Out Now! Various Artists – Sleeplaboratory1.0

In our first release of 2019, we’re pleased to be celebrating our 50th release since the label began 3 years ago! Sleeplaboratory1.0 is a concept album compilation in which we invited label artists and friends to create a piece of sleepy music. It’s out now in a run of 100 copies after having been released last weekend to our mailing list. We wanted the compilation to help relax and lull our listener and we’re delighted with the result – we hope you will be too. This one features artwork by our regular collaborator Federica Jeanne de Luca and sound art from a line-up which includes Janek Schaefer, Sven Laux, M. Grig, Maps and Diagrams and Daniela Orvin. The album is presented in a special gatefold-LP style CD, similar to the Paper Relics special edition we did last year. We love this style of packaging and so prepare to see more of this for 2019…

This album was announced to our mailing list last weekend and has done extremely well – we’ve only got 25 copies left! You can listen to the album in full by hitting play above or clicking the link below, where you can purchase a physical or digital version. To avoid missing out on our future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/sleeplaboratory10

press release
Whitelabrecs began in January 2016 and since our first limited edition release three years ago, we’re proud to announce our fiftieth edition in the form of a special compilation album. Previously we’d released ‘Whitelabsounds’, which had no particular theme; a cross section of label artists and friends. This time, our label owner Harry Towell wanted to curate something with a specific theme so that this occasion was marked by a concept album.

‘Sleeplaboratory1.0’ is a sixteen track cross section of modern Ambient artists touching on everything from minimalist drone and modern classical cinematics to electro acoustic and synth influenced works. It is released in a run of 100 physical copies, as we’ve chosen to create a ‘gatefold LP’ styled CD package, complete with beautiful artwork provided over 4 panels by our regular collaborator Federica Jeanne de Luca. The album is also available digitally in a range of formats, carefully mastered by Tim Diagram who also contributes a track as Maps and Diagrams.

This album is intended as a relaxing companion for either conscious or sub-conscious listening, with contributing artists briefed to create something vacant which is likely to induce sleep. Harry selected the artists with the theme in mind and to help them understand his vision, he shared a link to Janek Schaefer’s ‘Lay-by Lullaby’ released on 12k back in 2014. It is an album which has been a huge part of his personal sleep routine, with him playing it at low volume on his iPod in bed ever since it was released so it seemed to be the perfect starting point.

Harry’s motivation behind creating this sleepy album was primarily due to his fascination on the relationship between Ambient music and sleep: Robert Rich, Max Richter and Tanner Menard all performed notable sleep concerts for starters. Harry was particularly honoured when Janek Schaefer agreed to provide the opening track to this accumulation of calming works and it was he that introduced the National Geographic edition at the time which had a large article about the science of sleep and how it sits in modern society.
Additionally, Harry was expecting the arrival of his first child during the production stages of Sleeplaboratory1.0 and he wanted the album to be particularly calming for babies.

We will not make any recommendation on how our listeners might best enjoy this record and so it’s down to you to choose the best environment to listen, whether this be late at night with headphones, on a loud system or perhaps played through Bluetooth speakers in and around your home.

credits
Curated by Harry Towell
Mastered by Tim Diagram
Artwork by Federica Jeanne de Luca

Coming soon…Various Artists – Sleeplaboratory1.0

Happy New Year to anyone who’s reading – we’re all set for 2019 as we plan an exciting schedule! We’re working on plans on a few new ideas but firstly, we’ve some celebrating to do: we’re about to achieve our 50th album release! Sleeplaboratory1.0 is a concept album compilation in which we invited label artists and friends to create a piece of sleepy music. It releases on January 26th 2019 in a run of 100 copies. We wanted the compilation to help relax and lull our listener and we’re delighted with the result – we hope you will be too. This one features artwork by our regular collaborator Federica Jeanne de Luca and sound art from a line-up which includes Janek Schaefer, Sven Laux, M. Grig, Maps and Diagrams and Daniela Orvin. The album is presented in a special gatefold-LP style CD, similar to the Paper Relics special edition we did last year. We love this style of packaging and we’re toying with the idea of making this option a more regular thing…

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
Whitelabrecs began in January 2016 and since our first limited edition release three years ago, we’re proud to announce our fiftieth edition in the form of a special compilation album. Previously we’d released ‘Whitelabsounds’, which had no particular theme; a cross section of label artists and friends. This time, our label owner Harry Towell wanted to curate something with a specific theme so that this occasion was marked by a concept album.

