Out Now! Max Ananyev – Midday

We’re pleased to announce the second album out now! This one is by Saint-Petersburg, Russia based artist Max Ananyev, an accomplished  guitarist and composer who has released with fellow British labels Serein and Preserved Sound. Electric guitar appears in the subtlest of ways as it is surrounded by warm drones, restful bells and hints of piano notes.

Our low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

https://whitelabrecs.bandcamp.com/album/midday

press release
“Max Ananyev is a composer and classical guitarist originally from Far Eastern-Russia, who currently resides in Saint-Petersburg. Max began studying and playing classical guitar in music school as a child, composing his own pieces from this early age. In the last 10 years, he has become increasingly focused in his work as a composer, with numerous albums and EPs, released on British labels Serein and Preserved Sound as well as Moscow’s Fancymusic.

His process for creating music is to schedule some time specifically to compose. He does not wait for inspiration to strike, instead allowing this to take place once his studio sessions begin. Time is all that is needed for the work to develop and it is timbre which is the target, so that specific sounds can be achieved. He prefers his recordings to flow into an album or record, rather than selecting the best sounds from a large pool of material.

Thematically, anything from the sunlight beaming onto the wall in a room, chance communications with people and traveling can influence Max as an artist. His unrelated studies at the time of recording subconsciously feel linked to this body of work somehow, with lectures on Renaissance alchemists, mythology, death and human evolution having been an area of research during this album’s production period. Nietzsche’s tightrope walker was also a poignant read at the time and purely by coincidence, the person in the cover image appears to be walking a tightrope.

However, conceptually there is not a neatly mapped-out journey for the listener. Instead the asymmetric shapes of atmospheric sound and the names they have inherited, along with the cover artwork tell different stories as each track passes. Introductions, codes, different parts and moods unfurl carefully in the lightest breeze, like classical music. Midday creates a warm and restful environment for the listener to make sense of this collection of moods; a task made all too easy thanks to its shimmeringly adherent gathering of light sounds.”

credits
Written, Produced and Mastered by Max Ananyev
Photography by Natalia Poluyanova and Dmitriy Ratushniy
Packaging design by Harry Towell

Out Now! Zoltan Fecso – Daylight In An Empty Room

Here’s the first of two new albums, out now! This one’s by Melbourne, Australia based artist Zoltan Fecso, who uses a custom-built guitar to create a unique sound. These compositions are warm and bright reflections as the artist wanted to create a more open, spacious sound. His partner Claire Lefebvre is an artist and she provided the cover painting for this album, entitled ‘Daylight In An Empty Room‘.

Our low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

https://whitelabrecs.bandcamp.com/album/daylight-in-an-empty-room

 

press release
“Zoltan Fecso is a composer based in Naarm (Melbourne), Australia. With previous releases on Hush Hush Records, Sonder House, The Slow Music Movement and Shimmering Moods, Whitelabrecs is thrilled to present Zoltan’s most restrained work to date on ‘Daylight in an Empty Room.’

Zoltan’s pointillist compositions combine single notes of varying lengths to form ever-changing patterns. A composition technique he’s been exploring since 2018, Pointillism borrows its name from the post-impressionist painting technique which uses individually coloured dots to form an image. Zoltan’s works are performed on a modified guitar, on which he captures fragments of notes, creating ever-shifting tonal permutations.

‘Daylight in an Empty Room’ is an album of solo guitar improvisations, in which Zoltan has aimed to create a more open, spacious sound than in previous records. Zoltan works closely with his partner and painter Claire Lefebvre, who created the artwork for this album. ‘Daylight in an Empty Room’ suggests finding new detail in simplicity.”

credits
Written and produced by Zoltan Fecso
Mastered by James Edward Armstrong
Artwork by Claire Lefebvre
Packaging design by Harry Towell

Coming soon…Max Ananyev – Midday

We’re pleased to announce the second album set for release on Saturday the 29th of August. This is by Saint-Petersburg, Russia based artist Max Ananyev, an accomplished  guitarist and composer who has released with fellow British labels Serein and Preserved Sound. Electric guitar appears in the subtlest of ways as it is surrounded by warm drones, restful bells and hints of piano notes.

The album will be released on Saturday the 29th of August with no pre-order. If you join our mailing list using the link below, we’ll make sure you’re the first to hear.

Whitelabrecs low-run releases are likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“Max Ananyev is a composer and classical guitarist originally from Far Eastern-Russia, who currently resides in Saint-Petersburg. Max began studying and playing classical guitar in music school as a child, composing his own pieces from this early age. In the last 10 years, he has become increasingly focused in his work as a composer, with numerous albums and EPs, released on British labels Serein and Preserved Sound as well as Moscow’s Fancymusic.

His process for creating music is to schedule some time specifically to compose. He does not wait for inspiration to strike, instead allowing this to take place once his studio sessions begin. Time is all that is needed for the work to develop and it is timbre which is the target, so that specific sounds can be achieved. He prefers his recordings to flow into an album or record, rather than selecting the best sounds from a large pool of material.

