Out Now! Mikael Lind & S.hel + Rachel Jutková – RAMMI

Today we’re proud to launch our new digital series called <facets> in collaboration with Art North Magazine. This series will involve a range of composers and sound artists, teaming up with talented visual artists, for an audio-visual release. For this first edition, we welcome back Icelandic artists Mikael Lind and S.hel who both released solo albums on Whitelabrecs last year. They’ve been paired with Slovakian painter and artist Rachel Jutková who took her one metre square painting out into the fields to shoot photographs of it, which placed the art in a new ‘frame’. RAMMI is coincidentally the Icelandic word for frame, as Mikael and Sævar re-contextualised piano sounds within the plush surroundings of Valgeir Sigurðsson‘s renowned Greenhouse Studios.

Each <facets> edition will include either an EP or album of music available in a range of high quality audiophile formats, accompanied by a work of art as the cover image and a booklet PDF which contains art, profile imagery, background information and an interview, featuring both the sonic and visual artist.

RAMMI is released today, Saturday the 24th of April with no pre-order. If you join our mailing list , we’ll make sure you’re the first to hear about future editions.


press release

“<facets> is an audio-visual series, co-curated between Whitelabrecs and Art North Magazine. This collection provides a space in our catalog for digital music, in which we aim to provide more than a few mp3s and a low resolution square image. Each edition of <facets> is pitched equally at both your eyes and ears. Sonic and visual textures overlap as we pair musicians, composers or sound designers with painters, sculptors or photographers. The work includes the music in a range of formats, specially created visual artwork and a PDF art booklet containing imagery, interviews and liner notes. Our collective aim is to create a coherent work of cross-media art, where the creative outputs of a sonic artist and a visual artist complement each other as a singular creative output.

In this inaugural edition of <facets> we welcome back two artists from Iceland who each released solo albums with us in 2020. This four track EP combines the contemporary modern classical work of Mikael Lind with the prepared-piano sound of S.hel. ‘RAMMI’ was recorded at Valgeir Sigurdsson’s Greenhouse studios in Reykjavik. The collaboration is complete with Fine Art BA (Hons) student Rachel Jutková, who has contributed her painting ‘Morning fog and walking on painting’. This is a mixed-media intuitive painting which was created in her studio and then later placed outdoors in a foggy field.

‘RAMMI’ is Icelandic for frame and this takes on its loose meaning to reflect the processing and techniques of the pianos that Mikael and S.hel created, as they aimed to extend beyond the framework of piano music. The rearrangement of the recorded sounds is also reflected in the track titles, as the letters of RAMMI are shuffled to give way to new meanings. This links into Rachel’s idea of placing her work outside of its usual context, physically, to allow for alternative meanings to be reflected upon.


credits
Music: Mikael Lind & S.hel
Mastering: James Edward Armstrong
Art Direction & Editing: Ian McKay
Additional Camera Work: Rachel Jutková

Featured artwork by Rachel Jutková: ‘Morning fog, walking on painting’ 100 x 100 cm, 2021

Music & Artwork © 2021, The Artists (Mikael Lind, Sævar Helgi Jóhannsson, Rachel Jutková), All Rights Reserved. Video ℗ by Art North Projects. Music ℗ by Whitelabrecs, 2021

Project Curators: Harry Towell (Music) & Ian McKay (Visual Art)

whitelabrecs.com
whitelabrecs.bandcamp.com
artnorth-projects.org

mikaellind.com
facebook.com/shelmusik
instagram.com/racheljutka

Coming soon… Mikael Lind & S.hel + Rachel Jutková – RAMMI

We’re excited to unveil a short preview of the very first edition in a new digital series called <facets> in which we’ll be collaborating with Art North Magazine. This series will involve a range of composers and sound artists, teaming up with talented visual artists, for an audio-visual release. First up, we welcome back Icelandic artists Mikael Lind and S.hel who both released solo albums on Whitelabrecs last year. They’ve been paired with Slovakian painter and artist Rachel Jutková who took her metre square work out into the fields to shoot photographs of it, which placed the art in a new ‘frame’. RAMMI is coincidentally the Icelandic word for frame, as Mikael and Sævar re-contextualised piano sounds within the plush surroundings of Valgeir Sigurðsson‘s renowned Greenhouse Studios.