‘Sleeplaboratory1.0’ is a sixteen track cross section of modern Ambient artists touching on everything from minimalist drone and modern classical cinematics to electro acoustic and synth influenced works. It is released in a run of 100 physical copies, as we’ve chosen to create a ‘gatefold LP’ styled CD package, complete with beautiful artwork provided over 4 panels by our regular collaborator Federica Jeanne de Luca. The album is also available digitally in a range of formats, carefully mastered by Tim Diagram who also contributes a track as Maps and Diagrams.

This album is intended as a relaxing companion for either conscious or sub-conscious listening, with contributing artists briefed to create something vacant which is likely to induce sleep. Harry selected the artists with the theme in mind and to help them understand his vision, he shared a link to Janek Schaefer’s ‘Lay-by Lullaby’ released on 12k back in 2014. It is an album which has been a huge part of his personal sleep routine, with him playing it at low volume on his iPod in bed ever since it was released so it seemed to be the perfect starting point.

Harry’s motivation behind creating this sleepy album was primarily due to his fascination on the relationship between Ambient music and sleep: Robert Rich, Max Richter and Tanner Menard all performed notable sleep concerts for starters. Harry was particularly honoured when Janek Schaefer agreed to provide the opening track to this accumulation of calming works and it was he that introduced the National Geographic edition at the time which had a large article about the science of sleep and how it sits in modern society.
Additionally, Harry was expecting the arrival of his first child during the production stages of Sleeplaboratory1.0 and he wanted the album to be particularly calming for babies.

We will not make any recommendation on how our listeners might best enjoy this record and so it’s down to you to choose the best environment to listen, whether this be late at night with headphones, on a loud system or perhaps played through Bluetooth speakers in and around your home.

credits
Curated by Harry Towell
Mastered by Tim Diagram
Artwork by Federica Jeanne de Luca

Out Now! Masaya Kato – Contact

Next up, we’re pleased to welcome Yokohama, Japan based artist Masaya Kato who has previously released with Time Released Sound and Somehow RecordingsContact is an album which focuses on just two elements: subtle drones using Rhodes keys and magnetic noise using tape reel noise, 8mm film, vinyl and VHS noise. The album unfolds subconsciously over 8 movements, with a minimalist approach to production serving as a sleepy listen from start to finish. This might be one for those who enjoy work by Jan Jelinek, Sustainer’s ‘Taps’ or Masayoshi Fujita.

This album was announced to our mailing list last weekend and there are a few copies left at the time of writing. You can listen to the album in full by hitting play above or clicking the link below, where you can purchase a physical or digital version. To avoid missing out on our future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/contact

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
Masaya Kato is an artist from Japan who has been active since 2011, with previous releases on Time Released Sound and Somehow Recordings. Masaya’s influences tend to be from poetry as well as video and performing arts.

Typically, his compositions will are born out of Fender Rhodes or Piano sketches along with additional sounds of magnetic noises. ‘Contact’ is an album which focuses on two elements: Fender Rhodes keys and layers of magnetic noise derived from tape reels, vinyl, 8mm film and VHS. Masaya has created a body of work that serves to relax, unrest and restore through passages of crackling, unassuming Rhodes drones.

