Out Now! Mikael Lind & S.hel + Rachel Jutková – RAMMI

Today we’re proud to launch our new digital series called <facets> in collaboration with Art North Magazine. This series will involve a range of composers and sound artists, teaming up with talented visual artists, for an audio-visual release. For this first edition, we welcome back Icelandic artists Mikael Lind and S.hel who both released solo albums on Whitelabrecs last year. They’ve been paired with Slovakian painter and artist Rachel Jutková who took her one metre square painting out into the fields to shoot photographs of it, which placed the art in a new ‘frame’. RAMMI is coincidentally the Icelandic word for frame, as Mikael and Sævar re-contextualised piano sounds within the plush surroundings of Valgeir Sigurðsson‘s renowned Greenhouse Studios.

Each <facets> edition will include either an EP or album of music available in a range of high quality audiophile formats, accompanied by a work of art as the cover image and a booklet PDF which contains art, profile imagery, background information and an interview, featuring both the sonic and visual artist.

RAMMI is released today, Saturday the 24th of April with no pre-order. If you join our mailing list , we’ll make sure you’re the first to hear about future editions.


press release

“<facets> is an audio-visual series, co-curated between Whitelabrecs and Art North Magazine. This collection provides a space in our catalog for digital music, in which we aim to provide more than a few mp3s and a low resolution square image. Each edition of <facets> is pitched equally at both your eyes and ears. Sonic and visual textures overlap as we pair musicians, composers or sound designers with painters, sculptors or photographers. The work includes the music in a range of formats, specially created visual artwork and a PDF art booklet containing imagery, interviews and liner notes. Our collective aim is to create a coherent work of cross-media art, where the creative outputs of a sonic artist and a visual artist complement each other as a singular creative output.

In this inaugural edition of <facets> we welcome back two artists from Iceland who each released solo albums with us in 2020. This four track EP combines the contemporary modern classical work of Mikael Lind with the prepared-piano sound of S.hel. ‘RAMMI’ was recorded at Valgeir Sigurdsson’s Greenhouse studios in Reykjavik. The collaboration is complete with Fine Art BA (Hons) student Rachel Jutková, who has contributed her painting ‘Morning fog and walking on painting’. This is a mixed-media intuitive painting which was created in her studio and then later placed outdoors in a foggy field.

‘RAMMI’ is Icelandic for frame and this takes on its loose meaning to reflect the processing and techniques of the pianos that Mikael and S.hel created, as they aimed to extend beyond the framework of piano music. The rearrangement of the recorded sounds is also reflected in the track titles, as the letters of RAMMI are shuffled to give way to new meanings. This links into Rachel’s idea of placing her work outside of its usual context, physically, to allow for alternative meanings to be reflected upon.


credits
Music: Mikael Lind & S.hel
Mastering: James Edward Armstrong
Art Direction & Editing: Ian McKay
Additional Camera Work: Rachel Jutková

Featured artwork by Rachel Jutková: ‘Morning fog, walking on painting’ 100 x 100 cm, 2021

Music & Artwork © 2021, The Artists (Mikael Lind, Sævar Helgi Jóhannsson, Rachel Jutková), All Rights Reserved. Video ℗ by Art North Projects. Music ℗ by Whitelabrecs, 2021

Project Curators: Harry Towell (Music) & Ian McKay (Visual Art)

whitelabrecs.com
whitelabrecs.bandcamp.com
artnorth-projects.org

mikaellind.com
facebook.com/shelmusik
instagram.com/racheljutka

Out Now! Sven Laux – Scattered Fragments of Separation (The Complete Story)

We’re to announce today this new double album by Sven Laux, who has adapted last year’s Home Diaries album ‘Scattered Fragments of Separation‘ with a new album of material. This is available now in a special double gatefold CD edition, with the 2 discs containing a total of 17 tracks.

Whitelabrecs low-run releases are likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“In 2020’s mammoth Home Diaries series, Berlin composer Sven Laux contributed the 25th edition in this collection, which focused on the lives of sonic artists from across the globe and their own unique experiences during the pandemic.

