Out Now! Glåsbird – Himalaya

Our May releases are out today and the first sees the next installment of Glåsbird’sA Sonic Expedition‘ series. The next destination on the horizon for this anonymous artist, is the Himalayan mountain range and this album traces a fictitious mountain expedition to the summit, followed by an ascent back down from the peak. The sequence of the tracks trace this journey and the packaging contains imagery from an actual expedition in the Himalayas, provided by climber Jay Whiting. There are also some additional words that give further conceptual insight into this record, provided by Neil McRoberts.

Himalaya is out now in a run of 100 copies! The best way to keep informed about our low-run releases, is to join our mailing list, and we’ll make sure you’re the first to hear!

press release
“Glåsbird’s A Sonic Expedition series continues, arriving at the Himalayas as the destination for the 6th album installment of this global exploration. For those of you who are unaware, this is a project for this anonymous producer to explore far-flung geographic themes over the course of 10 albums. The series began inside the Arctic circle, moved into Scandinavia and surrounding area, onto Siberia and in this second half, it emerges in the highest mountain range on earth. It moves from expansive open landscapes and onto a new theme of treacherous peaks.

Himalaya was created as a fictitious film soundtrack, tracking the struggles and triumphs of a climber as they embark on and summit an unspecified mountain. The album begins with an ancient quietude, follows to snow-damped hikes before it delves into high-altitude ascents, with the music becoming ever more dramatic and at times, triumphant. The album closes with a descent, as the music gradually softens again but it carries with it, a sense of weary achievement.

As usual, Glåsbird has spent hours trawling archive film footage and documentary series’ as well as studying the terrain, through old maps and Google Earth. The album package includes photography by climber Jay Whiting, with the front, inner and rear images taken in the Himalayas during an expedition. Inside the sleeve, you’ll find some words provided by Neil McRoberts which give a poignant reflection on the Himalayas themselves, and the symbolism of mountains as a mammoth challenge. There is much to be discovered from a struggle and we hope that in some way, this record can provide inspiration, encouragement and some kind of peace.

credits
Written and produced by Glåsbird
Mastered by James Edward Armstrong
Photography by Jay Whiting
Words by Neil McRoberts
Art and design by Andrew Heath

Coming soon… Glåsbird – Himalaya

 

We have two new releases lined-up for the 14th of May and in the first of these, we welcome back Glåsbird with the next installment of their A Sonic Expedition series. Himalaya is as you might expect, based on the region which hosts the world’s tallest mountain ranges and this album traces a fictitious climbing expedition, with the sound representing the ascent and descent and all the emotions that follow the journey. The sound blends electro-acoustic, textured electronics with orchestral and regional influenced sounds. ‘Himalaya‘ will be up for pre-order this coming Bandcamp Friday, the 6th of May.

Then ‘Himalaya‘ will be available officially in one of our typically low runs of 100 gatefold vinyl-effect CDrs, complete with art and design by Andrew Heath.

It will be released officially on Saturday the 14th of May. If you join our mailing list using the link below, we’ll make sure you’re the first to hear.

press release
“Glåsbird’s A Sonic Expedition series continues, arriving at the Himalayas as the destination for the 6th album installment of this global exploration. For those of you who are unaware, this is a project for this anonymous producer to explore far-flung geographic themes over the course of 10 albums. The series began inside the Arctic circle, moved into Scandinavia and surrounding area, onto Siberia and in this second half, it emerges in the highest mountain range on earth. It moves from expansive open landscapes and onto a new theme of treacherous peaks.

Himalaya was created as a fictitious film soundtrack, tracking the struggles and triumphs of a climber as they embark on and summit an unspecified mountain. The album begins with an ancient quietude, follows to snow-damped hikes before it delves into high-altitude ascents, with the music becoming ever more dramatic and at times, triumphant. The album closes with a descent, as the music gradually softens again but it carries with it, a sense of weary achievement.