The tone of Rhodes keys is typically an immediate rush of melody, instantly recognisable and usually used in soul, house and jazz genres for its deep tones. When used to create Ambient drones, the feint swells of decaying chords serve as the subtlest blend. Against the hiss, crackle and pop of the magnetic noise sounds, the minimalist melodic textures were created as Masaya has strived to extinguish his body into the empty air around him.
Contact is something that simply exists and seems to transcend time as if dozens of blank audio/visual recording mediums are combined, to reveal lulling caverns of light. If you’ve ever seen dust rise into a room when sunlight appears through partially open curtains, or puddles of water rippling in the rain, you’ll already know how this feels.

credits
Written, produced and mastered by Masaya Kato
Artwork by Peter Nejedly

Coming soon…Masaya Kato – Contact

Next up, we’re pleased to welcome Yokohama, Japan based artist Masaya Kato who has previously released with Time Released Sound and Somehow RecordingsContact is an album which focuses on just two elements: subtle drones using Rhodes keys and magnetic noise using tape reel noise, 8mm film, vinyl and VHS noise. The album unfolds subconsciously over 8 movements, with a minimalist approach to production serving as a sleepy listen from start to finish. This might be one for those who enjoy work by Jan Jelinek, Sustainer’s ‘Taps’ or Masayoshi Fujita.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
Masaya Kato is an artist from Japan who has been active since 2011, with previous releases on Time Released Sound and Somehow Recordings. Masaya’s influences tend to be from poetry as well as video and performing arts.

Typically, his compositions will are born out of Fender Rhodes or Piano sketches along with additional sounds of magnetic noises. ‘Contact’ is an album which focuses on two elements: Fender Rhodes keys and layers of magnetic noise derived from tape reels, vinyl, 8mm film and VHS. Masaya has created a body of work that serves to relax, unrest and restore through passages of crackling, unassuming Rhodes drones.

The tone of Rhodes keys is typically an immediate rush of melody, instantly recognisable and usually used in soul, house and jazz genres for its deep tones. When used to create Ambient drones, the feint swells of decaying chords serve as the subtlest blend. Against the hiss, crackle and pop of the magnetic noise sounds, the minimalist melodic textures were created as Masaya has strived to extinguish his body into the empty air around him.
Contact is something that simply exists and seems to transcend time as if dozens of blank audio/visual recording mediums are combined, to reveal lulling caverns of light. If you’ve ever seen dust rise into a room when sunlight appears through partially open curtains, or puddles of water rippling in the rain, you’ll already know how this feels.

credits
Written, produced and mastered by Masaya Kato
Artwork by Peter Nejedly

Out Now! Tsone – Purification Verses

We’re pleased to welcome back Tsone to Whitelabrecs, who released WLR number seven last year, a beautiful record long since sold-out. His new album is a set of five-minute-exact drones that will lull the mind with its delicate looping texture. For those unfamiliar, Tsone is Arizona, US based artist Tony Obr who’s released with labels such as Audiotalaia and Home Normal, with Ian Hawgood from the latter being responsible for mastering this one. Purification Verses should appeal to those who enjoy work by Marcus FischerRichard Ginns or Federico Durand – you can listen to a preview of the album by using the Soundcloud player below or keep a check on our Facebook or Instagram pages to preview the packaging when we share it.

This went to out to our mailing list last weekend and at time of writing, we’ve just got fifteen copies left! To find out, you can click the link below or on the image above to listen. To avoid missing out on future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/purification-verses

press release
“Tsone is Phoenix, Arizona artist Tony Obr, who returns to Whitelabrecs having released ‘Dovetail’ with us back in May 2016. Over the last ten years he’s also released work with the likes of Home Normal, txt Recordings and Audiotalaia. Tony’s background includes playing woodwind in school bands as well as Jazz ensembles but particularly over the last decade his focus has been in making electronic music. He teaches electronic music and regularly puts into practice his visual arts background too and this all adds to his creative focus.

Purification Verses is a record that has been complete for quite some time and has been mastered by Home Normal label owner Ian Hawgood. It’s a record where Tony set himself the rule of using only two production tools: A cheap children’s keyboard synthesizer and a looping patch constructed with Max/MSP. He also limited post-processing on the sound to keep a consistency throughout. Tony would usually use a large pool of tools including hardware synthesizers, samplers, effects pedals and custom built software instruments. However, for Purification Verses, he focuses on a more singular approach by limiting the tools at his disposal. He wanted to investigate all of the possibilities available to him through this stripped-down and limited choice of tools.