Sven was handed an unplanned hiatus from creating music, due to staying some 100 kilometres away from his studio. He was based with relatives for childcare purposes and the weeks away from his art led to him returning home alone. He knew that whichever path he took, a compromise was required as he had to either be away from his family or separated from the creativity that so defines him. Separation became the theme to an immersive collection of ‘fragments’, which was created almost instinctively over a short period of time following his return.

Later in 2020, sunken and heartbroken, Sven set about exploring these themes once again. The result is an expansive double album, containing both the original 9 pieces that were released as the Home Diaries edition and 8 new pieces. This is a record that is unapologetically cinematic, presented by an artist who is adept in sound design and writing music for film. The honest and reflective portrait photography by Polina Georgescu cements this as an auto-biopic experience, Laux’s most personal album to date. Scattered Fragments of Separation (The Complete Story) follows the ‘Schachmatt’ and ‘ODD’ albums released in 2018 and 2019 respectively and marks four successive years of releasing music with us. Sven has also released with labels including Archives, Dronarivm and Fluid Audio.

In the liner notes on the CD, it is stated that this is ‘music for the brokenhearted, written by a broken heart’ and in just under 2 hours of sound texture, the music will both break and restore you, as melancholy moods are interspersed with moments of drama, peace and acceptance.

credits
Written and produced by Sven Laux
Mastered by James Edward Armstrong
Photography by Polina Georgescu
Art and design by Andrew Heath

Out Now! Lorenzo Masotto – i=r

 

Today we released the album ‘i=r’ by Italian pianist and composer Lorenzo Masotto after we had put the album up for pre-order a few weeks back. This album explores the textural, tonal and rhythmic timbres of an upright piano complete with two music videos shot by Michele Dolci.



The limited edition CDr makes further use of Michele Dolci’s visual expertise with photography booklet included, featuring an image for each track.

Whitelabrecs low-run releases are likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

The release page for i=r can be visited at the following link:
https://whitelabrecs.bandcamp.com/album/i-r 



press release

“Lorenzo Masotto is a composer and pianist from Verona, Italy, with releases on labels such as Sonder House, Lady Blunt Records, Preserved Sound and Dronarivm. He has performed in many venues, most notably London’s Union Chapel whilst tours have taken him to California Sofar and concerts at the Iberian Theater in Lisbon and the concert at De Helling in Utrecht.

i=r is an album which Lorenzo started to write when the pandemic broke out across northern Italy and much of the world, in March 2020. He set out initially to explore the complete tonal possibilities of a Seiler upright piano, restricted to two microphones. He became fascinated as he discovered the beauty and sonic elegance of a hammer touching the string, muffled by felt, as the motion and vibrations created all kinds of creaks and noises within the wood.

i=r, known as Snell’s Law, is the law of refraction. Each piece of this album represents a different refraction, as different points of view reflected in an artificial or natural mirror. The accompanying photography by Michele Dolci is as much a part of the album as the music, as individual scenes of symmetry, asymmetry and reflection each depict a given track from the album.

It is perhaps fitting exactly one year on since the ideas behind this album emerged, that this bright and fluid collection of compositions beam their rays of hope back from those dark reflections. Light and darkness, warmth and cold, strong and frail, hopeful and despairing. Our hope now is to emerge into the light, under the warmth of spring, with a renewed strength born of our collective despair.

credits

released April 16, 2021

Written, produced and mastered by Lorenzo Masotto
Photography by Michele Dolci
Graphic design and layout by Andrew Heath

Out Now! Spheruleus – Canvas Homes + Supplémentaires

The second of our new releases for March out today, sees the return of our label owner Harry Towell as Spheruleus. Harry has not released a CD on his label since 2016’s Obsolarium and with Canvas Homes + Supplémentaires he presents a double album of lockdown sound diaries. Some may recall Canvas Homes from Harry’s Home Diaries edition but 2nd Disc Supplémentaires is a new album, created during November’s lockdown mark II.