As usual, Glåsbird has spent hours trawling archive film footage and documentary series’ as well as studying the terrain, through old maps and Google Earth. The album package includes photography by climber Jay Whiting, with the front, inner and rear images taken in the Himalayas during an expedition. Inside the sleeve, you’ll find some words provided by Neil McRoberts which give a poignant reflection on the Himalayas themselves, and the symbolism of mountains as a mammoth challenge. There is much to be discovered from a struggle and we hope that in some way, this record can provide inspiration, encouragement and some kind of peace.

credits
Written and produced by Glåsbird
Mastered by James Edward Armstrong
Photography by Jay Whiting
Words by Neil McRoberts
Art and design by Andrew Heath

Out Now! Glåsbird – Return to Sea and Sardinia (Original Soundtrack)

We’ve been regularly throwing forward Glåsbird’s involvement with film director Daniele Marzeddu, in creating the soundtrack to a film called Return to Sea and Sardinia, which has been made to mark the centenary of D.H.Lawrence’s visit to Sardinia and the surrounding area. Not least, Ennio’s Muse, a crowd-funding compilation album that we released in January. 

Return to Sea and Sardinia is out now in a run of 300 copies. The best way to keep informed about our low-run releases, is to join our mailing list , and we’ll make sure you’re the first to hear!

press release
“In January 1921, some 100 hundred years ago, the renowned writer D.H. Lawrence set sail for Sardinia, joined by his wife Frieda. He produced a critically acclaimed travel novel called Sea and Sardinia, reflecting his observations as he traveled. His creative use of language and expression adds colour to his reflections. To mark the centenary of the journey, film director Daniele Marzeddu and his crew returned, to retrace these steps.

After a year of working on this project, Return to Sea and Sardinia now sees the light of day and will be presented to the public in a series of screenings or digital viewings. The film has been produced and Organised by The Visual Guys, with the support of the D.H. Lawrence Society of Great Britain and features Daniele’s vivid imagery. The current state of modern Sardinia and its neighbouring island Sicily is laid out as a documentary film and our very own Glåsbird has produced an original soundtrack to accompany the visuals, and local accounts provided by the islands’ inhabitants.

Glåsbird has produced several geographic based sound interpretations since beginning their mysterious project in 2018. They describe this soundtrack as a ‘vacation’ from the on-going ‘A Sonic Expedition’ series, yet it has been approached in a similar way to this musician’s work: the cycle of inspiration, research and more inspiration. Daniele gave the artist free-reign to sketch out stories from afar, into these sound-postcards. We are delighted to be able to present the Original Soundtrack for Return To Sea and Sardinia, in an edition of 300 CDrs, featuring a 32 page book of photographic stills and captions, to give a flavour of the film.

credits
Composed by Glåsbird
Film and photography directed by Daniele Marzeddu
Audio mastering by James Edward Armstrong
Art and design by Andrew Heath
Booklet design by Harry Towell

https://seaandsardinia.org/

Coming soon… Glåsbird – Return to Sea and Sardinia (Original Soundtrack)

We’ve been regularly throwing forward Glåsbird’s involvement with film director Daniele Marzeddu, in creating the soundtrack to a film called Return to Sea and Sardinia, which has been made to mark the centenary of D.H.Lawrence’s visit to Sardinia and the surrounding area. Not least, Ennio’s Muse, a crowd-funding compilation album that we released in January.

We’re excited to share the film’s trailer video (above), some snippets of tracks from the soundtrack (soundcloud), as well as announce the release date!

Return to Sea and Sardinia will be released on Saturday the 30th of October. If you join our mailing list , we’ll make sure you’re the first to hear!

press release
“In January 1921, some 100 hundred years ago, the renowned writer D.H. Lawrence set sail for Sardinia, joined by his wife Frieda. He produced a critically acclaimed travel novel called Sea and Sardinia, reflecting his observations as he traveled. His creative use of language and expression adds colour to his reflections. To mark the centenary of the journey, film director Daniele Marzeddu and his crew returned, to retrace these steps.