Each <facets> edition will include either an EP or album of music available in a range of high quality audiophile formats, accompanied by a work of art as the cover image and a booklet PDF which contains art, profile imagery, background information and an interview, featuring both the sonic and visual artist.

RAMMI will be released on Saturday the 24th of April with no pre-order. If you join our mailing list using the link below, we’ll make sure you’re the first to hear.

press release
“<facets> is an audio-visual series, co-curated between Whitelabrecs and Art North Magazine. This collection provides a space in our catalog for digital music, in which we aim to provide more than a few mp3s and a low resolution square image. Each edition of <facets> is pitched equally at both your eyes and ears. Sonic and visual textures overlap as we pair musicians, composers or sound designers with painters, sculptors or photographers. The work includes the music in a range of formats, specially created visual artwork and a PDF art booklet containing imagery, interviews and liner notes. Our collective aim is to create a coherent work of cross-media art, where the creative outputs of a sonic artist and a visual artist complement each other as a singular creative output.

In this inaugural edition of <facets> we welcome back two artists from Iceland who each released solo albums with us in 2020. This four track EP combines the contemporary modern classical work of Mikael Lind with the prepared-piano sound of S.hel. ‘RAMMI’ was recorded at Valgeir Sigurdsson’s Greenhouse studios in Reykjavik. The collaboration is complete with Fine Art BA (Hons) student Rachel Jutková, who has contributed her painting ‘Morning fog and walking on painting’. This is a mixed-media intuitive painting which was created in her studio and then later placed outdoors in a foggy field.

‘RAMMI’ is Icelandic for frame and this takes on its loose meaning to reflect the processing and techniques of the pianos that Mikael and S.hel created, as they aimed to extend beyond the framework of piano music. The rearrangement of the recorded sounds is also reflected in the track titles, as the letters of RAMMI are shuffled to give way to new meanings. This links into Rachel’s idea of placing her work outside of its usual context, physically, to allow for alternative meanings to be reflected upon.

credits
Music: Mikael Lind & S.hel
Mastering: James Edward Armstrong
Art Direction & Editing: Ian McKay
Additional Camera Work: Rachel Jutková

Featured artwork by Rachel Jutková: ‘Morning fog, walking on painting’ 100 x 100 cm, 2021

Music & Artwork © 2021, The Artists (Mikael Lind, Sævar Helgi Jóhannsson, Rachel Jutková), All Rights Reserved. Video ℗ by Art North Projects. Music ℗ by Whitelabrecs, 2021

Project Curators: Harry Towell (Music) & Ian McKay (Visual Art)

whitelabrecs.com
whitelabrecs.bandcamp.com
artnorth-projects.org

mikaellind.com
facebook.com/shelmusik
instagram.com/racheljutka

End of 2020 Sale – 30% Off

On Friday for Bandcamp day, we announced our winter sale for the month of December and into January before we begin our schedule for 2021. This year’s sale double’s the amount off from last year; a massive 30%!

The reason we’ve gone over the top this year is by way of thanks for all the support we received to keep us going in a tough year, but also, because our storage cupboard is overflowing with unloved CDs!

So until midnight on the 14th of January 2021, you can enjoy an extra 30% off all of our catalog, both physical and digital.

Simply enter the following code into the discount box provided when you check out to access the 30% reduction on all items:

CODE: extra30
LINK:
https://whitelabrecs.bandcamp.com/merch

If you’re new to the label and not sure where to begin, please see a few select items from our 2020 catalog that are low on stock. These might be a good place to start if you want to check out our catalog – simply take a look below and hit ‘play’ on the embedded mini players. You can then click the player or image to be transported to the release page.


