Out Now! blochemy – aithem

Our second release for June sees us welcome back another artist that we worked with last year, as Czech Republic based artist blochemy follows ‘nebe‘ with a brand new album.

aithem‘ is a set of 9 tracks, each a glistening electro-acoustic reflection full of texture and charm, not to mention plenty of tape decay. The sound here will appeal to those who enjoy music on the likes of 12k or Dauw.

Whitelabrecs low-run releases are likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE



press release
“We’re pleased to present the next album by Czech Republic based artist blochemy who released ‘nebe’ with us in 2020. As an artist, blochemy has also released music with Hibernate recordings, Shimmering Moods Clean Error Records and Sun Sea Sky Production. He has been developing his sound since the mid nineties, informed by a curiosity that has seen his musical taste branch into IDM and Ambient styles. blochemy’s work in recent years, inside his home studio, is seen as a means to escape the daily routine, to allow himself the time to explore his own ideas and practice an unhurried self-expression.

‘nebe’ was released in February 2020, at a time of uncertainty as the pandemic had only begun to take hold. Its central theme revolves around the sky, as the cover artwork and dreamy sound places the head into the clouds. ‘aithem’ was created during the pandemic, with its time worn, eroded melancholy textures perhaps reflecting the worries for the future and social distancing which have become all too familiar for many.

The clean and minimal sound allows the listener to be conscious of the future as we look ahead with optimism. Whereas the decaying tape recorder aesthetic urges you to also reflect back upon the past, over half-forgotten memories. Yet the hushed tones of these pieces still the mind, to create an environment where you can just be present, within the moment.

credits
Written and Produced by blochemy
Mastered by James Edward Armstrong
Photography by blochemy
Art and design by Andrew Heath

Out Now! Pruski – Whispers

We’re returning to deep, sleepy drone music for the summer as we welcome back Krakow, Poland based artist Pruski who released a Home Diaries contribution and a CD release ‘Playground’ with us in 2020.

Whispers‘ is an album containing 6 minimalist ambient drones, created using a modular synthesizer and inspired by walks in woodland, away from the noise of a vibrant city.

Whitelabrecs low-run releases are likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

 

press release
“In 2020 we released both the physical album ‘Playground’ and Home Diaries piece ‘I Need Space’, from Krakow, Poland based artist Pruski. Aside from these releases, other material has been made available through labels such as Four Tapes and KrysaliSound.

Pruski’s background has been informed by nineties electronica including much of the legendary Warp catalog and it’s from here that he became very interested in the technical side of making music himself. This is both in terms of hardware but also, functional processes and mathematics. His current taste in quiet music has been informed by labels such as 12k , Japanese ambience and many of his peers within the ambient community.

Returning to our catalog, Pruski has created ‘Whispers’, a series of organic drones created using an OP-1 modular synthesiser which has been a key source of experimentation, discovery and evaluation for several years. Part of the production process fell during lockdown, in which there were limitations on travel and human interaction. On the other hand, Pruski started walking a lot in the forests around him, allowing him to listen and connect with nature; he would encounter the rustle of leaves that began to resemble whispers. It was from here that he had the idea of nature’s constant whisper, evident all around us, if we choose to listen. Each track represents a whisper from the natural world, which combine as a whole to be a metaphysical journey.

credits
Written and Produced by Paweł Pruski
Mastered by Miniature Records
Photography by Morzena Nowak
Art and design by Andrew Heath

Coming soon… blochemy – aithem

Blochemy - Aithem CD digital artwork

Our second release for June sees us welcome back another artist that we worked with last year, as Czech Republic based artist blochemy follows ‘nebe‘ with a brand new album.

aithem‘ is a set of 9 tracks, each a glistening electro-acoustic reflection full of texture and charm, not to mention plenty of tape decay. The sound here will appeal to those who enjoy music on the likes of 12k or Dauw.

aithem will be released on Saturday the 26th of June with no pre-order. If you join our mailing list using the link below, we’ll make sure you’re the first to hear.

press release
“We’re pleased to present the next album by Czech Republic based artist blochemy who released ‘nebe’ with us in 2020. As an artist, blochemy has also released music with Hibernate recordings, Shimmering Moods Clean Error Records and Sun Sea Sky Production. He has been developing his sound since the mid nineties, informed by a curiosity that has seen his musical taste branch into IDM and Ambient styles. blochemy’s work in recent years, inside his home studio, is seen as a means to escape the daily routine, to allow himself the time to explore his own ideas and practice an unhurried self-expression.

