Whitelabrecs Best of 2020 List

It’s been a strange old year, as pretty much anyone reflecting on 2020 is likely to conclude. I’ll see if I can write this without mentioning Covid-19. Failed already.

As many of our followers will know, our schedule of physical releases hit an unplanned break in April, due to the closure of our local post office. We also felt that even if it were to be open, it wouldn’t be right to stand in a queue of people to ship packages a few times a week. So we decided to stop all of our plans completely. Before long, we launched into another project: Home Diaries. 30 albums from 30 artists later, we were into the warmth of July and were delighted to release our CDs again! We summarised Whitelabrecs related things in our last post, so I think the Whitelabrecs story ends here for now as far as this post is concerned.

Aside from a seriously busy year of running Whitelabrecs and even making some of my own music, I also feel that in 2020 I was able to listen to more music than I ever manage in an average year. I’ve been working from home as well as having time away from work altogether, which resulted in lots of DIY. Any household chore or job for me will always involve music. The washing needs to go on the line – it takes 5 minutes – that’s a track that can be played. Glossing every radiator in the house for example, gives time to take in a few albums! The shortlist really swelled this year and as always, my list is not about the best executed record or the perfect sound. It’s about the feeling it created for me, and how well I connected with it. I want to listen back to the records in this list in a decade or so and be taken back to this year, as strange as it was.

I stopped writing on the Irregular Crates blog a while back and this is where I’d normally announce a ‘best of’ list. But we set up Wallofambient this year alongside some other ambient labels and it’s been a bit of a consideration on whether I would post my list there. As I finalised it though, I realised several albums I’ve chosen are not ambient… so I didn’t want to annoy the ambient purists too much.

So I’ve decided to share it on the Whitelabrecs page this year and I’m sure there will be a few Ambient purists that are disappointed in my selections! Hopefully you’ll find some gems here though still. I’ve made no secret of my wide open taste in music, probably influenced by my microscopically successful DJ career, which I still look back on nostalgically. This influences my curation of Whitelabrecs and the sound we put out. Sure, the label sound is ambient overall, but you’ll see that generally I favour a melodic, melancholic or textured sound. I’m sure this is linked to a taste that dabbles in Dub Techno, Drone, Jazz, Liquid Funk, African Music, Chillhop, Deep House, Modern Classical, Funk, Folk, Field Recordings, Bossa Nova and many other styles.

So if you click the big yellow image of Port Isaac in Cornwall (from our holiday in September), you’ll be able to listen to a mix which is a countdown show of a track from each album in my top 25. My wife Beth has kindly leant her voice to provide the countdown and I added some delay and reverb effects just for fun. Below you can see a gallery of the cover art for the list of 25, as well as my thoughts on each album:


1st:
Bibio
Sleep On The Wing
Warp

At the top of my list ever since the night I noticed this new Bibio record emerged on Warp. Definitely the soundtrack to late summer for me, and I played it in the car on our family holiday to Cornwall a lot this year. So this will be a very nostalgic record for me in years to come. The use of instrument, particularly strings is a perfect blend and it’s one of those albums you can easily listen through in full. It retains your interest too with its variety of moods.

https://warp.net/releases/189049-bibio-sleep-on-the-wing


2nd:
Melody Gardot
Sunset In The Blue
Decca

I was sat listening to jazz fm in the car when an advert for Melody Gardot’s album came on. It was starting to get pretty wintry and thoughts turned to Christmas – the lush string arrangements in the snippet of audio I heard urged me to listen to the album on Spotify. I literally listened to the album over and over that whole weekend; I decided I couldn’t live without the double LP too. This isn’t necessarily my usual taste as it’s singer-songwriter stuff. But it really is just so so good all the way through. The Philharmonic orchestra certainly help, as the whole arrangement in every single track is perfect. Nearly my album of the year, this…

https://store.universalmusic.com/melodygardot/


3rd:
Offthesky & The Humble Bee
We Were The Hum Of Dreams
Laaps

This record for me was the clear winner for 2020 right up until I discovered the top two in my list. It came out at around the time the lockdown kicked in here in the UK. I was doing lots of DIY jobs around the house and the expert sound design from these two masters was just the perfect tonic to long, slightly strange days stuck indoors. There’s so much detail to get lost in, yet it still sits in the ambient genre which allows you to drift as you listen.”

https://laaps.bandcamp.com/album/we-were-the-hum-of-dreams


4th:
Loving
If I Am Only My Thoughts
Last Gang

Out in January, this one escaped me to the point when the vinyl versions had long since gone. This is a small band creating hushed ‘indie’ music, dare I say. The tones of the guitar, keys and vocals are warm and enveloping. Every single track in the album is excellent and again, the sign of a top album is one you can listen to in one sitting, without feeling the need to hit ‘skip’.

https://loving.bandcamp.com/album/if-i-am-only-my-thoughts-2


5th:
Inventions
Continuous Portrait
Temporary Residence

This album was always set to be good with the combination of talented artists Eluvium and Explosions In The Sky. It wasn’t quite what I was expecting however, as this set of fun folk ambient tracks are full of twists and turns. It doesn’t take itself too seriously and some of the samples or recordings will make you smile, whereas there are also plenty of moments that are truly beautiful.

https://inventions.bandcamp.com/album/continuous-portrait


6th:
Mute Forest
Riderstorm
Lost Tribe Sound

It was another solid year for Lost Tribe Sound with another excellent series of releases. My favourite was Mute Forest’s Riderstorm, a blend of soft rock, folk, Americana and the lightest touches of electronica. Some of the pieces are instrumental whereas others make use of Kael Smith’s song-writing and vocals. There is a generous palette of instruments used throughout but a sparse, intimate feel to it too.