This limited edition double CDr edition uses photographs Harry captured during family walks as cover artwork and the sounds within these records cover field recordings, acoustic instrument sketches, household sounds and orchestral tones.

Whitelabrecs low-run releases are likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“Spheruleus is Lincolnshire, UK based artist Harry Towell, who also runs Whitelabrecs and records alongside his brother Stuart as Paper Relics. Harry has been active in the modern Ambient music scene for over a decade and has released works with labels such as Eilean, Hibernate, Home Normal and Time Released Sound. His output on his own imprint has been scarce however, limited to one CD edition ‘Obsolarium’, released back in 2016.

We launched last year’s digital Home Diaries series off the back of ‘Canvas Homes’ which was a sonic diary of life at home during lockdown. The recording for this album began around 1 year ago with three key sound elements: field recordings, sketches made using acoustic instruments and MIDI keyboard arrangements. The sketches were all captured during brief 1-2 minute recordings to an iPhone whilst in his daughter Isla’s playroom. She unwittingly became part of the album and a positive constant during the strange events that were unfolding across the spring and summer. Walks out into local parks and woodlands became a source of field recordings and a connection to the natural world. Then evenings were a time of reflection and processing, as the sounds captured were orchestrated into tracks.

In November another lockdown was announced and Harry decided to repeat the process as a compare and contrast from his original process. The idea to create a second album began with the assembly of a new item of furniture for Isla’s room which arrived from France. A bag of spare fixings was labelled ‘Supplémentaires’ and Harry decided to set about a series of additional recordings with a view to release it as part of a double album. This time, the weather had turned cold resulting in a different lockdown altogether, with more time spent indoors. Isla had grown considerably in the space of just 6 months and her speech was much clearer. A familiarity with the ‘new normal’ also seems to have translated into the music, with longer, cosier tracks drawing out the winter months. There are more moments of calm and warmth; ‘les dormeurs’ was created at low volume one afternoon, as the household napped. ‘notre cocon’ establishes a sleepy comfort in the descent towards the festive period before ‘le résumé’ plays out a recollection of the year 2020, with Harry using every field recording he’d captured during this most eventful of years. The cover photograph was captured during a family walk in the summer; a reflective gaze into the local ‘Bourne Eau’.

credits
Written and produced by Harry Towell
Mastered by James Edward Armstrong
Artwork and design by Harry Towell

Out Now! Andrew Heath & Anne Chris Bakker – How To Breathe Like A Stone

Today we released two new CDs and in the first we have an exciting collaboration between UK’s Andrew Heath and Anne Chris Bakker from the Netherlands. Their next album ‘How To Breathe Like A Stone‘ will be out this Saturday the 20th of March and is an album full of acoustic warmth from real life improvisations, recorded environments and reel to reel tape, yet it also feels lulling, drifting and very ambient.

This limited edition CDr edition makes use of photography provided by Renske Zijlstra as well as packaging art and design by Andrew himself. As a special gift from the artists, there are 25 hand-numbered prints which will be included with the first 25 CDs purchased.

Our low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

 

press release
“‘How to breathe like a stone’ is the third release from the ongoing collaboration between Dutch, ambient and experimental guitarist Anne Chris Bakker and British, minimal pianist Andrew Heath. Their work charts a slow moving, lower case journey inspired by place and process. Combining tonal washes and textural recordings, punctuated by pointillist piano and guitar notes to produce music that creates an ephemeral, dreamlike state.

Previous releases have been on Chihei Hatakeyama’s small Japanese label, White Paddy Mountain (Lichtzin) and the English, tape cassette label, Rusted Tone Recordings (A Gift for the Ephemerist).
Having been aware of each other’s music, Chris and Andrew finally met when Andrew invited Chris to play in the UK’s Resound festival several years ago. This cemented a friendship and mutual admiration of each other’s music. Various visits to both The Netherlands and the UK offered opportunities to record and improvise together before a file exchanging process followed, allowing their work to be edited and further refined.

Both artists are experienced performers and collaborators, with Andrew having played at Iceland’s Extreme Chill festival and working with Hans-Joachim Roedelius and Toby Marks; Chris Has performed with the trio Kleefstra/Bakker/Kleefstra, touring Europe and Japan.

