Out Now! James A. McDermid – Kern-Host

For the final release of 2018, James A. McDermid joins our catalog with the final album to a triptych which has seen records released on Polar Seas Recordings, KrysaliSound and now Whitelabrecs. Kern-Host is an album which represents closure, as James has spent the duration of production struggling to come to terms with his sister’s terminal illness and death. This album was created in Paris, as James spent days wandering the city alone and nights working on sound experiments in the evening. This album should appeal to fans of  Sea Trials, Janek Schaefer or Dino Spiluttini might enjoy.

This album was announced to our mailing list last weekend and there are but a few copies left at the time of writing. You can listen to the album in full by hitting play above or clicking the link below, where you can purchase a physical or digital version. To avoid missing out on our future releases, you can join our mailing list HERE

press release
James A. McDermid is a Bristol, UK based artist who has also spent some time in Portugal. He became inspired to write music under the name Like Kisses of Thread after discovering artists such as Philip Jeck, Janek Schaefer, Christian Marclay and Kaffe Matthews; a project which ran alongside the curation of his label Nastycandy, which even piqued the interest of a certain John Peel, who played a piece on his Radio 1 show. The label ceased operation in 2005 due to work commitments and the rigours of running the demands of a job and a label simultaneously.

James stopped writing and recording music in 2010; this was until the sudden tragedy of his sister Harriet being diagnosed as terminally ill threw his world upside down. Struggling to understand the gravity of it all – or know what to do to help – he turned to music once more. In fact, the music poured out of him to the extent that he decided to create a trilogy of albums all dedicated to the memory of Harriet. The initial record ‘Ghost Folk’, made up of 25 tracks, was released on Polar Seas in 2017 and earlier this year KrysaliSound released the follow-up, ‘Tonal Glints’. The triptych is now complete with the final piece which is ‘Kern-Host’. ‘Ghost Folk’ represents his sister’s diagnosis and worsening condition, ‘Tonal Glints’ represents her death and the immediate aftermath, while ‘Kern-Host’ embodies closure. In the three albums, James tried to focus on melody and structured each track around it. Not all of the tracks worked out this way but working through his grief seemed to lend itself to finding melodies.

‘Kern-Host’ began as James spent some time alone in Paris. He’d walk around the city during the day and then work on music at night in his hotel room. He’d sift and rework sounds he had captured at home; he has a piano, a couple of accordions, a violin, guitar and ukulele. Using his laptop, headphones and a tiny keyboard controller he is able to work in a location away from the environment that his sample library had been created and Paris became the backdrop to this project. The ten recordings, aptly titled in French, feel as if James has recorded a sonic diary of his time spent alone in Paris and the beautiful texture to these drones will help you feel a part of his solitary visit. The accompanying cover artwork is of arranged, dried flowers against a plain background. Of the trilogy, this is the first cover that is in colour to represent the themes of closure that are present in Kern-Host.

credits
“For my sister, Harriet (1975-2016)”
Written and produced by James A. McDermid
Written in Paris, Bristol and the Algarve
Mastered by Tim Diagram
Artwork by James A. McDermid
Thanks to: Inês; Harry; Brad; Francis; Paul; Tom; Susie; Al.

Coming soon…James A. McDermid – Kern-Host

For the final release of 2018, James A. McDermid joins our catalog with the final album to a triptych which has seen records released on Polar Seas Recordings, KrysaliSound and now Whitelabrecs. Kern-Host is an album which represents closure, as James has spent the duration of production struggling to come to terms with his sister’s terminal illness and death. This album was created in Paris, as James spent days wandering the city alone and nights working on sound experiments in the evening. This album should appeal to fans of  Sea Trials, Janek Schaefer or Dino Spiluttini might enjoy.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
James A. McDermid is a Bristol, UK based artist who has also spent some time in Portugal. He became inspired to write music under the name Like Kisses of Thread after discovering artists such as Philip Jeck, Janek Schaefer, Christian Marclay and Kaffe Matthews; a project which ran alongside the curation of his label Nastycandy, which even piqued the interest of a certain John Peel, who played a piece on his Radio 1 show. The label ceased operation in 2005 due to work commitments and the rigours of running the demands of a job and a label simultaneously.

James stopped writing and recording music in 2010; this was until the sudden tragedy of his sister Harriet being diagnosed as terminally ill threw his world upside down. Struggling to understand the gravity of it all – or know what to do to help – he turned to music once more. In fact, the music poured out of him to the extent that he decided to create a trilogy of albums all dedicated to the memory of Harriet. The initial record ‘Ghost Folk’, made up of 25 tracks, was released on Polar Seas in 2017 and earlier this year KrysaliSound released the follow-up, ‘Tonal Glints’. The triptych is now complete with the final piece which is ‘Kern-Host’. ‘Ghost Folk’ represents his sister’s diagnosis and worsening condition, ‘Tonal Glints’ represents her death and the immediate aftermath, while ‘Kern-Host’ embodies closure. In the three albums, James tried to focus on melody and structured each track around it. Not all of the tracks worked out this way but working through his grief seemed to lend itself to finding melodies.

‘Kern-Host’ began as James spent some time alone in Paris. He’d walk around the city during the day and then work on music at night in his hotel room. He’d sift and rework sounds he had captured at home; he has a piano, a couple of accordions, a violin, guitar and ukulele. Using his laptop, headphones and a tiny keyboard controller he is able to work in a location away from the environment that his sample library had been created and Paris became the backdrop to this project. The ten recordings, aptly titled in French, feel as if James has recorded a sonic diary of his time spent alone in Paris and the beautiful texture to these drones will help you feel a part of his solitary visit. The accompanying cover artwork is of arranged, dried flowers against a plain background. Of the trilogy, this is the first cover that is in colour to represent the themes of closure that are present in Kern-Host.

credits
“For my sister, Harriet (1975-2016)”
Written and produced by James A. McDermid
Written in Paris, Bristol and the Algarve
Mastered by Tim Diagram
Artwork by James A. McDermid
Thanks to: Inês; Harry; Brad; Francis; Paul; Tom; Susie; Al.