Various Artists “Home Diaries”
April-June| Digital Only

A feature to pretty much everyone’s 2020 has been the outbreak of Covid-19, it goes without saying. In March we had to stop all of our planned CDr releases, due to the closure of our local post-office. With nothing to release and bills to pay, we launched the Home Diaries series, in which 30 artists contributed an EP or album which we sold digitally. Each record in the series featured a recurring image of a lonely house in a field, with varying colour filters and there’s a bonus PDF interview with the artist included with each one.
This details what the artist’s situation was during lockdown or social distancing conditions, as well as their plans and what equipment they used to create their work.

You can check out a landing page below, which summarises each release in this series. We’ll be releasing a double compilation album in January next year, featuring a track from each album, so watch this space!

https://mailchi.mp/971a27fff884/homediaries


Glåsbird “Novaya Zemlya”
September | 15 copies left

Now having landed at 4 different geographical locations, Glåsbird’s most recent edition to this series is a trip to the isolated and sparsely populated island Novaya Zemlya. This destination is two islands split in two by the Matochkin Strait. The northern island is pretty much all glacier whereas the southern island is currently inhabited by just over 2000 people and was also the site of the largest ever nuclear bomb test, the Tsar Bomba. Glåsbird uses icy static, strings and hints of brass to weave some of their most dramatic compositions yet.


thme “that’s what it will be like”
September | 30 copies left

Something which may have escaped the radar, this tonal, textured Ambient record by Parisian artist thme has been enjoyed by those who have checked it out with some nice feedback being received. Field recordings, samples and damaged piano keys drape over this idyllic but surreal soundtrack, with collage artwork provided by artist Arctic Sun.


Polaroid Notes “Ghost Sounds”
November | 10 copies left

These have literally been flying out the door since we released this latest album by Polaroid Notes last month. Although not intended to necessarily be festive, this record feels apt for this kind of year as we’re in winter holiday season, or at least over here in Europe anyway. Polaroid Notes used piano and synth to create deep and cinematic soundscapes, with some spooky undertones. The cover artwork is particularly striking we think, with the artist providing photography from the Black Mountain region of Southern Germany across the four panels of this package.


Mikael Lind “Give Shape To Space”
July | 10 copies left

We were thrilled to be working on the release of this album by Iceland’s Mikael Lind, an artist whose work featured right at the top of our favourite albums of 2019. Unfortunately we had to delay the release of ‘Give Shape To Space’ and we’re thankful Mikael stayed patient with us. This record features a generous selection of strings, synth and textural sounds along with artwork by his partner, Sigga Björg


Jens Pauly “Below”
June| 21 Copies Remaining

In June, we were delighted to get going again with our CDr releases. First on the list was the return of Jens Pauly, who had contributed ‘Vihne’ to our catalog last year. As with his last release, Jens completed the full packaging creation himself and put together a combination of black and white photography with sleek, minimal design. The music is a further selection of electro-acoustic manipulations, carefully blended with filigree detail.


Out Now! Mikael Lind – Give Shape To Space

In the first of two new physical editions on Whitelabrecs, we welcome Iceland’s Mikael Lind, who many may recognise from his sublime album ‘Contingencies‘ on Archives, his collaboration with Hoshiko Yamane for Time Released Sound or perhaps keen readers of our liner notes, as he helped mix S.hel’s Disconnect which we released in March.
His new album ‘Give Shape To Space‘ straddles the line of friction between his two production styles as modern classical minimalism is interwoven with modular synths.

The album will be released on Saturday the 25th of July with no pre-order. If you join our mailing list using the link below, we’ll make sure you’re the first to hear.

