Coming soon…Jazzdefector and Slow Clinic – Green Echo


We’ve been busy shipping parcels of the recent Gray Acres album and also, preparing our next limited edition CDr. This one features a collaboration between two artists who have released solo albums with us; Sebastian Buccheri as Jazzdefector and James Armstrong’s Slow Clinic. The duo met after James admitted on social media that he was suffering from writer’s block and their work together produced something that flowed freely. ‘Green Echois an album of varying drones, full of peaks and troughs which ebb and flow through moments of solitude and more epic bursts. Sebastian’s signature guitar sound is interspersed careful soundscaping. This will be available in 2019’s signature gatefold-LP style CD, in a run of 100 copies  and we’ll release this officially on or around the 19th of October 2019. This one might appeal to artists such as Robin Guthrie, Darkroom or Thom Brennan.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“Our next release sees the return of both Jazzdefector and Slow Clinic, who contributed albums to our catalog in 2016 and 2018 respectively. The pair have been connected via social media for quite some time but when James Armstrong (Slow Clinic) had posted about a stint of writer’s block, Sebastian Buccheri (Jazzdefector) messaged to suggest a collaboration.
James agreed and set about creating the sort of paired-back material which started this journey, with his debut for Somehow Recordings; a guitar, a volume pedal, octaver and an endless feedback delay. This was passed over to Sebastian who added his signature guitar sound to add new layers of improvised melody to James’ drones.

The collaboration that became ‘Green Echo’ drew out a combined strength between two artists who had reached a plateau in their creativity at that point. In their mutual brick walls they found that the blocks were removed through the creation of Green Echo. The bouncing back and sharing of ideas, or echoes if you prefer, translated into something greener, as hope and optimism took hold. The album itself has also become a collection of memories which reflect this positive experience created in winter and for Sebastian in particular, he recalls the fading green landscapes of the midlands, UK countryside in which he lives.”

credits
Written and produced by Sebastian Buccheri and James Edward Armstrong
Mastered by James Edward Armstrong
Packaging design by Harry Towell

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Out now! xu – embodying formlessness

We’ve had a short break since our last release by Emanuele Errante and we’re also due to go on holiday next week. Before we go, we’d like to introduce another Italian sound artist Nicola Fornasari, who records as xu. Those who pay close attention to liner notes may recognise Nicola’s name, as he is one half of La Petite Vague, who we worked with back in  2016. thoughts of the present as electronics and organic instruments layer together. As xu, Nicola has released with labels such as Eilean and Cathedral Transmissions and in ‘embodying formlessness‘, we have a beautifully minimal set of electro-acoustic tracks created using a toy ukulele and electronics. Artwork is provided by our regular collaborator Peter Nejedly. This will be available in 2019’s signature gatefold-LP style CD, in a run of 100 copies  and we’ll release this officially on or around the 14th of September 2019. This one might appeal to artists such as Masaya Kato, Offthesky or Marcus Fischer.

embodying formlessness was released to subscribers of our mailing list last weekend, who had the first opportunity to grab a copy and the CDs have been going well! You can stream the album on Bandcamp and of course, grab one of the remaining physical copies or a download if you prefer by clicking the link below or image above. To avoid missing out on future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/embodying-formlessness

 

press release
“With our next release we welcome back Nicola Fornasari who is one half of La Petite Vague, a project which we’ve almost exclusively supported across Whitelabrecs and our sister label Audio Gourmet. Nicola also records solo work as xu, with material released through labels such as Eilean, Cathedral Transmissions and most recently, Manyfeetunder.

The next album in the xu catalog is ‘Embodying Formlessness’, which Nicola created by recording improvisations performed on his daughter Nina’s toy ukulele and then setting these into non-synchronised loops. These were made by using various pedals by experimenting with ‘blind looping’, a technique used to create unpredictable variations of a certain loop. Additional sounds were layered into the compositions by adding minibrute parts which were also fed into effects pedals and these provide an array of high and low frequencies.
The resulting sound throughout the six tracks that encompass this album is one of a tactile minimalism and the sound itself is a representation of the concept.