How To Breathe Like A Stone utilises Chris’s mainstay, the guitar, often processed with a huge 20 second delay and placed alongside Andrew’s piano and electronic sounds. Two different church pianos were used for their natural tones, one recorded in Noordlaren and the other in the village of Sheepscombe. Additional textures derived from field recordings and reel to reel tape machines, providing a layer of subtle detail to complete the aesthetic. One of the more unusual recordings on the album was made at the Kröller Müller museum in The Netherlands in the large sculpture room. The sun outside was causing the building to emit various quiet creaks and clicks, amplified by the acoustics of the space. It was as if the weather had its own improvised response to the collaboration, creating further notable moments that became woven into this story of chance.

This album does not have a mapped out concept, more that it uses the artist’s evident love of process and improvisation as a springboard into their sound world. It is hoped that the listener will pause to absorb this environment, both contemplating and losing track of time.

credits
Written and produced by Andrew Heath and Anne Chris Bakker
Acoustic and Electric Pianos, Electronics, Treatments and Field Recordings by Andrew Heath
Guitars, Electronics, Tape Manipulation and Field Recordings by Anne Chris Bakker
Artwork by Andrew Heath
Cover Photography by Renske Zijlstra

Coming soon…Spheruleus – Canvas Homes + Supplémentaires

The second of our new releases for March sees the return of our label owner Harry Towell as Spheruleus. Harry has not released a CD on his label since 2016’s Obsolarium and with Canvas Homes + Supplémentaires he presents a double album of lockdown sound diaries. Some may recall Canvas Homes from Harry’s Home Diaries edition but 2nd Disc Supplémentaires is a new album, created during November’s lockdown mark II.

This limited edition double CDr edition uses photographs Harry captured during family walks as cover artwork and the sounds within these records cover field recordings, acoustic instrument sketches, household sounds and orchestral tones.

The album will be released on Saturday the 20th of March with no pre-order. If you join our mailing list using the link below, we’ll make sure you’re the first to hear.

Whitelabrecs low-run releases are likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“Spheruleus is Lincolnshire, UK based artist Harry Towell, who also runs Whitelabrecs and records alongside his brother Stuart as Paper Relics. Harry has been active in the modern Ambient music scene for over a decade and has released works with labels such as Eilean, Hibernate, Home Normal and Time Released Sound. His output on his own imprint has been scarce however, limited to one CD edition ‘Obsolarium’, released back in 2016.

We launched last year’s digital Home Diaries series off the back of ‘Canvas Homes’ which was a sonic diary of life at home during lockdown. The recording for this album began around 1 year ago with three key sound elements: field recordings, sketches made using acoustic instruments and MIDI keyboard arrangements. The sketches were all captured during brief 1-2 minute recordings to an iPhone whilst in his daughter Isla’s playroom. She unwittingly became part of the album and a positive constant during the strange events that were unfolding across the spring and summer. Walks out into local parks and woodlands became a source of field recordings and a connection to the natural world. Then evenings were a time of reflection and processing, as the sounds captured were orchestrated into tracks.

In November another lockdown was announced and Harry decided to repeat the process as a compare and contrast from his original process. The idea to create a second album began with the assembly of a new item of furniture for Isla’s room which arrived from France. A bag of spare fixings was labelled ‘Supplémentaires’ and Harry decided to set about a series of additional recordings with a view to release it as part of a double album. This time, the weather had turned cold resulting in a different lockdown altogether, with more time spent indoors. Isla had grown considerably in the space of just 6 months and her speech was much clearer. A familiarity with the ‘new normal’ also seems to have translated into the music, with longer, cosier tracks drawing out the winter months. There are more moments of calm and warmth; ‘les dormeurs’ was created at low volume one afternoon, as the household napped. ‘notre cocon’ establishes a sleepy comfort in the descent towards the festive period before ‘le résumé’ plays out a recollection of the year 2020, with Harry using every field recording he’d captured during this most eventful of years. The cover photograph was captured during a family walk in the summer; a reflective gaze into the local ‘Bourne Eau’.