https://muteforest.bandcamp.com/album/riderstorm


7th:
Mathieu Karsenti
Bygones
Slowcraft

Over the years, Modern Classical ambient music has featured heavily in my favourite records of the year. Generally, I’ve relied on household names such as Arnalds, Frahm or Jóhannsson but this year, I discovered Bygones by Mathieu Karsenti as my favourite classically influenced record. The strings and arrangement of the instrument tones are as rich and lavish as you’d find in music by these household names and that’s likely due to the fact that Karsenti is a film score composer. Only gripe is that this one’s digital only… would love to own it on vinyl!

https://slowcraft.bandcamp.com/album/bygones


8th:
Matthew Halsall
Salute To The Sun
Gondwana

I’ve been following the work of trumpeter, jazz artist and Gondwana label owner Matthew Halsall since his album Colour Yes and pretty much own all of his albums. There’s a rich and vibrant feel to all of his work but this latest album, ‘Salute To The Sun’ there’s a slightly more exotic, ‘world’ feel to it in places with more than a nod to Pharoah Sanders and Alice Coltrane. I’ve listened to this a lot since the beautifully designed CD arrived and wonder whether this might be higher up the list if I’d have been listening back in the summer.

https://matthewhalsall.bandcamp.com/album/salute-to-the-sun


9th:
Less Bells
Mourning Jewelry
Kranky

Kranky have a knack for releasing some real acoustic ambient classics and some of the finest albums blending acoustic instruments into melancholy drones. Stars of the Lid are the obvious stand out. This one by Less Bells was subject to a lengthy pre-order with a sample track available to whet my appetite. I knew this would be right up there from that very first listen and this one’s been a regular in my playlist this year. It has everything – variety, strings, texture, tasteful choral vocals, echoes of other stringed instruments and swells of cathedral drone.

https://lessbells.bandcamp.com/album/mourning-jewelry


10th:
Roméo Poirier
Hotel Nota
Sferic

There was a repress this year of Romeo Poirier’s excellent Plage Arriere but before this, the jazz flecked electronic sound art of Hotel Nota really impressed. An inevitable comparison to Jan Jelinek or Jon Hassell can be drawn but you’ll get past that to enjoy Poirier’s approach to composition and enjoy the enveloping detail of these works. I own it on vinyl and that really adds an extra layer of dust that gives another dimension.

https://sferic.bandcamp.com/album/hotel-nota


11th:
Alabaster DePlume
To Cy & Lee: Instrumentals Vol. 1
International Anthem

“I listened to a fair bit of jazz this summer, particularly the more experimental or hushed works or slower, spiritual jazz. Discovering this album by Alabaster DePlume was quite something and from the opening moments of Visit Croatia, these restful woodwind, strings and guitar compositions were a welcome sonic backdrop for warm summer days indoors.

https://intlanthem.bandcamp.com/album/to-cy-lee-instrumentals-vol-1


12th:
Soulstatejazz
Annwn
Banoffee Pies

I’ve followed the work of Tom Ellis for years, since my DJing days. He originally produced a deep, minimal micro House style and it was interesting to see him branch into a live approach, focusing on jazz and soul. This year I’ve spent a lot of time listening (and mixing) house music and it’s disappointing to me that I don’t represent this in my end of year list. However, this record bridged my attempts to make DJ mixes again with my taste for jazz music too. It starts with a beautifully deep sax and Rhodes reprise and there are some slow, leisurely House jams intersecting this beautifully deep record.

https://soulstatejazz.bandcamp.com/album/annwn


13th:
Tomotsugu Nakamura
Literature
Laaps

Laaps has quickly established itself as one of the finest ‘ambient’ labels around, following on from the success of the Eilean imprint. This one from Japanese artist Tomotsugu Nakamura has been in my car CD player for most of the year and has been a calming ‘return to the office’ record, sounding particularly nice in the sun. Acoustic sound sources, reversed notes and clicks and cuts nod nostalgically back to the mid-2000s.

https://tomotsugu.bandcamp.com/album/literature


14th:
Okkyung Lee
Yeo-Neun
Shelter Press

This record by Okkyung Lee has caused quite a stir this year and I’ve seen plenty of positive reviews and comments in the press. Lee is a South Korean cellist and her album goes far beyond the cello, as piano, low slung bass and harp amongst other creaks and clangs which makes for a playful but at times, spooky record.

https://shelterpress.bandcamp.com/album/yeo-neun


15th:
Sinerider
Moonflowers
Dronarivm

Dronarivm is a label that you tend to expect to provide high quality year-end list esque material every year. In 2020, pick of the bunch for me is this beautiful ambient album by Sinerider, a range of woozy, hazy sun-speckled guitar drones. Some of the tracks are blurry, some are more open loops but this for me has to be one of the finest ambient-leaning albums of the year, something you can easily sink into at any time, and drift away.

https://dronarivm.bandcamp.com/album/moonflowers


16th:
Gastón Arévalo
Terrain
A Strangely Isolated Place

When I first discovered ambient music, through netlabels, I also fell across the work of Gaston Arevalo whose sound was often a mixture of field recordings and experimental, electronica influenced ambient. I must admin, I have not followed his discography for a good number of years but this mammoth collection of deep listening-drones on A Strangely Isolated Space was a big hit for me this year, particularly late at night. At an hour long, it needs plenty of time to give it your attention and is best enjoyed as a whole.