‘nebe’ was released in February 2020, at a time of uncertainty as the pandemic had only begun to take hold. Its central theme revolves around the sky, as the cover artwork and dreamy sound places the head into the clouds. ‘aithem’ was created during the pandemic, with its time worn, eroded melancholy textures perhaps reflecting the worries for the future and social distancing which have become all too familiar for many.

The clean and minimal sound allows the listener to be conscious of the future as we look ahead with optimism. Whereas the decaying tape recorder aesthetic urges you to also reflect back upon the past, over half-forgotten memories. Yet the hushed tones of these pieces still the mind, to create an environment where you can just be present, within the moment.

credits
Written and Produced by blochemy
Mastered by James Edward Armstrong
Photography by blochemy
Art and design by Andrew Heath

Coming soon… Pruski – Whispers

Pruski - Whispers digital final

We’re returning to deep, sleepy drone music for the summer as we welcome back Krakow, Poland based artist Pruski who released a Home Diaries contribution and a CD release ‘Playground’ with us in 2020.

Whispers‘ is an album containing 6 minimalist ambient drones, created using a modular synthesizer and inspired by walks in woodland, away from the noise of a vibrant city.

Whispers will be released on Saturday the 26th of June with no pre-order. If you join our mailing list using the link below, we’ll make sure you’re the first to hear.

press release
“In 2020 we released both the physical album ‘Playground’ and Home Diaries piece ‘I Need Space’, from Krakow, Poland based artist Pruski. Aside from these releases, other material has been made available through labels such as Four Tapes and KrysaliSound.

Pruski’s background has been informed by nineties electronica including much of the legendary Warp catalog and it’s from here that he became very interested in the technical side of making music himself. This is both in terms of hardware but also, functional processes and mathematics. His current taste in quiet music has been informed by labels such as 12k , Japanese ambience and many of his peers within the ambient community.

Returning to our catalog, Pruski has created ‘Whispers’, a series of organic drones created using an OP-1 modular synthesiser which has been a key source of experimentation, discovery and evaluation for several years. Part of the production process fell during lockdown, in which there were limitations on travel and human interaction. On the other hand, Pruski started walking a lot in the forests around him, allowing him to listen and connect with nature; he would encounter the rustle of leaves that began to resemble whispers. It was from here that he had the idea of nature’s constant whisper, evident all around us, if we choose to listen. Each track represents a whisper from the natural world, which combine as a whole to be a metaphysical journey.

credits
Written and Produced by Paweł Pruski
Mastered by Miniature Records
Photography by Morzena Nowak
Art and design by Andrew Heath

Out Now! Nebel lang – Hand in mine

In our second physical edition for February, we welcome Kiel, Germany based artist Nebel lang who has had previous releases on Fluid Audio and Minui. Some may recall their piece ‘Sit Still For‘ which closes our recent Ennio’s Muse compilation. Their new album ‘Hand in mine‘ will be out this Saturday the 20th of February and features beautiful minimal piano compositions.

This limited edition CDr edition makes use of photography provided by Albarran Cabrera as well as a short story, written by Bailey Rose in the interior liner notes. This one makes use of our sleek minimal design template, new for 2021, complete with a vinyl-effect disc.

Our low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

 

press release
“Nebel lang is the latest moniker for a traveling artist, originally from San Rafael, Argentina who is currently based in Kiel, Germany. Previous releases include ‘Chapters’ on Fluid Audio as well as ‘00000’ and ‘motionless for a’ on Minui. That’s not to mention some self-released digital editions via his own Bandcamp page. The name Nebel lang combines the German words for fog and lifelong, to be taken metaphorically as ‘lifelong uncertainty’.

The Nebel lang sound is driven through improvisations, to capture chance moments that cannot be repeated. These sounds were impulsive, as if entirely natural, as part of the environment within a given moment in time. The tuning, environment and textural sound of a particular piano can never truly be replicated or reperformed.

‘Hand in mine’ is an album comprised of an opener, ‘situate’ which is a short piece to help the listener establish the volume and equalisation settings of their sound system. It is followed by two longform pieces of improvised piano compositions performed in Dordogne, (France), on a self-tuned upright piano. The first of the two album pieces is fluid, with a rhythm that ebbs and flows. The second is intentionally quieter and more sparse. This emphasises the need for ‘situate’ to establish with you the listener, your choice of volume setting. If moments sound quiet, it is entirely deliberate.

