Out Now! Various Artists – Sleeplaboratory1.0

In our first release of 2019, we’re pleased to be celebrating our 50th release since the label began 3 years ago! Sleeplaboratory1.0 is a concept album compilation in which we invited label artists and friends to create a piece of sleepy music. It’s out now in a run of 100 copies after having been released last weekend to our mailing list. We wanted the compilation to help relax and lull our listener and we’re delighted with the result – we hope you will be too. This one features artwork by our regular collaborator Federica Jeanne de Luca and sound art from a line-up which includes Janek Schaefer, Sven Laux, M. Grig, Maps and Diagrams and Daniela Orvin. The album is presented in a special gatefold-LP style CD, similar to the Paper Relics special edition we did last year. We love this style of packaging and so prepare to see more of this for 2019…

This album was announced to our mailing list last weekend and has done extremely well – we’ve only got 25 copies left! You can listen to the album in full by hitting play above or clicking the link below, where you can purchase a physical or digital version. To avoid missing out on our future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/sleeplaboratory10

press release
Whitelabrecs began in January 2016 and since our first limited edition release three years ago, we’re proud to announce our fiftieth edition in the form of a special compilation album. Previously we’d released ‘Whitelabsounds’, which had no particular theme; a cross section of label artists and friends. This time, our label owner Harry Towell wanted to curate something with a specific theme so that this occasion was marked by a concept album.

‘Sleeplaboratory1.0’ is a sixteen track cross section of modern Ambient artists touching on everything from minimalist drone and modern classical cinematics to electro acoustic and synth influenced works. It is released in a run of 100 physical copies, as we’ve chosen to create a ‘gatefold LP’ styled CD package, complete with beautiful artwork provided over 4 panels by our regular collaborator Federica Jeanne de Luca. The album is also available digitally in a range of formats, carefully mastered by Tim Diagram who also contributes a track as Maps and Diagrams.

This album is intended as a relaxing companion for either conscious or sub-conscious listening, with contributing artists briefed to create something vacant which is likely to induce sleep. Harry selected the artists with the theme in mind and to help them understand his vision, he shared a link to Janek Schaefer’s ‘Lay-by Lullaby’ released on 12k back in 2014. It is an album which has been a huge part of his personal sleep routine, with him playing it at low volume on his iPod in bed ever since it was released so it seemed to be the perfect starting point.

Harry’s motivation behind creating this sleepy album was primarily due to his fascination on the relationship between Ambient music and sleep: Robert Rich, Max Richter and Tanner Menard all performed notable sleep concerts for starters. Harry was particularly honoured when Janek Schaefer agreed to provide the opening track to this accumulation of calming works and it was he that introduced the National Geographic edition at the time which had a large article about the science of sleep and how it sits in modern society.
Additionally, Harry was expecting the arrival of his first child during the production stages of Sleeplaboratory1.0 and he wanted the album to be particularly calming for babies.

We will not make any recommendation on how our listeners might best enjoy this record and so it’s down to you to choose the best environment to listen, whether this be late at night with headphones, on a loud system or perhaps played through Bluetooth speakers in and around your home.

credits
Curated by Harry Towell
Mastered by Tim Diagram
Artwork by Federica Jeanne de Luca

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Coming soon…Various Artists – Sleeplaboratory1.0

Happy New Year to anyone who’s reading – we’re all set for 2019 as we plan an exciting schedule! We’re working on plans on a few new ideas but firstly, we’ve some celebrating to do: we’re about to achieve our 50th album release! Sleeplaboratory1.0 is a concept album compilation in which we invited label artists and friends to create a piece of sleepy music. It releases on January 26th 2019 in a run of 100 copies. We wanted the compilation to help relax and lull our listener and we’re delighted with the result – we hope you will be too. This one features artwork by our regular collaborator Federica Jeanne de Luca and sound art from a line-up which includes Janek Schaefer, Sven Laux, M. Grig, Maps and Diagrams and Daniela Orvin. The album is presented in a special gatefold-LP style CD, similar to the Paper Relics special edition we did last year. We love this style of packaging and we’re toying with the idea of making this option a more regular thing…

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
Whitelabrecs began in January 2016 and since our first limited edition release three years ago, we’re proud to announce our fiftieth edition in the form of a special compilation album. Previously we’d released ‘Whitelabsounds’, which had no particular theme; a cross section of label artists and friends. This time, our label owner Harry Towell wanted to curate something with a specific theme so that this occasion was marked by a concept album.