The result of the investigation yielded a series of songs with an inherent unity and cohesion that runs between them. This unity is most apparent in the formal organisation of each song, namely, two looping patterns played against each other for exactly 5 minutes.
Tony drew upon his visual arts background for influence as the methods used to compose these pieces are similar to how one might construct a series of paintings of formally similar variations on a theme.”

credits
Catalog number WLR032
Written and produced by Tony Obr
Mastered by Ian Hawgood
Artwork by Harry Towell

Coming soon…Tsone – Purification Verses

We’re pleased to welcome back Tsone to Whitelabrecs, who released WLR number seven last year, a beautiful record long since sold-out. His new album is a set of five-minute-exact drones that will lull the mind with its delicate looping texture. For those unfamiliar, Tsone is Arizona, US based artist Tony Obr who’s released with labels such as Audiotalaia and Home Normal, with Ian Hawgood from the latter being responsible for mastering this one. Purification Verses should appeal to those who enjoy work by Marcus FischerRichard Ginns or Federico Durand – you can listen to a preview of the album by using the Soundcloud player below or keep a check on our Facebook or Instagram pages to preview the packaging when we share it.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
“Tsone is Phoenix, Arizona artist Tony Obr, who returns to Whitelabrecs having released ‘Dovetail’ with us back in May 2016. Over the last ten years he’s also released work with the likes of Home Normal, txt Recordings and Audiotalaia. Tony’s background includes playing woodwind in school bands as well as Jazz ensembles but particularly over the last decade his focus has been in making electronic music. He teaches electronic music and regularly puts into practice his visual arts background too and this all adds to his creative focus.

Purification Verses is a record that has been complete for quite some time and has been mastered by Home Normal label owner Ian Hawgood. It’s a record where Tony set himself the rule of using only two production tools: A cheap children’s keyboard synthesizer and a looping patch constructed with Max/MSP. He also limited post-processing on the sound to keep a consistency throughout. Tony would usually use a large pool of tools including hardware synthesizers, samplers, effects pedals and custom built software instruments. However, for Purification Verses, he focuses on a more singular approach by limiting the tools at his disposal. He wanted to investigate all of the possibilities available to him through this stripped-down and limited choice of tools.

The result of the investigation yielded a series of songs with an inherent unity and cohesion that runs between them. This unity is most apparent in the formal organisation of each song, namely, two looping patterns played against each other for exactly 5 minutes.
Tony drew upon his visual arts background for influence as the methods used to compose these pieces are similar to how one might construct a series of paintings of formally similar variations on a theme.”

credits
Catalog number WLR032
Written and produced by Tony Obr
Mastered by Ian Hawgood
Artwork by Harry Towell

Out Now! The Prairie Lines – Eyes Down Slowdown

Out now on Whitelabrecs, we’re pleased to announce the debut release by The Prairie Lines which is the new outlet for Bill Bawden, formerly known as Herzog. We’ve long been a follower of Bill’s work through his self-released/netlabel work as Herzog so we’re pleased to present this beautiful set of wintry Ambient/piano pieces. Eyes Down Slowdown features the familiarly beautiful artwork of Slovakian photographer Peter Nejedly and might be a record for those who enjoy work by Scissors and SellotapeHerzog (of course!) or Andrew Hargreaves.You can stream or purchase the album by clicking the player above.

