Out Now! Anne Chris Bakker – A Sketch in Leaving

Our May releases are out today and in this edition we have an album by Netherlands based artist Anne Chris Bakker. This record follows last year’s collaborative album for Whitelabrecs alongside Andrew Heath, ‘How To Breathe Like A Stone’ and through these twelve tracks, we’re pleased to present ‘A Sketch in Leaving‘ which is a range of piano, synth and experimental compositions, themed around the Scandinavian landscape.

A Sketch in Leaving is out now in a run of 100 copies! The best way to keep informed about our low-run releases, is to join our mailing list, and we’ll make sure you’re the first to hear!

press release
“In this edition we welcome back Anne Chris Bakker, a musician and composer from the Netherlands. Some may recall 2021’s collaboration with Andrew Heath, with their album ‘How To Breathe Like A Stone’ and we are pleased to be able to present this solo record, ‘A Sketch in Leaving’.

Anne Chris Bakker’s music makes use of electro acoustic sound sources, to create minimal and experimental ambient music. Releases have been made available through labels such as White Paddy Mountain, Dronarivm and Unknown Tone, as well as a further collaboration with Andrew Heath on Rusted Tone Recordings. There were also recordings as Kleefstra|Bakker|Kleefstra on labels which include Low Point.

Bakker typically starts with small compositions created with guitar and for A Sketch in Leaving, a new approach was forged by using a piano and samples so that a new experimental path could be explored. Inspiration has been drawn from long walks in the Norwegian mountains and this album is in part based upon these experiences. The immense landscape, battered and bruised by the elements represents change and loss, as well as the emergence of freshly formed details. The titles of the album are mainly of places, people and concepts all set to the vast Scandinavian landscape, which is placed as a focal point within the packaging artwork.

credits
Written and produced by Anne Chris Bakker
Pre-mastered by Andrew Heath
Mastered by James Edward Armstrong
Packaging design by Andrew Heath

Coming soon… Anne Chris Bakker – A Sketch in Leaving

We have two new releases lined-up for the 14th of May and with this one, we welcome back Anne Chris Bakker after the collaboration with Andrew Heath, ‘How To Breathe Like A Stone‘. A Sketch in Leaving is a solo album of 12 compositions, varying from piano sketches to deeper, droning textures. ‘A Sketch in Leaving‘ will be up for pre-order this coming Bandcamp Friday, the 6th of May.

Then ‘A Sketch in Leaving‘ will be available officially in one of our typically low runs of 100 gatefold vinyl-effect CDrs, complete with art and design by Andrew Heath.

It will be released officially on Saturday the 14th of May. If you join our mailing list using the link below, we’ll make sure you’re the first to hear.

press release
“In this edition we welcome back Anne Chris Bakker, a musician and composer from the Netherlands. Some may recall 2021’s collaboration with Andrew Heath, with their album ‘How To Breathe Like A Stone’ and we are pleased to be able to present this solo record, ‘A Sketch in Leaving’.

Anne Chris Bakker’s music makes use of electro acoustic sound sources, to create minimal and experimental ambient music. Releases have been made available through labels such as White Paddy Mountain, Dronarivm and Unknown Tone, as well as a further collaboration with Andrew Heath on Rusted Tone Recordings. There were also recordings as Kleefstra|Bakker|Kleefstra on the likes of Low Point and Mort Aux Vaches; the group have also worked alongside renowned artists such as Peter Broderick, Machinefabriek, Nils Frahm and Liondialer (Greg Haines and Danny Saul).

Bakker typically starts with small compositions created with guitar and for A Sketch in Leaving, a new approach was forged by using a piano and samples so that a new experimental path could be explored. Inspiration has been drawn from long walks in the Norwegian mountains and this album is in part based upon these experiences. The immense landscape, battered and bruised by the elements represents change and loss, as well as the emergence of freshly formed details. The titles of the album are mainly of places, people and concepts all set to the vast Scandinavian landscape, which is placed as a focal point within the packaging artwork.

credits
Written and produced by Anne Chris Bakker
Pre-mastered by Andrew Heath
Mastered by James Edward Armstrong
Packaging design by Andrew Heath

out now! matt atkins & slow clinic – earthtides I

Here’s the first of our two new releases for April. For this one, we welcome British label owners Matt Atkins (MRM) and James Edward Armstrong as Slow Clinic (Rusted Tone). They collaborated here in the album ‘Earthtides I‘, in which Matt provided his studio-recorded piano compositions for James’ additional processing, in which electric guitar and field recordings were added.