credits
Written and produced by Harry Towell
Mastered by James Edward Armstrong
Artwork and design by Harry Towell

Coming soon…Andrew Heath & Anne Chris Bakker – How To Breathe Like A Stone

It’s about time that we released some more CDs and next we welcome an exciting collaboration between UK’s Andrew Heath and Anne Chris Bakker from the Netherlands. Their next album ‘How To Breathe Like A Stone‘ will be out this Saturday the 20th of March and is an album full of acoustic warmth from real life improvisations, recorded environments and reel to reel tape, yet it also feels lulling, drifting and very ambient.

This limited edition CDr edition makes use of photography provided by Renske Zijlstra as well as packaging art and design by Andrew himself. As a special gift from the artists, there are 25 hand-numbered prints which will be included with the first 25 CDs purchased.

The album will be released on Saturday the 20th of March with no pre-order. If you join our mailing list using the link below, we’ll make sure you’re the first to hear.

Whitelabrecs low-run releases are likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“‘How to breathe like a stone’ is the third release from the ongoing collaboration between Dutch, ambient and experimental guitarist Anne Chris Bakker and British, minimal pianist Andrew Heath. Their work charts a slow moving, lower case journey inspired by place and process. Combining tonal washes and textural recordings, punctuated by pointillist piano and guitar notes to produce music that creates an ephemeral, dreamlike state.

Previous releases have been on Chihei Hatakeyama’s small Japanese label, White Paddy Mountain (Lichtzin) and the English, tape cassette label, Rusted Tone Recordings (A Gift for the Ephemerist).
Having been aware of each other’s music, Chris and Andrew finally met when Andrew invited Chris to play in the UK’s Resound festival several years ago. This cemented a friendship and mutual admiration of each other’s music. Various visits to both The Netherlands and the UK offered opportunities to record and improvise together before a file exchanging process followed, allowing their work to be edited and further refined.

Both artists are experienced performers and collaborators, with Andrew having played at Iceland’s Extreme Chill festival and working with Hans-Joachim Roedelius and Toby Marks; Chris Has performed with the trio Kleefstra/Bakker/Kleefstra, touring Europe and Japan.

How To Breathe Like A Stone utilises Chris’s mainstay, the guitar, often processed with a huge 20 second delay and placed alongside Andrew’s piano and electronic sounds. Two different church pianos were used for their natural tones, one recorded in Noordlaren and the other in the village of Sheepscombe. Additional textures derived from field recordings and reel to reel tape machines, providing a layer of subtle detail to complete the aesthetic. One of the more unusual recordings on the album was made at the Kröller Müller museum in The Netherlands in the large sculpture room. The sun outside was causing the building to emit various quiet creaks and clicks, amplified by the acoustics of the space. It was as if the weather had its own improvised response to the collaboration, creating further notable moments that became woven into this story of chance.

This album does not have a mapped out concept, more that it uses the artist’s evident love of process and improvisation as a springboard into their sound world. It is hoped that the listener will pause to absorb this environment, both contemplating and losing track of time.

credits
Written and produced by Andrew Heath and Anne Chris Bakker
Acoustic and Electric Pianos, Electronics, Treatments and Field Recordings by Andrew Heath
Guitars, Electronics, Tape Manipulation and Field Recordings by Anne Chris Bakker
Artwork by Andrew Heath
Cover Photography by Renske Zijlstra

Pre-order: Lorenzo Masotto – i=r

It’s been quite a while since we’ve done a pre-order and when we did, these used to be just a week before release date. For this release, we are working with Italian pianist and composer Lorenzo Masotto and today marks the release of the single and music video for ‘Reflection’. The piece is taken from the forthcoming album ‘i=r‘ which is up for pre-order today! It is also available via all the usual streaming platforms and the music video can also be viewed on Youtube if you click HERE

This limited edition CDr makes use of photography provided by Michele Dolci and includes a photography booklet featuring an image for each track.

