Out Now! Glåsbird – Novaya Zemlya

We’re excited to announce the latest Glåsbird, out now! For those not yet familiar, Glåsbird is an anonymous artist who is currently creating a series of albums, each themed as an imaginary soundtrack to a geographical location. The latest far-flung land to receive the spotlight from this artist is Novaya Zemlya and this album sees the artist create some of their most dramatic work, set around this Russian-owned Arctic island.

Our low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“The fictitious tour of far-away lands continues, as anonymous artist Glåsbird follows the scratchy, folk-ambience of Norskfjǫrðr with a return to lonely arctic-island sounds. Novaya Zemlya is a Russian-owned island, stretching from just off the mainland between the Kara and Barents seas, with two islands split by the Matochkin Strait.

The Southern island Yuzhny is the home of a few inhabitants whereas the Northern counterpart Severny is pretty much all glacier. The added complication of sea-ice during Arctic winters have made certain parts of this land very difficult to navigate. There are accounts stretching back to the 16th century when explorer Willem Barentsz died on an expedition and his body is rumoured to have been buried on Severny.
Into more recent times, Novaya Zemlya has been a sensitive military area throughout the cold war as well as a nuclear testing site. In 1961 the world’s most powerful nuclear weapon was detonated, the ‘Tsar Bomba’.

In this album, Glåsbird composes a soundtrack which transcends the years of history, combining themes of explorers and Barentsz’s tragic demise, isolation, climate change and polar bears, underpinned by radio broadcasts to give a slightly unsettling undercurrent, hinting back to the cold war. The track Vanya is named after a code name the Russians had for the Tsar Bomba detonation project and this piece sits at the centre of this album, in some of the most dramatic soundtrack work this artist has made to date.

The cover artwork and bonus images within the CD packaging were taken by photographer Uliana Prokhorova, who visited a few locations on the island. As always, this album uses the sounds, photography and track titles to build an imaginary soundtrack in your mind as you listen and immerse yourself in this latest sonic exploration.”

credits
Written and produced by Glåsbird
Mastered by James Edward Armstrong
Photography by Uliana Prokhorova
Packaging Design by Harry Towell

Coming soon…Glåsbird – Novaya Zemlya

We’re excited to announce the latest Glåsbird album set for release on Saturday the 26th of September. For those not yet familiar, Glåsbird is an anonymous artist who is currently creating a series of albums, each themed as an imaginary soundtrack to a geographical location. The latest far-flung land to receive the spotlight from this artist is Novaya Zemlya and this album sees the artist create some of their most dramatic work, set around this Russian-owned Arctic island.

The album will be released on Saturday the 26th of September with no pre-order. If you join our mailing list using the link below, we’ll make sure you’re the first to hear.

Whitelabrecs low-run releases are likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“The fictitious tour of far-away lands continues, as anonymous artist Glåsbird follows the scratchy, folk-ambience of Norskfjǫrðr with a return to lonely arctic-island sounds. Novaya Zemlya is a Russian-owned island, stretching from just off the mainland between the Kara and Barents seas, with two islands split by the Matochkin Strait.

The Southern island Yuzhny is the home of a few inhabitants whereas the Northern counterpart Severny is pretty much all glacier. The added complication of sea-ice during Arctic winters have made certain parts of this land very difficult to navigate. There are accounts stretching back to the 16th century when explorer Willem Barentsz died on an expedition and his body is rumoured to have been buried on Severny.
Into more recent times, Novaya Zemlya has been a sensitive military area throughout the cold war as well as a nuclear testing site. In 1961 the world’s most powerful nuclear weapon was detonated, the ‘Tsar Bomba’.

In this album, Glåsbird composes a soundtrack which transcends the years of history, combining themes of explorers and Barentsz’s tragic demise, isolation, climate change and polar bears, underpinned by radio broadcasts to give a slightly unsettling undercurrent, hinting back to the cold war. The track Vanya is named after a code name the Russians had for the Tsar Bomba detonation project and this piece sits at the centre of this album, in some of the most dramatic soundtrack work this artist has made to date.