After a year of working on this project, Return to Sea and Sardinia now sees the light of day and will be presented to the public in a series of screenings or digital viewings. The film has been produced and Organised by The Visual Guys, with the support of the D.H. Lawrence Society of Great Britain and features Daniele’s vivid imagery. The current state of modern Sardinia and its neighbouring island Sicily is laid out as a documentary film and our very own Glåsbird has produced an original soundtrack to accompany the visuals, and local accounts provided by the islands’ inhabitants.

Glåsbird has produced several geographic based sound interpretations since beginning their mysterious project in 2018. They describe this soundtrack as a ‘vacation’ from the on-going ‘A Sonic Expedition’ series, yet it has been approached in a similar way to this musician’s work: the cycle of inspiration, research and more inspiration. Daniele gave the artist free-reign to sketch out stories from afar, into these sound-postcards. We are delighted to be able to present the Original Soundtrack for Return To Sea and Sardinia, in an edition of 300 CDrs, featuring a 32 page book of photographic stills and captions, to give a flavour of the film.

credits
Composed by Glåsbird
Film and photography directed by Daniele Marzeddu
Audio mastering by James Edward Armstrong
Art and design by Andrew Heath
Booklet design by Harry Towell

https://seaandsardinia.org/

Coming soon… Various Artists – Hundred

This month, we are pleased to meet the landmark of 100 album editions which we’ve released on Whitelabrecs, since out label began in January 2016. We’ve enjoyed the ups and downs of running a label and feel very lucky to have achieved 100 releases, not to mention our EPs, tapes and Home Diaries series too. To celebrate this occasion, we have a busy month of activity planned including new digital music which we announced at the beginning of September, limited edition baseball caps, free badges which will be included in random orders, a ‘mystery CD‘ option, a label history mix and also, a compilation album!

We had recently run a poll asking fans and listeners for their votes, so that we could arrive at the top 15 albums in our discography so far. We’ve created a compilation called ‘Hundred‘, selecting a track from each of these albums in a limited edition CDr, which includes a 16 page booklet featuring images and insight. 

Hundred will be released on Saturday the 25th of September. We have not created a Soundcloud preview of tracks, to keep this a surprise. If you join our mailing list , we’ll make sure you’re the first to hear!

press release
“On the 25th of September 2021, with this release, we will have achieved 100 items in our core catalog since we launched Whitelabrecs in 2016. The editions consist of 48 hand-burned white-label effect CDrs, 5 printed compilation CDrs, 1 digital compilation album and 45 gatefold LP style CDrs.

Hundred is a special compilation album which has been assembled mark the occasion, after we had asked our listeners and fans to vote for their favourite albums in a poll. Here we’re pleased to present the top 15, as per their votes, in this suite of Ambient, Drone, Modern Classical and Electro Acoustic pieces.

Our label owner Harry Towell has chosen his favourite tracks from each of these 15 records and the resulting compilation near enough fills the 80 minute duration of a CD. The tracks have been arranged in an order that hopefully flows as an album experience in its own right.

The physical edition is available in a limited edition of 100 copies, including the label’s logo and identity as part of the design, along with a 16 page booklet with commentary and cover imagery for each of the 100 albums. We hope you have enjoyed the first 100 works in our catalog and we are looking forward to sharing all of our plans and ideas with you in the future.

credits
Curated by our fans and listeners
Tracks selected by Harry Towell
Art and design by Andrew Heath
Booklet by Harry Towell
Tracks are as originally mastered. For mastering credits, refer to the CD sleeve or you can view this information by clicking the relevant track.

Out Now! Glåsbird – Siberia

On the 6th of August we announced the pre-order of Glåsbird’s new album Siberia the next instalment of the Sonic Expedition series. It’s a fittingly large quantity of music to represent this gigantic mass of beautiful land with the physical edition available in our usual run of 100 gatefold vinyl-effect CDrs, featuring cover and booklet photography by Nelly Elagina in this double disc edition. The sound palette is a little more Modern Classical overall than the previous excursion (Novaya Zemlya) but there is evidence of electronic and ambient influences in places, with field recordings, drones and added texture. Disc one surveys the beauty of Siberia before thoughts turn to climate change and its impact, particularly on Siberia.  