In the period during which Embodying Formlessness was created, Nicola was studying the Two Truths, fundamental points developed by Buddhist philosopher Nāgārjuna. These consist of Relative Truth, which is the conventional way in which we perceive reality and Absolute Truth, which is the theory that objects and events have no intrinsic existence and no individual identity, except in our thoughts. Both perspectives are true and neither intellectual position is the correct one. So in summary, phenomena are both real and not real; things exist, yet nothing exists.
There is a sentence in the Heart Sutra which inspired the title for this album:
Form is no other than emptiness; emptiness no other than form. Form is exactly emptiness; emptiness exactly form.

Embodying Formlessness sets out a short collection of existential pieces, crafted from the random placement of melodic source material, adorned with subtle electronics. This provides an ideal backdrop to contemplate the theme of the Two Truths, as you try to separate the difference of what is real and what is perceived.”

credits
Written and produced by Nicola Fornasari
Mastered by Tim Diagram
Cover artwork by Peter Nejedly
Packaging design by Harry Towell

Coming soon…xu – embodying formlessness



We’ve had a short break since our last release by Emanuele Errante and we’re also due to go on holiday next week. Before we go, we’d like to introduce another Italian sound artist Nicola Fornasari, who records as xu. Those who pay close attention to liner notes may recognise Nicola’s name, as he is one half of La Petite Vague, who we worked with back in  2016. thoughts of the present as electronics and organic instruments layer together. As xu, Nicola has released with labels such as Eilean and Cathedral Transmissions and in ‘embodying formlessness‘, we have a beautifully minimal set of electro-acoustic tracks created using a toy ukulele and electronics. Artwork is provided by our regular collaborator Peter Nejedly. This will be available in 2019’s signature gatefold-LP style CD, in a run of 100 copies  and we’ll release this officially on or around the 14th of September 2019. This one might appeal to artists such as Masaya Kato, Offthesky or Marcus Fischer.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“With our next release we welcome back Nicola Fornasari who is one half of La Petite Vague, a project which we’ve almost exclusively supported across Whitelabrecs and our sister label Audio Gourmet. Nicola also records solo work as xu, with material released through labels such as Eilean, Cathedral Transmissions and most recently, Manyfeetunder.

The next album in the xu catalog is ‘Embodying Formlessness’, which Nicola created by recording improvisations performed on his daughter Nina’s toy ukulele and then setting these into non-synchronised loops. These were made by using various pedals by experimenting with ‘blind looping’, a technique used to create unpredictable variations of a certain loop. Additional sounds were layered into the compositions by adding minibrute parts which were also fed into effects pedals and these provide an array of high and low frequencies.
The resulting sound throughout the six tracks that encompass this album is one of a tactile minimalism and the sound itself is a representation of the concept.

In the period during which Embodying Formlessness was created, Nicola was studying the Two Truths, fundamental points developed by Buddhist philosopher Nāgārjuna. These consist of Relative Truth, which is the conventional way in which we perceive reality and Absolute Truth, which is the theory that objects and events have no intrinsic existence and no individual identity, except in our thoughts. Both perspectives are true and neither intellectual position is the correct one. So in summary, phenomena are both real and not real; things exist, yet nothing exists.
There is a sentence in the Heart Sutra which inspired the title for this album:
Form is no other than emptiness; emptiness no other than form. Form is exactly emptiness; emptiness exactly form.

Embodying Formlessness sets out a short collection of existential pieces, crafted from the random placement of melodic source material, adorned with subtle electronics. This provides an ideal backdrop to contemplate the theme of the Two Truths, as you try to separate the difference of what is real and what is perceived.”

credits
Written and produced by Nicola Fornasari
Mastered by Tim Diagram
Cover artwork by Peter Nejedly
Packaging design by Harry Towell

Out Now! Emanuele Errante – This World

It’s been a busy week after having sold out of our Glåsbird release before it had even been up for pre-order. Hot on its tails, we welcome Italian sound artist Emanuele Errante, who some may recognise from his collaborations with Dakota Suite or Dag Roseqvist. ‘This World‘ is a 10 track journey through memories of old, levelled against thoughts of the present as electronics and organic instruments layer together. Errante uses field recordings, synth and guitar as well as some piano from Bruno Sanfilippo and also, oboe and saxophone by Max Fuschetto. Artwork is provided by SoWhat Musica magazine’s Peppe Trotta. This will be available in 2019’s signature gatefold-LP style CD, in a run of 100 copies  and we’ll release this officially on or around the 24th of August 2019. This one might appeal to artists such as Midori Hirano, Jens Pauly or M. Ostermeier.