Our low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

https://whitelabrecs.bandcamp.com/album/give-shape-to-space

press release
“Mikael Lind is a composer and musician originally from Sweden, currently based in Reykjavik, Iceland. He has released music through labels such as Morr Music, Archives and Polar Seas Recordings and has also collaborated with Tangerine Dream’s Hoshiko Yamane in an album for Time Released Sound. Mikael had played a concert with Hoshiko late last year and had planned a European tour for 2020 which has been cancelled due to the covid-19 pandemic. He also contributed some of the groundwork and mixing expertise in S.hel’s ‘Disconnect’ which we released back in March this year.

Growing up, Mikael was influenced by Aphex Twin and much of the Warp catalog as well as showing a keen interest in classical music, with Arvo Pärt a particular inspiration. Piano and synthesisers form the forefront of his sound as he combines orchestral timbres with subtle electronics. Recently he has been moving increasingly away from the typical Ambient sound in two directions; one is towards more classical music, and the other towards more electronic, modular music. ‘Give Shape to Space’ is somehow representative of this friction, without taking sides; modern classical minimalism with strings and pianos share the field with evolving modular synths, both contributing to ripping apart the comfortable ambient soundscapes and making them more expressive.

Mikael had various shapes in his mind as he developed the structure and detail that this record has become. He was reading about physics and in particular, quantum leaps. Beyond this, Mikael doesn’t want to dissect his album too much, in the hope that you, the listener will bring your own shapes and imagination to this sound space.”

credits
Written and produced by Mikael Lind
Mastered by James Edward Armstrong
Artwork by Sigga Björg
Design by Harry Towell

Coming soon…Mikael Lind – Give Shape To Space

In the first of two new physical editions on Whitelabrecs, we welcome Iceland’s Mikael Lind, who many may recognise from his sublime album ‘Contingencies‘ on Archives, his collaboration with Hoshiko Yamane for Time Released Sound or perhaps keen readers of our liner notes, as he helped mix S.hel’s Disconnect which we released in March.
His new album ‘Give Shape To Space‘ straddles the line of friction between his two production styles as modern classical minimalism is interwoven with modular synths.

The album will be released on Saturday the 25th of July with no pre-order. If you join our mailing list using the link below, we’ll make sure you’re the first to hear.

Whitelabrecs low-run releases are likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“Mikael Lind is a composer and musician originally from Sweden, currently based in Reykjavik, Iceland. He has released music through labels such as Morr Music, Archives and Polar Seas Recordings and has also collaborated with Tangerine Dream’s Hoshiko Yamane in an album for Time Released Sound. Mikael had played a concert with Hoshiko late last year and had planned a European tour for 2020 which has been cancelled due to the covid-19 pandemic. He also contributed some of the groundwork and mixing expertise in S.hel’s ‘Disconnect’ which we released back in March this year.

Growing up, Mikael was influenced by Aphex Twin and much of the Warp catalog as well as showing a keen interest in classical music, with Arvo Pärt a particular inspiration. Piano and synthesisers form the forefront of his sound as he combines orchestral timbres with subtle electronics. Recently he has been moving increasingly away from the typical Ambient sound in two directions; one is towards more classical music, and the other towards more electronic, modular music. ‘Give Shape to Space’ is somehow representative of this friction, without taking sides; modern classical minimalism with strings and pianos share the field with evolving modular synths, both contributing to ripping apart the comfortable ambient soundscapes and making them more expressive.

Mikael had various shapes in his mind as he developed the structure and detail that this record has become. He was reading about physics and in particular, quantum leaps. Beyond this, Mikael doesn’t want to dissect his album too much, in the hope that you, the listener will bring your own shapes and imagination to this sound space.”

credits
Written and produced by Mikael Lind
Mastered by James Edward Armstrong
Artwork by Sigga Björg
Design by Harry Towell