Siberia is released today, Saturday the 28th of August. Unfortunately, all physical copies have sold out but there is a physical option available, as well as a handful of copies soon to be available through Juno Records and Linus Records

Whitelabrecs low-run releases are likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“Glåsbird is an anonymous artist, active since 2018 and with releases to date appearing exclusively on Whitelabrecs, as part of a series called A Sonic Expedition. With each edition in the collection, the artist concentrates on a different geographic location. The project emerged somewhere inside the Arctic Circle, descending to Greenland, moving onto Svalbard and then the Norwegian Fjords before most recently, on the Russian owned peninsulas Novaya Zemlya. The music of Glåsbird ranges from electro-acoustic Ambient to Modern Classical, with this artist keen on producing a range of experiments to show their full range of ideas and techniques.

We’re pleased to unveil the next destination in this series, in the form of Siberia which is a double album befitting an exploration of the largest region on earth. Glåsbird has teamed up with glaciologist and photographer Nelly Elagina who provides first-hand accounts of Siberia in the form of images and captions from her time there. In the CD packaging, a special photo booklet has been included to showcase these experiences. For the artist, their account of this latest destination is entirely imagined. The first disc sets out to explore the beauty of the landscape and its ancient history. As with previous albums, the music feels icy cold but evocative, aiming to transport you to imagine the landscape in all its splendour for yourself. The second part of the album moves into more topical territory, portraying Siberia as it is today. Shifting weather patterns and devastating climate change inspire the mood of the compositions, which lean towards melancholy, tense or dramatic reflections, rounded off with a thought provoking title.

As always, we wonder, where in the world might the Glåsbird land next?

credits
Written and produced by Glåsbird
Mastered by James Edward Armstrong
Photography and captions by Nelly Elagina
Art and Design by Andrew Heath

August Pre-orders: Adrian Lane and Glåsbird

Today we have two new albums available to pre-order, especially for Bandcamp Friday. They are from artists who have both released in our catalog before, with Adrian Lane following up his Home Diaries edition ‘Indigo and Salt Peter’, and Glåsbird providing the next instalment of their Sonic Expedition series.

Both of these vinyl effect CDrs are available in a limited run of 100 copies and more information about each album can be gleaned below. The packaging images above are mock examples, as we await the delivery of these items and so it should be pointed out that the CD colour is going to be different (Adrian Lane Gold, Glåsbird White). The albums will both release officially on Saturday the 28th of August.

What is Bandcamp Friday?
For those unaware, this initiative was set-up by Bandcamp as a way to support artists, musicians and labels throughout the pandemic. Once a month they were waiving their commission charged to platform users. Recently these have been more infrequent but Bandcamp are still committed to providing support and so August the 6th has been a date in the diary for some time.


Adrian Lane – The Fleet

The Fleet is a Modern Classical album that is equally steeped in drama and melancholy, with soaring strings, pensive piano and subtle soft synths. Composer Adrian Lane lives by the sea and the coastal air gave rise to an unexpected nautical theme, which is brought together by the artwork, which he hand-painted in his studio.”

whitelabrecs.bandcamp.com/album/the-fleet


Glåsbird – Siberia

Siberia is the 5th edition of anonymous artist Glåsbird’s Sonic Expedition series, soundtracking imaginary films from different geographic locations. This album spans over two discs, with the first one focusing on the beauty of this huge region and disc two provoking thoughts about climate change.”

whitelabrecs.bandcamp.com/album/siberia


Coming soon… Glåsbird – Siberia

 

We have two new physical editions lined up for pre-order on the 6th of August, just in time for Bandcamp Friday.

Our second release sees the return of the Glåsbird, fresh from their latest travels. The Sonic Expedition series sees the next destination in the series land at Siberia, with a fittingly large quantity of music to represent this gigantic mass of beautiful land. Siberia is available in our usual run of 100 gatefold vinyl-effect CDrs, featuring cover and booklet photography by Nelly Elagina in this double disc edition. The sound palette is a little more Modern Classical overall than the previous excursion (Novaya Zemlya) but there is evidence of electronic and ambient influences in places, with field recordings, drones and added texture. Disc one surveys the beauty of Siberia before thoughts turn to climate change and its impact, particularly on Siberia.   