https://astrangelyisolatedplace.bandcamp.com/album/terrain


17th:
Morimoto Naoki
Dusk To Dawn
Lontano Series

“Lontano Series have emerged as a strong label in the ambient scene and this album by Morimoto Naoki is really quite something. It’s a collection of static-riddled electro-acoustic moods, full of warmth and light melancholy. It’s difficult not to think of the 12k label when listening to this and for me, it’s easily one of the finest ambient records of the year.”

https://lontanoseries.bandcamp.com/album/dusk-to-dawn


18th:
Andrew Wasylyk
Fugitive Light and Themes of Consolation
Athens Of The North

.

https://andrewwasylyk.bandcamp.com/album/fugitive-light-and-themes-of-consolation


19th:
Mell-ø + Ambulo
Afloat Again
Chilled6Cow

I’ve been a fan of chillhop for a few years now and several of these short, chilled instrumental hip-hop eps and mini albums are in my headphones over the course of any given year. I was really impressed with this one by Mell-ø & Ambulo, with beautiful licks of smooth guitar taking centre stage.

https://mellomusicnl.bandcamp.com/album/afloat-again-ep


20th:
Footshooter
Libations & Movement
Dance Regular

“I discovered this one early this year and it sort of started my interest in beat driven music as I looked for some styles to help keep a level of positivity throughout the pandemic and its lockdowns. This one’s billed as an EP but the length is more like an album. The tracks use a street-wise London approach in the beats and vocals, but there’s a nu-jazz, broken beat and house influence running through too with some really clever production. There’s even a short ambient piece in amongst these tracks!”

https://footshooterbeats.bandcamp.com/album/libations-movement-dance-regular


21st:
Session Victim
Needledrop
Night Time Stories

I’ve got all of the Session Victim albums and have long since been a fan but Needledrop is easily a favourite, and an early contender for album of the year. This artist is often filed under house but in this record, there’s a beautifully adept ability to create downtempo, soulful tracks too. Waller and Pierce for me is the stand-out track with smooth and deep soulful vocals.

https://sessionvictim.bandcamp.com/album/needledrop


22nd:
Misha Panfilov Sound Combo
Days As Echoes
Funk Night Records

“.”

https://mpsc.bandcamp.com/album/days-as-echoes


23rd:
Leon Revol
Enter A Zircon
Church

I’ve been enjoying Ryan Bissett’s work as Halftribe for quite some time now and a jaw dropping moment occurred not long after I hit play on ‘Backwater Revisited’ from the trusty Dronarivm label. The record features synth and electro acoustic tones, drenched in reverb and a tasteful hint of chorus. Plenty of crackle and space between the lines to allow for a glistening, wintry backdrop. The artwork features an adaptation of open source imagery by Mikalojus Konstantinas Čiurlionis from back in 1908 and this rustic, vintage cover fits in perfectly with the blanket-like folds of Ambience Ryan created here.

https://www.juno.co.uk/products/leon-revol-enter-a-zircon/773858-01/


24th:
Fabiano do Nascimento
Preludio
Now-Again

“I’ve always been into bossa and Latin music since my late teens, so occasionally I’ll discover something within these categories that I end up playing a lot, particularly in the summer. This one by guitarist Fabiano do Nascimento got some serious hammer and I found I played it a lot at around breakfast time. It’s got great variety and depth and has been pretty uplifting for a heavy old year.”

https://fabianodonascimento.bandcamp.com/album/prel-dio-2


25th:
Domenique Dumont
People On Sunday
The Leaf Label

“It happens every year; I finish agonising over my end of year list after months of shuffling my ‘chart’, casting an eye over everything I left out… then I happen to discover something wonderful in December. I’d already made my end of year mix and just had to swap in this album by Latvian artist Domenique Dumont, which had been on repeat all day. There’s a child like sense of wonder about all of these playful synth melodies and rhythms that I just can’t escape. I’ll state the obvious: a few more weeks of owning this, how high up this list might it have been?”

https://domeniquedumont.bandcamp.com/album/people-on-sunday

End of 2020 Sale – 30% Off

On Friday for Bandcamp day, we announced our winter sale for the month of December and into January before we begin our schedule for 2021. This year’s sale double’s the amount off from last year; a massive 30%!

The reason we’ve gone over the top this year is by way of thanks for all the support we received to keep us going in a tough year, but also, because our storage cupboard is overflowing with unloved CDs!

So until midnight on the 14th of January 2021, you can enjoy an extra 30% off all of our catalog, both physical and digital.

Simply enter the following code into the discount box provided when you check out to access the 30% reduction on all items:

CODE: extra30
LINK:
https://whitelabrecs.bandcamp.com/merch

If you’re new to the label and not sure where to begin, please see a few select items from our 2020 catalog that are low on stock. These might be a good place to start if you want to check out our catalog – simply take a look below and hit ‘play’ on the embedded mini players. You can then click the player or image to be transported to the release page.


Various Artists “Home Diaries”
April-June| Digital Only

A feature to pretty much everyone’s 2020 has been the outbreak of Covid-19, it goes without saying. In March we had to stop all of our planned CDr releases, due to the closure of our local post-office. With nothing to release and bills to pay, we launched the Home Diaries series, in which 30 artists contributed an EP or album which we sold digitally. Each record in the series featured a recurring image of a lonely house in a field, with varying colour filters and there’s a bonus PDF interview with the artist included with each one.
This details what the artist’s situation was during lockdown or social distancing conditions, as well as their plans and what equipment they used to create their work.