Thematically, anything from the sunlight beaming onto the wall in a room, chance communications with people and traveling can influence Max as an artist. His unrelated studies at the time of recording subconsciously feel linked to this body of work somehow, with lectures on Renaissance alchemists, mythology, death and human evolution having been an area of research during this album’s production period. Nietzsche’s tightrope walker was also a poignant read at the time and purely by coincidence, the person in the cover image appears to be walking a tightrope.

However, conceptually there is not a neatly mapped-out journey for the listener. Instead the asymmetric shapes of atmospheric sound and the names they have inherited, along with the cover artwork tell different stories as each track passes. Introductions, codes, different parts and moods unfurl carefully in the lightest breeze, like classical music. Midday creates a warm and restful environment for the listener to make sense of this collection of moods; a task made all too easy thanks to its shimmeringly adherent gathering of light sounds.”

credits
Written, Produced and Mastered by Max Ananyev
Photography by Natalia Poluyanova and Dmitriy Ratushniy
Packaging design by Harry Towell

Coming soon…Zoltan Fecso – Daylight In An Empty Room

Here’s the first of two new albums, set for release on Saturday the 29th of August. This one’s by Melbourne, Australia based artist Zoltan Fecso, who uses a custom-built guitar to create a unique sound. These compositions are warm and bright reflections as the artist wanted to create a more open, spacious sound. His partner Claire Lefebvre is an artist and she provided the cover painting for this album, entitled ‘Daylight In An Empty Room‘.

The album will be released on Saturday the 29th of August with no pre-order. If you join our mailing list using the link below, we’ll make sure you’re the first to hear.

Whitelabrecs low-run releases are likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“Zoltan Fecso is a composer based in Naarm (Melbourne), Australia. With previous releases on Hush Hush Records, Sonder House, The Slow Music Movement and Shimmering Moods, Whitelabrecs is thrilled to present Zoltan’s most restrained work to date on ‘Daylight in an Empty Room.’

Zoltan’s pointillist compositions combine single notes of varying lengths to form ever-changing patterns. A composition technique he’s been exploring since 2018, Pointillism borrows its name from the post-impressionist painting technique which uses individually coloured dots to form an image. Zoltan’s works are performed on a modified guitar, on which he captures fragments of notes, creating ever-shifting tonal permutations.

‘Daylight in an Empty Room’ is an album of solo guitar improvisations, in which Zoltan has aimed to create a more open, spacious sound than in previous records. Zoltan works closely with his partner and painter Claire Lefebvre, who created the artwork for this album. ‘Daylight in an Empty Room’ suggests finding new detail in simplicity.”

credits
Written and produced by Zoltan Fecso
Mastered by James Edward Armstrong
Artwork by Claire Lefebvre
Packaging design by Harry Towell

Out Now! Pie Are Squared – Con Calma

Onto the second of our two new additions, we welcome back Pie Are Squared who provided the thirteenth instalment of our Home Diaries series, which was entitled ‘muri‘. Pie Are Squared is Ravenna, Italy based Egyptian artist Mohammed Ashraf, who has released with labels such as Handstitched*, Eilean and Lost Children. Con Calma has been mastered by Ian Hawgood and is a personal album that Mohammed originally created from lengthy loops, designed to give him an escape route from the mundane world of office work. The album makes use of beautiful, serene soundscapes for daydreaming, joined by light distortion at times for added texture.

The album will be released on Saturday the 25th of July with no pre-order. If you join our mailing list using the link below, we’ll make sure you’re the first to hear.

Our low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

https://whitelabrecs.bandcamp.com/album/con-calma

press release
“Pie Are Squared is Italy-based Egyptian musician Mohammed Ashraf. He has previously released music through labels such as Handstitched*, Lost Children and on Eilean Records as Śruti, his collaboration with Omar El Abd. Some of you may also recall this year’s ‘muri’, which was the 13th addition to our Home Diaries Series.

‘Con Calma’ is a serene album for quiet contemplation, as minimalist tones glide and encourage a sense of detachment. It began as Mohammed gathered recordings on his mobile phone whilst travelling, which were later fed through various chains of effects. Guitars and a range of utilities were used to craft these lulling tones, with the wealth of source and detail somehow liquefying into a collection of daydreams.

These reveries were assembled from lengthy loop sessions, which Mohammed listened to for almost a year to help him detach from the mundane office routine. He wanted this work to be a form of escapism, yet free from anxiety; a slow, calm exit.

