Out Now! Sven Laux & Fione – Tomorrow Everything Could Be Different

Our June releases are out today and in this edition we have a collaboration between our regular artist Sven Laux, and his fellow Berliner Fione, a pianist and musician. ‘Tomorrow Everything Could Be Different’ is a collection of solo piano compositions that have been adapted into a magical soundtrack of strings, synths and electronics.

Tomorrow Everything Could Be Different is out now in a run of 100 copies! The best way to keep informed about our low-run releases, is to join our mailing list, and we’ll make sure you’re the first to hear!

press release
“With this latest edition to the Whitelabrecs discography, we welcome back composer Sven Laux with a collaboration with fellow Berliner and musician Fione. This record began from a chance meeting at a party after Fione had discussed her improvisational piano performances and how it might lend itself to Sven’s orchestral Ambient music. After over a year, Fione recorded a track and sent it to Sven, who added layers of additional texture and detail; enough to be a catalyst from which they produced an album.

Each original piano composition was adapted one by one, piece by piece, into its magical whole. Fione tells us that for her, the music was always about what could have been, a sort of pain that we feel inside of us that we know we can’t change, because it is impossible to turn back time. Instead, we live with what we know we have to deal with, facing every day with the uncertainty that something might change in a minute, an hour or, tomorrow. From here, Tomorrow Everything Could Be Different’s concept can be gleaned as we contemplate the past, present and future and it can be interpreted differently by the listener.

Quiet moments of reflection weave a pensive environment in which you can either concentrate your thoughts, or allow them to evaporate. The music feels at times as if it is containing and conserving its energy, only for swells of strings and fleeting crescendos to release the tension. It’s a release which reveals either negative, or positive energy, depending on its listener. The artwork from painter Maliana Wang reflects the album’s themes by offering what appears to be storm clouds or crashing waves.

We all see the future in different ways. Tomorrow Everything Could Be Different doesn’t tell you what will change, that things will get better, or worse. The clouds may thicken, or they may disappear.

credits
Written and Produced by Sven Laux and Fione
Mastered by James Edward Armstrong
Painting by Maliana Wang
Art and design by Andrew Heath

Coming soon… Sven Laux & Fione – Tomorrow Could Be Different

Here’s the second of two new releases lined-up for the 17th of June and in this one, we welcome back Sven Laux who has collaborated with a fellow Berlin-based artist Fione, who is a musician and pianist. Tomorrow Everything Could Be Different is an album inspired by time and place, with Sven taking Fione’s piano compositions into lush, orchestrated Ambient territory. The release is complete, with an original painting as the cover artwork, by Maliana Wang. Tomorrow Everything Could Be Different‘ will be up for pre-order this coming Bandcamp Friday, the 3rd of June.

Then ‘Tomorrow Everything Could Be Different‘ will be available officially in one of our typically low runs of 100 gatefold vinyl-effect CDrs, complete with art and design by Andrew Heath.

It will be released officially on Saturday the 17th of June. If you join our mailing list using the link below, we’ll make sure you’re the first to hear.

press release
“With this latest edition to the Whitelabrecs discography, we welcome back composer Sven Laux with a collaboration with fellow Berliner and musician Fione. This record began from a chance meeting at a party after Fione had discussed her improvisational piano performances and how it might lend itself to Sven’s orchestral Ambient music. After over a year, Fione recorded a track and sent it to Sven, who added layers of additional texture and detail; enough to be a catalyst from which they produced an album.

Each original piano composition was adapted one by one, piece by piece, into its magical whole. Fione tells us that for her, the music was always about what could have been, a sort of pain that we feel inside of us that we know we can’t change, because it is impossible to turn back time. Instead, we live with what we know we have to deal with, facing every day with the uncertainty that something might change in a minute, an hour or, tomorrow. From here, Tomorrow Everything Could Be Different’s concept can be gleaned as we contemplate the past, present and future and it can be interpreted differently by the listener.

Quiet moments of reflection weave a pensive environment in which you can either concentrate your thoughts, or allow them to evaporate. The music feels at times as if it is containing and conserving its energy, only for swells of strings and fleeting crescendos to release the tension. It’s a release which reveals either negative, or positive energy, depending on its listener. The artwork from painter Maliana Wang reflects the album’s themes by offering what appears to be storm clouds or crashing waves.

We all see the future in different ways. Tomorrow Everything Could Be Different doesn’t tell you what will change, that things will get better, or worse. The clouds may thicken, or they may disappear.

credits
Written and Produced by Sven Laux and Fione
Mastered by James Edward Armstrong
Painting by Maliana Wang
Art and design by Andrew Heath