Out Now! James Osland & Finn Kelvin – Don’t Worry, I’m With You

Our physical editions for 2021 begin with a the return of a collaboration between James Osland and Finn Kelvin. Previous releases have appeared on Kate Carr’s Flaming Pines and our sister netlabel Audio Gourmet. Their new album ‘Don’t Worry, I’m With You‘ will be out this Saturday the 20th of February and features a collection of deep treated drones, improvised guitar sounds fed through a series of bespoke pedals.

This limited edition CDr edition makes use of photography provided by Peter Nejedly, in our sleek minimal design template, new for 2021, complete with a vinyl-effect disc.

Our low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“Don’t Worry I’m With You is a new collaborative album between James Osland and Finn Kelvin who first met one another at Bath Spa University, UK. They initially performed as part of the Elm Collective before releasing an EP under their respective names, on our sister netlabel Audio Gourmet. Their debut album ‘Colourless’ was released via Kate Carr’s Flaming Pines label in 2017 and this new record is their follow-up.

This record was created via remote exchanges of material at the beginning of the emerging pandemic. The resulting nine pieces are a set of foggy, atmospheric works which draw reflections from the passing of James’s grandfather at the beginning of 2020. James’s grandfather suffered with dementia for a long time and Don’t Worry, I’m With You explores the dark and unsettling place the mind must go when suffering with the disease, unable to communicate with those who love you.

The album features two very different approaches to sound creating as James focused on a purely digital sound through the complex processing of electronic sound beds, whilst Finn’s parts were guitar performances fed through a series of bespoke pedals. The human glimmers of guitar that are interspersed between layers of confusion, provide twists and turns throughout, as a milieu of contrasting moments.

The odd and unlikely emotions of sadness and relief meld together, as clearly recollected memories are interspersed with a vacant hum of melancholy and occasional paths of darkness. The album finishes to mark James’s grandfather’s passing on the 10th January 2020; the track ‘Your Love, I Don’t Want To Lose’ is a reflection of the final release from this disease.

credits
Written and produced by James Osland and Finn Kelvin
Mastered by James Edward Armstrong
Photography by Peter Nejedly
CD Packaging Design by Harry Towell

Coming soon…James Osland & Finn Kelvin – Don’t Worry, I’m With You

Our physical editions for 2021 begin with a the return of a collaboration between James Osland and Finn Kelvin. Previous releases have appeared on Kate Carr’s Flaming Pines and our sister netlabel Audio Gourmet. Their new album ‘Don’t Worry, I’m With You‘ will be out this Saturday the 20th of February and features a collection of deep treated drones, improvised guitar sounds fed through a series of bespoke pedals.

This limited edition CDr edition makes use of photography provided by Peter Nejedly, in our sleek minimal design template, new for 2021, complete with a vinyl-effect disc.

The album will be released on Saturday the 20th of February with no pre-order. If you join our mailing list using the link below, we’ll make sure you’re the first to hear.

Whitelabrecs low-run releases are likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“Don’t Worry I’m With You is a new collaborative album between James Osland and Finn Kelvin who first met one another at Bath Spa University, UK. They initially performed as part of the Elm Collective before releasing an EP under their respective names, on our sister netlabel Audio Gourmet. Their debut album ‘Colourless’ was released via Kate Carr’s Flaming Pines label in 2017 and this new record is their follow-up.

This record was created via remote exchanges of material at the beginning of the emerging pandemic. The resulting nine pieces are a set of foggy, atmospheric works which draw reflections from the passing of James’s grandfather at the beginning of 2020. James’s grandfather suffered with dementia for a long time and Don’t Worry, I’m With You explores the dark and unsettling place the mind must go when suffering with the disease, unable to communicate with those who love you.

The album features two very different approaches to sound creating as James focused on a purely digital sound through the complex processing of electronic sound beds, whilst Finn’s parts were guitar performances fed through a series of bespoke pedals. The human glimmers of guitar that are interspersed between layers of confusion, provide twists and turns throughout, as a milieu of contrasting moments.

The odd and unlikely emotions of sadness and relief meld together, as clearly recollected memories are interspersed with a vacant hum of melancholy and occasional paths of darkness. The album finishes to mark James’s grandfather’s passing on the 10th January 2020; the track ‘Your Love, I Don’t Want To Lose’ is a reflection of the final release from this disease.

credits
Written and produced by James Osland and Finn Kelvin
Mastered by James Edward Armstrong
Photography by Peter Nejedly
CD Packaging Design by Harry Towell

Out Now! Various Artists – The Home Diaries

We’re delighted to get back to making CDs again after our break over December. It was good to have some down time and to do some planning too but it’s wonderful to be back, with our exciting schedule for 2021.
We’d like to thank all of those who supported us over this period, getting involved with our winter sale. Our stock cupboard is looking lighter and at last there is some space in the drawer for this year’s release schedule!

