Out Now! Glåsbird – Norskfjǫrðr

For our next release we welcome back Glåsbird, an anonymous artist who debuted last year with two albums, both of which received plenty of critical acclaim. Both Grønland and Svalbarð sold out quickly, thanks in part to being picked up by Bandcamp’s ‘best Ambient’ feature and a few other trusty blogs, reviewers and radio shows. Norskfjǫrðr sees the sonic expedition continue, with the destination this time being the Norwegian fjords, again, accompanied by the landscape photography of Aldona Pivoriene. The album uses familiar hints of modern classical orchestration alongside creaks, clangs and acoustic instruments.

Norskfjǫrðr was released to subscribers of our mailing list last weekend, who had the first opportunity to grab one of these 200 CDs. They’ve been selling fast but we do still have copies available at the time of writing. You can also stream the album in full on Bandcamp as well as Spotify and of course, you can grab a digital version if you prefer, by clicking the player above or link below. To avoid missing out on future releases, you can join our mailing list HERE:

https://whitelabrecs.bandcamp.com/album/norskfj-r-r

press release
“Glåsbird’s anonymous and imaginary travels to far flung locations continues, with this next excursion landing at the Norwegian fjords. The first two releases dealt with the more treacherous locations of Greenland and Svalbard but in Norskfjǫrðr, the dramatic and breathtaking landscape is underpinned by a road network which connects islands, peninsulas and mountains. A human thread of highway runs through this wild and rugged setting, passing lonely wood cabins and flashes of green.

To reflect this landscape, Glåsbird imagined a journey north to the edge of the Arctic sea over several days, stopping to capture the intimate acoustics of painted wooden shacks and drawing in the landscape through tiny window panes. Whilst the previous releases use reverb-heavy strings or tape-decaying piano to reflect the cold, stark expanse of snow, Norskfjǫrðr makes use of more acoustic instruments with more emphasis on the raw sound. Various creaks and scrapes rustle underneath these melodies to reflect the sound from inside the cabin, micro-sound fragments being all the more audible due to the silent outdoors. A hint of folk is present at times in the form of bowed and plucked strings, to reflect the fauna and flora present across the West of Scandinavia. The familiar modern classical tones of piano and strings breathe a stark and chilling spine from time to time before the gently dramatic Endeligfjord marks the end of the journey, looking back out to the Barents sea.”

credits
Written and produced by Glåsbird
Mastered by James Edward Armstrong
Photography by Aldona Pivoriene
Packaging design by Harry Towell

Coming soon…Glåsbird – Norskfjǫrðr

For our next release we welcome back Glåsbird, an anonymous artist who debuted last year with two albums, both of which received plenty of critical acclaim. Both Grønland and Svalbarð sold out quickly, thanks in part to being picked up by Bandcamp’s ‘best Ambient’ feature and a few other trusty blogs, reviewers and radio shows. Norskfjǫrðr sees the sonic expedition continue, with the destination this time being the Norwegian fjords, again, accompanied by the landscape photography of Aldona Pivoriene. The album uses familiar hints of modern classical orchestration alongside creaks, clangs and acoustic instruments. The album will be released officially on Saturday the 14th of March but if you join our mailing list using the link below, we’ll make sure you’re the first to hear.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“Glåsbird’s anonymous and imaginary travels to far flung locations continues, with this next excursion landing at the Norwegian fjords. The first two releases dealt with the more treacherous locations of Greenland and Svalbard but in Norskfjǫrðr, the dramatic and breathtaking landscape is underpinned by a road network which connects islands, peninsulas and mountains. A human thread of highway runs through this wild and rugged setting, passing lonely wood cabins and flashes of green.