Siberia will be released for pre-order on Friday the 6th of August. If you join our mailing list using the link below, we’ll make sure you’re the first to hear.

press release
“Glåsbird is an anonymous artist, active since 2018 and with releases to date appearing exclusively on Whitelabrecs, as part of a series called A Sonic Expedition. With each edition in the collection, the artist concentrates on a different geographic location. The project emerged somewhere inside the Arctic Circle, descending to Greenland, moving onto Svalbard and then the Norwegian Fjords before most recently, on the Russian owned peninsulas Novaya Zemlya. The music of Glåsbird ranges from electro-acoustic Ambient to Modern Classical, with this artist keen on producing a range of experiments to show their full range of ideas and techniques.

We’re pleased to unveil the next destination in this series, in the form of Siberia which is a double album befitting an exploration of the largest region on earth. Glåsbird has teamed up with glaciologist and photographer Nelly Elagina who provides first-hand accounts of Siberia in the form of images and captions from her time there. In the CD packaging, a special photo booklet has been included to showcase these experiences. For the artist, their account of this latest destination is entirely imagined. The first disc sets out to explore the beauty of the landscape and its ancient history. As with previous albums, the music feels icy cold but evocative, aiming to transport you to imagine the landscape in all its splendour for yourself. The second part of the album moves into more topical territory, portraying Siberia as it is today. Shifting weather patterns and devastating climate change inspire the mood of the compositions, which lean towards melancholy, tense or dramatic reflections, rounded off with a thought provoking title.

As always, we wonder, where in the world might the Glåsbird land next?

credits
Written and produced by Glåsbird
Mastered by James Edward Armstrong
Photography and captions by Nelly Elagina
Art and Design by Andrew Heath

Glåsbird Interview for AW Artmag

Followers of Whitelabrecs in the last couple of years will likely be familiar with the work of anonymous composer Glåsbird, whose works embark on a sonic travel from one perilously cold location to the next. This year, all being well, there will be an expedition to Sardinia to retrace the steps of writer D.H Lawrence and this will culminate into a documentary film.

The project is being run by photographer and film director Daniele Marzeddu and Glåsbird has agreed to write the music as a soundtrack. The pairing is a great fit, with Glåsbird showing an ability to capture the essence of a place, to channel the environment into the senses of the listener.

Glåsbird has kept a pretty low profile, allowing the mystery and rumours to circulate. Recently they gave their first interview after being active for a couple of years and this was with Italian site AW Artmag: https://www.awartmag.com/en/node/253

We’ve translated the interview for you to read and hopefully gain a little insight into Glåsbird and their work with Return to Sea and Sardinia:

Interview:

(1).Noticing that you are inspired by imaginary trips and, especially trips to remote islands, I’d like to know more about your background as composer?

From the beginning, my journey creating music goes back many years. I started experimenting with electronic music. It was a noisy, musique concrete sound, as I messed about with handheld recorders, field recordings and anything that made a sound. Over the years I’ve collected lots of instruments and built an extensive collection of digital sound libraries. My music has already been released on a few labels before I started working with Whitelabrecs in 2018 and I decided to just do something completely new and completely anonymous. The whole idea to complete a series of travel based albums just came to me, the name for the artist and everything else just seemed to fall into place one day. My approach to making music changed completely too as I wanted to sound different to my more renowned artist name. I wanted to focus more on creating the stirring moods one can hear in film music. I think a big thing central to Glåsbird projects is all the research I do into my themes. For an album on a location I’ll look at film, photography and maps as well as explore Google Earth for a few hours. I’ll try to understand the culture too and will look to see if I can buy cheap acoustic instruments specific to the area. I don’t think I’ll ever get to visit these sorts of places, so making a soundtrack is my way of connecting with these wonderful places and help bring them closer to me and others too. Maybe it can bring to life the fact that there’s an enormous world out there, full of delicate eco systems which are being damaged.