You can check out a landing page below, which summarises each release in this series. We’ll be releasing a double compilation album in January next year, featuring a track from each album, so watch this space!

https://mailchi.mp/971a27fff884/homediaries


Glåsbird “Novaya Zemlya”
September | 15 copies left

Now having landed at 4 different geographical locations, Glåsbird’s most recent edition to this series is a trip to the isolated and sparsely populated island Novaya Zemlya. This destination is two islands split in two by the Matochkin Strait. The northern island is pretty much all glacier whereas the southern island is currently inhabited by just over 2000 people and was also the site of the largest ever nuclear bomb test, the Tsar Bomba. Glåsbird uses icy static, strings and hints of brass to weave some of their most dramatic compositions yet.


thme “that’s what it will be like”
September | 30 copies left

Something which may have escaped the radar, this tonal, textured Ambient record by Parisian artist thme has been enjoyed by those who have checked it out with some nice feedback being received. Field recordings, samples and damaged piano keys drape over this idyllic but surreal soundtrack, with collage artwork provided by artist Arctic Sun.


Polaroid Notes “Ghost Sounds”
November | 10 copies left

These have literally been flying out the door since we released this latest album by Polaroid Notes last month. Although not intended to necessarily be festive, this record feels apt for this kind of year as we’re in winter holiday season, or at least over here in Europe anyway. Polaroid Notes used piano and synth to create deep and cinematic soundscapes, with some spooky undertones. The cover artwork is particularly striking we think, with the artist providing photography from the Black Mountain region of Southern Germany across the four panels of this package.


Mikael Lind “Give Shape To Space”
July | 10 copies left

We were thrilled to be working on the release of this album by Iceland’s Mikael Lind, an artist whose work featured right at the top of our favourite albums of 2019. Unfortunately we had to delay the release of ‘Give Shape To Space’ and we’re thankful Mikael stayed patient with us. This record features a generous selection of strings, synth and textural sounds along with artwork by his partner, Sigga Björg


Jens Pauly “Below”
June| 21 Copies Remaining

In June, we were delighted to get going again with our CDr releases. First on the list was the return of Jens Pauly, who had contributed ‘Vihne’ to our catalog last year. As with his last release, Jens completed the full packaging creation himself and put together a combination of black and white photography with sleek, minimal design. The music is a further selection of electro-acoustic manipulations, carefully blended with filigree detail.


Favourite Records of 2019

Our label owner Harry Towell has put together a post for the Irregular Crates blog of his favourite albums of the year, complete with a mix. Read below for Harry’s summary of the year followed by the top 20, with links and a brief commentary for each record. Click the image above to listen to the mix Harry has created, which counts down with a track from each of his favourite albums. Alternatively, there’s a player below and you can click play whilst you read…


“2019 has been very much the year of Ambient and Modern Classical for me in terms of my listening habits. I didn’t have as much time to devote to scouring weird and wonderful music across all genres as I usually do and tended to stick to ‘my scene’. I’ve been very busy running Whitelabrecs and so much of my spare time from work and family life has been set aside for working on the 18 album releases we managed this year and I tended to listen to upcoming label releases over and over as I prepared to release them. So my year has very much been soundtracked by my own label but I can hardly announce a best of list of work I’ve been directly involved with!

That’s not to say however, that I didn’t discover some truly breathtaking works from other labels and artists that I admire. I was sent quite a lot of the albums I have charted for a potential review on Irregular Crates and I regret not having the time to put pen to paper and support these albums. I always knew that whatever time constraints I was under, I wanted to give something back and keep these end of lists going, as a recommendation to others to hopefully introduce some wonderful music. I’ve always done it expressly to support labels and artists at the end of the year and I know how special it makes an artist feel, when a music-loving person enjoys their work enough to listen over and over again to the point of labelling it their favourite.

It’s now been 10 years since I got into the modern ambient/home listening scene and throughout the years on my old Audio Gourmet blog and Irregular Crates, I’ve done a ‘Best of’ list every time. After I wrote this article and before I made this year’s mix, I decided to glance back at these lists and skim through some mixes… The nostalgia it brought me is indescribable to the point where I realised that as well as giving something back to music by sharing my thoughts with friends and potential listeners, I am also documenting my life in music. The thought struck me to create a best of decade post or mix, but then I wondered if that might just be too big a task! Perhaps I’ll write a post and link to each of the charts and mixes, where applicable sometime before the year’s out?

Aside from my work on the label and my own production work, I’ve of course got a daughter who is almost 15 months old but also, I started a new job recently and gave up my other two. This has given a work/life balance that I can scarcely remember ever having and it’s given more time and space for music, where I’m now feeling less pressed for time. My work is an hour long commute each way, so five days a week, two hours a day I have a chance to listen to music and I’ve found that Spotify has become a more common platform for me since and I’ve created a few playlists across various genres which I’ve been adding to. I like many musicians never planned to use the service but it struck me that I actually own nearly all of what I listen to physically or at the very least as an mp3. The way I see it, there is actually a place for streaming as a tool of convenience when on the move and it gives artists and labels a chance to effectively keep on earning for every play even after a listener has purchased something. I know not everyone listens in this way, but it’s certainly the case for me. I did a survey of Ambient music listeners earlier this year and now have over 1000 people fill it in, so I look forward to sharing the results early next year!

