedition continue, with the destination this time being the Norwegian fjords, again, accompanied by the landscape photography of Aldona Pivoriene. The album uses familiar hints of modern classical orchestration alongside creaks, clangs and acoustic instruments. The album will be released officially on Saturday the 14th of March but if you join our mailing list using the link below, we’ll make sure you’re the first to hear.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“Glåsbird’s anonymous and imaginary travels to far flung locations continues, with this next excursion landing at the Norwegian fjords. The first two releases dealt with the more treacherous locations of Greenland and Svalbard but in Norskfjǫrðr, the dramatic and breathtaking landscape is underpinned by a road network which connects islands, peninsulas and mountains. A human thread of highway runs through this wild and rugged setting, passing lonely wood cabins and flashes of green.

To reflect this landscape, Glåsbird imagined a journey north to the edge of the Arctic sea over several days, stopping to capture the intimate acoustics of painted wooden shacks and drawing in the landscape through tiny window panes. Whilst the previous releases use reverb-heavy strings or tape-decaying piano to reflect the cold, stark expanse of snow, Norskfjǫrðr makes use of more acoustic instruments with more emphasis on the raw sound. Various creaks and scrapes rustle underneath these melodies to reflect the sound from inside the cabin, micro-sound fragments being all the more audible due to the silent outdoors. A hint of folk is present at times in the form of bowed and plucked strings, to reflect the fauna and flora present across the West of Scandinavia. The familiar modern classical tones of piano and strings breathe a stark and chilling spine from time to time before the gently dramatic Endeligfjord marks the end of the journey, looking back out to the Barents sea.”

credits
Written and produced by Glåsbird
Mastered by James Edward Armstrong
Photography by Aldona Pivoriene
Packaging design by Harry Towell