Today we have a new edition in our digital-only series, eRecords! ‘Water like mbira’ is a two track album from UK based duo Darkroom, returning after 2021’s double gatefold CDr LP ‘Last Sense to Fade’.
eRecords is a digital record series created by Whitelabrecs, to run alongside our physical releases. These editions aim to transform the digital format into something that can be experienced in a similar way to a listener’s interaction with a real, white label vinyl record. Each edition includes a special PDF scrapbook including polaroids and liner notes.
We do not publish details about the concepts or production methods of a release so that the liner notes and content in each scrapbook will reveal the background of each edition in the series.
catalog: eR014 artist: Darkroom release title: Water like mbira release type: album location: UK
released january 27, 2022
Written and produced by Darkroom Mastered by James Edward Armstrong Photos by Michael Bearpark, Rob Blackham Art and design by Harry Towell
Special thanks: Ulrich Schnauss & Nathaniel Cramp (Sonic Cathedral); that secret South Devon summer stream; Elif Yalvaç for her song on the Galata bridge; Colin Edwin; our supportive audience; Philip Larkin
You can find out more information about eRecords in our landing page link, below:
We were very encouraged to see the number of people tuning into the first Vervine show, which we launched last month as an occasional radio show series, presented by our label owner Harry Towell. These shows will cover the full extent of his wide reaching musical taste. Harry’s been spurred on by the positive feedback and has recorded another show, complete with voiceovers between each selection.
This second show picks up where the first left off, with styles covered including Ambient, Electro Acoustic, Jazz, Modern Classical, World and Downtempo electronica. Again, the styles switch about in no clear order, but hopefully the flow nicely together as a show for you to sink into. Harry’s included some Whitelabrecs releases in the tracklist, with premieres of music from Darkroom, Hoshiko Yamane, a wave, a mouth as well as something new from Towell himself, alongside Pruski. The latter is a 12 track collaborative album we have lined up for a January release. Elsewhere, recent discoveries are placed alongside older pieces and classics, and we hope you’ll discover something new. Click the picture above or the player below:
Tracklist: 01 Tapes and Topographies – Penn Tir 02 Darkroom – Water like mbira 03 Andy Aquarius – Chapel 04 Sofie Birch & Antonina Nowacka – Sudany 05 Anna Butterss – Blevins 06 Kokoroko – We Give Thanks 07 Carlos Niño & Friends – Actually (feat Deantoni Parks/Jamael Dean/Nate Mercereau) 08 Bosq – Paciencia De Jo (feat Tita Lima) 09 OHMA – A Portal To All That Is 10 Snowflake Memory – Railroad Dreamer 11 Noori & His Dorpa Band – Jabana 12 Harry Towell & Pruski – Lacustyna 13 George Riley – Cleanse Me 14 Hoshiko Yamane – Prayer 15 Chip Wickham – Winter 16 Daniel Villarreal – Cali Colours 17 Mejiwahn – Spring (feat. Juuwah & Daniel Bitrán) 18 Pharoah Sanders & Boozoo Bajou – Astral Traveling (Boozoo Bajou Remix) 19 Free the Robots – Far Away (feat. Chhom Nimol) 20 The Cinematic Orchestra – In To You 21 Bentley & Horatio Luna – Bingo Bongo 22 Gianni Brezzo – Rising Of My Mind 23 Elaine Howley – To The Test 24 Clear Path Ensemble – Interlock 25 The Theory Behind – Source 26 Yarni – Trinacria 27 a wave, a mouth – Shake Me Gently Call Me Names 28 Part Timer – Freeway 29 Matthew Halsall – Mindfulness Meditations
Released today is an album called The Last Sense To Fadeby UK duo Darkroom, which follows their Home Diariesalbum for Whitelabrecs in 2020. This is a double-disc album, full experimental textures, drones, bass clarinet deepness and guitar tones.
The Last Sense To Fadeis out now in a run of 100 copies! The best way to keep informed about our low-run releases, is to join ourmailing list, and we’ll make sure you’re the first to hear!
press release “Darkroom is a duo, each hailing from a UK capital city, with Andrew Ostler based in Edinburgh and Michael Bearpark from London. They have been active since the late nineties with music released through labels such as 3rd Stone, Champion Version and Burning Shed as well as their own Bandcamp. Their evolving live performances have been a particular feature for Darkroom, and much of their studio work begins with live performances. Those live performances had to cease in 2020 as a result of the pandemic and this prompted them to join our Home Diaries, in which they provided the penultimate edition of the series.