To reflect this landscape, Glåsbird imagined a journey north to the edge of the Arctic sea over several days, stopping to capture the intimate acoustics of painted wooden shacks and drawing in the landscape through tiny window panes. Whilst the previous releases use reverb-heavy strings or tape-decaying piano to reflect the cold, stark expanse of snow, Norskfjǫrðr makes use of more acoustic instruments with more emphasis on the raw sound. Various creaks and scrapes rustle underneath these melodies to reflect the sound from inside the cabin, micro-sound fragments being all the more audible due to the silent outdoors. A hint of folk is present at times in the form of bowed and plucked strings, to reflect the fauna and flora present across the West of Scandinavia. The familiar modern classical tones of piano and strings breathe a stark and chilling spine from time to time before the gently dramatic Endeligfjord marks the end of the journey, looking back out to the Barents sea.”

credits
Written and produced by Glåsbird
Mastered by James Edward Armstrong
Photography by Aldona Pivoriene
Packaging design by Harry Towell

Out Now! Various Artists – Sleeplaboratory2.0

2019 was a truly landmark year for us, with our new gatefold-LP packaging style being so well received, not to mention all of the support and great feedback we received from fans and the press alike. We started the year with a special compilation album themed on sleep; Sleeplaboratory1.0. We’re delighted to launch a new decade and exciting times ahead with the follow-up to this series, Sleeplaboratory2.0. We’ve been working behind the scenes on this one since last summer and we’re proud of the results in an album which features established artists within the scene, alongside label familiar favourites.

Sleeplaboratory2.0 was released to subscribers of our mailing list last weekend and unfortunately these have now sold out already! You can still stream the album on Bandcamp and of course, grab a digital version by clicking the link below or image above. To avoid missing out on future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/sleeplaboratory20

press release
“Sleeplaboratory is a compilation series that we launched in 2019 and the success of this effectively launched our printed gatefold-LP style CDrs which featured all of last year. The Sleeplaboratory1/.0 compilation was created as a special celebration for our fiftieth release and we enjoyed the concept so much, that we decided to run another one. Sleeplaboratory2.0 continues the themes of sleep, rest and personal reflection, not necessarily aiming to meet the current trend of mindfulness and well-being but instead, it intends to rest the listener in a way that is appropriate to them.

The idea was originally came about after our label owner Harry and his wife had a baby daughter, Isla. Harry curated a full-length compilation to help soothe his daughter to sleep and whilst Isla hasn’t needed much of a helping hand where sleep is concerned, he was keen to continue this project as a series. Throughout much of last year, we have been working on a follow-up, inviting artists to meet this sleepy brief of minimalist Ambient tones. We’ve invited familiar label artists back as well as established names and perhaps you’ll see that the odd one or two go on to have releases with us later this year.

Over the 16 tracks, a serene and enveloping environment is established. The physical product is as usual presented across four printed panels and this time, artwork is provided by Harry’s wife Beth in an image taken on a family day out. As usual, we will not make any recommendation on how our listeners might best enjoy this record and so it’s down to you to choose the best environment to listen, whether this be late at night with headphones, on a loud system or perhaps played through Bluetooth speakers in and around your home.”

credits
Curated by Harry Towell
Mastered by James Edward Armstrong
Cover Photography by Bethany Towell
Packaging design by Harry Towell

Coming soon…Various Artists – Sleeplaboratory2.0


2019 was a truly landmark year for us, with our new gatefold-LP packaging style being so well received, not to mention all of the support and great feedback we received from fans and the press alike. We started the year with a special compilation album themed on sleep; Sleeplaboratory1.0. We’re delighted to launch a new decade and exciting times ahead with the follow-up to this series, Sleeplaboratory2.0. We’ve been working behind the scenes on this one since last summer and we’re proud of the results in an album which features established artists within the scene, alongside label familiar favourites. The album will be released officially on Saturday the 25th of January but if you join our mailing list using the link below, we’ll make sure you’re the first to hear.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“Sleeplaboratory is a compilation series that we launched in 2019 and the success of this effectively launched our printed gatefold-LP style CDrs which featured all of last year. The Sleeplaboratory1/.0 compilation was created as a special celebration for our fiftieth release and we enjoyed the concept so much, that we decided to run another one. Sleeplaboratory2.0 continues the themes of sleep, rest and personal reflection, not necessarily aiming to meet the current trend of mindfulness and well-being but instead, it intends to rest the listener in a way that is appropriate to them.

