Out Now! Glåsbird – Siberia

On the 6th of August we announced the pre-order of Glåsbird’s new album Siberia the next instalment of the Sonic Expedition series. It’s a fittingly large quantity of music to represent this gigantic mass of beautiful land with the physical edition available in our usual run of 100 gatefold vinyl-effect CDrs, featuring cover and booklet photography by Nelly Elagina in this double disc edition. The sound palette is a little more Modern Classical overall than the previous excursion (Novaya Zemlya) but there is evidence of electronic and ambient influences in places, with field recordings, drones and added texture. Disc one surveys the beauty of Siberia before thoughts turn to climate change and its impact, particularly on Siberia.  

Siberia is released today, Saturday the 28th of August. Unfortunately, all physical copies have sold out but there is a physical option available, as well as a handful of copies soon to be available through Juno Records and Linus Records

Whitelabrecs low-run releases are likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“Glåsbird is an anonymous artist, active since 2018 and with releases to date appearing exclusively on Whitelabrecs, as part of a series called A Sonic Expedition. With each edition in the collection, the artist concentrates on a different geographic location. The project emerged somewhere inside the Arctic Circle, descending to Greenland, moving onto Svalbard and then the Norwegian Fjords before most recently, on the Russian owned peninsulas Novaya Zemlya. The music of Glåsbird ranges from electro-acoustic Ambient to Modern Classical, with this artist keen on producing a range of experiments to show their full range of ideas and techniques.

We’re pleased to unveil the next destination in this series, in the form of Siberia which is a double album befitting an exploration of the largest region on earth. Glåsbird has teamed up with glaciologist and photographer Nelly Elagina who provides first-hand accounts of Siberia in the form of images and captions from her time there. In the CD packaging, a special photo booklet has been included to showcase these experiences. For the artist, their account of this latest destination is entirely imagined. The first disc sets out to explore the beauty of the landscape and its ancient history. As with previous albums, the music feels icy cold but evocative, aiming to transport you to imagine the landscape in all its splendour for yourself. The second part of the album moves into more topical territory, portraying Siberia as it is today. Shifting weather patterns and devastating climate change inspire the mood of the compositions, which lean towards melancholy, tense or dramatic reflections, rounded off with a thought provoking title.

As always, we wonder, where in the world might the Glåsbird land next?

credits
Written and produced by Glåsbird
Mastered by James Edward Armstrong
Photography and captions by Nelly Elagina
Art and Design by Andrew Heath

Out Now! Adrian Lane – The Fleet

On the 6th of August, we also had a new album called ‘The Fleet‘ by Adrian Lane up for pre-order, available in our usual low run of 100 gatefold vinyl-effect CDrs. This one has an epic and undefined nautical theme, brought to life through exquisite Modern Classical composition and hand-painted cover artwork from the artist themselves. 

The Fleet is out today and there are a few copies left at the time of writing. Whitelabrecs low-run releases are likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“In summer 2020 we released Adrian Lane’s Home Diaries album ‘Indigo and Salt Peter’ and we’re now pleased to welcome him back with a new album. Adrian, from Southend-on-Sea, UK has also released music with Preserved Sound and Hibernate. His sound has been honed over many years, taking influences in from modern contemporaries such as Jóhann Jóhannsson, Philip Glass, Erik Satie and Max Richter.

Compositions begin at his home studio, using a variety of real instruments alongside virtual instruments, blended with the intention that the listener will be unable to discern which are which. For this new album ‘The Fleet’, Adrian wrote the initial compositions with a strings section as a starting point, to be the intended focal point of the album. The pieces were developed with acoustic instruments such as bowed acoustic guitar, piano, violin and bowed psaltery and variety added in the form of piano and subtle organic synths. The music was built as a collage, with layers and components arranged piece by piece. Once completed, the final presentation was cemented with the help expertise of friend and mixing engineer John Hannon, who sadly passed away recently.

Whilst this album was created as a means of escapism during lockdown rather than with an exact theme in mind, The Fleet plays out as a soundtrack experience to a film that was never written. Adrian’s walks to the sea front inevitably drew in the salty air and cloudy skies, as a nautical theme of maritime drama unfolds throughout. This melancholy epic is full of cinematic detail, telling tales of discovery, open seas, romance, tragedy, and indeed, whatever else you the listener might concoct.