We had been in discussion with Darkroom prior to this point for some time, with the intention to release an album of their work and this also had to be paused as a result of the pandemic. This period of time provided an opportunity for all of us to reflect and prepare for something special, against a backdrop of uncertainty and disappointment. It is therefore fitting that this double album includes guitar extracts from the last live Darkroom duo performance to date, re-set into a new context in which remote performance and distant communication became not just workarounds but offer new ways of working for the future. Further live takes have been repurposed or adapted, alongside guest musicians and new material. The old and the new burn together alongside one another, like memories.
The seed for this album was Billy Connolly’s ‘Made In Scotland’ documentary, and these are the thoughts he shared about his neurodegenerative illness:
“My life is slipping away. But it doesn’t frighten me. It’s as if I’m being prepared for something, some other adventure, which is over the hill. I’ve got all this stuff to lose first, and then I’ll be at the shadowy side of the hill doing the next step or summat in the spirit world.”
After watching this deeply affecting meditation, Mike created the extended guitar improvisation that initiated this album. As part of a performance by Andrew, this became ‘The Shadowy Side Of The Hill’ as the first album piece completed. Additional guitars were recorded by Jon Durant when he visited the UK and by Bill Walker remotely from Santa Cruz in California. By chance, the album’s title was identified; it’s left deliberately ambiguous as to whether ‘The Last Sense To Fade’ is about dying, or sleeping. By late 2019, the first of what became two discs had been completed and the mood felt dark, both in the recordings themselves and the world around.
A balancing light slowly emerged as Darkroom began to explore their ideas for the second disc. A key part of concluding this double album was coming to terms with the loss of deep connections, and of damage catching up after a long time – when, for a time, it became difficult to think at all, compounded by pandemic lockdown restrictions. The decisive creative moment came in realising that the album was somehow about all of this, such that completing it took on a new and urgent significance. The closing thoughts of Connolly’s documentary seemed an apt spearhead with which to move on:
“You can volunteer to take life seriously, but it’s going to get you. You know they’re going to win over you. It’s harsh. You can either break down and complain about how miserable your life is, or have a go at it and survive. I think that’s the basis of it all.”
‘The Last Sense To Fade’ in its completed form is more positive than almost anything Darkroom has ever recorded. It is very much of its time, and a reaction to it, while also managing to stand outside of being defined by any particular time. The cover photography was taken less than two years before the album’s release and the world looked so different. Now, in retrospect, this image captures something of that difference; of foundations about to give way. The warm and beautiful evening light anticipates the next day’s sunrise, but also suggests destruction, both personal and global; a familiar landscape being transformed before our eyes. This album came from a new determination that it’s nevertheless worth creating in response to this, that loss is an open door but also an invitation, and that there will be new ways of seeing the world even if they won’t last forever.”
credits Recorded by Andrew Ostler Additional guitars recorded by Michael Bearpark and Bill Walker Edited, mixed, and produced by Darkroom Mastered by James Edward Armstrong
Music: Andrew Ostler – bass clarinet, tenor saxophone, modular synths, laptop Michael Bearpark – guitar, field recordings Jon Durant – fretless guitar Bill Walker – slide guitar
Cover photograph – Michael Bearpark 51°36’56.8″N 0°17’11.7″E Photo restoration – Arber Darkroom portrait – Rob Blackham Art and Design – Andrew Heath
Special thanks: Elif, Jon, Bill, Kamil Kowalczyk (Soundscapism), Ian Faragher (Sonic Imperfections, Telegraph Hill), Anil Prasad, Arber / Curated Doom, Rob, Mike Whitfield, Billy Connolly, Neil the Professor, Looper’s Delight, H&K Red Box, SG8’s Jubilee Wood and Long Barrow, EB / JB / ZB. And dearest LB: after ten thousand days, we lost our way… this is dedicated to what we could share, before our damage caught up.
Our final release of a busy 2021 will be available for pre-order on Friday the 3rd of December, a special double albumfrom UK artists Darkroom. We have been planning this one for quite a while now and during the height of the pandemic, Andrew Ostlerand Michael Bearpark, the duo behind this project, created the 29th edition of our Home Diariesseries.