This World was released to subscribers of our mailing list last weekend, who had the first opportunity to grab a copy and the CDs have been going well! You can stream the album on Bandcamp and of course, grab one of the remaining physical copies or a download if you prefer by clicking the link below or image above. To avoid missing out on future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/this-world

press release
“Emanuele is a sound artist from Baia a little coastal town in the Phlegraean Fields in Southern Italy. He has released albums with labels such as Karakoe Kalk, Somnia and Apeginine as well as collaborating with artists such as the Dakota Suite, Dag Rosenqvist and compatriots Enrico Coniglio and Elisa Marzorati. Live performances have seen Emanuele share a stage with artists including Deaf Center, Biosphere, Vladislav Delay, Tim Hecker, Xela, Marsen Jules and Ulrich Schnauss.

Since the age of 6, he started playing a bontempi organ, a Christmas gift given by his parents before progressing through synthesizers and performing in local bands. With some years spent creating music using a computer, these days, Emanuele’s workflow is returning to his origins of live playing, usually with a synthesizer. His work is now imbued with an acoustic quality, sitting comfortably alongside electronic aesthetics. The natural sounds of field recordings add an almost tangible dimension to his work and it is here, in the outdoors, that his latest album is immersed.

‘This World’ is a deep and intimate exploration of what our planet and its inhabitants have become today which Emanuele is honest enough to admit, he doesn’t particularly like much of what he sees. Each of these 10 tracks is a reflection of what the world once was not so many years ago and what it is now. The path meanders both memories and present considerations, beginning with sparse, minimal notes to initiate contemplation, before more expansive, lush arrangements take hold as the album progresses. Emanuele narrates a deeply personal account throughout This World, but these tales are both vague and provocative enough for the listener to contemplate the journey for themselves.

credits
Written and produced by Emanuele Errante
Mastered by Tim Diagram
Cover artwork by Peppe Trotta
Internal photo by Emanuele Errante
Packaging design by Harry Towell

Guest Musicians:
Max Fuschetto – Oboe on ‘Anema’, Saxophone on ‘Azimut’
Bruno Sanfilippo – Piano on ‘Out There’

Coming soon…Emanuele Errante – This World

It’s been a busy week after having sold out of our Glåsbird release before it had even been up for pre-order. Hot on its tails, we welcome Italian sound artist Emanuele Errante, who some may recognise from his collaborations with Dakota Suite or Dag Roseqvist. ‘This World‘ is a 10 track journey through memories of old, levelled against thoughts of the present as electronics and organic instruments layer together. Errante uses field recordings, synth and guitar as well as some piano from Bruno Sanfilippo and also, oboe and saxophone by Max Fuschetto. Artwork is provided by SoWhat Musica magazine’s Peppe Trotta. This will be available in 2019’s signature gatefold-LP style CD, in a run of 100 copies  and we’ll release this officially on or around the 24th of August 2019. This one might appeal to artists such as Midori Hirano, Jens Pauly or M. Ostermeier.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“Emanuele is a sound artist from Baia a little coastal town in the Phlegraean Fields in Southern Italy. He has released albums with labels such as Karakoe Kalk, Somnia and Apeginine as well as collaborating with artists such as the Dakota Suite, Dag Rosenqvist and compatriots Enrico Coniglio and Elisa Marzorati. Live performances have seen Emanuele share a stage with artists including Deaf Center, Biosphere, Vladislav Delay, Tim Hecker, Xela, Marsen Jules and Ulrich Schnauss.