In terms of composing, so far my work has been used in some documentaries and film as well as a short advert. But I did not compose something new for these. So the Return to Sea and Sardinia project is my first opportunity to do this.

2) How would you describe the influence of travel literature and visual arts on your music?

I must admit, I’m not much of a reader. I certainly don’t tend to read fiction books. Not because I don’t like them, I guess I’ve always got something else to do with music and don’t get much time to get my head into a book. That being said, I do find geography and the Earth to be so fascinating and all of this plays a part in my work. I’m currently reading Sea and Sardinia for the first time and I love how descriptive Lawrence is in his writing. He brings it all to life – if I can get anywhere near as evocative with the compositions I make then it will be a real achievement.

Visual art for me is something which definitely inspires me. Both film and photography; particularly landscape photography. I remember in the early 2000s many ambient album artwork covers were landscape images and I really loved these! People started to get a bit fed up of them but I’m pleased that Whitelabrecs have been able to find some wonderful photographers who capture beautiful landscapes! We wanted to use scenes that the listener could really put themselves into as a window into each location.

As for film, I find that I am able to draw inspiration from most top quality movies. Particularly slow moving crime dramas. However, I do tend to get lost in a sense of atmosphere and the sound too, so I often miss the point of a storyline!

3) How much, in your opinion, Ennio Morricone’s work has marked a boundary in music compositing?

I think the bar that Morricone has set is extraordinary. He was so prolific and devoted his whole life to composing but what makes his work all the more impressive, is that he seems to have been able to have turned his hand to anything. Each time, with new ideas which are still unmistakably his. He was able to score for westerns and became a signature sound in this movie genre, he was at home writing music for comedy – yet he could produce haunting or beautiful compositions too. I think he had the background of performing and being a student of music which many modern composers do not always start from these days (me included). He used that as a platform to have an incredible career which has covered so much ground. To answer the question, the one boundary he has shown us, is that there aren’t boundaries or limits to what you can achieve.

4) What did you find particularly attractive when you took the decision to take on this assignment following the legacy of DH Lawrence?

I had already been really keen to compose music for a film from scratch, to test myself in this regard. But when Daniele first contacted me, the fact that the composition will be based around retracing a journey from history, in a curious island named Sardinia it just seemed too perfect to turn down. I find a clear concept or idea to be really important when I am writing music and this gives me the passion and energy to create. What’s more, I am able to approach this in a way which almost feels like a part of the ‘sonic expedition’ series I am working my way through. I am not likely to be able to visit Sardinia any time soon. Whilst I’ve been to Italy, I don’t know much about Sardinia so this is a chance to put in motion my thirst to learn and I am already making good progress in transcribing my thoughts into music.

5) How can you describe your cinematic sounds of Sea, Sicily and Sardinia (Ennio’s Muse) and what’s your perception of an imaginary trip across those lands in 2021?

Daniele and Harry (from Whitelabrecs) came up with the theme of making cinematic music, based around an image taken near to Sardinia. I like how the artists invited will all have their own ideas and interpretations of the same theme and I imagine this album will be a kind of imaginary soundtrack to the journey taken to get to the beginning of the actual journey. The piece I’ve created makes use of silence in places, as the strings and piano keys fade down. I am more than a bit influenced by the late Jóhann Jóhannsson it’s fair to say and he’d often talk about what happens in the space between notes. I used these rises and falls in places on my most recent album Novaya Zemlya, so this felt like a good place to pick up from.

The title of the track is Lavender Sea in Italian and it takes on a term Lawrence used to describe the sea as he set off on his journey towards Sardinia. This compilation album feels like the start of an exciting journey ahead of us in which we hope to create a beautiful work of art and it’s a great idea to try to raise a bit of money to hopefully make this happen. The sea is more than a bit fierce at times and its scale and enormity can be very unnerving. Especially for me as I can’t swim! I hope some of the drama in Lavanda di Mare gets this across. Lawrence referred to this particular stretch of sea as ‘Lavender Sea’ also suggesting a hope, promise or beauty. So I tried to contrast the drama in the track with a bitter sweetness. I also thought that I would really limit the use of electronics or ambient soundscaping effects in this piece, as I wanted to try to make it into more of a classical feel, to think back to 1921 before we had synthesisers and sine waves.