‘The Last Sense To Fade‘ will be available in one of our typically low runs of 100 gatefold vinyl-effect CDrs, complete with art and design by Andrew Heath.
It will be released officially on Saturday the 11th of December. If you join our mailing listusing the link below, we’ll make sure you’re the first to hear.
press release “Darkroom is a duo, each hailing from a UK capital city, with Andrew Ostler based in Edinburgh and Michael Bearpark from London. They have been active since the late nineties with music released through labels such as 3rd Stone, Champion Version and Burning Shed as well as their own Bandcamp. Their evolving live performances have been a particular feature for Darkroom, and much of their studio work begins with live performances. Those live performances had to cease in 2020 as a result of the pandemic and this prompted them to join our Home Diaries, in which they provided the penultimate edition of the series.
We had been in discussion with Darkroom prior to this point for some time, with the intention to release an album of their work and this also had to be paused as a result of the pandemic. This period of time provided an opportunity for all of us to reflect and prepare for something special, against a backdrop of uncertainty and disappointment. It is therefore fitting that this double album includes guitar extracts from the last live Darkroom duo performance to date, re-set into a new context in which remote performance and distant communication became not just workarounds but offer new ways of working for the future. Further live takes have been repurposed or adapted, alongside guest musicians and new material. The old and the new burn together alongside one another, like memories.
The seed for this album was Billy Connolly’s ‘Made In Scotland’ documentary, and these are the thoughts he shared about his neurodegenerative illness:
“My life is slipping away. But it doesn’t frighten me. It’s as if I’m being prepared for something, some other adventure, which is over the hill. I’ve got all this stuff to lose first, and then I’ll be at the shadowy side of the hill doing the next step or summat in the spirit world.”
After watching this deeply affecting meditation, Mike created the extended guitar improvisation that initiated this album. As part of a performance by Andrew, this became ‘The Shadowy Side Of The Hill’ as the first album piece completed. Additional guitars were recorded by Jon Durant when he visited the UK and by Bill Walker remotely from Santa Cruz in California. By chance, the album’s title was identified; it’s left deliberately ambiguous as to whether ‘The Last Sense To Fade’ is about dying, or sleeping. By late 2019, the first of what became two discs had been completed and the mood felt dark, both in the recordings themselves and the world around.
A balancing light slowly emerged as Darkroom began to explore their ideas for the second disc. A key part of concluding this double album was coming to terms with the loss of deep connections, and of damage catching up after a long time – when, for a time, it became difficult to think at all, compounded by pandemic lockdown restrictions. The decisive creative moment came in realising that the album was somehow about all of this, such that completing it took on a new and urgent significance. The closing thoughts of Connolly’s documentary seemed an apt spearhead with which to move on:
“You can volunteer to take life seriously, but it’s going to get you. You know they’re going to win over you. It’s harsh. You can either break down and complain about how miserable your life is, or have a go at it and survive. I think that’s the basis of it all.”
‘The Last Sense To Fade’ in its completed form is more positive than almost anything Darkroom has ever recorded. It is very much of its time, and a reaction to it, while also managing to stand outside of being defined by any particular time. The cover photography was taken less than two years before the album’s release and the world looked so different. Now, in retrospect, this image captures something of that difference; of foundations about to give way. The warm and beautiful evening light anticipates the next day’s sunrise, but also suggests destruction, both personal and global; a familiar landscape being transformed before our eyes. This album came from a new determination that it’s nevertheless worth creating in response to this, that loss is an open door but also an invitation, and that there will be new ways of seeing the world even if they won’t last forever.”
credits Recorded by Andrew Ostler Additional guitars recorded by Michael Bearpark and Bill Walker Edited, mixed, and produced by Darkroom Mastered by James Edward Armstrong
Music: Andrew Ostler – bass clarinet, tenor saxophone, modular synths, laptop Michael Bearpark – guitar, field recordings Jon Durant – fretless guitar Bill Walker – slide guitar
Cover photograph – Michael Bearpark 51°36’56.8″N 0°17’11.7″E Photo restoration – Arber Darkroom portrait – Rob Blackham Art and Design – Andrew Heath
Special thanks: Elif, Jon, Bill, Kamil Kowalczyk (Soundscapism), Ian Faragher (Sonic Imperfections, Telegraph Hill), Anil Prasad, Arber / Curated Doom, Rob, Mike Whitfield, Billy Connolly, Neil the Professor, Looper’s Delight, H&K Red Box, SG8’s Jubilee Wood and Long Barrow, EB / JB / ZB. And dearest LB: after ten thousand days, we lost our way… this is dedicated to what we could share, before our damage caught up.