This year I’ve followed a very similar format to last year’s post – my top 20 albums of the year are listed below along with a few words and the relevant links to check the album out for yourself. Then there”s a one and a half hour mix show too in which I’ve used some countdown vox pops that my wife Beth recorded for me a few years back. The cover artwork this year was taken on our first family holiday in Tenby, Wales as we looked out to St. Catherine’s Island one chilly September evening with the moon sat in the distance just above the sea. The holiday also formed a relaxing bridge between two jobs as I left my previous role of five years for pastures new. A wonderful week of reflection, looking forward to the future and making family memories.


1st:
A Winged Victory For The Sullen
The Undivided Five
Ninja Tunes

This album took me by surprise a little, not that it emerged suddenly as I’d been following the social media developments of the production for this record. But instead, it was the label which surprised me – it’s fascinating to see how Ninja Tunes has evolved; a label I’d explored in my teens for Trip Hop music is still around and still relevant, now working with powerhouses of Modern Classical music. It received considerable hype and I have to say deservedly so. I’ve known people who tend to swerve hyped records doubt it…and then listen and immediately get drawn in. It’s interesting for the Spotify or digital age, who build playlists – tell me how you can listen to a single track on this album? For me, it plays as a whole unit and I’ve simply not been able to put it down once a few notes from ‘Our Lord Debussy’ start. It commands a full listen, to be heard in all its glory. I loved O’Halloran and Wiltzie’s debut but this is their masterpiece and something that’s up there with some of the best music I’ve ever heard.

https://awvfts.bandcamp.com/album/the-undivided-five


2nd:
M. Grig
Mount Carmel
12k

I’ve been in touch with Mike (M. Grig) for a while after he’d contributed a track to the sleeplaboratory1.0 compilation on my label, Whitelabrecs. He announced that he’d be releasing an album with 12k, one of my favourite labels. I was so excited to hear it and when the album came out in May, it truly set me up for the summer. The warm guitars shine in the sun on an album steeped in nostalgia. The liner notes on the release page give further insight into the childhood memories which are woven into this beautiful record which is rounded off perfectly with the evocative painted cover art.

https://12kmusic.bandcamp.com/album/mount-carmel


3rd:
Mikael Lind
Contingencies
Archives

Archives, as they do so regularly, were responsible this year for introducing me to another artist. This time, enter Mikael Lind, whose album is set to a backdrop of the deepest, darkest forest. The artwork grabbed me first and I ordered the CD which has become the most played album in my car this year. There isn’t much written in regards to a concept but the artwork and sound are striking enough for this to still feel complete. Different pianos are played, with careful detail and minutiae embedded into the composition. Every track is a winner but Ideas Fade Away blows my mind.

https://archivesdubmusic.bandcamp.com/album/contingencies


4th:
Hoshiko Yamane and Mikael Lind
Spaces In Between
Time Released Sound

This one’s only recently dropped so I’ve not had long to listen to it. But then, I didn’t need long. It’s not difficult to be bowled over by an album when it’s of this quality. This album navigates the distance between Berlin and Reykjavik, the places in which these two respective artists live. Yamane was a violinist as part of Tangerine Dream and Mikael Lind has been forging his career as a modern composer to great effect. This record is utterly incredible and I wonder whether with a bit of time and space, it might have given A Winged Victory For The Sullen’s record a run for its money in first place….

https://timereleasedsound.bandcamp.com/album/spaces-in-between


5th:
Penguin Cafe
Handfuls of Night
Erased Tapes

Quality output on Erased Tapes is expected and there was no disappointment in their release of the Penguin Cafe’s ‘Handfuls of Night’. It’s a record in which Arthur Jeffes attempted translate his experiences travelling to Antarctica, a land which of course is inhabited by the penguin, and not much else! The album uses modern classical composition inclusive of piano, viola, double bass, violin, cello and percussion to name but a few ingredients, to tell the story of endless space. There is not just the vast open white blank canvas that one might imagine, cold and stark nothingness. Instead, this record is brimming with life and wonderment somehow and, it sounds particularly magnificent on vinyl, through a decent sound system and a bit of volume!

https://penguincafe.bandcamp.com/album/handfuls-of-night


6th:
The Humble Bee and Offthesky
All Other Voices Gone, Only Yours Remains
IIKKI

How do two such revered artists from the same scene combine? Craig Tattersall’s defined a generation through his work as The Boats, his label Moteer and of course, The Humble Bee whilst Jason Corder has been refining his work as Offthesky for the same duration. In a word, the combination blends together effortlessly. Whether that was the case in the studio/in production we may never know but this album is a work of art in every sense of the word. You’re left with half a photograph, evocative track titles and a careful unfurling of fuzzy, warm ambience and electro acoustics. Not to mention, a truly special physical edition by the fine art label IIKKI.

https://iikki.bandcamp.com/album/all-other-voices-gone-only-yours-remains


7th:
Justin Wright
Music For Staying Warm
First Terrace

This record was clearly instantly impressive but I found it move further and further up my ‘chart’ as the year went on. I wonder if it could be the weather? We’ve had quite a bit of wind and rain here in the UK so the title of this one helps it feel like a comfort blanket. Justin Wright has composed a suite of modern classical music, with cello at the centre of the production given that this is his chosen instrument. It is not deep, dark cello – rather, it is warm and uplifting in a strange, melancholy way.