The idea was originally came about after our label owner Harry and his wife had a baby daughter, Isla. Harry curated a full-length compilation to help soothe his daughter to sleep and whilst Isla hasn’t needed much of a helping hand where sleep is concerned, he was keen to continue this project as a series. Throughout much of last year, we have been working on a follow-up, inviting artists to meet this sleepy brief of minimalist Ambient tones. We’ve invited familiar label artists back as well as established names and perhaps you’ll see that the odd one or two go on to have releases with us later this year.

Over the 16 tracks, a serene and enveloping environment is established. The physical product is as usual presented across four printed panels and this time, artwork is provided by Harry’s wife Beth in an image taken on a family day out. As usual, we will not make any recommendation on how our listeners might best enjoy this record and so it’s down to you to choose the best environment to listen, whether this be late at night with headphones, on a loud system or perhaps played through Bluetooth speakers in and around your home.”

credits
Curated by Harry Towell
Mastered by James Edward Armstrong
Cover Photography by Bethany Towell
Packaging design by Harry Towell

End of 2019 Winter Sale – 15% Off

2019 is just about finished, with just a few weeks left to run. We have decided not to run any releases in December and draw a bit of breath ahead of what will surely be another exciting year in 2020.

We decided that a good way to close out this landmark year for us, in which we increased our run count of 100 copies of every release, each in a premium gatefold-LP style vinyl-effect CDr packaging, was to run a winter sale!
So until midnight on the 31st of December 2019, you can enjoy an extra 15% off all of our catalog, both physical and digital.

Simply enter the following code into the discount box provided when you check out to enjoy a 15% reduction on all items:

CODE: anextra15
LINK: https://whitelabrecs.bandcamp.com/merch

If you’re in a rush or new to the label and not sure where to start, please see below for a run down of all our releases!


Various Artists “Sleeplaboratory1.0”
January | Sold Out

We kicked off both 2019 and our new Sleeplaboratory compilation series. The album is themed around sleep as we strive to make this series a snoozy, lulling listen. It begins with a piece from Janek Schaefer and includes work by other renowned artists such as Darkroom, Maps and Diagrams, M. Grig and Tropic of Coldness as well as Whitelabrecs favourites such as Sven Laux, Valotihkuu, Anthéne and Ben Rath. It sold out in no time so there are no CDrs left however, you can check it out digitally here:



Glåsbird “Grønland”
February | Sold Out

Our new-look gatefold LP style packaging did so well for our compilation release, that we decided that all of our albums would run in this way for 2019. The first artist in this year’s discography was a debut for Glåsbird and things went a bit nuts! All CDrs were gobbled up in no time and you can’t even locate these on Discogs; you can check it out a digital copy here:


Jens Pauly “Vihne”
March | Sold Out

In March we welcomed aboard Cologne, Germany based artist Jens Pauly with Vihne. The packaging was designed entirely by the artist and the music is a tapestry of electro-acoustics. When we first heard Jens’ sound we knew it was going to be something special and sure enough, it’s sold out at source now. You can listen or purchase a digital copy here:


anthéne “asymmetry”
April | Sold Out

In April Canadian artist Brad Deschamps as anthéne joined aboard with asymmetry, an album which features the photography of Peter Nejedly. The record is a collection of beautiful drones, from an industrious artist who has worked on other labels such as Archives and Home Normal this year. With so much great output this year, it’s easy to see why this one’s sold out. You can stream or purchase a digital copy here:


Ben Rath “Any Given Moment”
April | Available

For the first time in April we decided to run with two albums in a calendar month. We welcomed back British artist Ben Rath who had previously released with us as Slow Heart Music. ‘Any Given Moment’ covers warm, acoustic ground via the use of a guitar and drones. A few copies are still available as well as a digital copy which you can check out here:


Hipnotic Earth “Suspended In Silence”
May | 12 Copies Remaining

In May we moved towards the warmer months with a delicate and beautiful album by Hipnotic Earth, a project by Cosmos Rennert. Suspended In Silence is presented as an electro-acoustic record centred around what appears to be prepared piano sounds, bird song and light synth decorations. The last few copies are available at the time of writing and a digital version too, which you can check out here:


Samsuo “The Other Gold Side”
May | Available

Towards the end of May we released the debut album by Cambridge artist Samsuo. Entitled ‘The Other Gold Side’, this Ambient/Drone record saw us welcome back Peter Nejedly on photography duty and the rotating ceramic dish which features across the four panels suitably reflects the looping, spherical drones created by this artist. There are some copies left at the time of writing as well as a digital version too, which you can check out here:


Sven Laux “ODD”
June | 16 Copies Remaining

After the success of Sven Laux’s ‘Schachmatt’ which we released in 2018, we were delighted to welcome Sven back with his follow-up album, ‘ODD’. Whilst Schachmatt was an album steeped in modern composition, ODD adapted this with a slightly more contemporary electronic feel in places. We’re down to the last 16 copies at the time of writing and you can also stream or download a digital version, which you can check out here:


Old Amica “Taiga”
June | Available

We were excited to welcome aboard Swedish duo Old Amica, who split their discography between folk-tinged post rock and cinematic Ambient. For us, they turned in a beautiful instrumental album featuring piano, guitar and synth and stunning artwork, arranged by the artists’ friend J. M Almqvist. We’ve still got some copies left as it stands and you can also check out their video and a digital version here:


Logic Moon “I See Planets”
July | 12 Copies Remaining

We returned to deep drone with this one by Logic Moon in some of the sleepiest music we’ve released to date. Tobias Lorsbach, the man behind the project created an album with a retro-futuristic theme and we decided to splash out on talented collage artist Thom Easton to provide the artwork. Just a few copies remind and you can check them out, as well as the usual stream/digital versions here:


Spring Quintet “Raven, Raven, Raven”
July | Available

We chopped back to modern classical with this one, with a live performance by Montreal’s Stefan Christoff and several other musicians being handed to Italian sound artist Matteo Uggeri to assist with post production. The result is a playful electro-acoustic piece with several movements across half an hour, complete with artwork by painter Chris Day. Some copies are still around in our shop, which you can buy or stream a digital version here:


Glåsbird “Svalbarð”
August | Sold Out

Somehow after a debut album, Glåsbird manages to follow it up with a second album in a year. The first album was a sonic expedition to Greenland and in August, the trip continued to the Arctic isles of Svalbard. Just like the last one, this album was gobbled up quickly by our listeners and is unavailable physically. You can stream or buy a digital version here, however:


Emanuele Errante “This World”
August | Available

We were really excited to release ‘This World’ by Naples, Italy based artist Emanuele Errante, whose work we’d admired for years. Emanuele teamed up with Peppe Trotta of So What magazine for the cover artwork and also invited guest musicians Bruno Sanfilippo and Max Fuschetto to feature in this magical electro-acoustic recording. Copies are available still at the time of writing or you can stream/buy a digital version here:


xu “embodying formlessness”
September | Available

In a hat-trick of releases by Italian artists for 2019, we welcomed back Nicola Fornasari who had collaborated for the La Petite Vague release which we put out in 2016. This one’s a lovely minimal album of toy ukulele and careful sound design that rewards repeated listening. You can still grab a copy at the moment or stream/buy a digital version here:


Gray Acres “Material Forces”
October | Sold Out

Not due to the talent of the Tasselmyer brothers and a helping hand from Bandcamp’s ‘Best of Ambient’ feature, this album by Gray Acres sold out in a flash. It’s a wonderful collection of tactile drones with far-flung field recordings, mastered by Ian Hawgood. There are no physical versions left but you can stream it or own a digital version here:


Jazzdefector and Slow Clinic “Green Echo”
October | Available

We’re always really pleased to see our artists return with another demo but when two came along at once and as a collaboration, we were particularly excited! ‘Green Echo’ combines moody guitar Ambience by Jazzdefector with the sound design expertise of Slow Clinic across 6 tracks. There are some CDrs left or you may prefer to stream or own a digital version:


Luis Miehlich “Timecuts”
November | Available

Silences by Luis Miehlich was simply one of our favourite records from 2018. So we were delighted when his demo ‘Timecuts’ came in and over time, Luis arranged remixes by the likes of Gallery Six, Erder, SineRider and our very own Glåsbird to complete the package. The album flits between Ambient/Drone, Electro Acoustic and Modern Classical and the remixes carefully compliment the originals as every bit a part of the album experience. Some physical copies are available or if you prefer, you can stream or own a digital version by clicking here:


Jack Hyde “Lowlands”
November | Available

Last but not least, we closed out this busy year with our 18th release, courtesy of Jack Hyde. Lowlands is a debut album from this Edinburgh, UK based artist and it covers Ambient, Dub and Field Recording territory in a careful, fascinating record. We have physical copies available as well as the option to stream or download here:

Out Now! Luis Miehlich – Timecuts

Onto our penultimate release of the year then and for this, we welcome Heidelberg, Germany based artist Luis Miehlich with an album which follows his much acclaimed debut Silences, which appeared on Archives. Timecuts’ was re-created through careful development and adaptation of material that Luis had recorded between 2013 and 2015. It presents seven tracks to form the basis of the album, followed with further adaptations by Erder, SineRider, Gallery Six and Glåsbird. This record clocks in at a generous hour long and has plenty of variation, as droning bells, electro acoustic compositions, solitary piano, drone and modern classical orchestration fill a wide open sound-palette. This will be available in 2019’s signature gatefold-LP style CD, in a run of 100 copies  and we’ll release this officially on or around the 2nd of November 2019. This one might appeal to artists such as Halftribe, Asuna and Opitope or Marcus Fischer.

Timecuts was released to subscribers of our mailing list last weekend, who had the first opportunity to grab a copy and these have been selling fast! You can stream the album on Bandcamp and of course, grab one of the remaining physical copies or a download if you prefer by clicking the link below or image above. To avoid missing out on future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/timecuts

 

press release
“For our next release, we are pleased to present Luis Miehlich, an artist based in Heidelberg, South Germany. Luis has contributed compilation pieces to labels such as Eilean and Dronarivm as well as an EP on Kage Recordings and most prominently, his debut album Silences on Archives. Whilst he is relatively young when compared with many of his Ambient peers, Luis has been performing music since the age of five thanks to a musical household and over recent years has drawn influence from composers Jean-Michel Jarre, Steve Reich and Béla Bartók as well as Ambient labels such as Hibernate, Home Normal and Archives.

In ‘Timecuts’ we have the follow-up record to ‘Silences’ which builds upon some unused/rediscovered material from between 2013 and 2015. These were heavily processed and then expanded upon with additional compositions and instrument sounds. The reworking of past material became a concept of sorts, as matching the old with the new became an important part of the process. Luis decided to extend a wider invitation to adapt these works to other artists, with a brief to reinterpret rather than simply remix. Erder and SineRider were logical participants, after both having featured in the ‘Silences’ album. Then our own Glåsbird as well as Gallery Six joined to complete the line-up.

Timecuts clocks in generously at just over an hour, starting with Luis’ seven pieces. Everything from bells, drones, static, guitar, piano and radio static becomes a woven fabric to this beautifully varied album which is a tapestry of short dreams. The invited artists were given the stems from the original works rather than Luis’ own recreations, to help give further room for experimentation. The remixes add an extra dimension, which becomes every bit as crucial a part of a record steeped around themes of adaptation.”

credits
Written and produced by Luis Miehlich
Mastered by James Edward Armstrong
Photography by Luis Miehlich
Artwork by Harry Towell