We’re delighted to get back to making CDs again after our break over December. It was good to have some down time and to do some planning too but it’s wonderful to be back, with our exciting schedule for 2021. We’d like to thank all of those who supported us over this period, getting involved with our winter sale. Our stock cupboard is looking lighter and at last there is some space in the drawer for this year’s release schedule!
First up is the double-album Home Diaries compilation, which includes a track from each of the 30 Home Diaries releases from last year. For those unfamiliar, Home Diaries was an invitation to artists to write a record about their situation in lockdown. It was a digital only series, put together to keep our label going after we had to stop releasing CDs.
We know that many prefer a physical editionand so we wanted to create something so that those who do are able to experience this series in some way. So we decided to go all out on the packaging for this one. There is a standard double gatefold editionas well as an ultra deluxe edition, in which the double gatefold CD is contained within a gold foil-printed matchbox, which also includes a bookletwhich contains a photo of each artist’s home.
There were only around 65 copiesof the ultra deluxe to sell after artist allocations, and these have sold out already having been snapped up quickly by our subscribers. However, at the time of writing we have around 50 copies of the standard double album edition, which we feel is still quite a spectacle in itself. It’s complete with the cover artwork, which is an oil painting by Adrian Lanewho re-imagined the original series cover.
Our low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE
press release “It’s fair to say that the events of the year 2020 will go down as quite a year and may form a large part of the history curriculum for the children of tomorrow. The pandemic is of course just part of the story, against a backdrop of political unrest, climate change and injustice too.
Whitelabrecs was affected with the closure of our local post office, meaning we were unable to ship our CDs. We also felt we had a duty not to hold up a queue of people and decided to stop production of our catalog. During that time, to make sure we still had a label left to return to, we launched the ambitious Home Diaries series. It ran for 3 months and in that relatively short space of time, the series reached 30 releases!
Home Diaries was an invitation to artists and musicians to create an album or EP to document their personal experience during the lockdown or social distancing conditions caused by the Covid-19 pandemic in 2020. The series reflects a range of sounds, styles and ideas, as each artist portrayed their own reflections uniquely, available as a digital only edition including a bonus interview and photos. Each of the 30 digital editions in the Home Diaries series is an individual work of art, created to share the varying experiences felt by each artist.
This compilation album pulls together a track from each record, sequenced in a way that flows as a specially curated environment, over the course of two CDs. We have two versions available as follows:
A standard edition, which is a double-disc gatefold vinyl-effect CDr album, featuring a re-interpretation of the original cover artwork, painted by Adrian Lane.
A deluxe matchbox edition, in which the double-disc gatefold vinyl-effect CDr is housed inside a gold foil-etched box, which also contains a booklet which includes a photo from each artist’s home during lockdown. This version serves as a time capsule into the original series; a keepsake which is limited to just 70 copies.
If you opt for the digital version, this also includes the photo booklet as a bonus PDF item.“
credits Released January 23, 2021
Painting and artwork by Adrian Lane Booklet images provided by each respective artist Packaging layout by Harry Towell Compilation curated by Harry Towell
All tracks mastered by James Edward Armstrong, except: 12 ‘Out In The Open’ Mastered by John Hannon 17 ‘Distance Learning’ Mastered by Michael Southard 29 -‘Stanze e Distanze (part 2)’ Mastered by Francis M. Gri
We’ve taken a pause from our schedule of CD albums due to our local post office closing, following the outbreak of Covid19. We launched a digital series called Home Diaries, in which we’ll release EPs and albums by an international line-up of artists, with the music created during lockdown and social distancing conditions.
The series reflects a range of sounds, styles and ideas, as each artist portrays their own reflections uniquely. Each release is digital onlyfor now, as we hope to raise what we can to help keep our label ticking over at this time. The releases feature a recurring polaroid imageof a small lonely house, with a coloured filter chosen by the artist for each respective release.
