Out Now! Caminauta – Fragments

We’ve a few more limited edition vinyl-effect CDr releases left to release before the year’s out so we’d best get moving. So next up, we welcome Caminauta. Cami Gadea is a Uruguayan sound artist who is residing in Sweden at the time of writing, with a previous release on Ukrainian label Delta Shock. Fragments is the debut Caminauta album and features ten tracks that span the sonic territories of electronic, neo classical and Ambient music. This should be a record that fans of either Jürgen Müller, Andy Stott or Ricardo Donoso might enjoy.

This album was announced to our mailing list last weekend and there are some copies available still at the time of writing. You can listen to the album in full by hitting play above or clicking the link below, where you can purchase a physical or digital version. To avoid missing out on our future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/fragments

press release
Caminauta is an artist originally from the small town of Treinta y Tres, Uruguay, currently based in Sweden. Her only previous release to date was a cassette EP named ‘Extinct’ released in September 2017 by Ukrainian label Delta Shock. We’re pleased to be able to present her debut album ‘Fragments’.

She has been performing music since she was 14 years old, starting with guitar before progressing to bass and synthesizers.
Her current sound continues to explore synths, with both software and performance based work being the backbone of the Caminauta sound. She has a live set up too and last year she was able to participate as part of the Flo Festival in Porto Alegre, Brazil.

‘Fragments’ is a record centered around melancholia, loneliness but also nature and stylistically it adopts her signature sound but with plenty of variation within these generous 10 tracks. The opening moments use arpeggios where as other pieces are more drone and soundtrack based. Some pieces have the lightest hint of ‘electronica’, as subtle beats provide a feint pulse and you can even hear poetry, in a tribute to the memory of her friend Alec Wildey.

This album was recorded during a process of personal growth, as she wanted to express those emotions. The recordings are intended to speak of her perception of how she sees the world in general and her process of internal search. The tracks themselves and the details within each of these are fragments, to represent moments in her life and this is where the album adopts a melancholic approach as well as a sense of wonder to the world around us.

credits
Written and produced by Cami Gadea
Mastered by Raul Tizze
Photograph by Carlos Ramirez

Coming soon…Caminauta – Fragments

We’ve a few more limited edition vinyl-effect CDr releases left to release before the year’s out so we’d best get moving. So next up, we welcome Caminauta. Cami Gadea is a Uruguayan sound artist who is residing in Sweden at the time of writing, with a previous release on Ukrainian label Delta Shock. Fragments is the debut Caminauta album and features ten tracks that span the sonic territories of electronic, neo classical and Ambient music. This should be a record that fans of either Jürgen Müller, Andy Stott or Ricardo Donoso might enjoy.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
Caminauta is an artist originally from the small town of Treinta y Tres, Uruguay, currently based in Sweden. Her only previous release to date was a cassette EP named ‘Extinct’ released in September 2017 by Ukrainian label Delta Shock. We’re pleased to be able to present her debut album ‘Fragments’.

She has been performing music since she was 14 years old, starting with guitar before progressing to bass and synthesizers.
Her current sound continues to explore synths, with both software and performance based work being the backbone of the Caminauta sound. She has a live set up too and last year she was able to participate as part of the Flo Festival in Porto Alegre, Brazil.

‘Fragments’ is a record centered around melancholia, loneliness but also nature and stylistically it adopts her signature sound but with plenty of variation within these generous 10 tracks. The opening moments use arpeggios where as other pieces are more drone and soundtrack based. Some pieces have the lightest hint of ‘electronica’, as subtle beats provide a feint pulse and you can even hear poetry, in a tribute to the memory of her friend Alec Wildey.

This album was recorded during a process of personal growth, as she wanted to express those emotions. The recordings are intended to speak of her perception of how she sees the world in general and her process of internal search. The tracks themselves and the details within each of these are fragments, to represent moments in her life and this is where the album adopts a melancholic approach as well as a sense of wonder to the world around us.

credits
Written and produced by Cami Gadea
Mastered by Raul Tizze
Photograph by Carlos Ramirez

Out Now! dziadosz/mreńca – mirage (reworks)

Next we welcome Polish artists Bartosz Dziadosz and Tomasz Mreńca with Mirage, which is a reissue and adaptation from a release on Taalem last year. The album includes artwork by Peter Nejedly and the album opens with interpretations of the original Modern Classical composition by SpheruleusSven Laux and Giulio Aldinucci. The remastered version of Mirage then closes out this record, with the dark and mysterious listening experience recalling the work of The Frozen Vaults, Erik Skodvin or Max Richter.