Two years on from the original recordings, the nuances and details of these sessions had long-since been lost. Additional artists were invited to collaborate and add an extra perspective to these recordings. Bailey Rose was asked to write some words and this lent the album its title as well as an accompanying story. Visual artists Albarran Cabrera were asked to provide the accompanying imagery from their ‘Kairos’ series, which represents their concept ‘the eternal present’, a fitting companion to these sounds.

credits
Written and produced by Nebel lang
Recorded in 2019 at “un temps, un lieu”
Mastered by James Edward Armstrong
Artwork by Albarran Cabrera
Words by Bailey Rose

Coming soon…Nebel lang – Hand in Mine

In our physical edition for February, we welcome Kiel, Germany based artist Nebel lang who has had previous releases on Fluid Audio and Minui. Some may recall their piece ‘Sit Still For‘ which closes our recent Ennio’s Muse compilation. Their new album ‘Hand in Mine‘ will be out this Saturday the 20th of February and features beautiful minimal piano compositions.

This limited edition CDr edition makes use of photography provided by Albarran Cabrera as well as a short story, written by Bailey Rose in the interior liner notes. This one makes use of our sleek minimal design template, new for 2021, complete with a vinyl-effect disc.

The album will be released on Saturday the 20th of February with no pre-order. If you join our mailing list using the link below, we’ll make sure you’re the first to hear.

Whitelabrecs low-run releases are likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“Nebel lang is the latest moniker for a traveling artist, originally from San Rafael, Argentina who is currently based in Kiel, Germany. Previous releases include ‘Chapters’ on Fluid Audio as well as ‘00000’ and ‘motionless fo a’ on Minui. That’s not to mention some self-released digital editions via his own Bandcamp page. The name Nebel lang combines the German words for fog and lifelong, to be taken metaphorically as ‘lifelong uncertainty’.

The Nebel lang sound is driven through improvisations, to capture chance moments that cannot be repeated. These sounds were impulsive, as if entirely natural, as part of the environment within a given moment in time. The tuning, environment and textural sound of a particular piano can never truly be replicated or reperformed.

‘Hand in mine’ is an album comprised of an opener, ‘situate’ which is a short piece to help the listener establish the volume and equalisation settings of their sound system. It is followed by two longform pieces of improvised piano compositions performed in Dordogne, (France), on a self-tuned upright piano. The first of the two album pieces is fluid, with a rhythm that ebbs and flows. The second is intentionally quieter and more sparse. This emphasises the need for ‘situate’ to establish with you the listener, your choice of volume setting. If moments sound quiet, it is entirely deliberate.

Two years on from the original recordings, the nuances and details of these sessions had long-since been lost. Additional artists were invited to collaborate and add an extra perspective to these recordings. Bailey Rose was asked to write some words and this lent the album its title as well as an accompanying story. Visual artists Albarran Cabrera were asked to provide the accompanying imagery from their ‘Kairos’ series, which represents their concept ‘the eternal present’, a fitting companion to these sounds.

credits
Written and produced by Nebel lang
Recorded in 2019 at “un temps, un lieu”
Mastered by James Edward Armstrong
Artwork by Albarran Cabrera
Words by Bailey Rose

Out Now! Various Artists – Sleeplaboratory1.0

In our first release of 2019, we’re pleased to be celebrating our 50th release since the label began 3 years ago! Sleeplaboratory1.0 is a concept album compilation in which we invited label artists and friends to create a piece of sleepy music. It’s out now in a run of 100 copies after having been released last weekend to our mailing list. We wanted the compilation to help relax and lull our listener and we’re delighted with the result – we hope you will be too. This one features artwork by our regular collaborator Federica Jeanne de Luca and sound art from a line-up which includes Janek Schaefer, Sven Laux, M. Grig, Maps and Diagrams and Daniela Orvin. The album is presented in a special gatefold-LP style CD, similar to the Paper Relics special edition we did last year. We love this style of packaging and so prepare to see more of this for 2019…

This album was announced to our mailing list last weekend and has done extremely well – we’ve only got 25 copies left! You can listen to the album in full by hitting play above or clicking the link below, where you can purchase a physical or digital version. To avoid missing out on our future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/sleeplaboratory10

press release
Whitelabrecs began in January 2016 and since our first limited edition release three years ago, we’re proud to announce our fiftieth edition in the form of a special compilation album. Previously we’d released ‘Whitelabsounds’, which had no particular theme; a cross section of label artists and friends. This time, our label owner Harry Towell wanted to curate something with a specific theme so that this occasion was marked by a concept album.