Earthtides I is out now in a run of 100 copies! The best way to keep informed about our low-run releases, is to join our mailing list, and we’ll make sure you’re the first to hear!

press release
“Matt Atkins is a London based sound and visual artist who uses various sources create sound collages. He runs the Minimal Resource Manipulation label and his music has appeared on labels such as Rusted Tone Recordings, Tone Burst and Anticipating Nowhere.

Slow Clinic is the solo performance and recording project of James Edward Armstrong. James has released music on labels including Archives, Assembly Field and Champion Version, as well as his own label Rusted Tone. In 2018 we released ‘Discarded Things Once Loved’ in a limited edition run of 50 CDrs, followed by 2019’s ‘Green Echo’, a collaboration with Jazzdefector.

Both of these artists are regular collaborators and ‘Earthtides I’ is the second album to come from a collaboration between Matt and James, following the release of ‘Enfolding’ via Rusted Tone Recordings in November 2020. Recorded between March and May 2021, this album began with a selection of piano loops recorded by Matt at OneCat Studio in Brixton, London. The piano loops were sent to James to layer heavily processed guitar, textural sounds, and field recordings gathered around the UK.

credits

Music by Matt Atkins & James Edward Armstrong

Piano recorded by John Clayton at OneCat Studio
Layout and design by Andrew Heath
Cover art by Harry Towell
Mastered by James Edward Armstrong

Out Now! Tapes and Topographies – Amplitudes

Also out today is Amplitudes by US-based artist Tapes and Topographies, which follows releases on Dronarivm, Shimmering Moods and Past Inside The Present. This record is a sleepy cocktail of vacant and melancholy tones and features macro photography by our label owner, Harry Towell.

Amplitudes is out now in a run of 100 copies! The best way to keep informed about our low-run releases, is to join our mailing list, and we’ll make sure you’re the first to hear!

press release
“Tapes and Topographies is US based artist Todd Gautreau, who has had music releases on labels such as Past Inside the Present, Dronarivm, Shimmering Moods and his own imprint, Simulacra. His project has been active since 2014 following his previous alias Tear Ceremony and he also produces a downtempo as Sonogram.

With each new album, Todd follows a different workflow to achieve new details and results in his sound. Increasingly, his work has been aided by the use of hardware and outboard effects.
In his latest album Amplitudes, he has taken a set of sounds and fed these through a looper, experimenting with altered loop speeds. He used FM synthesis for the first time in this body of work, alongside some of his tried and tested methods, joined by field recordings.

These nine compositions clock in at almost 50 minutes; a compelling listen through dreamy, organic textures. Todd has created a lot of music in the last 18 months and Amplitudes is the latest in his continuous process of distilling his sounds and ideas down to their essence.
The album’s artwork is a macro-photograph of a stone, as the fine details are ‘amplified’ by the magnification effect of the camera’s lens. There is not a clear concept but inspiration is drawn from film and literature, as well as self-reflection, memory, loss and dreams. As these compositions play out, you’ll find yourself concentrating on fine details, whilst at other times, in a blissful state, zooming out to absorb the bigger picture.”

credits
Written and produced by Todd Gauthreau
Mastered by James Edward Armstrong
Macro photography by Harry Towell
Art and design Andrew Heath

Out Now! Simon McCorry – The Illusion of Endings & Beginnings

We have another two physical editions set to release on the 13th of November following a Bandcamp Friday pre-order on the 5th of November. The first of these is from Gloucestershire, UK based cellist and composer Simon McCorry, who had previously collaborated with anthene for Whitelabrecs in May’s The Equation of Time. Simon has released with labels such as Naviar, Polar Seas and most recently, Rusted Tones. In this new album, he has also enlisted the help of pianist Simeon Walker, to close out the album.

The Illusion of Beginnings and Endings is out now in a run of 100 copies! The best way to keep informed about our low-run releases, is to join our mailing list, and we’ll make sure you’re the first to hear!

press release
“Simon McCorry is a cellist and composer from Gloucestershire, UK who has released music through the likes of Polar Seas, Naviar and Rusted Tone. He has also been a regular collaborator, most recently with anthéne, with whom he created The Equation of Time, released here on Whitelabrecs in May 2021.
Simon has prepared a new solo album called The Illusion of Beginnings & Endings, which draws upon a body of work he composed for a contemporary dance film production.