The cover artwork and bonus images within the CD packaging were taken by photographer Uliana Prokhorova, who visited a few locations on the island. As always, this album uses the sounds, photography and track titles to build an imaginary soundtrack in your mind as you listen and immerse yourself in this latest sonic exploration.”

credits
Written and produced by Glåsbird
Mastered by James Edward Armstrong
Photography by Uliana Prokhorova
Packaging Design by Harry Towell

Out Now! Mikael Lind – Give Shape To Space

In the first of two new physical editions on Whitelabrecs, we welcome Iceland’s Mikael Lind, who many may recognise from his sublime album ‘Contingencies‘ on Archives, his collaboration with Hoshiko Yamane for Time Released Sound or perhaps keen readers of our liner notes, as he helped mix S.hel’s Disconnect which we released in March.
His new album ‘Give Shape To Space‘ straddles the line of friction between his two production styles as modern classical minimalism is interwoven with modular synths.

The album will be released on Saturday the 25th of July with no pre-order. If you join our mailing list using the link below, we’ll make sure you’re the first to hear.

Our low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

https://whitelabrecs.bandcamp.com/album/give-shape-to-space

press release
“Mikael Lind is a composer and musician originally from Sweden, currently based in Reykjavik, Iceland. He has released music through labels such as Morr Music, Archives and Polar Seas Recordings and has also collaborated with Tangerine Dream’s Hoshiko Yamane in an album for Time Released Sound. Mikael had played a concert with Hoshiko late last year and had planned a European tour for 2020 which has been cancelled due to the covid-19 pandemic. He also contributed some of the groundwork and mixing expertise in S.hel’s ‘Disconnect’ which we released back in March this year.

Growing up, Mikael was influenced by Aphex Twin and much of the Warp catalog as well as showing a keen interest in classical music, with Arvo Pärt a particular inspiration. Piano and synthesisers form the forefront of his sound as he combines orchestral timbres with subtle electronics. Recently he has been moving increasingly away from the typical Ambient sound in two directions; one is towards more classical music, and the other towards more electronic, modular music. ‘Give Shape to Space’ is somehow representative of this friction, without taking sides; modern classical minimalism with strings and pianos share the field with evolving modular synths, both contributing to ripping apart the comfortable ambient soundscapes and making them more expressive.

Mikael had various shapes in his mind as he developed the structure and detail that this record has become. He was reading about physics and in particular, quantum leaps. Beyond this, Mikael doesn’t want to dissect his album too much, in the hope that you, the listener will bring your own shapes and imagination to this sound space.”

credits
Written and produced by Mikael Lind
Mastered by James Edward Armstrong
Artwork by Sigga Björg
Design by Harry Towell

Coming soon…Mikael Lind – Give Shape To Space

In the first of two new physical editions on Whitelabrecs, we welcome Iceland’s Mikael Lind, who many may recognise from his sublime album ‘Contingencies‘ on Archives, his collaboration with Hoshiko Yamane for Time Released Sound or perhaps keen readers of our liner notes, as he helped mix S.hel’s Disconnect which we released in March.
His new album ‘Give Shape To Space‘ straddles the line of friction between his two production styles as modern classical minimalism is interwoven with modular synths.

The album will be released on Saturday the 25th of July with no pre-order. If you join our mailing list using the link below, we’ll make sure you’re the first to hear.

Whitelabrecs low-run releases are likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“Mikael Lind is a composer and musician originally from Sweden, currently based in Reykjavik, Iceland. He has released music through labels such as Morr Music, Archives and Polar Seas Recordings and has also collaborated with Tangerine Dream’s Hoshiko Yamane in an album for Time Released Sound. Mikael had played a concert with Hoshiko late last year and had planned a European tour for 2020 which has been cancelled due to the covid-19 pandemic. He also contributed some of the groundwork and mixing expertise in S.hel’s ‘Disconnect’ which we released back in March this year.