Out Now! S.hel – Disconnect

For our next release then, we have something truly striking in the form of this debut album by Reykjavik’s S.hel. It will be released on Piano Day, combines piano and strings compositions with electronics and cinematic effects. To my ears, it sits somewhere between the quieter moments of Aphex Twin’s Drukqs, and then the work of composers such as Hauschka, Nils Frahm and perhaps even the artist’s mentor Mikael Lind, who mixed the album. For us, the artwork absolutely sets this album off in a truly unique way, thanks to the work of Sarah Maria Yasdani, helped by Rakel Ýr Stefánsdóttir. It really embodies the concept of this album which is disconnection and questions of origin. We have a feeling it may very well strike a chord with people right now, even though the concept for this album was born long before Covid 19 was a thing and is not actually related! Our message to the world right now is to think of the people all around you and care for one another. Get connected, even if it has to be at a distance. The album was released on Piano Day, Saturday the 28th of March

Disconnect was released to subscribers of our mailing list last weekend, who had the first opportunity to grab one of these 100 CDs. We do have some available however, please note, there will be a delay in shipping following the closure of our post office due to Covid 19. We aim to ship every order as soon as we can but please bear this in mind if you decide to order. You can also stream the album in full on Bandcamp as well as Spotify and of course, you can grab a digital version if you prefer, by clicking the player above or link below. To avoid missing out on future releases, you can join our mailing list HERE: low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

https://whitelabrecs.bandcamp.com/album/disconnect


press release

“There’s a well-known German saying ‘Ich bin Weltbürger: überall zu Hause, überall fremd’ which roughly translates to ‘I’m a world citizen: I am everywhere at home and everywhere a stranger’. S.hel believes this is a phrase which describes him well; London his birthplace, being partly raised in Germany and residing in Iceland.

Disconnect is a debut album by an emerging artist, arriving at a time of uncertainty and disarray, where terms such as self-isolation and social distancing are on everyone’s lips. However, this record’s theme is not born out of the adversity that coined these phrases. Instead, when creating these works the artist was informed by his thoughts around identity and how we perceive it as a whole. Do places of origin matter? He moved around a lot as a child and at times, felt he had no roots which left him feeling very disconnected at times. Some years on and settling in Iceland, he now realises the valuable lessons and skills the experience has brought.

Disconnect follows the self-released EP ‘Lucid’ in 2018 and the primary instrument is the piano. Aptly, we will be releasing this album for piano day as this unique record draws in wide influences including mentor Mikael Lind who mixed the album, S.hel’s piano teachers Sunna Gunnlaugs and Kjartan Valdemarsson as well as compatriots Jóhann Jóhannsson and Hildur Guðnadóttir. Contemporary composers play their part too in the stimulus, such as Nils Frahm, Arvo Pärt and Max Richter. Disconnect flits between intimate and organic piano compositions and granulated or randomised electronic effects, interspersed with swathes of strings and synthesizer. Creaks and pensive moments navigate perceived silence and suspense, whilst the mood switches effortlessly to the grandeur of modern classical orchestration in equal measure.

This striking album package is complete with the wonderful concept artwork of Sarah Maria Yasdani and Rakel Ýr Stefánsdóttir who have also produced and directed accompanying music videos. The concept works hand in hand with the music and the themes of disconnection S.hel portrays and reflects on the loneliness resulting from being part of a society that has lost itself in daily routine. Currently the routine may be all we crave, but maybe amongst all this we can all find some way to connect again.”

credits
Written and produced by S.hel
Mixed by Mikael Lind
Mastered by James Edward Armstrong
Art concept and photography by Sarah Maria Yasdani and Rakel Ýr Stefánsdóttir

Coming soon…S.hel – Disconnect

The world is faced with a huge wave of adversity right now and the uncertainty will continue over the coming months and dare I say, beyond. Uncertainty isn’t anything new of course but I guess many of us get used to the status quo and find our normal. What do these times mean for Whitelabrecs? Well, the truth is – we don’t know in the short term. We’re pretty sure however, that the long term will be fine.
So with the rest of this year’s releases, we’ll be guided by you our listeners and followers and see what happens! For some regions, expect postal delays but for now here in the UK, my trusty postman assures me he still wants my business. So for now until I’m forced to stop, I’ll keep selling CDs and visiting him once or twice a week 🙂