https://firstterracerecords.bandcamp.com/album/music-for-staying-warm


8th:
Vieo Abiungo
The Dregs
Lost Tribe Sound

William Ryan Fritch has very much become the signature artist for Lost Tribe Sound but his other moniker Vieo Abiungo deserves every attention too. This year LTS put out an album with a title which doesn’t exactly have positive connotations. However, this record is everything but – there’s far too much detail and careful attention paid to the production of this percussion and instrument laden album. Across 14 short tracks, Fritch builds an exotic tale of a far away land, perhaps one that doesn’t even exist. It will literally suck you in with tribal tunes and its subtle moments of suspense. I’ve had this one playing in my headphones everywhere from the car to the supermarket. A must listen.

https://williamryanfritch.bandcamp.com/album/the-dregs


9th:
Offthesky
Illuminate
Eilean

With Eilean Recs set to bow out this year, it was exciting to see what records they’d put out to conclude this wonderful series. I was delighted to see the return of Offthesky! Anyone who has read pretty much any of my end of year lists, will have seen this artist’s name crop up time and time again. Indeed, Jason Corder’s work is something I’ve tracked ever since I got into the Ambient side of my musical taste a decade ago. This one’s a beautiful electro-acoustic album, which leans more on the Ambient side, also featuring guest vocals, viola, violin, cello, oboe and sax. Corder manages to concoct this into a liquid mix which flows effortlessly.

https://eileanrec.bandcamp.com/album/illuminate


10th:
Skyphone
Marsh Drones
Lost Tribe Sound

Lost Tribe Sound have had a phenomenal year and an artist they provided two superb vinyl editions for was Danish duo Skyphone. I must admit, I hadn’t heard of them but as soon as I caught a glimpse of the artwork, which for me would have to be the cover artwork of the year, I was always going to listen. Then the press videos of a room full of instruments was enough to get me excited enough to want to like their work… then the vinyl arrived! A superb selection of tracks, which traverse synth, guitar, vocal lines in a post rock meets ambient style. This one isn’t bogged down dreary drone, maudlin classical or grizzly grunge – it’s actually really uplifting and one I reach for time and time again.

https://skyphone.bandcamp.com/album/marsh-drones


11th:
Marek Kamiński
Not Here
Self Released

“Marek Kamiński sent me his self-released album early on in 2019 and I subsequently ordered it on vinyl. I was drawn to the cover artwork to begin with in that it is a good reference point to consider when listening: the tree is clearly no longer there, but there is plenty of evidence that it existed and something so colossal has left its mark. The music in Not Here is a selection of modern classical piano-led melodies, riddled in static and field recordings, reminiscent perhaps of Library Tapes which is no bad thing!

https://marekkaminski.bandcamp.com/album/not-here


12th:
Silmus
Laaksum
Volkoren

I reviewed Silmus’ ‘Shelter’ back in 2014 and it was to become one of my favourite albums for that year and beyond. So I was thrilled when Gert sent me ‘Laaksum’ at the beginning of the year. I regret not being able to review this one, especially given how impressive this album is, which features the cello talent of Guy Gelem. However, it’s a record that again features in my ‘best of’ list and something I’ve listened to over and over this year. If Shelter was one for indoors, Laaksum is an album for cold, wide-open spaces. The title ‘Dancing on the Pier, Discovering the Sea’ is a wonderfully evocative title for a track which fittingly, begins from hushed, slow tones before evolving into something more alive and vibrant against the backdrop of a darkened sky.

https://silmus.bandcamp.com/album/laaksum


13th:
Kira Kira and Hermigervill
Sumarbörn
Time Released Sound

Fine art imprint Time Released Sound continues to share superb material with the world, combining lavish packaging ideas with high quality modern composition, ambient and electronic music. I was taken aback by Sumarbörn by Kira Kira and Hermigervill, which combines glacial ambient and classical music with choral vocals. Doesn’t sound much on paper but it’s difficult to describe, so I strongly recommend you click on the link and sink into this one:

https://timereleasedsound.bandcamp.com/album/sumarb-rn


14th:
anthéne
Lost Channel
Archives

I was lucky this year to work with Brad Deschamps who records as anthéne, as part of a pretty special year for him: three album releases! My pick of the bunch would be ‘Lost Channel’ on Archives, with its warm drones which swell and soar, with the saturated sounds of tired tapes. The whole thing feels like a time lapse low drone-helicopter flight across the globe, with stormy choppy shores giving way to the gaping wide ocean.

https://anthene.bandcamp.com/album/lost-channel


15th:
Sven Laux and Daniela Orvin
The Writings
Dronarivm

Another entry for Dronarivm and a record collaboration between my good friend and collaborator Sven Laux alongside Daniela Orvin. The duo met over several studio sessions and this is their output, a cinematic epic that includes icy cold dramatics, slow and brooding soundscapes, warm and charming ambience and fuzzy orchestration. Check out ‘A Moment Of Silence’ in particular and be prepared to be amazed. What’s particularly impressive here, is just how effortlessly the two styles of these artists combine.

https://dronarivm.bandcamp.com/album/the-writings


16th:
Santilli
Surface
Into The Light

I discovered this one when prowling the feed of new releases on Boomkat and was drawn to the immediacy of this melancholy sound. It was hard to believe that this one’s a debut as it feels like years of honing a craft although, perhaps it is of sorts, since multi-instrumentalist Max Santilli has worked with many acts and artists over the years. I ordered this one on vinyl and have enjoyed the spacey chords, guitar and exotic percussive sounds ever since.

