End of 2019 Winter Sale – 15% Off

2019 is just about finished, with just a few weeks left to run. We have decided not to run any releases in December and draw a bit of breath ahead of what will surely be another exciting year in 2020.

We decided that a good way to close out this landmark year for us, in which we increased our run count of 100 copies of every release, each in a premium gatefold-LP style vinyl-effect CDr packaging, was to run a winter sale!
So until midnight on the 31st of December 2019, you can enjoy an extra 15% off all of our catalog, both physical and digital.

Simply enter the following code into the discount box provided when you check out to enjoy a 15% reduction on all items:

CODE: anextra15
LINK: https://whitelabrecs.bandcamp.com/merch

If you’re in a rush or new to the label and not sure where to start, please see below for a run down of all our releases!


Various Artists “Sleeplaboratory1.0”
January | Sold Out

We kicked off both 2019 and our new Sleeplaboratory compilation series. The album is themed around sleep as we strive to make this series a snoozy, lulling listen. It begins with a piece from Janek Schaefer and includes work by other renowned artists such as Darkroom, Maps and Diagrams, M. Grig and Tropic of Coldness as well as Whitelabrecs favourites such as Sven Laux, Valotihkuu, Anthéne and Ben Rath. It sold out in no time so there are no CDrs left however, you can check it out digitally here:



Glåsbird “Grønland”
February | Sold Out

Our new-look gatefold LP style packaging did so well for our compilation release, that we decided that all of our albums would run in this way for 2019. The first artist in this year’s discography was a debut for Glåsbird and things went a bit nuts! All CDrs were gobbled up in no time and you can’t even locate these on Discogs; you can check it out a digital copy here:


Jens Pauly “Vihne”
March | Sold Out

In March we welcomed aboard Cologne, Germany based artist Jens Pauly with Vihne. The packaging was designed entirely by the artist and the music is a tapestry of electro-acoustics. When we first heard Jens’ sound we knew it was going to be something special and sure enough, it’s sold out at source now. You can listen or purchase a digital copy here:


anthéne “asymmetry”
April | Sold Out

In April Canadian artist Brad Deschamps as anthéne joined aboard with asymmetry, an album which features the photography of Peter Nejedly. The record is a collection of beautiful drones, from an industrious artist who has worked on other labels such as Archives and Home Normal this year. With so much great output this year, it’s easy to see why this one’s sold out. You can stream or purchase a digital copy here:


Ben Rath “Any Given Moment”
April | Available

For the first time in April we decided to run with two albums in a calendar month. We welcomed back British artist Ben Rath who had previously released with us as Slow Heart Music. ‘Any Given Moment’ covers warm, acoustic ground via the use of a guitar and drones. A few copies are still available as well as a digital copy which you can check out here:


Hipnotic Earth “Suspended In Silence”
May | 12 Copies Remaining

In May we moved towards the warmer months with a delicate and beautiful album by Hipnotic Earth, a project by Cosmos Rennert. Suspended In Silence is presented as an electro-acoustic record centred around what appears to be prepared piano sounds, bird song and light synth decorations. The last few copies are available at the time of writing and a digital version too, which you can check out here:


Samsuo “The Other Gold Side”
May | Available

Towards the end of May we released the debut album by Cambridge artist Samsuo. Entitled ‘The Other Gold Side’, this Ambient/Drone record saw us welcome back Peter Nejedly on photography duty and the rotating ceramic dish which features across the four panels suitably reflects the looping, spherical drones created by this artist. There are some copies left at the time of writing as well as a digital version too, which you can check out here:


Sven Laux “ODD”
June | 16 Copies Remaining

After the success of Sven Laux’s ‘Schachmatt’ which we released in 2018, we were delighted to welcome Sven back with his follow-up album, ‘ODD’. Whilst Schachmatt was an album steeped in modern composition, ODD adapted this with a slightly more contemporary electronic feel in places. We’re down to the last 16 copies at the time of writing and you can also stream or download a digital version, which you can check out here:


Old Amica “Taiga”
June | Available

We were excited to welcome aboard Swedish duo Old Amica, who split their discography between folk-tinged post rock and cinematic Ambient. For us, they turned in a beautiful instrumental album featuring piano, guitar and synth and stunning artwork, arranged by the artists’ friend J. M Almqvist. We’ve still got some copies left as it stands and you can also check out their video and a digital version here:


Logic Moon “I See Planets”
July | 12 Copies Remaining

We returned to deep drone with this one by Logic Moon in some of the sleepiest music we’ve released to date. Tobias Lorsbach, the man behind the project created an album with a retro-futuristic theme and we decided to splash out on talented collage artist Thom Easton to provide the artwork. Just a few copies remind and you can check them out, as well as the usual stream/digital versions here:


Spring Quintet “Raven, Raven, Raven”
July | Available

We chopped back to modern classical with this one, with a live performance by Montreal’s Stefan Christoff and several other musicians being handed to Italian sound artist Matteo Uggeri to assist with post production. The result is a playful electro-acoustic piece with several movements across half an hour, complete with artwork by painter Chris Day. Some copies are still around in our shop, which you can buy or stream a digital version here:


Glåsbird “Svalbarð”
August | Sold Out

Somehow after a debut album, Glåsbird manages to follow it up with a second album in a year. The first album was a sonic expedition to Greenland and in August, the trip continued to the Arctic isles of Svalbard. Just like the last one, this album was gobbled up quickly by our listeners and is unavailable physically. You can stream or buy a digital version here, however:


Emanuele Errante “This World”
August | Available

We were really excited to release ‘This World’ by Naples, Italy based artist Emanuele Errante, whose work we’d admired for years. Emanuele teamed up with Peppe Trotta of So What magazine for the cover artwork and also invited guest musicians Bruno Sanfilippo and Max Fuschetto to feature in this magical electro-acoustic recording. Copies are available still at the time of writing or you can stream/buy a digital version here:


xu “embodying formlessness”
September | Available

In a hat-trick of releases by Italian artists for 2019, we welcomed back Nicola Fornasari who had collaborated for the La Petite Vague release which we put out in 2016. This one’s a lovely minimal album of toy ukulele and careful sound design that rewards repeated listening. You can still grab a copy at the moment or stream/buy a digital version here:


Gray Acres “Material Forces”
October | Sold Out

Not due to the talent of the Tasselmyer brothers and a helping hand from Bandcamp’s ‘Best of Ambient’ feature, this album by Gray Acres sold out in a flash. It’s a wonderful collection of tactile drones with far-flung field recordings, mastered by Ian Hawgood. There are no physical versions left but you can stream it or own a digital version here:


Jazzdefector and Slow Clinic “Green Echo”
October | Available

We’re always really pleased to see our artists return with another demo but when two came along at once and as a collaboration, we were particularly excited! ‘Green Echo’ combines moody guitar Ambience by Jazzdefector with the sound design expertise of Slow Clinic across 6 tracks. There are some CDrs left or you may prefer to stream or own a digital version:


Luis Miehlich “Timecuts”
November | Available

Silences by Luis Miehlich was simply one of our favourite records from 2018. So we were delighted when his demo ‘Timecuts’ came in and over time, Luis arranged remixes by the likes of Gallery Six, Erder, SineRider and our very own Glåsbird to complete the package. The album flits between Ambient/Drone, Electro Acoustic and Modern Classical and the remixes carefully compliment the originals as every bit a part of the album experience. Some physical copies are available or if you prefer, you can stream or own a digital version by clicking here:


Jack Hyde “Lowlands”
November | Available

Last but not least, we closed out this busy year with our 18th release, courtesy of Jack Hyde. Lowlands is a debut album from this Edinburgh, UK based artist and it covers Ambient, Dub and Field Recording territory in a careful, fascinating record. We have physical copies available as well as the option to stream or download here:

Out Now! Logic Moon – I See Planets

The show must go on and we’re over mid-way through our busy schedule for 2019. Next we’re back in Germany as we welcome Mainz based artist Tobias Lorsbach who records as Logic MoonI See Planets is a deep and dense Ambient/Drone album created using guitar and retro synths and it features the collage artwork of Thomas Easton. This will be available in 2019’s signature gatefold-LP style CD, in a run of 100 copies with packaging design arranged by the artists themselves. The album is out today and has plenty of detail, so should not be viewed as a pure drone album. It should appeal to those who follow artists such as Truthiscolor, Hotel Neon or Tone Color.