Onto our next release then, we have something truly striking in the form of this debut album by Reykjavik’s S.hel. It will be released on Piano Day, combines piano and strings compositions with electronics and cinematic effects. To my ears, it sits somewhere between the quieter moments of Aphex Twin’s Drukqs, and then the work of composers such as Hauschka, Nils Frahm and perhaps even the artist’s mentor Mikael Lind, who mixed the album. For us, the artwork absolutely sets this album off in a truly unique way, thanks to the work of Sarah Maria Yasdani, helped by Rakel Ýr Stefánsdóttir. It really embodies the concept of this album which is disconnection and questions of origin. We have a feeling it may very well strike a chord with people right now, even though the concept for this album was born long before Covid 19 was a thing and is not actually related! Our message to the world right now is to think of the people all around you and care for one another. Get connected, even if it has to be at a distance.

The album will be released officially on Piano Day, Saturday the 28th of March but if you join our mailing list using the link below, we’ll make sure you’re the first to hear.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“There’s a well-known German saying ‘Ich bin Weltbürger: überall zu Hause, überall fremd’ which roughly translates to ‘I’m a world citizen: I am everywhere at home and everywhere a stranger’. S.hel believes this is a phrase which describes him well; London his birthplace, being partly raised in Germany and residing in Iceland.

Disconnect is a debut album by an emerging artist, arriving at a time of uncertainty and disarray, where terms such as self-isolation and social distancing are on everyone’s lips. However, this record’s theme is not born out of the adversity that coined these phrases. Instead, when creating these works the artist was informed by his thoughts around identity and how we perceive it as a whole. Do places of origin matter? He moved around a lot as a child and at times, felt he had no roots which left him feeling very disconnected at times. Some years on and settling in Iceland, he now realises the valuable lessons and skills the experience has brought.

Disconnect follows the self-released EP ‘Lucid’ in 2018 and the primary instrument is the piano. Aptly, we will be releasing this album for piano day as this unique record draws in wide influences including mentor Mikael Lind who mixed the album, S.hel’s piano teachers Sunna Gunnlaugs and Kjartan Valdemarsson as well as compatriots Jóhann Jóhannsson and Hildur Guðnadóttir. Contemporary composers play their part too in the stimulus, such as Nils Frahm, Arvo Pärt and Max Richter. Disconnect flits between intimate and organic piano compositions and granulated or randomised electronic effects, interspersed with swathes of strings and synthesizer. Creaks and pensive moments navigate perceived silence and suspense, whilst the mood switches effortlessly to the grandeur of modern classical orchestration in equal measure.

This striking album package is complete with the wonderful concept artwork of Sarah Maria Yasdani and Rakel Ýr Stefánsdóttir who have also produced and directed accompanying music videos. The concept works hand in hand with the music and the themes of disconnection S.hel portrays and reflects on the loneliness resulting from being part of a society that has lost itself in daily routine. Currently the routine may be all we crave, but maybe amongst all this we can all find some way to connect again.”

credits
Written and produced by S.hel
Mixed by Mikael Lind
Mastered by James Edward Armstrong
Art concept and photography by Sarah Maria Yasdani and Rakel Ýr Stefánsdóttir

Out Now! Various Artists – Sleeplaboratory2.0

2019 was a truly landmark year for us, with our new gatefold-LP packaging style being so well received, not to mention all of the support and great feedback we received from fans and the press alike. We started the year with a special compilation album themed on sleep; Sleeplaboratory1.0. We’re delighted to launch a new decade and exciting times ahead with the follow-up to this series, Sleeplaboratory2.0. We’ve been working behind the scenes on this one since last summer and we’re proud of the results in an album which features established artists within the scene, alongside label familiar favourites.