https://into-the-light.bandcamp.com/album/surface


17th:
Aries Mond
Cut Off
IIKKI

“I get sent most IIKKI albums for Irregular Crates and it pains me that I can’t find the time to write more about these works on the blog, as absolutely everything is pristine quality in terms of artwork and curation. This one by Aries Mond floored me the first time I heard it and has the same effect every time – it begins with rustling, prepared-piano style sounds – gentle and unfolding. The live sounding notes blur through reversing and subtle electronic looping and sampling, a truly clever record that never fails to immerse and pull you in, so long as you give it your time.”

https://iikki.bandcamp.com/album/cut-off


18th:
Halftribe
Backwater Revisited
Dronarivm

I’ve been enjoying Ryan Bissett’s work as Halftribe for quite some time now and a jaw dropping moment occurred not long after I hit play on ‘Backwater Revisited’ from the trusty Dronarivm label. The record features synth and electro acoustic tones, drenched in reverb and a tasteful hint of chorus. Plenty of crackle and space between the lines to allow for a glistening, wintry backdrop. The artwork features an adaptation of open source imagery by Mikalojus Konstantinas Čiurlionis from back in 1908 and this rustic, vintage cover fits in perfectly with the blanket-like folds of Ambience Ryan created here.

https://halftribe.bandcamp.com/album/backwater-revisited


19th:
Hampshire and Foat
Saint Lawrence
Athens of the North

I discovered Hampshire and Foat for the first time when I stumbled across their album ‘Saint Lawrence’ which came out on Edinburgh’s Athens of the North label. It was released in March and I grabbed it in the summer, in time to enjoy it in the sun which feels the best setting, particularly whilst driving or walking through the British countryside. The album itself was recorded live during a couple of sunny afternoons spent in churches on the Isle of Wight and whilst this album is truly masterful in its presentation, its recurring themes and acoustic presentation give it a beautifully intimate feel.

https://aotns.bandcamp.com/album/saint-lawrence


20th:
Leo Svirsky
River Without Banks
Unseen Worlds

“US based Russian pianist and composer Leo Svirsky first grabbed my attention via the cover artwork to his album ‘River Without Banks’ which appeared on the Unseen World label. It retains an organic feel to it despite the fact that it’ll probably be filed under Modern Classical; yes the piano pans across the stereo field from time to time, accent notes feel extended into drones and crystalline piano notes hover over one another. But, the piano is undoubtedly the focus throughout, making this one have that live feel. The sound is just magical and I recall many mornings sipping espresso in a coffee shop before work.”

https://unseenworlds.bandcamp.com/album/river-without-banks

A Closer Listen: Best Labels of 2017

We have been readers of A Closer Listen for many years and the site has had a hand in shaping the listening taste that aids the curation of Whitelabrecs. So we were thrilled to see this small label has been named one of A Closer Listen’s favourite labels of 2017, alongside top US label Constellation and Indonesia’s Tandem Tapes.


“The U.K.’s Harry Towell is no stranger to the ambient realm.  As Spheruleus, he’s unleashed many gorgeous albums into the world; as the head of Audio Gourmet, he continues to release Tea Break EPs; and in early 2016, he established Whitelabrecs as yet another outlet for beautiful music.  The fun part about the label is that the physical releases all look like 45s.  Each comes with a polaroid print as well.  With sounds ranging from the sedate to the drone-induced, the artists on the roster offer a seemingly endless supply of static, loops and lovely melodies, the perfect panacea for a fast-paced world.  The label released 16 albums in 2017, bringing their total to 32.” Richard Allen, A Closer Listen


To check out A Closer Listen’s full post, click the image above or HERE

Best of 2017: Andrew Lang

The next artist to contribute to our ‘best of 2017’ rundown is Andrew Lang who debuted with us with his piano compositions entitled ‘Burnt Shades’. We had a catch up with Andrew who also chose his five favourite records from this year, covering Ambient and Indie territory.


Gang Of Youths
Go Farther In Lightness
[Mosy Recordings]

“Sophomore record from an Australian indie rock band. I genuinely believe this is one of the best Australian albums ever released (easily the best in the last few years) – it’s a celebration of life and the darkness within it; in being hurt and becoming stronger from the experience. This one’s been on pretty much constant rotation since I discovered them a few months back.”


Phoebe Bridgers
Stranger In The Alps
[Shhpuma]

“Dark and melancholy indie folk in the vein of Carissa’s Wierd, amid moments of Twin Peaks-y ambience, Totally haunting stuff – strongly recommend listening to this one on a solitary late night walk.”



Slowdive

Slowdive
[Dead Oceans]

“None of Slowdive’s previous releases have ever grabbed me particularly, but this one is truly stunning. I don’t really know how to describe this record beyond just telling everyone to go listen to it – from the opening seconds of the opening track, you’ll understand.”


How To Disappear Completely
Mer de Revs I + II
[Self Released]

“(Technically two albums but…) Several hours of blissful ambient music that feels like entering a second womb. It’s music intended for sleep but I can’t bear to do it that injustice – I can only listen to this with my full attention, which in itself is pretty rare for ambient music. These records have genuinely been a huge inspiration on my own creative approach in recent months.”


The World Is A Beautiful Place and I Am No Longer Afraid To Die
Always Foreign
[Epitaph Records]

“I didn’t love this album at first compared to this band’s previous releases, but repeated listens uncover a really beautiful record documenting the band’s history over the past couple of years, cast against the US election and its effect on the members’ personal lives. It’s a bold new direction for the band, both stylistically and thematically, but one that’s worth many spins.”


