Coming soon…Floor Overhead – Uses For Pavement

We’re keen to release more of the exciting collection of albums we have lined up for the summer months and next up our artist roster heads across the pond to Brooklyn, NYC, USA. Floor Overhead is a project by Andrew Farwell and Uses For Pavement is his debut album after a couple of self-released works. This one sees us return to our Ambient roots after a couple of more experimental/musical releases as Andrew’s Guitar drones will recall work by artists such as Tsone, Darren Harper or Field Rotation. You can listen to a preview of the album by using the Soundcloud player below or keep a check on our Facebook page to preview the packaging when we share it.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
“Floor Overhead is Brooklyn, USA based artist Andrew Farwell who some may recognise from our recent compilation album ‘Whitelabsounds’. His previous output has seen a few self-released projects on Bandcamp and we’re now pleased to be able to present the debut album ‘Uses For Pavement’

Andrew has been playing guitar since the age of 12 and eventually migrated to making electronic and ambient music on computers some years later. His current approach to sound uses guitar recordings deconstructed and processed with inspiration drawn from industry heavyweights such as Steve Reich, Kevin Drumm, William Basinski and Fennesz.

Uses For Pavement is the product of quiet, happy accidents from guitar recordings that have been gently brushed over with some production to create a collage focused on spacing and permanence.
The album is an attempt to refuse the temptation to alter accident-prone inputs and superimpose the ‘shoulds’ of creation. Like thoughts, inputs are inherently unchangeable while our reaction to those inputs is negotiable. The result of this album is a heavy but structure-less space that serves as a shelter for otherwise lost ideas.”

Catalog number WLR023
Written and produced by Andrew Farwell
Mastered by Tim Diagram
Artwork by John Robert Clark Moore (http://johnrcm.com/)

 

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Out now! WLR022 Covarino/Incorvaia – Granada

After the excitement of releasing our very first compilation which has all but sold out, we’re now keen to press on with the demos we have lined up as the summer months approach. Fittingly, we are pleased to present a live album by Francesco Covarino and Alessandro Incorvaia (Covarino/Incorvaia) entitled Granada which is full of warmth. The cover artwork features Granada’s signature cactus, the prickly pear and provides a focal point to this concept-free set of improvisations for guitar and drumsGranada draws on influences of Post Rock, Ambient and Free Jazz and should appeal to fans of Mogwai, Dirty Three or Godspeed You Black Emperor. It’s available now on Whitelabrecs in a very low run of just 50 CDrs.

At time of writing, copies are still available – to find out more or grab a copy, you can click the link below or on the image above to listen. To avoid missing out on future releases, you can join our mailing list HERE

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
“Covarino/Incorvaia are musicians Francesco Covarino (drums) and Alessandro Incorvaia (guitar), originally from Perugia in central Italy. Their debut release emerged last year on UK imprint Preserved Sound and was named after the artists’ hometown.
Both artists currently reside in countries further afield now with Alessandro based in London, UK and Francesco in Granada, Spain. So their follow-up album is named after the latter as they focused on a live and more improvised set as a duo, without the additional musicians included in ‘Perugia’.

Both artists grew up together and were in a band in the late nineties before it disbanded. It wasn’t until 2015 until Francesco and Alessandro re-united to work together musically as they set about recording over several sessions during the Christmas holidays. Their musical influences of Post Rock, Indie, Free Jazz and Ambient collide and spiral fluidly into the material that can be heard within ‘Granada’.
Over the course of six unedited live tracks, percussion and warm guitar meld together beautifully in one afternoon session, best enjoyed in daylight when there is at least a glimmer of sunshine. The cover artwork was fittingly taken in Granada, of a Prickly Pear Cactus plant on a clear-sky day.

The album is simply named after the location it was recorded and since it was spontaneous, the tracks do not have specific titles as the artists wish to leave the album as free from a concept as possible. It was felt that to add some fabric or stories to their work post-production would devalue the fact that this record was made off the cuff.”