Sleeplaboratory2.0 was released to subscribers of our mailing list last weekend and unfortunately these have now sold out already! You can still stream the album on Bandcamp and of course, grab a digital version by clicking the link below or image above. To avoid missing out on future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/sleeplaboratory20

press release
“Sleeplaboratory is a compilation series that we launched in 2019 and the success of this effectively launched our printed gatefold-LP style CDrs which featured all of last year. The Sleeplaboratory1/.0 compilation was created as a special celebration for our fiftieth release and we enjoyed the concept so much, that we decided to run another one. Sleeplaboratory2.0 continues the themes of sleep, rest and personal reflection, not necessarily aiming to meet the current trend of mindfulness and well-being but instead, it intends to rest the listener in a way that is appropriate to them.

The idea was originally came about after our label owner Harry and his wife had a baby daughter, Isla. Harry curated a full-length compilation to help soothe his daughter to sleep and whilst Isla hasn’t needed much of a helping hand where sleep is concerned, he was keen to continue this project as a series. Throughout much of last year, we have been working on a follow-up, inviting artists to meet this sleepy brief of minimalist Ambient tones. We’ve invited familiar label artists back as well as established names and perhaps you’ll see that the odd one or two go on to have releases with us later this year.

Over the 16 tracks, a serene and enveloping environment is established. The physical product is as usual presented across four printed panels and this time, artwork is provided by Harry’s wife Beth in an image taken on a family day out. As usual, we will not make any recommendation on how our listeners might best enjoy this record and so it’s down to you to choose the best environment to listen, whether this be late at night with headphones, on a loud system or perhaps played through Bluetooth speakers in and around your home.”

credits
Curated by Harry Towell
Mastered by James Edward Armstrong
Cover Photography by Bethany Towell
Packaging design by Harry Towell

Coming soon…Various Artists – Sleeplaboratory2.0


2019 was a truly landmark year for us, with our new gatefold-LP packaging style being so well received, not to mention all of the support and great feedback we received from fans and the press alike. We started the year with a special compilation album themed on sleep; Sleeplaboratory1.0. We’re delighted to launch a new decade and exciting times ahead with the follow-up to this series, Sleeplaboratory2.0. We’ve been working behind the scenes on this one since last summer and we’re proud of the results in an album which features established artists within the scene, alongside label familiar favourites. The album will be released officially on Saturday the 25th of January but if you join our mailing list using the link below, we’ll make sure you’re the first to hear.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“Sleeplaboratory is a compilation series that we launched in 2019 and the success of this effectively launched our printed gatefold-LP style CDrs which featured all of last year. The Sleeplaboratory1/.0 compilation was created as a special celebration for our fiftieth release and we enjoyed the concept so much, that we decided to run another one. Sleeplaboratory2.0 continues the themes of sleep, rest and personal reflection, not necessarily aiming to meet the current trend of mindfulness and well-being but instead, it intends to rest the listener in a way that is appropriate to them.

The idea was originally came about after our label owner Harry and his wife had a baby daughter, Isla. Harry curated a full-length compilation to help soothe his daughter to sleep and whilst Isla hasn’t needed much of a helping hand where sleep is concerned, he was keen to continue this project as a series. Throughout much of last year, we have been working on a follow-up, inviting artists to meet this sleepy brief of minimalist Ambient tones. We’ve invited familiar label artists back as well as established names and perhaps you’ll see that the odd one or two go on to have releases with us later this year.

Over the 16 tracks, a serene and enveloping environment is established. The physical product is as usual presented across four printed panels and this time, artwork is provided by Harry’s wife Beth in an image taken on a family day out. As usual, we will not make any recommendation on how our listeners might best enjoy this record and so it’s down to you to choose the best environment to listen, whether this be late at night with headphones, on a loud system or perhaps played through Bluetooth speakers in and around your home.”

credits
Curated by Harry Towell
Mastered by James Edward Armstrong
Cover Photography by Bethany Towell
Packaging design by Harry Towell