What have you been up to Andrew?
“It’s been an eventful year personally so I haven’t released a huge amount, but things are settling down and slowly beginning to take shape. I’m starting to explore more in the way of effects processing and ambient experimentation, which has really shaken up my own process and the way that I’m approaching things. Something releasable is starting to form…


You can find out more/buy Andrew Lang’s music here:
http://music.andrewlang.net/
http://facebook.com/andrewlangmusician


Best of 2017: Ondrej Zajac

Our next ‘best of 2017’ feature sees us welcome back Ondrej Zajac who has been pretty busy since his debut ‘Monolith’ on Whitelabrecs. We caught up with Ondrej who put together a beautiful best of list as well as providing insight into his selections and spending some time updating us on his recent activity and plans.


Andrea Belfi
Alveare
[IIKKI]

“I consider this Italian wonder to be one of the most important musicians active today. He has released two albums this year and it seems to me that in the delirium caused by his latest record Ore, everyone tends to forget his earlier record Alveare, which comes with a book as part of IIKKI project. It much more resembles his 2014 record Natura Morta, since it was recorded during the period of 9 years. I like to think of it as a kind of “best of” compilation. You can see so much of his musical development in this lovely piece of work…”


Raphael Vanoli
Bibrax
[Shhpuma]

“I noticed Raphael thanks to the Knalpot band and in his solo work, I found something I haven’t heard anywhere else. I followed him for few years now and in Bibrax, you can hear an album full of unusual beauty. Nothing sounds like guitar on this guitar album. His playing technique is unheard of and there is probably not a single other guitarist today who is willing to be so different in pursuit of his beliefs.”



Diatribes

Sistere
[Mappa]

“Diatribes are Cyril Bondi and d’incise. This record was released by an amazing label from my country: mappa. It requires patience but it can pull you into the ocean of rhythms, repetition, dissonance and silence, where you will definitely lose sense of time. They just played in Prague and I was unable to attend the gig, so I am constantly crying since then!”


Tante Elze
Hmota
[slnko records]

“This duo from Slovakia came under my radar while it was still just a one person project. You may consider them to be too mainstream but the truth is that they are successfully doing everything they can to be as honest as possible, which is something I admire above all. Hmota means matter. And this album is some serious objectification of pure and innocent ideas.”


The Necks
Unfold
[Ideologic Organ]

“David Kollar, Mt Accord, Theydon Boys, Gosheven, Julian Sartorius, Ryuichi Sakamoto, Knivtid, José Soberanes, Jenny Berger Myhre, Tittingur… so many records I would like to place here. But this spot goes to The Necks, since Unfold is proof that you can always explore something new and still sound fantastic. I also went to their gig this year and it was a transcendental experience.”


What have you been up to Ondrej?
“After being yes man for two years and after a second year of compilations, solo releases, curation of my micro-label métóre, compositions for gallery exhibition, collaboration with filmmakers and constant gigging, I’ve been learning to actually say “no” lately. While it is true that I am currently booking gigs for 2018, I would like to hide in some deep cave and get some rest. That being said, I am working with Nicola Fornasari on some new music and I don’t plan to work on anything else before this is finished. I am extremely grateful for this because I kind of adore Nicola and his Whitelabrec’s album with Diego Balconi blew my mind. I also have some other future collaborations planned so I will just work in my new slower pace and do my best to deliver some honest music.


You can find out more/buy Ondrej Zajac’s music here:
https://www.facebook.com/thisisondrej
https://ondrejzajac.bandcamp.com


Best of 2017: Teamforest

We’ve a special new feature to close the year out: we decided to ask some of our artists for their 5 favourite records of 2017 as well as have a general catch up.

First up, we caught up with Philipp Buckle, one half of The Restless Fields who kicked everything off on the label in our inaugural release. Philipp records as Teamforest and provides a selection of lo-fi electronica, drone and African music:


Amadou Binta Konté & Tidiane Thiam
Waande Kadde
[Sahel Sounds]

“Is this African blues? Whatever it is, it’s highly addictive and didn’t leave my record player for quite some time.”

 

 


The Remote Viewer
Us. In Happier Times
[Other Ideas]

“This isn’t exactly new but released now for the first time which is good enough for me. The liner notes say it’s a “musical panic room” and this is true. Known sounds but very consoling in cold times.”

 



Brannten Schnüre

Muschelsammlung
[Vrystaete]

“Christian Schoppik never lets you down. Weird German music.”

 

 

 


BJ Nilsen
Massif Trophies
[Editions Mego]

“Atmospheres and stuff. I really like it because it somehow bends reality.”

 

 

 


Jaap Vink
Jaap Vink
[Recollection GRM]

“Also released on Archival Recordings but so stunning that it could have very well been brand new.”

 

 

 


What have you been up to Philipp?
“Last year I have released two cassette albums “Abendlieder” on Awkward Formats, which are evening drones coming in a nice wooden box. Then there is “They Never Got The Message”, a split tape with Michael Potter on Null/Zone. John Kiran Fernandes from Olivia Tremor Control played clarinet and Antony Ryan from ISAN mastered my side. Caro Mikalef provided us with a one of a kind riso printed cover. This is probably one of my favourite releases ever so I constantly rant and brag.
The new year will bring us a new CD album on a Swedish label and finally the release of my “Paintings” album as a vinyl LP in March. I’ll make updates of more details when they are available. Also my short film “The Craftsman” seems to draw some festival attention. This is something I am especially excited about.”


You can find out more/buy Teamforest music here:
www.facebook.com/teamforest
www.teamforest.bandcamp.com