Links

Return to Sea and Sardinia

AW Artmag

Ennio’s Muse

Glåsbird

Coming soon…Ennio’s Muse

Ennio’s muse: Cinematic Sounds of Sea and Sardinia

Today, the 4th of January 2021 marks exactly 100 years since D.H Lawrence set out with his wife Freida to travel through Sardinia. He captured the thoughts, sights and events of his journey in the book Sea and Sardinia and now, a century later, a return exploration of the locations in the book is planned.

Daniele Marzeddu and his team plan to retrace Lawrence’s steps this year and will capture their experiences through photography and a documentary film. The music to accompany the film will be composed by Whitelabrecs’ very own Glåsbird and so we’re keen to help with the fund raising efforts required realise this exciting project. Click the button below to find out more:

We are pleased to announce that as a precursor to the film and Glåsbird soundtrack, we are curating a compilation album called Ennio’s Muse. The album will feature artists from our roster, some we plan to work with later this year and friends of the label. It will be digital only and all money raised will be donated to the Return to Sea and Sardinia team for a period of 12 months. We’ll announce more news soon, including a preview of some of the tracks and confirmation of the release date.

The compilation draws influence from film scores and modern composition, inspired by the late Maestro, Ennio Morricone as well as glistening or atmospheric Ambient sounds. The cover artwork was taken by Daniele Marzeddu; a pedalo just out to shore under the starry Mediterranean sky. Early contributions to the compilation include work by artists such as Logic Moon, Autistici, Lauge, Glåsbird and Adrian Lane. More names will join soon and we’re actively looking for submissions; if artists wish to get in touch, please visit our contact page.

In the meantime, there is a Go Fund Me page if you wish to support the project directly and there are some extra opportunities listed below, depending on the amount you choose. You can click on the link button below to find out more and any support you can give is greatly appreciated:

  • £20.00 / €25 gives you a funders credit on the travel guide/photo book. (includes a copy or the limited edition of the book)
  • £50.00 / €60 gives you a funders credit on the Return to Sea and Sardinia. (includes a limited edition of the film
  • £125.00 / €140 gives you a funders credit on both the Return to Sea and Sardinia film and photo book. (includes both a limited edition of the film and copy of the book)
  • £400.00 / €430 gives you a 4-day photography tuition class aboard the train routes Lawrence used while travelling in Sardinia (the Trenino Verde).

Supporters of the project will be given an opportunity to have themselves credited on the book and/or film produced as record.


Compilation album Press Release

Ennio’s Muse is a digital compilation album, released by British record label Whitelabrecs, as a means to generate funds and interest into an ambitious project called Return to Sea and Sardinia. 2021 marks 100 years since D.H Lawrence’s travel book Sea and Sardinia, in which he documents his travels from Sicily, through the Mediterranean Sea and up through Sardinia, before returning to his Sicilian home.

In Return to Sea and Sardinia, photographer and film maker Daniele Marzeddu plans to retrace Lawrence’s steps, a full century on since the original voyage. The journey will be captured through photography and a documentary film, which will be scored by Glåsbird. This ambitious plan is currently underway as we work together to hopefully obtain the funding needed to realise it.

Whitelabrecs have decided to curate a digital compilation, in which all proceeds will be donated to Return to Sea and Sardinia for a period of 12 months. The album is themed on cinematic scoring, inspired by the late great Ennio Morricone and throwing forward the themes of Mediterranean travel that lie ahead. The artists invited have been asked to produce a piece of music, as if they are scoring for an imaginary film. The result is a series of dream-infused pieces, in which you can expect modern classical composition and ambient moods, all draped under a clear-night-sky canopy of stars. The artists each pull in their own direction but collectively, Ennio’s Muse is bound as a cohesive whole.