Coming soon…Luis Miehlich – Timecuts


Onto our penultimate release of the year then and for this, we welcome Heidelberg, Germany based artist Luis Miehlich with an album which follows his much acclaimed debut Silences, which appeared on Archives. Timecuts’ was re-created through careful development and adaptation of material that Luis had recorded between 2013 and 2015. It presents seven tracks to form the basis of the album, followed with further adaptations by Erder, SineRider, Gallery Six and Glåsbird. This record clocks in at a generous hour long and has plenty of variation, as droning bells, electro acoustic compositions, solitary piano, drone and modern classical orchestration fill a wide open sound-palette. This will be available in 2019’s signature gatefold-LP style CD, in a run of 100 copies  and we’ll release this officially on or around the 2nd of November 2019. This one might appeal to artists such as Halftribe, Asuna and Opitope or Marcus Fischer.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“For our next release, we are pleased to present Luis Miehlich, an artist based in Heidelberg, South Germany. Luis has contributed compilation pieces to labels such as Eilean and Dronarivm as well as an EP on Kage Recordings and most prominently, his debut album Silences on Archives. Whilst he is relatively young when compared with many of his Ambient peers, Luis has been performing music since the age of five thanks to a musical household and over recent years has drawn influence from composers Jean-Michel Jarre, Steve Reich and Béla Bartók as well as Ambient labels such as Hibernate, Home Normal and Archives.

In ‘Timecuts’ we have the follow-up record to ‘Silences’ which builds upon some unused/rediscovered material from between 2013 and 2015. These were heavily processed and then expanded upon with additional compositions and instrument sounds. The reworking of past material became a concept of sorts, as matching the old with the new became an important part of the process. Luis decided to extend a wider invitation to adapt these works to other artists, with a brief to reinterpret rather than simply remix. Erder and SineRider were logical participants, after both having featured in the ‘Silences’ album. Then our own Glåsbird as well as Gallery Six joined to complete the line-up.

Timecuts clocks in generously at just over an hour, starting with Luis’ seven pieces. Everything from bells, drones, static, guitar, piano and radio static becomes a woven fabric to this beautifully varied album which is a tapestry of short dreams. The invited artists were given the stems from the original works rather than Luis’ own recreations, to help give further room for experimentation. The remixes add an extra dimension, which becomes every bit as crucial a part of a record steeped around themes of adaptation.”

credits
Written and produced by Luis Miehlich
Mastered by James Edward Armstrong
Photography by Luis Miehlich
Artwork by Harry Towell

Out Now! Glåsbird – Grønland

Our discography for 2019 continues and for the second time in as many releases, we have increased the run count to 100 copies and opted for a special printed gatefold LP style packaging! Last December we privileged to present the debut Glåsbird release, a 2 track digital EP named Drift Stations. We’re very excited to present this anonymous artist’s debut album Grønland which is a cinematic suite of Modern Classical music with dramatic strings, frosty piano and hints of electric guitar. It releases on February 9th 2019 in a run of 100 copies. The album is a sonic expedition around Greenland and fittingly, the sound design feels icy cold, reminiscent of work by artists such as A Winged Victory For The Sullen, The Frozen Vaults and Sven Laux. This one features artwork by photographer Lennart Pagel, who travels the world and shares his images via Instagram.

Grønland is available now after having been released to subscribers of our mailing list last weekend, who had the first opportunity to grab a copy. These have been going well after some reviews, particularly on Stationary Travels but we still have a few left and you can buy one of these or grab a digital copy by clicking the link or image above. To avoid missing out on future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/gr-nland

press release
“Glåsbird returns following the debut EP ‘Drift Stations’ which was a digital only release on Whitelabrecs just prior to Christmas last year. The eagerly awaited full-length debut album is something that this currently anonymous artist has carefully shaped over a lengthy period of time and it is entitled Grønland. Those looking to the themes of the North Pole and travel through the treacherous Arctic Circle which were contained within Drift Stations, will see a pattern of travel or rather, migration developing. Next stop – Greenland, the world’s largest island as well as one of the most uninhabited landmasses on the planet, which is thanks to stark temperatures and the permanent ice sheet which occupies most of this land.