First up is the double-album Home Diaries compilation, which includes a track from each of the 30 Home Diaries releases from last year. For those unfamiliar, Home Diaries was an invitation to artists to write a record about their situation in lockdown. It was a digital only series, put together to keep our label going after we had to stop releasing CDs.

We know that many prefer a physical edition and so we wanted to create something so that those who do are able to experience this series in some way. So we decided to go all out on the packaging for this one. There is a standard double gatefold edition as well as an ultra deluxe edition, in which the double gatefold CD is contained within a gold foil-printed matchbox, which also includes a booklet which contains a photo of each artist’s home.

There were only around 65 copies of the ultra deluxe to sell after artist allocations, and these have sold out already having been snapped up quickly by our subscribers. However, at the time of writing we have around 50 copies of the standard double album edition, which we feel is still quite a spectacle in itself. It’s complete with the cover artwork, which is an oil painting by Adrian Lane who re-imagined the original series cover.

Our low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“It’s fair to say that the events of the year 2020 will go down as quite a year and may form a large part of the history curriculum for the children of tomorrow. The pandemic is of course just part of the story, against a backdrop of political unrest, climate change and injustice too.

Whitelabrecs was affected with the closure of our local post office, meaning we were unable to ship our CDs. We also felt we had a duty not to hold up a queue of people and decided to stop production of our catalog. During that time, to make sure we still had a label left to return to, we launched the ambitious Home Diaries series. It ran for 3 months and in that relatively short space of time, the series reached 30 releases!

Home Diaries was an invitation to artists and musicians to create an album or EP to document their personal experience during the lockdown or social distancing conditions caused by the Covid-19 pandemic in 2020. The series reflects a range of sounds, styles and ideas, as each artist portrayed their own reflections uniquely, available as a digital only edition including a bonus interview and photos.
Each of the 30 digital editions in the Home Diaries series is an individual work of art, created to share the varying experiences felt by each artist.

This compilation album pulls together a track from each record, sequenced in a way that flows as a specially curated environment, over the course of two CDs. We have two versions available as follows:

A standard edition, which is a double-disc gatefold vinyl-effect CDr album, featuring a re-interpretation of the original cover artwork, painted by Adrian Lane.

A deluxe matchbox edition, in which the double-disc gatefold vinyl-effect CDr is housed inside a gold foil-etched box, which also contains a booklet which includes a photo from each artist’s home during lockdown. This version serves as a time capsule into the original series; a keepsake which is limited to just 70 copies.

If you opt for the digital version, this also includes the photo booklet as a bonus PDF item.

credits
Released January 23, 2021

Painting and artwork by Adrian Lane
Booklet images provided by each respective artist
Packaging layout by Harry Towell
Compilation curated by Harry Towell

All tracks mastered by James Edward Armstrong, except:
12 ‘Out In The Open’ Mastered by John Hannon
17 ‘Distance Learning’ Mastered by Michael Southard
29 -‘Stanze e Distanze (part 2)’ Mastered by Francis M. Gri

Out Now! Tropic of Coldness – Human Kindness

Completing the line-up for these two last-gasp October editions, we welcome Brussels-based duo Tropic of Coldness. The artists, David and Giovanni have released with labels such as Cathedral Transmissions, Organic Industries, Shimmering Moods, Glacial Movements and Krysalisound. Their album ‘Human Kindness‘ will be out this Saturday the 31st of October and features improvised guitar drones tread the finest lines: between hope and despair, fragility and strength.

This limited edition CDr edition makes use of photography provided by the artists, a strikingly blue macro water scene with bold, modern typography and complete with a minimal white vinyl-effect disc.

Our low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“Tropic of Coldness is an Italian-US duo both based in Brussels, Belgium. David Gutman and Giovanni La Placa have been recording together since 2011 and have released through labels such as Cathedral Transmissions, Organic Industries, Shimmering Moods, Glacial Movements and Krysalisound. Their live performances have taken them across the Belgian cities as well as London, Paris, Berlin, Vienna, Frankfurt, and a couple of venues in The Netherlands.

Their new album ‘Human Kindness’ has been inspired by the current social and political framework, in particular the rise and mainstreaming of far-right political movements with their disheartening racism, authoritarianism, intolerance, bigotry and science-denialism, just to name a few of their contributions to the regression of mankind.