‘Sleeplaboratory1.0’ is a sixteen track cross section of modern Ambient artists touching on everything from minimalist drone and modern classical cinematics to electro acoustic and synth influenced works. It is released in a run of 100 physical copies, as we’ve chosen to create a ‘gatefold LP’ styled CD package, complete with beautiful artwork provided over 4 panels by our regular collaborator Federica Jeanne de Luca. The album is also available digitally in a range of formats, carefully mastered by Tim Diagram who also contributes a track as Maps and Diagrams.

This album is intended as a relaxing companion for either conscious or sub-conscious listening, with contributing artists briefed to create something vacant which is likely to induce sleep. Harry selected the artists with the theme in mind and to help them understand his vision, he shared a link to Janek Schaefer’s ‘Lay-by Lullaby’ released on 12k back in 2014. It is an album which has been a huge part of his personal sleep routine, with him playing it at low volume on his iPod in bed ever since it was released so it seemed to be the perfect starting point.

Harry’s motivation behind creating this sleepy album was primarily due to his fascination on the relationship between Ambient music and sleep: Robert Rich, Max Richter and Tanner Menard all performed notable sleep concerts for starters. Harry was particularly honoured when Janek Schaefer agreed to provide the opening track to this accumulation of calming works and it was he that introduced the National Geographic edition at the time which had a large article about the science of sleep and how it sits in modern society.
Additionally, Harry was expecting the arrival of his first child during the production stages of Sleeplaboratory1.0 and he wanted the album to be particularly calming for babies.

We will not make any recommendation on how our listeners might best enjoy this record and so it’s down to you to choose the best environment to listen, whether this be late at night with headphones, on a loud system or perhaps played through Bluetooth speakers in and around your home.

credits
Curated by Harry Towell
Mastered by Tim Diagram
Artwork by Federica Jeanne de Luca

Coming soon…Various Artists – Sleeplaboratory1.0

Happy New Year to anyone who’s reading – we’re all set for 2019 as we plan an exciting schedule! We’re working on plans on a few new ideas but firstly, we’ve some celebrating to do: we’re about to achieve our 50th album release! Sleeplaboratory1.0 is a concept album compilation in which we invited label artists and friends to create a piece of sleepy music. It releases on January 26th 2019 in a run of 100 copies. We wanted the compilation to help relax and lull our listener and we’re delighted with the result – we hope you will be too. This one features artwork by our regular collaborator Federica Jeanne de Luca and sound art from a line-up which includes Janek Schaefer, Sven Laux, M. Grig, Maps and Diagrams and Daniela Orvin. The album is presented in a special gatefold-LP style CD, similar to the Paper Relics special edition we did last year. We love this style of packaging and we’re toying with the idea of making this option a more regular thing…

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
Whitelabrecs began in January 2016 and since our first limited edition release three years ago, we’re proud to announce our fiftieth edition in the form of a special compilation album. Previously we’d released ‘Whitelabsounds’, which had no particular theme; a cross section of label artists and friends. This time, our label owner Harry Towell wanted to curate something with a specific theme so that this occasion was marked by a concept album.

‘Sleeplaboratory1.0’ is a sixteen track cross section of modern Ambient artists touching on everything from minimalist drone and modern classical cinematics to electro acoustic and synth influenced works. It is released in a run of 100 physical copies, as we’ve chosen to create a ‘gatefold LP’ styled CD package, complete with beautiful artwork provided over 4 panels by our regular collaborator Federica Jeanne de Luca. The album is also available digitally in a range of formats, carefully mastered by Tim Diagram who also contributes a track as Maps and Diagrams.

This album is intended as a relaxing companion for either conscious or sub-conscious listening, with contributing artists briefed to create something vacant which is likely to induce sleep. Harry selected the artists with the theme in mind and to help them understand his vision, he shared a link to Janek Schaefer’s ‘Lay-by Lullaby’ released on 12k back in 2014. It is an album which has been a huge part of his personal sleep routine, with him playing it at low volume on his iPod in bed ever since it was released so it seemed to be the perfect starting point.

Harry’s motivation behind creating this sleepy album was primarily due to his fascination on the relationship between Ambient music and sleep: Robert Rich, Max Richter and Tanner Menard all performed notable sleep concerts for starters. Harry was particularly honoured when Janek Schaefer agreed to provide the opening track to this accumulation of calming works and it was he that introduced the National Geographic edition at the time which had a large article about the science of sleep and how it sits in modern society.
Additionally, Harry was expecting the arrival of his first child during the production stages of Sleeplaboratory1.0 and he wanted the album to be particularly calming for babies.