Con Calma is not completely weightless and feather-lite; at times the light abrasion of distortion joins the wash, to add texture. The album is best enjoyed with the tracks played in sequence, as they envelope you into a sense of contemplation, starting from humble, quiet beginnings, journeying through air and rail in ‘Flügezüge’, onto more than a hint of stormy seas towards the second half, before closing with the daze of its final moments in ‘Away, World, Away’.”

credits
Written and produced by Mohammed Ashraf
Mastered by Ian Hawgood
Photography by Mohammed Ashraf
Packaging design by Harry Towell

Coming soon…Pie Are Squared – Con Calma

Onto the second of our two new additions, we welcome back Pie Are Squared who provided the thirteenth instalment of our Home Diaries series, which was entitled ‘muri‘. Pie Are Squared is Ravenna, Italy based Egyptian artist Mohammed Ashraf, who has released with labels such as Handstitched*, Eilean and Lost Children. Con Calma has been mastered by Ian Hawgood and is a personal album that Mohammed originally created from lengthy loops, designed to give him an escape route from the mundane world of office work. The album makes use of beautiful, serene soundscapes for daydreaming, joined by light distortion at times for added texture.

The album will be released on Saturday the 25th of July with no pre-order. If you join our mailing list using the link below, we’ll make sure you’re the first to hear.

Whitelabrecs low-run releases are likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE


press release
“Pie Are Squared is Italy-based Egyptian musician Mohammed Ashraf. He has previously released music through labels such as Handstitched*, Lost Children and on Eilean Records as Śruti, his collaboration with Omar El Abd. Some of you may also recall this year’s ‘muri’, which was the 13th addition to our Home Diaries Series.

‘Con Calma’ is a serene album for quiet contemplation, as minimalist tones glide and encourage a sense of detachment. It began as Mohammed gathered recordings on his mobile phone whilst travelling, which were later fed through various chains of effects. Guitars and a range of utilities were used to craft these lulling tones, with the wealth of source and detail somehow liquefying into a collection of daydreams.

These reveries were assembled from lengthy loop sessions, which Mohammed listened to for almost a year to help him detach from the mundane office routine. He wanted this work to be a form of escapism, yet free from anxiety; a slow, calm exit.

Con Calma is not completely weightless and feather-lite; at times the light abrasion of distortion joins the wash, to add texture. The album is best enjoyed with the tracks played in sequence, as they envelope you into a sense of contemplation, starting from humble, quiet beginnings, journeying through air and rail in ‘Flügezüge’, onto more than a hint of stormy seas towards the second half, before closing with the daze of its final moments in ‘Away, World, Away’.”

credits
Written and produced by Mohammed Ashraf
Mastered by Ian Hawgood
Photography by Mohammed Ashraf
Packaging design by Harry Towell

Home Diaries 017: the volume settings folder

We’ve taken a pause from our schedule of CD albums due to our local post office closing, following the outbreak of Covid19. We launched a digital series called Home Diaries, in which we’ll release EPs and albums by an international line-up of artists, with the music created during lockdown and social distancing conditions.

The series reflects a range of sounds, styles and ideas, as each artist portrays their own reflections uniquely. Each release is digital only for now, as we hope to raise what we can to help keep our label ticking over at this time. The releases feature a recurring polaroid image of a small lonely house, with a coloured filter chosen by the artist for each respective release.

Our next Home Diaries is by Padua, Italy’s volume settings folder. M. Beckmann has amassed a large discography in recent years, usually self-released but also through the Oscarson, Static Reasons and Organic Industries labels. His Home Diaries record is a blend of melancholy pseudo-blues guitar with Ambient soundscapes and layers of finely woven rustic detail.

We have an exciting line-up to follow and each release will include bonus PDF liner notes, which has an interview with the artist on how they made the album, what their situation is like, what they have planned, their influences and what equipment/techniques they used.  There are also additional photos provided by the artist as part of the PDF too. Click on the link below to check it out:

-LABEL LINK-
https://whitelabrecs.bandcamp.com/album/home-diaries-017

-ARTIST LINK-
https://thevolumesettingsfolder.bandcamp.com/album/home-diaries-017

press release
“Home Diaries is an invitation to artists and musicians to create an album or EP to document their personal experience during the lockdown or social distancing conditions that are upon us, due to the coronavirus outbreak. The series reflects a range of sounds, styles and ideas, as each artist portrays their own reflections uniquely. Each release is digital only for now, as we hope to raise what we can to help keep our label ticking over at this time. The releases feature a recurring polaroid image of a small lonely house, with a coloured filter chosen by the artist for each respective release. We interview each artist and this is included as a bonus PDF with the download. You can also check out the Home Diaries series on Spotify if you prefer, which will be available to stream in due course.

Our next Home Diaries release sees the volume settings folder join our catalog. M. Beckmann is from Padua in Italy and has amassed a large discography over the last few years, much of which he has self-released, but there have also been editions out on Oscarson, Static Reasons and Organic Industries.

His Home Diaries edition begins with melancholy layers of pseudo-blues guitar which slowly disintegrates into a bed of restful Ambience. The carefully layered beauty of each and every moment of this sound is underpinned by a new-found abundance of time, in which the artist was able to truly develop his ideas. There is a summertime haziness which gives the listener a sense of wide-open sun-bleached fields and a comfort to be found in sheer existence, not to be mistaken for sadness.”

credits
Written and produced by M. Beckmann
Mastered by James Edward Armstrong
Artwork by Harry Towell