Growing up, Mikael was influenced by Aphex Twin and much of the Warp catalog as well as showing a keen interest in classical music, with Arvo Pärt a particular inspiration. Piano and synthesisers form the forefront of his sound as he combines orchestral timbres with subtle electronics. Recently he has been moving increasingly away from the typical Ambient sound in two directions; one is towards more classical music, and the other towards more electronic, modular music. ‘Give Shape to Space’ is somehow representative of this friction, without taking sides; modern classical minimalism with strings and pianos share the field with evolving modular synths, both contributing to ripping apart the comfortable ambient soundscapes and making them more expressive.

Mikael had various shapes in his mind as he developed the structure and detail that this record has become. He was reading about physics and in particular, quantum leaps. Beyond this, Mikael doesn’t want to dissect his album too much, in the hope that you, the listener will bring your own shapes and imagination to this sound space.”

credits
Written and produced by Mikael Lind
Mastered by James Edward Armstrong
Artwork by Sigga Björg
Design by Harry Towell

Home Diaries 025: Sven Laux

We’ve taken a pause from our schedule of CD albums due to our local post office closing, following the outbreak of Covid19. We launched a digital series called Home Diaries, in which we’ll release EPs and albums by an international line-up of artists, with the music created during lockdown and social distancing conditions.

The series reflects a range of sounds, styles and ideas, as each artist portrays their own reflections uniquely. Each release is digital only for now, as we hope to raise what we can to help keep our label ticking over at this time. The releases feature a recurring polaroid image of a small lonely house, with a coloured filter chosen by the artist for each respective release.

In our next edition, we welcome back Berlin, Germany’s Sven Laux, who has regularly collaborated with us over the years, including albums ‘Schachmatt‘ and ‘ODD‘. Sven’s Home Diaries entry is themed around separation and is a full album of fine cinematic modern classical music, clocking in at almost an hour.

We have an exciting line-up to follow and each release will include bonus PDF liner notes, which has an interview with the artist on how they made the album, what their situation is like, what they have planned, their influences and what equipment/techniques they used.  There are also additional photos provided by the artist as part of the PDF too. Click on the link below to check it out:

-LABEL LINK-
https://whitelabrecs.bandcamp.com/album/home-diaries-024

-ARTIST LINK-
https://svenlaux.bandcamp.com/album/scattered-fragments-of-separation

press release
“Home Diaries is an invitation to artists and musicians to create an album or EP to document their personal experience during the lockdown or social distancing conditions that are upon us, due to the coronavirus outbreak. The series reflects a range of sounds, styles and ideas, as each artist portrays their own reflections uniquely. Each release is digital only for now, as we hope to raise what we can to help keep our label ticking over at this time. The releases feature a recurring polaroid image of a small lonely house, with a coloured filter chosen by the artist for each respective release. We interview each artist and this is included as a bonus PDF with the download. You can also check out the Home Diaries series on Spotify if you prefer, which will be available to stream in due course.

Next we welcome back a regular contributor to our catalog, Berlin’s Sven Laux. Sven has released albums ‘Schachmatt’ and ‘ODD’ with us as well as contribute remixes and compilation pieces. Aside from working with us, Sven has also released with labels such as Archives, Dronarivm and more recently Fluid Audio, in a collaborative release with our label owner Harry Towell. He also runs the Seasides On Postcards label.

Sven’s Home Diaries came about suddenly, after his experience of the pandemic saw him living away from home, some 100km from Berlin. He was staying with family for childcare purposes but the weeks away from his art drove him to head back home alone. Over some intense days in his studio, Sven had created ‘Scattered Fragments of Separation‘, a full and immersive album of modern classical compositions. The dreamy but emotive sound of the piano became the focus of his sound, as he wanted to both lose himself whilst also, channel his experiences into a documentary record which preserve this strange time.”

credits
Written and produced by Sven Laux
Mastered by James Edward Armstrong
Artwork by Harry Towell