We will not make any recommendation on how our listeners might best enjoy this record and so it’s down to you to choose the best environment to listen, whether this be late at night with headphones, on a loud system or perhaps played through Bluetooth speakers in and around your home.

credits
Curated by Harry Towell
Mastered by Tim Diagram
Artwork by Federica Jeanne de Luca

Out Now! Masaya Kato – Contact

Next up, we’re pleased to welcome Yokohama, Japan based artist Masaya Kato who has previously released with Time Released Sound and Somehow RecordingsContact is an album which focuses on just two elements: subtle drones using Rhodes keys and magnetic noise using tape reel noise, 8mm film, vinyl and VHS noise. The album unfolds subconsciously over 8 movements, with a minimalist approach to production serving as a sleepy listen from start to finish. This might be one for those who enjoy work by Jan Jelinek, Sustainer’s ‘Taps’ or Masayoshi Fujita.

This album was announced to our mailing list last weekend and there are a few copies left at the time of writing. You can listen to the album in full by hitting play above or clicking the link below, where you can purchase a physical or digital version. To avoid missing out on our future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/contact

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
Masaya Kato is an artist from Japan who has been active since 2011, with previous releases on Time Released Sound and Somehow Recordings. Masaya’s influences tend to be from poetry as well as video and performing arts.

Typically, his compositions will are born out of Fender Rhodes or Piano sketches along with additional sounds of magnetic noises. ‘Contact’ is an album which focuses on two elements: Fender Rhodes keys and layers of magnetic noise derived from tape reels, vinyl, 8mm film and VHS. Masaya has created a body of work that serves to relax, unrest and restore through passages of crackling, unassuming Rhodes drones.

The tone of Rhodes keys is typically an immediate rush of melody, instantly recognisable and usually used in soul, house and jazz genres for its deep tones. When used to create Ambient drones, the feint swells of decaying chords serve as the subtlest blend. Against the hiss, crackle and pop of the magnetic noise sounds, the minimalist melodic textures were created as Masaya has strived to extinguish his body into the empty air around him.
Contact is something that simply exists and seems to transcend time as if dozens of blank audio/visual recording mediums are combined, to reveal lulling caverns of light. If you’ve ever seen dust rise into a room when sunlight appears through partially open curtains, or puddles of water rippling in the rain, you’ll already know how this feels.

credits
Written, produced and mastered by Masaya Kato
Artwork by Peter Nejedly

Coming soon…Masaya Kato – Contact

Next up, we’re pleased to welcome Yokohama, Japan based artist Masaya Kato who has previously released with Time Released Sound and Somehow RecordingsContact is an album which focuses on just two elements: subtle drones using Rhodes keys and magnetic noise using tape reel noise, 8mm film, vinyl and VHS noise. The album unfolds subconsciously over 8 movements, with a minimalist approach to production serving as a sleepy listen from start to finish. This might be one for those who enjoy work by Jan Jelinek, Sustainer’s ‘Taps’ or Masayoshi Fujita.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
Masaya Kato is an artist from Japan who has been active since 2011, with previous releases on Time Released Sound and Somehow Recordings. Masaya’s influences tend to be from poetry as well as video and performing arts.

Typically, his compositions will are born out of Fender Rhodes or Piano sketches along with additional sounds of magnetic noises. ‘Contact’ is an album which focuses on two elements: Fender Rhodes keys and layers of magnetic noise derived from tape reels, vinyl, 8mm film and VHS. Masaya has created a body of work that serves to relax, unrest and restore through passages of crackling, unassuming Rhodes drones.

The tone of Rhodes keys is typically an immediate rush of melody, instantly recognisable and usually used in soul, house and jazz genres for its deep tones. When used to create Ambient drones, the feint swells of decaying chords serve as the subtlest blend. Against the hiss, crackle and pop of the magnetic noise sounds, the minimalist melodic textures were created as Masaya has strived to extinguish his body into the empty air around him.
Contact is something that simply exists and seems to transcend time as if dozens of blank audio/visual recording mediums are combined, to reveal lulling caverns of light. If you’ve ever seen dust rise into a room when sunlight appears through partially open curtains, or puddles of water rippling in the rain, you’ll already know how this feels.

credits
Written, produced and mastered by Masaya Kato
Artwork by Peter Nejedly