Catalog number WLR021
Francesco Covarino: Drums, Classical guitar on #6
Alessandro Incorvaia: GuitarRecorded in Granada, may 1st, 2016, at Sonobalance by Marcos Muniz
Mixed by Marcos Muniz at Love Thy Neighbour Labs
Mastered at KadiforniaCover photo by Francesco Covarino

Coming soon…Covarino/Incorvaia – Granada

After the excitement of releasing our very first compilation which has all but sold out, we’re now keen to press on with the demos we have lined up as the summer months approach. Fittingly, we are pleased to present a live album by Francesco Covarino and Alessandro Incorvaia (Covarino/Incorvaia) entitled Granada which is full of warmth. The cover artwork features Granada’s signature cactus, the prickly pear and provides a focal point to this concept-free set of improvisations for guitar and drumsGranada draws on influences of Post Rock, Ambient and Free Jazz and should appeal to fans of Mogwai, Dirty Three or Godspeed You Black Emperor. You can listen to a preview of the album by using the Soundcloud player below or keep a check on our Facebook page to preview the packaging when we share it.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
“Covarino/Incorvaia are musicians Francesco Covarino (drums) and Alessandro Incorvaia (guitar), originally from Perugia in central Italy. Their debut release emerged last year on UK imprint Preserved Sound and was named after the artists’ hometown.
Both artists currently reside in countries further afield now with Alessandro based in London, UK and Francesco in Granada, Spain. So their follow-up album is named after the latter as they focused on a live and more improvised set as a duo, without the additional musicians included in ‘Perugia’.

Both artists grew up together and were in a band in the late nineties before it disbanded. It wasn’t until 2015 until Francesco and Alessandro re-united to work together musically as they set about recording over several sessions during the Christmas holidays. Their musical influences of Post Rock, Indie, Free Jazz and Ambient collide and spiral fluidly into the material that can be heard within ‘Granada’.
Over the course of six unedited live tracks, percussion and warm guitar meld together beautifully in one afternoon session, best enjoyed in daylight when there is at least a glimmer of sunshine. The cover artwork was fittingly taken in Granada, of a Prickly Pear Cactus plant on a clear-sky day.

The album is simply named after the location it was recorded and since it was spontaneous, the tracks do not have specific titles as the artists wish to leave the album as free from a concept as possible. It was felt that to add some fabric or stories to their work post-production would devalue the fact that this record was made off the cuff.”

Catalog number WLR021
Francesco Covarino: Drums, Classical guitar on #6
Alessandro Incorvaia: Guitar

Recorded in Granada, may 1st, 2016, at Sonobalance by Marcos Muniz
Mixed by Marcos Muniz at Love Thy Neighbour Labs
Mastered at Kadifornia

Cover photo by Francesco Covarino

Out now! WLR001 The Restless Fields

After a couple of months getting everything together, we’re finally able to announce our very first release! The self-titled The Restless Fields album went out to our mailing list last weekend and most copies have been snapped up – there are still a few available however and these last few can be grabbed by clicking HERE or the player above. Once it’s all sold out, you can purchase a digital version – to avoid missing out in the future, why not join our mailing list?

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press release
The Restless Fields is a collaborative project between Philipp Bückleand David Folkmann Drost. Although their eponymous debut album is centered mostly around live performance, the pair are spread out geographically; Philipp is from Dortmund, Germany whilst Dane David is currently residing in Malmö, Sweden. The Restless Fields project may be new to many, but some of you may be familiar with their solo work as these artists have built separate discographies listing labels such asEglantine Records, Morr Music, Tarkovsky Green and Dendron Records via their respective pseudonyms Teamforest and Moongazing Hare. Not to mention collaborative works with the likes of Monolyth & Cobalt andNils Quak.

The project began when there was a schedule problem for a ‘Beth Kleist‘ booking (Philipp’s  work alongside Nils Quak) at a festival in a church in Dortmund. Cue a speculative invite to a more than willing David Folkmann Drost, The Restless Fields were born as the pair took stage. They have also since performed at the Fanø Free Folk Festival, where they were lucky to appear alongside other headline acts includingSvarte Greiner.

In the self-titled album The Restless Fields, we have a four piece record which is near enough a completely live set. Both artists approached the recording in a different way as Philipp’s deliberate attention to detail combines with David’s more impressionistic approach. Philipp’s sonic arsenal included a Jazzmaster guitar, some Strymon pedals, a Moogerfooger and an OP-1 as well as field recordings he’d captured in Paris. David’s consisted of a bowed dulcimer, bells, some melodica, voice and various pedals. There was no pre-conceived idea of a concept or particular direction, other than sinking into a shared space.

The Restless Fields is the inaugral release on The White Lab and is available in a highly limited run of 50 handmade white label vinyl effect CDrs. Each copy is burnt, hand-stamped and shipped directly from the label along with a polaroid print of the cover artwork inside a circular vinyl style sleeve.”

credits
Catalog number: WLR001
Written and produced by Philipp Bückle and David Folkmann Drost
Artwork by David Folkmann Drost