In this next Home Diaries release, we welcome UK artists Darkroom, who have been active since the 1990s. Darkroom consists of Andrew Ostler and Michael Bearparkand we have an album due on CD later this year. This Home Diaries was originally two live performancesby Andrew, in which Michael was unable to join physically. So he used a cassette with Mike’s previously recorded guitar compositionas part of the sessions, so that Mike could still have a presence as a key part of the performance. The resulting two tracks ebb and flow with detail, retaining a live feel yet adopting the quality of presentation you’d expect to come from a studio.
Each Home Diaries release will includebonus PDF liner notes, which has an interview with the artist on how they made the album, what their situation is like, what they have planned, their influences and what equipment/techniques they used. There are also additional photos provided by the artist as part of the PDF too. Click on the link belowto check it out:
press release “Home Diaries is an invitation to artists and musicians to create an album or EP to document their personal experience during the lockdown or social distancing conditions that are upon us, due to the coronavirus outbreak. The series reflects a range of sounds, styles and ideas, as each artist portrays their own reflections uniquely. Each release is digital only for now, as we hope to raise what we can to help keep our label ticking over at this time. The releases feature a recurring polaroid image of a small lonely house, with a coloured filter chosen by the artist for each respective release. We interview each artist and this is included as a bonus PDF with the download. You can also check out the Home Diaries series on Spotify if you prefer, which will be available to stream in due course.
Our penultimate Home Diaries edition is the first and only collaboration as part of the series. UK duo Darkroom – Andrew Ostler and Michael Bearpark – have been active since the late 1990s with releases on Burning Shed and more recently via their Bandcamp site. They are renowned for their extended live performances: rarer following Andrew’s move to Scotland; now even more challenging with the pandemic and resulting lockdown.
Seeking and finding positives through the ‘new normal’, Andrew has been performing as part of streaming event series. Mike was present on these occasions from a distance via guitar recordings transferred to cassette: one from their Edinburgh performance towards the end of 2019, and another, inspired by Scotland, that seeded the recording of their full Whitelabrecs album planned for November 2020. The pieces evolve through multiple shades of colour and dynamics, retaining an open live feel; ‘Arrokoth’ and ‘The Uncut Stones of Night’ are very much of their time, yet combine to make a timeless album experience, with a total running time of 40 minutes.”
credits Arrokoth
Original recording for Fuzz Bat Live Stream – 31st March 2020
Guitar: recorded at The Darkroom, 2nd February 2019
The Uncut Stones Of Night
Original recording for More Kicks Than Friends – 29th April 2020
Guitar: recorded at Henry’s Cellar Bar, Edinburgh, 13th November 2019
Recorded by Andrew Ostler
Edited, mixed, and produced by Darkroom
Mastered by James Edward Armstrong
Andrew Ostler – bass clarinet, modular synth, laptop
Michael Bearpark – guitar, field recordings
Special thanks: Stuart Fraser (Fuzz Bat), Ned Rush (More Kicks), Elif Yalvaç, New Horizons, Roy Fuller. Go well, LB
This is a proud day for us at Whitelabrecs HQ – we’ve been working hard behind the scenes for a while on our very first compilation album and for this, our packaging/design takes a slight turn. This release continues along the lines of vinyl-effect CDrs of course but this time, we’ve splashed out on creating a small scale fine-art vinyl imitation CDr, which is presented exactly as a professional vinyl LP would, only smaller!
The album sees us make good use of the full space on the disc as we’ve approached our own artists, label friends and established artists alike. The final product sees well-known producers such as Offthesky, Darkroom and The Green Kingdom line up alongside our very own David Kolhne, Jose Soberanes and Ondrej Zajac. We couldn’t be happier with the packaging and the quality of the tones contained on the disc and we hope you will be too.
As you can imagine, most of the 100 copies have been gobbled up by our subscribers however, at the time of writing copies of this album are still available – to find out more or grab a copy, you can click the link below or on the image above to listen. To avoid missing out on future releases, you can join our mailing list HERE
Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.
press release “Since we began running Whitelabrecs in January 2016 we’ve managed to put out 20 albums covering the varied ground of the Ambient scene and featuring artists both new and established. Usually by the time that this many releases have amassed, most labels will have created at least one compilation or sampler but rest assured, we’ve been working behind the scenes for several months on our very own ‘Whitelabsounds’.