‘Sleeplaboratory1.0’ is a sixteen track cross section of modern Ambient artists touching on everything from minimalist drone and modern classical cinematics to electro acoustic and synth influenced works. It is released in a run of 100 physical copies, as we’ve chosen to create a ‘gatefold LP’ styled CD package, complete with beautiful artwork provided over 4 panels by our regular collaborator Federica Jeanne de Luca. The album is also available digitally in a range of formats, carefully mastered by Tim Diagram who also contributes a track as Maps and Diagrams.

This album is intended as a relaxing companion for either conscious or sub-conscious listening, with contributing artists briefed to create something vacant which is likely to induce sleep. Harry selected the artists with the theme in mind and to help them understand his vision, he shared a link to Janek Schaefer’s ‘Lay-by Lullaby’ released on 12k back in 2014. It is an album which has been a huge part of his personal sleep routine, with him playing it at low volume on his iPod in bed ever since it was released so it seemed to be the perfect starting point.

Harry’s motivation behind creating this sleepy album was primarily due to his fascination on the relationship between Ambient music and sleep: Robert Rich, Max Richter and Tanner Menard all performed notable sleep concerts for starters. Harry was particularly honoured when Janek Schaefer agreed to provide the opening track to this accumulation of calming works and it was he that introduced the National Geographic edition at the time which had a large article about the science of sleep and how it sits in modern society.
Additionally, Harry was expecting the arrival of his first child during the production stages of Sleeplaboratory1.0 and he wanted the album to be particularly calming for babies.

We will not make any recommendation on how our listeners might best enjoy this record and so it’s down to you to choose the best environment to listen, whether this be late at night with headphones, on a loud system or perhaps played through Bluetooth speakers in and around your home.

credits
Curated by Harry Towell
Mastered by Tim Diagram
Artwork by Federica Jeanne de Luca

Out Now! Sleepland – Transition/Composition

It’s time for another limited edition vinyl-effect CDr release and next up we welcome Sleepland. Kengo Yonemura the man behind the project has recently returned to Kobe in his native Japan following a short time spent residing in Berlin. His sound has emerged on labels such as Taâlem, White Paddy Mountain and Cellar Tapes. ‘Transition / Composition‘ is a gapless album comprised of an overall continuous presentation which also contains a hidden album. It blends guitars with effects pedals, synthesizers and field recordings. This one might appeal to those who enjoy Seaworthy, Asuna or Wil Bolton.

This album was announced to our mailing list last weekend and there are but a few copies left at the time of writing. You can listen to the album in full by hitting play above or clicking the link below, where you can purchase a physical or digital version. To avoid missing out on our future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/transition-composition

press release
Sleepland is Kobe, Japan based artist Kengo Yonemura who has released albums with labels such as Taâlem, White Paddy Mountain and Cellar Tapes since he began operating under this project back in 2011. Kengo has recently returned to his homeland after having spent some time residing in Berlin.

His sound is mainly based around guitar and synthesiser as well as the use of some field recordings. He has performed live on many occasions, including events which headlined fellow artists such as Chihei Hatakeyama, F.S Blumm, Asuna and Christoph Berg. He also plays guitar as part of a band named Weather Spoon in Osaka.

Transition/Composition was recorded in the comfort of his home town between 2012 and 2017. This album in fact consists of two different albums merged into one: ‘Transition’ is three mid/longform drones with longer track titles, whereas ‘Composition’ is made up of eight short form pieces with shorter names. The two albums overlap as they play, with each of the separate recordings folding into one. Not only are the recordings buried inside the mix but the track titles for ‘Transition’ are also embedded within those of ‘Composition’. The tracks of Transition are listed below along with a guide of where these sit within the wider album presentation:

Transition

a. Tall slant
b. So far away
c. Lines has led a plane

Transition / Composition

01. Crys(tall)ized [a-i]
02. Moment(s la)ter [a-ii]
03. Varia(nt) [a-iii]
04. point(s of) view [b-iii]
05. (A ra)in check [b-iv]
06. S(way)ed by [b-v]
07. fine (lines) [c-v]
08. P(has)e bubble [c-vi]
09. Tang(led) up [c-vii]
10. In tr(ap lane) [c-viii]