It is also dedicated to all the people who, everywhere in the world, are trying to peacefully resist and oppose the deterioration of our societies by being kind, empathic and helpful towards their fellow human beings.

In this sense, each song title is the outcome of a reflection on one of the above mentioned issues or has been inspired by a particular event. The sounds are slow and evolving as a long process of fully improvised guitar patterns are finely tuned into cathartic drones.

These pieces are landscapes that tread the finest lines: between hope and despair, fragility and strength. In between these lines are each one of us and the choices we make.

credits
Recorded and mixed in Brussels by Tropic of Coldness between September 2018 and December 2019.
Mastered by Alessandro Rorato in December 2019.
Artwork by Tropic of Coldness
Packaging design by Harry Towell

Coming soon…Tropic of Coldness – Human Kindness

Completing the line-up for these two last-gasp October editions, we welcome Brussels-based duo Tropic of Coldness. The artists, David and Giovanni have released with labels such as Cathedral Transmissions, Organic Industries, Shimmering Moods, Glacial Movements and Krysalisound. Their album ‘Human Kindness‘ will be out this Saturday the 31st of October and features improvised guitar drones tread the finest lines: between hope and despair, fragility and strength.

This limited edition CDr edition makes use of photography provided by the artists, a strikingly blue macro water scene with bold, modern typography and complete with a minimal white vinyl-effect disc.

The album will be released on Saturday the 31st of October with no pre-order. If you join our mailing list using the link below, we’ll make sure you’re the first to hear.

Whitelabrecs low-run releases are likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“Tropic of Coldness is an Italian-US duo both based in Brussels, Belgium. David Gutman and Giovanni La Placa have been recording together since 2011 and have released through labels such as Cathedral Transmissions, Organic Industries, Shimmering Moods, Glacial Movements and Krysalisound. Their live performances have taken them across the Belgian cities as well as London, Paris, Berlin, Vienna, Frankfurt, and a couple of venues in The Netherlands.

Their new album ‘Human Kindness’ has been inspired by the current social and political framework, in particular the rise and mainstreaming of far-right political movements with their disheartening racism, authoritarianism, intolerance, bigotry and science-denialism, just to name a few of their contributions to the regression of mankind.

It is also dedicated to all the people who, everywhere in the world, are trying to peacefully resist and oppose the deterioration of our societies by being kind, empathic and helpful towards their fellow human beings.

In this sense, each song title is the outcome of a reflection on one of the above mentioned issues or has been inspired by a particular event. The sounds are slow and evolving as a long process of fully improvised guitar patterns are finely tuned into cathartic drones.

These pieces are landscapes that tread the finest lines: between hope and despair, fragility and strength. In between these lines are each one of us and the choices we make.

credits
Recorded and mixed in Brussels by Tropic of Coldness between September 2018 and December 2019.
Mastered by Alessandro Rorato in December 2019.
Artwork by Tropic of Coldness
Packaging design by Harry Towell

Out Now! Glåsbird – Novaya Zemlya

We’re excited to announce the latest Glåsbird, out now! For those not yet familiar, Glåsbird is an anonymous artist who is currently creating a series of albums, each themed as an imaginary soundtrack to a geographical location. The latest far-flung land to receive the spotlight from this artist is Novaya Zemlya and this album sees the artist create some of their most dramatic work, set around this Russian-owned Arctic island.

Our low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“The fictitious tour of far-away lands continues, as anonymous artist Glåsbird follows the scratchy, folk-ambience of Norskfjǫrðr with a return to lonely arctic-island sounds. Novaya Zemlya is a Russian-owned island, stretching from just off the mainland between the Kara and Barents seas, with two islands split by the Matochkin Strait.

The Southern island Yuzhny is the home of a few inhabitants whereas the Northern counterpart Severny is pretty much all glacier. The added complication of sea-ice during Arctic winters have made certain parts of this land very difficult to navigate. There are accounts stretching back to the 16th century when explorer Willem Barentsz died on an expedition and his body is rumoured to have been buried on Severny.
Into more recent times, Novaya Zemlya has been a sensitive military area throughout the cold war as well as a nuclear testing site. In 1961 the world’s most powerful nuclear weapon was detonated, the ‘Tsar Bomba’.

In this album, Glåsbird composes a soundtrack which transcends the years of history, combining themes of explorers and Barentsz’s tragic demise, isolation, climate change and polar bears, underpinned by radio broadcasts to give a slightly unsettling undercurrent, hinting back to the cold war. The track Vanya is named after a code name the Russians had for the Tsar Bomba detonation project and this piece sits at the centre of this album, in some of the most dramatic soundtrack work this artist has made to date.