This went to out to our mailing list last weekend and at time of writing, we’ve just got one copy left! To find out, you can click the link below or on the image above to listen. To avoid missing out on future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/eyes-down-slowdown

press release
“South Londoner Bill Bawden has been releasing delicate ambient music since 2005 under various guises, most notably albums and EPs on Serein, 12Rec, Resting Bell, Audio Gourmet and Rural Colours under the name Herzog. On his first full-length release under his Prairie Lines moniker, Bill has continued to refine his sound, processing piano samples to bring out warm lo-fi textures and layers of static.
The prairie lines are wide open spaces and homely values. Pylons and cables stretching for miles. Lines of migration. Interrupted communications.

eyes down slowdown is a call to become more introspective, to temporarily reject the speed of life around you.
An invitation to a place of worship, stepping into a resonant holy chamber.. this is where we kneel. A secret home away from the buzzing city streets, but also a secret home inside yourself. The performance of a repetitive ritual in order to achieve some result. A bright melodic loop which gradually corrodes. A familiar sequence that gradually falls apart, an examination of what is necessary. A repetition to bring about
a trance-like state.. to see without seeing and hear without hearing. To touch hands from the sky.
A calm landing.., to descend to somewhere new… an open field and a gentle breeze.
To accept the familiar and unfamiliar as one, to be comfortable with life whatever it holds.
Stop haunting my door.. not a physical door but a way in. The ghost is not trying to gain access but preventing you or anyone close to you from gaining access. Smile but prepare. When you look inside yourself, what if you don’t like what you see, or it scares you?

credits
Catalog number WLR031
Written and produced by Bill Bawden
Mastered by Tim Diagram
Photography by Peter Nejedly

Out Now! Overshift – Of Light and Shade

Out now on Whitelabrecs, we welcome a textured Ambient/minimal electronic producer from the United States, named Overshift who has appeared on labels such as Psicodelica, Yoruba Grooves and Galanding. Of Light and Shade is an immersive listen full of detail, intended for either conscious, or subconscious listening in line with Brian Eno’s original concept of Ambient music. Those who enjoy Krill.Minima, Robert Henke or Echospace might enjoy this record – you can stream or purchase the album by clicking the player above.
Of Light and Shade is also available in our usually limited run of 50 copies to the world, housed in vinyl imitation CDr packaging.

This went to out to our mailing list last weekend and at time of writing, we’ve got copies still available – to find out more or grab a copy, you can click the link below or on the image above to listen. To avoid missing out on future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/of-light-and-shade

press release
“Overshift is an Electronic Sound artist from New Jersey, USA who has released through several labels including Psicodelica, Yoruba Grooves, Galanding and Listen:React. At an early age, he became fascinated with DJing and learnt to mix on belt-driven turntables. Production was then the natural evolution as he began recording just after the millennium. After a ten year hiatus to focus on his career, the creative urge returned in 2013, as he assembled a small studio after time spent researching different room modes and installing proper acoustic treatment. This studio has been expanded and adapted as his collection of hardware and software has developed.

Overshift’s approach to music production is steeped in a ‘less is more’ approach as layered Ambient environments and textured Minimal Techno have become his signature. Initially, he will work on something new with a certain feeling or story in mind. This is usually something which correlates to an intellectual concept and can be inspired by almost anything. The process is usually a matter of just experimenting with sounds until it aligns with the concept that he intends to convey. Subtle background textures are carved from tape and vinyl noise. Random modular sequences and patches are prepared to compose a general melody and in some cases, percussive and rhythmic elements are developed. Once the basic building blocks are in place, slight variations are applied over a four to eight bar loop. From here, dozens and dozens of layers can be added from items such as field recordings, old vinyl records, textures, rhythms, but it is also not uncommon for there to be considerably less. All the while, a crucial element to the Overshift sound is the juxtaposed concept of controlled randomness: once a general arrangement is in place, multiple takes are patched randomly with generated sequences and modulation. Further micro-edits are developed from each take, using the bits that work, and deleting those which don’t.

Overshift straddles the lines between Ambient music and Minimal Techno striving to overlap these genres. For Whitelabrecs and in his album ‘Of Light and Shade’ he focuses more towards the Ambient aspect as marginal movements of innumerable sound sources combine to form what is ultimately a truly immersive listening experience, built from almost nothing. He aimed to flesh out a sonic duality and as a result, Of Light and Shade is an experience that could either be listened to intently, or simply heard.”

credits
Catalog number WLR030
Written and produced by Overshift
Mastered by Slow Clinic
Photography by Overshift
Artwork by Harry Towell