Out now! WLR021 Various Artists – Whitelabsounds

This is a proud day for us at Whitelabrecs HQ – we’ve been working hard behind the scenes for a while on our very first compilation album and for this, our packaging/design takes a slight turn. This release continues along the lines of vinyl-effect CDrs of course but this time, we’ve splashed out on creating a small scale fine-art vinyl imitation CDr, which is presented exactly as a professional vinyl LP would, only smaller!

The album sees us make good use of the full space on the disc as we’ve approached our own artists, label friends and established artists alike. The final product sees well-known producers such as Offthesky, Darkroom and The Green Kingdom line up alongside our very own David Kolhne, Jose Soberanes and Ondrej Zajac. We couldn’t be happier with the packaging and the quality of the tones contained on the disc and we hope you will be too.

As you can imagine, most of the 100 copies have been gobbled up by our subscribers however, at the time of writing copies of this album are still available – to find out more or grab a copy, you can click the link below or on the image above to listen. To avoid missing out on future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/whitelabsounds

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
“Since we began running Whitelabrecs in January 2016 we’ve managed to put out 20 albums covering the varied ground of the Ambient scene and featuring artists both new and established. Usually by the time that this many releases have amassed, most labels will have created at least one compilation or sampler but rest assured, we’ve been working behind the scenes for several months on our very own ‘Whitelabsounds’.

Our very first compilation album features a CDr full of top drawer Ambient and Experimental music featuring well known artists in the scene such as Offthesky, Maps and Diagrams, The Green Kingdom, Wil Bolton and Darkroom as well as contributors to our discography and other friends.
The album is presented as a small-scale fine-art vinyl LP imitation package, with a printed outer photographic/graphic sleeve, white card inner sleeve and a printed vinyl-effect CDr. There’s not a rubber stamp or white label in sight, as we wanted to present something truly special and hopefully, the start of a series.

The sounds contained within the disk are to be seen as a mood board of the various shades of modern Ambient music, with darker drones concocted from electronics and light noise sitting alongside beautiful electro-acoustic pieces, framed as a sort of mosaic. Every tile tells a story as each artist’s environment, experience and influence helps shape their sound. Somehow, the whole body of work becomes greater than the sum of its parts and that brings us to the artwork, a photograph of tessellating mosaic tiles taken in Pompeii, Italy.
Some tiles are worn and disintegrated whereas some are smooth and clear, perfectly reflecting the tones that can be heard on this inaugural Whitelabsounds compilation.”

Catalog number WLR021
Mastered by Tim Diagram
Photography by Bethany Towell
Artwork by Harry Towell

This slideshow requires JavaScript.

Coming soon…Various Artists | Whitelabsounds

This slideshow requires JavaScript.

This is a proud day for us at Whitelabrecs HQ – we’ve been working hard behind the scenes for a while on our very first compilation album and for this, our packaging/design takes a slight turn. This release continues along the lines of vinyl-effect CDrs of course but this time, we’ve splashed out on creating a small scale fine-art vinyl imitation CDr, which is presented exactly as a professional vinyl LP would, only smaller!

The album sees us make good use of the full space on the disc as we’ve approached our own artists, label friends and established artists alike. The final product sees well-known producers such as Offthesky, Darkroom and The Green Kingdom line up alongside our very own David Kolhne, Jose Soberanes and Ondrej Zajac. We couldn’t be happier with the packaging and the quality of the tones contained on the disc and we hope you will be too.

This will be released to our subscribers first, so to avoid missing out be sure to sign up to our mailing list so you hear about it first!

Please note, this is a CDr, not a vinyl record!

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
“Since we began running Whitelabrecs in January 2016 we’ve managed to put out 20 albums covering the varied ground of the Ambient scene and featuring artists both new and established. Usually by the time that this many releases have amassed, most labels will have created at least one compilation or sampler but rest assured, we’ve been working behind the scenes for several months on our very own ‘Whitelabsounds’.

Our very first compilation album features a CDr full of top drawer Ambient and Experimental music featuring well known artists in the scene such as Offthesky, Maps and Diagrams, The Green Kingdom, Wil Bolton and Darkroom as well as contributors to our discography and other friends.
The album is presented as a small-scale fine-art vinyl LP imitation package, with a printed outer photographic/graphic sleeve, white card inner sleeve and a printed vinyl-effect CDr. There’s not a rubber stamp or white label in sight, as we wanted to present something truly special and hopefully, the start of a series.

The sounds contained within the disk are to be seen as a mood board of the various shades of modern Ambient music, with darker drones concocted from electronics and light noise sitting alongside beautiful electro-acoustic pieces, framed as a sort of mosaic. Every tile tells a story as each artist’s environment, experience and influence helps shape their sound. Somehow, the whole body of work becomes greater than the sum of its parts and that brings us to the artwork, a photograph of tessellating mosaic tiles taken in Pompeii, Italy.
Some tiles are worn and disintegrated whereas some are smooth and clear, perfectly reflecting the tones that can be heard on this inaugural Whitelabsounds compilation.”

Catalog number WLR021
Mastered by Tim Diagram
Photography by Bethany Towell
Artwork by Harry Towell