The albums blend over a gapless audio presentation to emit a warmth in its early stages, as gentle guitar strokes adorn the hum of a comforting drone accompanied by washes of water and bird song. Before long, the album delves into deeper drone territory whilst retaining a restorative, comforting aesthetic. Towards the mid stages a foggy murk transmits before swathes of warm drone return, concluding with familiar sounds of bird song and soft rain.

credits
Written and produced by Kengo Yonemura
Mastered by Tim Diagram
Photograph by Kengo Yonemura
Artwork arranged by Akihiro Morita

Coming soon…Sleepland – Transition / Composition

It’s time for another limited edition vinyl-effect CDr release and next up we welcome Sleepland. Kengo Yonemura the man behind the project has recently returned to Kobe in his native Japan following a short time spent residing in Berlin. His sound has emerged on labels such as Taâlem, White Paddy Mountain and Cellar Tapes. ‘Transition / Composition‘ is a gapless album comprised of an overall continuous presentation which also contains a hidden album. It blends guitars with effects pedals, synthesizers and field recordingsThis one might appeal to those who enjoy Seaworthy, Asuna or Wil Bolton.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
Sleepland is Kobe, Japan based artist Kengo Yonemura who has released albums with labels such as Taâlem, White Paddy Mountain and Cellar Tapes since he began operating under this project back in 2011. Kengo has recently returned to his homeland after having spent some time residing in Berlin.

His sound is mainly based around guitar and synthesiser as well as the use of some field recordings. He has performed live on many occasions, including events which headlined fellow artists such as Chihei Hatakeyama, F.S Blumm, Asuna and Christoph Berg. He also plays guitar as part of a band named Weather Spoon in Osaka.

Transition/Composition was recorded in the comfort of his home town between 2012 and 2017. This album in fact consists of two different albums merged into one: ‘Transition’ is three mid/longform drones with longer track titles, whereas ‘Composition’ is made up of eight short form pieces with shorter names. The two albums overlap as they play, with each of the separate recordings folding into one. Not only are the recordings buried inside the mix but the track titles for ‘Transition’ are also embedded within those of ‘Composition’. The tracks of Transition are listed below along with a guide of where these sit within the wider album presentation:

Transition

a. Tall slant
b. So far away
c. Lines has led a plane

Transition / Composition

01. Crys(tall)ized [a-i]
02. Moment(s la)ter [a-ii]
03. Varia(nt) [a-iii]
04. point(s of) view [b-iii]
05. (A ra)in check [b-iv]
06. S(way)ed by [b-v]
07. fine (lines) [c-v]
08. P(has)e bubble [c-vi]
09. Tang(led) up [c-vii]
10. In tr(ap lane) [c-viii]

The albums blend over a gapless audio presentation to emit a warmth in its early stages, as gentle guitar strokes adorn the hum of a comforting drone accompanied by washes of water and bird song. Before long, the album delves into deeper drone territory whilst retaining a restorative, comforting aesthetic. Towards the mid stages a foggy murk transmits before swathes of warm drone return, concluding with familiar sounds of bird song and soft rain.

credits
Written and produced by Kengo Yonemura
Mastered by Tim Diagram
Photograph by Kengo Yonemura
Artwork arranged by Akihiro Morita

Out Now! Ed Cooke – Little Fire

For our 45th limited edition release, which of course is a CDr presented to mimic a ’45’ vinyl record, we welcome aboard Ed Cooke. Ed has released previously with the likes of  Rural Colours, Audio Gourmet and Vent. ‘Little Fire‘ is a warm and exotic blend of guitar and percussion songs, a perfect reflection back over the summer months for those of us with seasons! For Ed, the record is a personal account of his family and work life between Thailand and Malaysia. For the rest of us, this not only serves as a window into this but also, as a sun-bleached transmission of far eastern climes. This one might appeal to those who enjoy Danny Paul Grody, Pullman or Padang Food Tigers.

This album was announced to our mailing list last weekend and there are but a few copies left at the time of writing. You can listen to the album in full by hitting play above or clicking the link below, where you can purchase a physical or digital version. To avoid missing out on our future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/little-fire

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
Ed Cooke is a Londoner currently living in Malaysia and Thailand, who has previous releases on Rural Colours, Vent Sounds and Audio Gourmet. Ed began home recording in the late 1990s, not long after days of performing in a few bands. Ed’s approach begins with experiments with different guitar tunings and a search for a hook or melody which usually contains more sonic elements in the mix. He doesn’t leave things there, once the backbone of a song is created as a lot happens in the production stage, with careful editing of fades and subtly woven Asian textures inspired by his current lifestyle.