The cover artwork and bonus images within the CD packaging were taken by photographer Uliana Prokhorova, who visited a few locations on the island. As always, this album uses the sounds, photography and track titles to build an imaginary soundtrack in your mind as you listen and immerse yourself in this latest sonic exploration.”

credits
Written and produced by Glåsbird
Mastered by James Edward Armstrong
Photography by Uliana Prokhorova
Packaging Design by Harry Towell

Out Now! thme – that’s what it will be like

We’re pleased to announce the debut album by Paris, France based artist thme is out today! That’s what it will be like is a daydream soundtrack of slow and blurry guitar and piano drones which will place the listener into an idealistic but melancholic state. The album is accompanied by a retro-futurist collage cover artwork, provided by Arctic Sun.

That’s What It’ll Be Like is available on Whitelabrecs now along with another CD release by Glåsbird, which you can check out by clicking here. If you order both releases there will be no extra shipping costs and we will post them together. Click on the link below to check out this new release:

Our low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

https://whitelabrecs.bandcamp.com/album/thats-what-it-will-be-like

 

This slideshow requires JavaScript.

 

press release
“‘That’s what it will be like’ is the debut album from emerging French artist Théo Martin, who records was thme. Théo was originally raised in the Parisians suburbs and now resides inside the city itself. He has lived a life with music at the fore since childhood, with learning guitar progressing to playing in a band for several years, before he started solo music production as part of a student exchange program.

Théo’s sound gravitates towards melancholic atmospheres, slowly evolving drones and time worn textures. Damaged piano pieces and micro/macro sound environments provide a dreamy backdrop for the listener, as a kind of spiritual shelter to travel to and rest.

These tracks were recorded during an intense period of work and Théo considered his studio as a space where time could slow down, to almost grind to a halt. This experience is captured inside these seven recordings, where time stands on end and the mind can wander. The retrofuturistic artwork (by Arctic Sun) which accompanies this album reflects this perfectly, in a surreal but dreamy glimpse of a daydream set in the clouds. That’s what it will be like.”

credits
Written and produced by Théo Martin
Mastered by James Edward Armstrong
Artwork by Arctic Sun
Packaging Design by Harry Towell

Coming soon…Glåsbird – Novaya Zemlya

We’re excited to announce the latest Glåsbird album set for release on Saturday the 26th of September. For those not yet familiar, Glåsbird is an anonymous artist who is currently creating a series of albums, each themed as an imaginary soundtrack to a geographical location. The latest far-flung land to receive the spotlight from this artist is Novaya Zemlya and this album sees the artist create some of their most dramatic work, set around this Russian-owned Arctic island.

The album will be released on Saturday the 26th of September with no pre-order. If you join our mailing list using the link below, we’ll make sure you’re the first to hear.

Whitelabrecs low-run releases are likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“The fictitious tour of far-away lands continues, as anonymous artist Glåsbird follows the scratchy, folk-ambience of Norskfjǫrðr with a return to lonely arctic-island sounds. Novaya Zemlya is a Russian-owned island, stretching from just off the mainland between the Kara and Barents seas, with two islands split by the Matochkin Strait.

The Southern island Yuzhny is the home of a few inhabitants whereas the Northern counterpart Severny is pretty much all glacier. The added complication of sea-ice during Arctic winters have made certain parts of this land very difficult to navigate. There are accounts stretching back to the 16th century when explorer Willem Barentsz died on an expedition and his body is rumoured to have been buried on Severny.
Into more recent times, Novaya Zemlya has been a sensitive military area throughout the cold war as well as a nuclear testing site. In 1961 the world’s most powerful nuclear weapon was detonated, the ‘Tsar Bomba’.

In this album, Glåsbird composes a soundtrack which transcends the years of history, combining themes of explorers and Barentsz’s tragic demise, isolation, climate change and polar bears, underpinned by radio broadcasts to give a slightly unsettling undercurrent, hinting back to the cold war. The track Vanya is named after a code name the Russians had for the Tsar Bomba detonation project and this piece sits at the centre of this album, in some of the most dramatic soundtrack work this artist has made to date.

The cover artwork and bonus images within the CD packaging were taken by photographer Uliana Prokhorova, who visited a few locations on the island. As always, this album uses the sounds, photography and track titles to build an imaginary soundtrack in your mind as you listen and immerse yourself in this latest sonic exploration.”

credits
Written and produced by Glåsbird
Mastered by James Edward Armstrong
Photography by Uliana Prokhorova
Packaging Design by Harry Towell