The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE
The release page for i=r can be visited at the following link:

https://whitelabrecs.bandcamp.com/album/i-r 

press release
“Lorenzo Masotto is a composer and pianist from Verona, Italy, with releases on labels such as Sonder House, Lady Blunt Records, Preserved Sound and Dronarivm. He has performed in many venues, most notably London’s Union Chapel whilst tours have taken him to California Sofar and concerts at the Iberian Theater in Lisbon and the concert at De Helling in Utrecht.

i=r is an album which Lorenzo started to write when the pandemic broke out across northern Italy and much of the world, in March 2020. He set out initially to explore the complete tonal possibilities of a Seiler upright piano, restricted to two microphones. He became fascinated as he discovered the beauty and sonic elegance of a hammer touching the string, muffled by felt, as the motion and vibrations created all kinds of creaks and noises within the wood.

i=r, known as Snell’s Law, is the law of refraction. Each piece of this album represents a different refraction, as different points of view reflected in an artificial or natural mirror. The accompanying photography by Michele Dolci is as much a part of the album as the music, as individual scenes of symmetry, asymmetry and reflection each depict a given track from the album.

It is perhaps fitting exactly one year on since the ideas behind this album emerged, that this bright and fluid collection of compositions beam their rays of hope back from those dark reflections. Light and darkness, warmth and cold, strong and frail, hopeful and despairing. Our hope now is to emerge into the light, under the warmth of spring, with a renewed strength born of our collective despair.

credits

releases April 20, 2021

Written, produced and mastered by Lorenzo Masotto
Photography by Michele Dolci
Graphic design and layout by Andrew Heath

Out Now! Nebel lang – Hand in mine

In our second physical edition for February, we welcome Kiel, Germany based artist Nebel lang who has had previous releases on Fluid Audio and Minui. Some may recall their piece ‘Sit Still For‘ which closes our recent Ennio’s Muse compilation. Their new album ‘Hand in mine‘ will be out this Saturday the 20th of February and features beautiful minimal piano compositions.

This limited edition CDr edition makes use of photography provided by Albarran Cabrera as well as a short story, written by Bailey Rose in the interior liner notes. This one makes use of our sleek minimal design template, new for 2021, complete with a vinyl-effect disc.

Our low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

 

press release
“Nebel lang is the latest moniker for a traveling artist, originally from San Rafael, Argentina who is currently based in Kiel, Germany. Previous releases include ‘Chapters’ on Fluid Audio as well as ‘00000’ and ‘motionless for a’ on Minui. That’s not to mention some self-released digital editions via his own Bandcamp page. The name Nebel lang combines the German words for fog and lifelong, to be taken metaphorically as ‘lifelong uncertainty’.

The Nebel lang sound is driven through improvisations, to capture chance moments that cannot be repeated. These sounds were impulsive, as if entirely natural, as part of the environment within a given moment in time. The tuning, environment and textural sound of a particular piano can never truly be replicated or reperformed.

‘Hand in mine’ is an album comprised of an opener, ‘situate’ which is a short piece to help the listener establish the volume and equalisation settings of their sound system. It is followed by two longform pieces of improvised piano compositions performed in Dordogne, (France), on a self-tuned upright piano. The first of the two album pieces is fluid, with a rhythm that ebbs and flows. The second is intentionally quieter and more sparse. This emphasises the need for ‘situate’ to establish with you the listener, your choice of volume setting. If moments sound quiet, it is entirely deliberate.

Two years on from the original recordings, the nuances and details of these sessions had long-since been lost. Additional artists were invited to collaborate and add an extra perspective to these recordings. Bailey Rose was asked to write some words and this lent the album its title as well as an accompanying story. Visual artists Albarran Cabrera were asked to provide the accompanying imagery from their ‘Kairos’ series, which represents their concept ‘the eternal present’, a fitting companion to these sounds.

credits
Written and produced by Nebel lang
Recorded in 2019 at “un temps, un lieu”
Mastered by James Edward Armstrong
Artwork by Albarran Cabrera
Words by Bailey Rose