For this release, Simon has worked once again with visual artist Tom Tebby, who has designed the packaging around imagery techniques using a camera and paper. The result provides a stark and obscure focal point, which projects itself into the cinematic textures of this album. The concepts and ideas behind The Illusion of Beginnings & Endings are based loosely around ambition. We all have different views on ambition and what this means for us, and the artist states that their preference is to live for the moment. This album reflects that this idealistic view on the world is at odds with a society that pushes us to constantly strive for a brighter future. To some, this is a grey cloak of fear; a fear of failure or underachievement. To others, taking stock might be hard.

The drama of this sound, its deep pensive cello, pulsing modular synth movements and transcendent piano, provides a space in which we can ponder upon our own ambitions. The lens through which we see ourselves may differ from one person to the next. Perhaps you will feel an urge to be present, or the opposite; an urge to feel vacant? Either way, the weight of our own ambition may feel that bit lighter as a result, as we decode the contents of this album.

-“You can never get outside it; you must always turn back. There is no outside; outside you cannot breathe. Where does this idea come from? It is like a pair of glasses on our nose through which we see whatever we look at. It never occurs to us to take them off”- (Ludwig Wittgenstein)

credits
Written and produced by Simon McCorry
Mastered by James Edward Armstrong
Piano on track 10 by Simeon Walker
Art and Design by Tom Tebby

Coming soon… Tapes and Topographies – Amplitudes

 

In one of two releases this coming Saturday the 13th of November, we welcome US based artist Tapes and Topographies, who has previously released on labels such as Past Inside The Present, Shimmering Moods and Dronarivm. In this latest album, we’re pleased to present a sleepy cocktail of subdued drones and blurry textures.

Amplitudes‘ will be available in one of our typically low runs of 100 gatefold vinyl-effect CDrs, complete with art and design by Andrew Heath.

It will be released officially on Saturday the 13th of November. If you join our mailing list using the link below, we’ll make sure you’re the first to hear.

press release
“Tapes and Topographies is US based artist Todd Gautreau, who has had music releases on labels such as Past Inside the Present, Dronarivm, Shimmering Moods and his own imprint, Simulacra. His project has been active since 2014 following his previous alias Tear Ceremony and he also produces a downtempo as Sonogram.

With each new album, Todd follows a different workflow to achieve new details and results in his sound. Increasingly, his work has been aided by the use of hardware and outboard effects.
In his latest album Amplitudes, he has taken a set of sounds and fed these through a looper, experimenting with altered loop speeds. He used FM synthesis for the first time in this body of work, alongside some of his tried and tested methods, joined by field recordings.

These nine compositions clock in at almost 50 minutes; a compelling listen through dreamy, organic textures. Todd has created a lot of music in the last 18 months and Amplitudes is the latest in his continuous process of distilling his sounds and ideas down to their essence.
The album’s artwork is a macro-photograph of a stone, as the fine details are ‘amplified’ by the magnification effect of the camera’s lens. There is not a clear concept but inspiration is drawn from film and literature, as well as self-reflection, memory, loss and dreams. As these compositions play out, you’ll find yourself concentrating on fine details, whilst at other times, in a blissful state, zooming out to absorb the bigger picture.”

credits
Written and produced by Todd Gautreau
Mastered by James Edward Armstrong
Macro photography by Harry Towell
Art and design Andrew Heath

Out Now! Glåsbird – Return to Sea and Sardinia (Original Soundtrack)

We’ve been regularly throwing forward Glåsbird’s involvement with film director Daniele Marzeddu, in creating the soundtrack to a film called Return to Sea and Sardinia, which has been made to mark the centenary of D.H.Lawrence’s visit to Sardinia and the surrounding area. Not least, Ennio’s Muse, a crowd-funding compilation album that we released in January. 

Return to Sea and Sardinia is out now in a run of 300 copies. The best way to keep informed about our low-run releases, is to join our mailing list , and we’ll make sure you’re the first to hear!

press release
“In January 1921, some 100 hundred years ago, the renowned writer D.H. Lawrence set sail for Sardinia, joined by his wife Frieda. He produced a critically acclaimed travel novel called Sea and Sardinia, reflecting his observations as he traveled. His creative use of language and expression adds colour to his reflections. To mark the centenary of the journey, film director Daniele Marzeddu and his crew returned, to retrace these steps.