This album was announced to our mailing list last weekend and there are but a few copies left at the time of writing. You can listen to the album in full by hitting play above or clicking the link below, where you can purchase a physical or digital version. To avoid missing out on our future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/mirage-reworks

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
Bartosz Dziadosz and Tomasz Mreńca are friends and artists from Poland. They started collaborating on musical projects a few years ago, most notably as part of modern classical group The Frozen Vaults which also include Harry Towell, Yuki Murata and Dave Dhonau. This group saw a far flung collaboration with locations including the United Kingdom, Japan as well as Poland and recordings shared over great distance as the project developed.

In ‘Mirage’ and also the recent ‘Black Lake’, the project sees Bartosz and Tomasz collaborate closer to home. Bartosz records solo material as Pleq and works with sound as part of the theatre whereas Tomasz generates sounds on analog synthesisers and violin. Mirage was originally released as a 3 inch CDr via Belgian label Taâlem last year and we’re pleased to present this piece in its remastered state, alongside reworks and interpretations from Spheruleus, Sven Laux and Giulio Aldinucci. Each of these renowned composers were invited to portray the dark, mysterious passages of Mirage in a different light, making for an album experience rather than a simple reissue with ‘remixes’.

Spheruleus selected a looping section of the original strings in a brooding, dramatic piece steeped in tape decay, Sven Laux has focused more on the timbral quality of the strings whereas Giulio Aldinucci sculpts the piece into a dynamic drone which reaches a subtly noise shrouded crescendo. The reworks are followed by the original, in all its glory.

We’re informed that Mirage was inspired by Witold Lutosławski as Bartosz and Tomasz had listened to his work together.
When they set about composing Mirage, they wanted to create this in their image and since they are so used to each other’s company, they did not need to labour into plans and concepts. Instead, the music flowed freely. The concept became the action of creating itself, in a way which etches a description of the artists themselves, for the listener to decode.

credits
Written and produced Bartosz Dziadosz and Tomasz Mreńca
Mastered by Tim Diagram
Artwork by Peter Nejedly

Coming soon…dziadosz/mreńca – mirage (reworks)

Next we welcome Polish artists Bartosz Dziadosz and Tomasz Mreńca with Mirage, which is a reissue and adaptation from a release on Taalem last year. The album includes artwork by Peter Nejedly and the album opens with interpretations of the original Modern Classical composition by SpheruleusSven Laux and Giulio Aldinucci. The remastered version of Mirage then closes out this record, with the dark and mysterious listening experience recalling the work of The Frozen Vaults, Erik Skodvin or Max Richter.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
Bartosz Dziadosz and Tomasz Mreńca are friends and artists from Poland. They started collaborating on musical projects a few years ago, most notably as part of modern classical group The Frozen Vaults which also include Harry Towell, Yuki Murata and Dave Dhonau. This group saw a far flung collaboration with locations including the United Kingdom, Japan as well as Poland and recordings shared over great distance as the project developed.

In ‘Mirage’ and also the recent ‘Black Lake’, the project sees Bartosz and Tomasz collaborate closer to home. Bartosz records solo material as Pleq and works with sound as part of the theatre whereas Tomasz generates sounds on analog synthesisers and violin. Mirage was originally released as a 3 inch CDr via Belgian label Taâlem last year and we’re pleased to present this piece in its remastered state, alongside reworks and interpretations from Spheruleus, Sven Laux and Giulio Aldinucci. Each of these renowned composers were invited to portray the dark, mysterious passages of Mirage in a different light, making for an album experience rather than a simple reissue with ‘remixes’.

Spheruleus selected a looping section of the original strings in a brooding, dramatic piece steeped in tape decay, Sven Laux has focused more on the timbral quality of the strings whereas Giulio Aldinucci sculpts the piece into a dynamic drone which reaches a subtly noise shrouded crescendo. The reworks are followed by the original, in all its glory.

We’re informed that Mirage was inspired by Witold Lutosławski as Bartosz and Tomasz had listened to his work together.
When they set about composing Mirage, they wanted to create this in their image and since they are so used to each other’s company, they did not need to labour into plans and concepts. Instead, the music flowed freely. The concept became the action of creating itself, in a way which etches a description of the artists themselves, for the listener to decode.

credits
Written and produced Bartosz Dziadosz and Tomasz Mreńca
Mastered by Tim Diagram
Artwork by Peter Nejedly