Our very first compilation album features a CDr full of top drawer Ambient and Experimental music featuring well known artists in the scene such as Offthesky, Maps and Diagrams, The Green Kingdom, Wil Bolton and Darkroom as well as contributors to our discography and other friends.
The album is presented as a small-scale fine-art vinyl LP imitation package, with a printed outer photographic/graphic sleeve, white card inner sleeve and a printed vinyl-effect CDr. There’s not a rubber stamp or white label in sight, as we wanted to present something truly special and hopefully, the start of a series.
The sounds contained within the disk are to be seen as a mood board of the various shades of modern Ambient music, with darker drones concocted from electronics and light noise sitting alongside beautiful electro-acoustic pieces, framed as a sort of mosaic. Every tile tells a story as each artist’s environment, experience and influence helps shape their sound. Somehow, the whole body of work becomes greater than the sum of its parts and that brings us to the artwork, a photograph of tessellating mosaic tiles taken in Pompeii, Italy.
Some tiles are worn and disintegrated whereas some are smooth and clear, perfectly reflecting the tones that can be heard on this inaugural Whitelabsounds compilation.”
Catalog number WLR021
Mastered by Tim Diagram
Photography by Bethany Towell
Artwork by Harry Towell
This is a proud day for us at Whitelabrecs HQ – we’ve been working hard behind the scenes for a while on our very first compilation album and for this, our packaging/design takes a slight turn. This release continues along the lines of vinyl-effect CDrs of course but this time, we’ve splashed out on creating a small scale fine-art vinyl imitation CDr, which is presented exactly as a professional vinyl LP would, only smaller!
The album sees us make good use of the full space on the disc as we’ve approached our own artists, label friends and established artists alike. The final product sees well-known producers such as Offthesky, Darkroom and The Green Kingdom line up alongside our very own David Kolhne, Jose Soberanes and Ondrej Zajac. We couldn’t be happier with the packaging and the quality of the tones contained on the disc and we hope you will be too.
This will be released to our subscribers first, so to avoid missing out be sure to sign up to our mailing list so you hear about it first!
Please note, this is a CDr, not a vinyl record!
Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.
press release “Since we began running Whitelabrecs in January 2016 we’ve managed to put out 20 albums covering the varied ground of the Ambient scene and featuring artists both new and established. Usually by the time that this many releases have amassed, most labels will have created at least one compilation or sampler but rest assured, we’ve been working behind the scenes for several months on our very own ‘Whitelabsounds’.
Our very first compilation album features a CDr full of top drawer Ambient and Experimental music featuring well known artists in the scene such as Offthesky, Maps and Diagrams, The Green Kingdom, Wil Bolton and Darkroom as well as contributors to our discography and other friends.
The album is presented as a small-scale fine-art vinyl LP imitation package, with a printed outer photographic/graphic sleeve, white card inner sleeve and a printed vinyl-effect CDr. There’s not a rubber stamp or white label in sight, as we wanted to present something truly special and hopefully, the start of a series.
The sounds contained within the disk are to be seen as a mood board of the various shades of modern Ambient music, with darker drones concocted from electronics and light noise sitting alongside beautiful electro-acoustic pieces, framed as a sort of mosaic. Every tile tells a story as each artist’s environment, experience and influence helps shape their sound. Somehow, the whole body of work becomes greater than the sum of its parts and that brings us to the artwork, a photograph of tessellating mosaic tiles taken in Pompeii, Italy.
Some tiles are worn and disintegrated whereas some are smooth and clear, perfectly reflecting the tones that can be heard on this inaugural Whitelabsounds compilation.”
Catalog number WLR021
Mastered by Tim Diagram
Photography by Bethany Towell
Artwork by Harry Towell
We’re keeping further details fairly close to our chest, but we wanted to share a project that will be ready to drop very soon: our very first compilation album!
This will be released in a bigger run than our usual fifty copies and will include work from Whitelabrecs’ contributors such as Spheruleus, David Kolhne, Ondrej Zajac and La Petite Vague as well as a few friends we’ve drafted in such as The Green Kingdom, Offthesky, Maps and Diagrams and Darkroom.
whitelabrecs.com 