We’re informed that Ed has a widespread selection of influences but he cites Bert Jansch, Scott Tuma, Padang Food Tigers and Six Organs of Admittance as primary drivers to his own experiments with guitar and electro acoustic music. ‘Little Fire’ was designed to be meditative and distant and the varying tunings and harmonics help the sound wash over you as you listen. The album is centered around melodic arpeggio hooks on both acoustic and electric guitar, alongside layers of slide guitar and feedback, not to mention Asian Folk rhythms and texture. Wind and percussion sounds were made using local bamboo instruments. The sound structures blend cultures, as the album draws from colourful Eastern and Western Folk sounds and places these against a warmth reminiscent of 70s Dub production.
Little Fire contains autobiographical moments recorded during the first 7 years of Ed’s eldest son’s life. These songs are Ed’s tribute to him and the inspiration he and the rest of the family give him. The track ‘Waiting For Water’ was named because it was recorded when his family’s home was nearly flooded during the Bangkok floods of 2011. His wife also sings vocals on the track ‘Worth’. Some pieces were recorded during a time when Ed had to live away from his family for career reasons. ‘Closer To The Equator’ was made in Southern Malaysia where he felt a long way from his home in Thailand. It is also a tribute to his much missed Thai father-in-law, who sadly passed away during post-production.

Whilst to us the listener the sounds could not possibly map out all of Ed’s journeys and experiences, the tone and presentation of the recordings give an exotic, well-travelled account, which is full of warmth to fuel our own imagination.

credits
Written and produced by Ed Cooke
Mastered by James Armstrong
Photography by Ed Cooke
Artwork by Harry Towell

Coming soon…Ed Cooke – Little Fire

For our 45th limited edition release, which of course is a CDr presented to mimic a ’45’ vinyl record, we welcome aboard Ed Cooke. Ed has released previously with the likes of  Rural Colours, Audio Gourmet and Vent. ‘Little Fire‘ is a warm and exotic blend of guitar and percussion songs, a perfect reflection back over the summer months for those of us with seasons! For Ed, the record is a personal account of his family and work life between Thailand and Malaysia. For the rest of us, this not only serves as a window into this but also, as a sun-bleached transmission of far eastern climes. This one might appeal to those who enjoy Danny Paul Grody, Pullman or Padang Food Tigers.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
Ed Cooke is a Londoner currently living in Malaysia and Thailand, who has previous releases on Rural Colours, Vent Sounds and Audio Gourmet. Ed began home recording in the late 1990s, not long after days of performing in a few bands. Ed’s approach begins with experiments with different guitar tunings and a search for a hook or melody which usually contains more sonic elements in the mix. He doesn’t leave things there, once the backbone of a song is created as a lot happens in the production stage, with careful editing of fades and subtly woven Asian textures inspired by his current lifestyle.

We’re informed that Ed has a widespread selection of influences but he cites Bert Jansch, Scott Tuma, Padang Food Tigers and Six Organs of Admittance as primary drivers to his own experiments with guitar and electro acoustic music. ‘Little Fire’ was designed to be meditative and distant and the varying tunings and harmonics help the sound wash over you as you listen. The album is centered around melodic arpeggio hooks on both acoustic and electric guitar, alongside layers of slide guitar and feedback, not to mention Asian Folk rhythms and texture. Wind and percussion sounds were made using local bamboo instruments. The sound structures blend cultures, as the album draws from colourful Eastern and Western Folk sounds and places these against a warmth reminiscent of 70s Dub production.
Little Fire contains autobiographical moments recorded during the first 7 years of Ed’s eldest son’s life. These songs are Ed’s tribute to him and the inspiration he and the rest of the family give him. The track ‘Waiting For Water’ was named because it was recorded when his family’s home was nearly flooded during the Bangkok floods of 2011. His wife also sings vocals on the track ‘Worth’. Some pieces were recorded during a time when Ed had to live away from his family for career reasons. ‘Closer To The Equator’ was made in Southern Malaysia where he felt a long way from his home in Thailand. It is also a tribute to his much missed Thai father-in-law, who sadly passed away during post-production.

Whilst to us the listener the sounds could not possibly map out all of Ed’s journeys and experiences, the tone and presentation of the recordings give an exotic, well-travelled account, which is full of warmth to fuel our own imagination.

credits
Written and produced by Ed Cooke
Mastered by James Armstrong
Photography by Ed Cooke
Artwork by Harry Towell