Since the age of 6, he started playing a bontempi organ, a Christmas gift given by his parents before progressing through synthesizers and performing in local bands. With some years spent creating music using a computer, these days, Emanuele’s workflow is returning to his origins of live playing, usually with a synthesizer. His work is now imbued with an acoustic quality, sitting comfortably alongside electronic aesthetics. The natural sounds of field recordings add an almost tangible dimension to his work and it is here, in the outdoors, that his latest album is immersed.

‘This World’ is a deep and intimate exploration of what our planet and its inhabitants have become today which Emanuele is honest enough to admit, he doesn’t particularly like much of what he sees. Each of these 10 tracks is a reflection of what the world once was not so many years ago and what it is now. The path meanders both memories and present considerations, beginning with sparse, minimal notes to initiate contemplation, before more expansive, lush arrangements take hold as the album progresses. Emanuele narrates a deeply personal account throughout This World, but these tales are both vague and provocative enough for the listener to contemplate the journey for themselves.

credits
Written and produced by Emanuele Errante
Mastered by Tim Diagram
Cover artwork by Peppe Trotta
Internal photo by Emanuele Errante
Packaging design by Harry Towell

Guest Musicians:
Max Fuschetto – Oboe on ‘Anema’, Saxophone on ‘Azimut’
Bruno Sanfilippo – Piano on ‘Out There’

Out Now! Glåsbird – Svalbarð

We’re excited to welcome back Glåsbird after having released the debut album Grønland back in February. This sold out in no time at all so we imagine that copies of the follow-up record Svalbarð will be similarly sought-after. As the title suggests, this one’s another geographic expedition and this time, in the isles of Svalbard. Glåsbird continues the themes of icy modern classical music but this time the sound is less polished as the artist turns to tape saturation effects. Artwork is in the form of location photography on Svalbard, by travelling photographer Aldona PivorieneThis will be available in 2019’s signature gatefold-LP style CD, in a run of 100 copies  and we’ll release this officially on or around the 10th of August 2019. This one might appeal to artists such as Ben Lukas Boysen, Ian Hawgood or Anthene.

Svalbarð was released to subscribers of our mailing list last weekend and we’re afraid that all CD copies have sold out before the official release date! You can still stream the album on Bandcamp and of course, grab a digital copy in a range of formats by clicking the link below or image above. To avoid missing out on future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/svalbar

press release
“In February 2019 we released the debut album by an anonymous artist named Glåsbird, in the form of Grønland, a sonic expedition of Greenland. The album received much critical acclaim despite being from an anonymous artist and was even featured on Bandcamp Daily under their ‘best Ambient’ feature. CD copies of this record have long since sold out, but the Glåsbird continues its flight to a new destination: Svalbard.

Svalbard lies 78 degrees north, is inside the Arctic Circle and had a population of around 2600 people and an estimated 3000 polar bears! Its calendar year divides between the midnight sun and the polar nights. The former is a period of constant daylight and the latter is the opposite. However, the dark season is broken from time to time by spectacular Northern Lights.

In Svalbarð, Glåsbird became immersed once more in this next excursion, through means of Google Earth, 360° photos, blogger accounts of the isles, maps and also, videos by Efterklang who were an obvious reference point with the band having visited.
This time, we are treated to a greater number of tracks, as ten movements weave Modern Classical influenced Ambient soundscapes. The pristine, polished reverb of Grønland is replaced with a slightly muddier, more lo-fi approach to the sound as the artist strived to present a tape-eroded aesthetic to their work. The recordings deal with dramatic landscapes, glaciers, an abandoned coal community, a seed vault, the Island’s capital city Longyearbyen and of course, polar bears. Each piece feels icy cold, yet the warmth and hiss provided by the decaying tape effects provide a comfort blanket for the listener as perhaps you take in these scenes from a lonely cabin, at one with isolation and natural beauty.

The packaging for the album includes photography from Svalbard itself, courtesy of Aldona Pivoriene who is a professional photographer based in Norway. We are also set to release the next Glåsbird album next year. Where will the destination be? For now, we hope you enjoy immersing yourself in this new set of works exploring Svalbard.”

credits
Written and produced by Glåsbird
Mastered by James Edward Armstrong
Photography by Aldona Pivoriene (http://www.aldonapivoriene.com)
Packaging design by Harry Towell