After a year of working on this project, Return to Sea and Sardinia now sees the light of day and will be presented to the public in a series of screenings or digital viewings. The film has been produced and Organised by The Visual Guys, with the support of the D.H. Lawrence Society of Great Britain and features Daniele’s vivid imagery. The current state of modern Sardinia and its neighbouring island Sicily is laid out as a documentary film and our very own Glåsbird has produced an original soundtrack to accompany the visuals, and local accounts provided by the islands’ inhabitants.

Glåsbird has produced several geographic based sound interpretations since beginning their mysterious project in 2018. They describe this soundtrack as a ‘vacation’ from the on-going ‘A Sonic Expedition’ series, yet it has been approached in a similar way to this musician’s work: the cycle of inspiration, research and more inspiration. Daniele gave the artist free-reign to sketch out stories from afar, into these sound-postcards. We are delighted to be able to present the Original Soundtrack for Return To Sea and Sardinia, in an edition of 300 CDrs, featuring a 32 page book of photographic stills and captions, to give a flavour of the film.

credits
Composed by Glåsbird
Film and photography directed by Daniele Marzeddu
Audio mastering by James Edward Armstrong
Art and design by Andrew Heath
Booklet design by Harry Towell

https://seaandsardinia.org/

Coming soon… Simon McCorry – The Illusion of Endings & Beginnings

 

We have another two physical editions set to release on the 13th of November following a Bandcamp Friday pre-order on the 5th of November. The first of these is from Gloucestershire, UK based cellist and composer Simon McCorry, who had previously collaborated with anthene for Whitelabrecs in May’s The Equation of Time. Simon has released with labels such as Naviar, Polar Seas and most recently, Rusted Tones. In this new album, he has also enlisted the help of pianist Simeon Walker, to close out the album.

The Illusion of Endings & Beginnings‘ will be available in one of our typically low runs of 100 gatefold vinyl-effect CDrs, complete with art and design by Tom Tebby.

It will be released for pre-order on Friday the 5th of November and then released officially on Saturday the 13th of November.If you join our mailing list using the link below, we’ll make sure you’re the first to hear.

press release
“Simon McCorry is a cellist and composer from Gloucestershire, UK who has released music through the likes of Polar Seas, Naviar and Rusted Tone. He has also been a regular collaborator, most recently with anthéne, with whom he created The Equation of Time, released here on Whitelabrecs in May 2021.
Simon has prepared a new solo album called The Illusion of Beginnings & Endings, which draws upon a body of work he composed for a contemporary dance film production.

For this release, Simon has worked once again with visual artist Tom Tebby, who has designed the packaging around imagery techniques using a camera and paper. The result provides a stark and obscure focal point, which projects itself into the cinematic textures of this album. The concepts and ideas behind The Illusion of Beginnings & Endings are based loosely around ambition. We all have different views on ambition and what this means for us, and the artist states that their preference is to live for the moment. This album reflects that this idealistic view on the world is at odds with a society that pushes us to constantly strive for a brighter future. To some, this is a grey cloak of fear; a fear of failure or underachievement. To others, taking stock might be hard.

The drama of this sound, its deep pensive cello, pulsing modular synth movements and transcendent piano, provides a space in which we can ponder upon our own ambitions. The lens through which we see ourselves may differ from one person to the next. Perhaps you will feel an urge to be present, or the opposite; an urge to feel vacant? Either way, the weight of our own ambition may feel that bit lighter as a result, as we decode the contents of this album.

-“You can never get outside it; you must always turn back. There is no outside; outside you cannot breathe. Where does this idea come from? It is like a pair of glasses on our nose through which we see whatever we look at. It never occurs to us to take them off”- (Ludwig Wittgenstein)

credits
Written and produced by Simon McCorry
Mastered by James Edward Armstrong
Piano on track 10 by Simeon Walker
Art and Design by Tom Tebby

Coming soon… Glåsbird – Return to Sea and Sardinia (Original Soundtrack)

We’ve been regularly throwing forward Glåsbird’s involvement with film director Daniele Marzeddu, in creating the soundtrack to a film called Return to Sea and Sardinia, which has been made to mark the centenary of D.H.Lawrence’s visit to Sardinia and the surrounding area. Not least, Ennio’s Muse, a crowd-funding compilation album that we released in January.