I See Planets is available now after having been released to subscribers of our mailing list last weekend, who had the first opportunity to grab a copy. These have been going well but we still have copies left at the time of writing and you can buy one of these or grab a digital copy by clicking the link or image above. To avoid missing out on future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/i-see-planets

 

press release
“Logic Moon is Tobias Lorsbach, an artist from Mainz, Germany. His previous releases have appeared on labels such as Archives, Archipel and his own spontanMusik imprint across all physical and digital formats. He spent many years in the minimal techno scenes since the early 2000s and whilst out on a field recording excursion, he fell upon the idea of layering some Ambient drones. From here, his debut album as Logic Moon was born, Herbst11.

Tobias’ musical background has drawn in a widescreen of genres with him having performed guitar in a death metal band, embarked on a DJ career and now as an Ambient musician. His varied experiences have only served to give birth to a range of ideas which are evident in his latest album ‘I See Planets’, clocking in at just over an hour.
Compositions typically start life as a sketch on guitar before synth and additional components were added to build an environment.

Retro-futurism is the over-arching concept to I See Planets, something which Tobias does not map out for you the listener to read so you’re clear. Instead, this bewildering atmosphere is a heady journey that requires the time and space for it to unfold carefully.
The title track opens proceedings over 8 minutes, taking its time to wash over science fiction tales from the 70s. ‘Somnia’ follows, hinting of a drowsy night’s gaze into the black sky above as you imagine all kinds of stars, galaxies and planets. Fleeting moments of warmth are interspersed with themes of artificial intelligence, comprehension of time and darkness.

We’ve teamed up with Thomas Easton for the artwork, who produces retro-futuristic collages. We discovered his work through Instagram and we’re pleased to find a work of art which truly encapsulates the tales of I See Planets.”

credits
Written, produced and mastered by Tobias Lorsbach
Artwork by Thomas Easton
Packaging design by Harry Towell

Coming soon…Logic Moon – I See Planets

The show must go on and we’re over mid-way through our busy schedule for 2019. Next we’re back in Germany as we welcome Mainz based artist Tobias Lorsbach who records as Logic MoonI See Planets is a deep and dense Ambient/Drone album created using guitar and retro synths and it features the collage artwork of Thomas Easton. This will be available in 2019’s signature gatefold-LP style CD, in a run of 100 copies with packaging design arranged by the artists themselves. We’ll release this officially on or around the 13th of July 2019. This has plenty of detail so should not be viewed as a pure drone album and it should appeal to those who follow artists such as Truthiscolor, Hotel Neon or Tone Color.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“Logic Moon is Tobias Lorsbach, an artist from Mainz, Germany. His previous releases have appeared on labels such as Archives, Archipel and his own spontanMusik imprint across all physical and digital formats. He spent many years in the minimal techno scenes since the early 2000s and whilst out on a field recording excursion, he fell upon the idea of layering some Ambient drones. From here, his debut album as Logic Moon was born, Herbst11.

Tobias’ musical background has drawn in a widescreen of genres with him having performed guitar in a death metal band, embarked on a DJ career and now as an Ambient musician. His varied experiences have only served to give birth to a range of ideas which are evident in his latest album ‘I See Planets’, clocking in at just over an hour.
Compositions typically start life as a sketch on guitar before synth and additional components were added to build an environment.

Retro-futurism is the over-arching concept to I See Planets, something which Tobias does not map out for you the listener to read so you’re clear. Instead, this bewildering atmosphere is a heady journey that requires the time and space for it to unfold carefully.
The title track opens proceedings over 8 minutes, taking its time to wash over science fiction tales from the 70s. ‘Somnia’ follows, hinting of a drowsy night’s gaze into the black sky above as you imagine all kinds of stars, galaxies and planets. Fleeting moments of warmth are interspersed with themes of artificial intelligence, comprehension of time and darkness.

We’ve teamed up with Thomas Easton for the artwork, who produces retro-futuristic collages. We discovered his work through Instagram and we’re pleased to find a work of art which truly encapsulates the tales of I See Planets.”

credits
Written, produced and mastered by Tobias Lorsbach
Artwork by Thomas Easton
Packaging design by Harry Towell