Glåsbird imagined that they were assigned the task of scoring the soundtrack to a film about Greenland and spent a great deal of time researching the subject. Hours of documentaries, drone helicopter footage, NASA and satellite images, Instagram traveller accounts, 360° photos, web articles and maps were surveyed, to the point where this artist felt sufficiently immersed in this sub-zero but beautiful land. One such traveller/photographer who has physically witnessed the splendour of Greenland is Lennart Pagel, who kindly provided the cover image; the shot not only captures the essence of this country with its iced mountains, freezing lake and primary-coloured cabin but also there is a bold starkness which lends itself to this soundtrack.

Two releases in and whilst we’re no clearer as to who is behind this project, it is clear that Glåsbird is becoming synonymous with storytelling and specifically travel or migration, if you prefer.
The music itself adopts a Modern Classical approach with icy piano shards shimmering alongside glacial violin and cello drones as well as the occasional hint of grounding electric guitar. We’re told that the artist even recorded some sections of sounds to cassette before placing the tape in the freezer to give an added chill factor.

We’ve decided that such an impactful concept would suit a special ‘gatefold LP’ style packaging that we’ve run a couple of times as well as an increased run of 100 copies. Where will the Glåsbird land next?”

credits
Written and produced by
Mastered by James Edward Armstrong
Artwork by Lennart Pagel (instagram.com/Lennart)

Coming soon…Glåsbird – Grønland

Our discography for 2019 continues and for the second time in as many releases, we have increased the run count to 100 copies and opted for a special printed gatefold LP style packaging! Last December we privileged to present the debut Glåsbird release, a 2 track digital EP named Drift Stations. We’re very excited to present this anonymous artist’s debut album Grønland which is a cinematic suite of Modern Classical music with dramatic strings, frosty piano and hints of electric guitar. It releases on February 9th 2019 in a run of 100 copies. The album is a sonic expedition around Greenland and fittingly, the sound design feels icy cold, reminiscent of work by artists such as A Winged Victory For The Sullen, The Frozen Vaults and Sven Laux. This one features artwork by photographer Lennart Pagel, who travels the world and shares his images via Instagram.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“Glåsbird returns following the debut EP ‘Drift Stations’ which was a digital only release on Whitelabrecs just prior to Christmas last year. The eagerly awaited full-length debut album is something that this currently anonymous artist has carefully shaped over a lengthy period of time and it is entitled Grønland. Those looking to the themes of the North Pole and travel through the treacherous Arctic Circle which were contained within Drift Stations, will see a pattern of travel or rather, migration developing. Next stop – Greenland, the world’s largest island as well as one of the most uninhabited landmasses on the planet, which is thanks to stark temperatures and the permanent ice sheet which occupies most of this land.

Glåsbird imagined that they were assigned the task of scoring the soundtrack to a film about Greenland and spent a great deal of time researching the subject. Hours of documentaries, drone helicopter footage, NASA and satellite images, Instagram traveller accounts, 360° photos, web articles and maps were surveyed, to the point where this artist felt sufficiently immersed in this sub-zero but beautiful land. One such traveller/photographer who has physically witnessed the splendour of Greenland is Lennart Pagel, who kindly provided the cover image; the shot not only captures the essence of this country with its iced mountains, freezing lake and primary-coloured cabin but also there is a bold starkness which lends itself to this soundtrack.

Two releases in and whilst we’re no clearer as to who is behind this project, it is clear that Glåsbird is becoming synonymous with storytelling and specifically travel or migration, if you prefer.
The music itself adopts a Modern Classical approach with icy piano shards shimmering alongside glacial violin and cello drones as well as the occasional hint of grounding electric guitar. We’re told that the artist even recorded some sections of sounds to cassette before placing the tape in the freezer to give an added chill factor.

We’ve decided that such an impactful concept would suit a special ‘gatefold LP’ style packaging that we’ve run a couple of times as well as an increased run of 100 copies. Where will the Glåsbird land next?”

credits
Written and produced by
Mastered by James Edward Armstrong
Artwork by Lennart Pagel (instagram.com/Lennart)