We’re excited to share the film’s trailer video (above), some snippets of tracks from the soundtrack (soundcloud), as well as announce the release date!

Return to Sea and Sardinia will be released on Saturday the 30th of October. If you join our mailing list , we’ll make sure you’re the first to hear!

press release
“In January 1921, some 100 hundred years ago, the renowned writer D.H. Lawrence set sail for Sardinia, joined by his wife Frieda. He produced a critically acclaimed travel novel called Sea and Sardinia, reflecting his observations as he traveled. His creative use of language and expression adds colour to his reflections. To mark the centenary of the journey, film director Daniele Marzeddu and his crew returned, to retrace these steps.

After a year of working on this project, Return to Sea and Sardinia now sees the light of day and will be presented to the public in a series of screenings or digital viewings. The film has been produced and Organised by The Visual Guys, with the support of the D.H. Lawrence Society of Great Britain and features Daniele’s vivid imagery. The current state of modern Sardinia and its neighbouring island Sicily is laid out as a documentary film and our very own Glåsbird has produced an original soundtrack to accompany the visuals, and local accounts provided by the islands’ inhabitants.

Glåsbird has produced several geographic based sound interpretations since beginning their mysterious project in 2018. They describe this soundtrack as a ‘vacation’ from the on-going ‘A Sonic Expedition’ series, yet it has been approached in a similar way to this musician’s work: the cycle of inspiration, research and more inspiration. Daniele gave the artist free-reign to sketch out stories from afar, into these sound-postcards. We are delighted to be able to present the Original Soundtrack for Return To Sea and Sardinia, in an edition of 300 CDrs, featuring a 32 page book of photographic stills and captions, to give a flavour of the film.

credits
Composed by Glåsbird
Film and photography directed by Daniele Marzeddu
Audio mastering by James Edward Armstrong
Art and design by Andrew Heath
Booklet design by Harry Towell

https://seaandsardinia.org/

Out Now! Various Artists – Hundred

This month, we are pleased to meet the landmark of 100 album editions which we’ve released on Whitelabrecs, since out label began in January 2016. We’ve enjoyed the ups and downs of running a label and feel very lucky to have achieved 100 releases, not to mention our EPs, tapes and Home Diaries series too. To celebrate this occasion, we have a busy month of activity planned including new digital music which we announced at the beginning of September, limited edition baseball caps, free badges which will be included in random orders, a ‘mystery CD‘ option, a label history mix and also, a compilation album!

We had recently run a poll asking fans and listeners for their votes, so that we could arrive at the top 15 albums in our discography so far. We’ve created a compilation called ‘Hundred‘, selecting a track from each of these albums in a limited edition CDr, which includes a 16 page booklet featuring images and insight. 

Hundred is out today with some copies remaining, at the time of writing. Saturday the 25th of September. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“On the 25th of September 2021, with this release, we will have achieved 100 items in our core catalog since we launched Whitelabrecs in 2016. The editions consist of 48 hand-burned white-label effect CDrs, 5 printed compilation CDrs, 1 digital compilation album and 45 gatefold LP style CDrs.

Hundred is a special compilation album which has been assembled mark the occasion, after we had asked our listeners and fans to vote for their favourite albums in a poll. Here we’re pleased to present the top 15, as per their votes, in this suite of Ambient, Drone, Modern Classical and Electro Acoustic pieces.

Our label owner Harry Towell has chosen his favourite tracks from each of these 15 records and the resulting compilation near enough fills the 80 minute duration of a CD. The tracks have been arranged in an order that hopefully flows as an album experience in its own right.

The physical edition is available in a limited edition of 100 copies, including the label’s logo and identity as part of the design, along with a 16 page booklet with commentary and cover imagery for each of the 100 albums. We hope you have enjoyed the first 100 works in our catalog and we are looking forward to sharing all of our plans and ideas with you in the future.

credits
Curated by our fans and listeners
Tracks selected by Harry Towell
Art and design by Andrew Heath
Booklet by Harry Towell
Tracks are as originally mastered. For mastering credits, refer to the CD sleeve or you can view this information by clicking the relevant track.