The Fleet is compete, with the cover artwork and inner sleeve texture having been painted by Adrian inside his home art studio.

credits
Written and produced by Adrian Lane
Mixed by John Hannon
Mastered by James Edward Armstrong
Artwork by Adrian Lane
Design by Andrew Heath

August Pre-orders: Adrian Lane and Glåsbird

Today we have two new albums available to pre-order, especially for Bandcamp Friday. They are from artists who have both released in our catalog before, with Adrian Lane following up his Home Diaries edition ‘Indigo and Salt Peter’, and Glåsbird providing the next instalment of their Sonic Expedition series.

Both of these vinyl effect CDrs are available in a limited run of 100 copies and more information about each album can be gleaned below. The packaging images above are mock examples, as we await the delivery of these items and so it should be pointed out that the CD colour is going to be different (Adrian Lane Gold, Glåsbird White). The albums will both release officially on Saturday the 28th of August.

What is Bandcamp Friday?
For those unaware, this initiative was set-up by Bandcamp as a way to support artists, musicians and labels throughout the pandemic. Once a month they were waiving their commission charged to platform users. Recently these have been more infrequent but Bandcamp are still committed to providing support and so August the 6th has been a date in the diary for some time.


Adrian Lane – The Fleet

The Fleet is a Modern Classical album that is equally steeped in drama and melancholy, with soaring strings, pensive piano and subtle soft synths. Composer Adrian Lane lives by the sea and the coastal air gave rise to an unexpected nautical theme, which is brought together by the artwork, which he hand-painted in his studio.”

whitelabrecs.bandcamp.com/album/the-fleet


Glåsbird – Siberia

Siberia is the 5th edition of anonymous artist Glåsbird’s Sonic Expedition series, soundtracking imaginary films from different geographic locations. This album spans over two discs, with the first one focusing on the beauty of this huge region and disc two provoking thoughts about climate change.”

whitelabrecs.bandcamp.com/album/siberia


Coming soon… Glåsbird – Siberia

 

We have two new physical editions lined up for pre-order on the 6th of August, just in time for Bandcamp Friday.

Our second release sees the return of the Glåsbird, fresh from their latest travels. The Sonic Expedition series sees the next destination in the series land at Siberia, with a fittingly large quantity of music to represent this gigantic mass of beautiful land. Siberia is available in our usual run of 100 gatefold vinyl-effect CDrs, featuring cover and booklet photography by Nelly Elagina in this double disc edition. The sound palette is a little more Modern Classical overall than the previous excursion (Novaya Zemlya) but there is evidence of electronic and ambient influences in places, with field recordings, drones and added texture. Disc one surveys the beauty of Siberia before thoughts turn to climate change and its impact, particularly on Siberia.   

Siberia will be released for pre-order on Friday the 6th of August. If you join our mailing list using the link below, we’ll make sure you’re the first to hear.

press release
“Glåsbird is an anonymous artist, active since 2018 and with releases to date appearing exclusively on Whitelabrecs, as part of a series called A Sonic Expedition. With each edition in the collection, the artist concentrates on a different geographic location. The project emerged somewhere inside the Arctic Circle, descending to Greenland, moving onto Svalbard and then the Norwegian Fjords before most recently, on the Russian owned peninsulas Novaya Zemlya. The music of Glåsbird ranges from electro-acoustic Ambient to Modern Classical, with this artist keen on producing a range of experiments to show their full range of ideas and techniques.

We’re pleased to unveil the next destination in this series, in the form of Siberia which is a double album befitting an exploration of the largest region on earth. Glåsbird has teamed up with glaciologist and photographer Nelly Elagina who provides first-hand accounts of Siberia in the form of images and captions from her time there. In the CD packaging, a special photo booklet has been included to showcase these experiences. For the artist, their account of this latest destination is entirely imagined. The first disc sets out to explore the beauty of the landscape and its ancient history. As with previous albums, the music feels icy cold but evocative, aiming to transport you to imagine the landscape in all its splendour for yourself. The second part of the album moves into more topical territory, portraying Siberia as it is today. Shifting weather patterns and devastating climate change inspire the mood of the compositions, which lean towards melancholy, tense or dramatic reflections, rounded off with a thought provoking title.

As always, we wonder, where in the world might the Glåsbird land next?

credits
Written and produced by Glåsbird
Mastered by James Edward Armstrong
Photography and captions by Nelly Elagina
Art and Design by Andrew Heath

Coming soon… Adrian Lane – The Fleet

 

We have two new physical editions lined up for pre-order on the 6th of August, just in time for Bandcamp Friday.

Firstly, we have ‘The Fleet‘ by Adrian Lane, which will be available in our usual low run of 100 gatefold vinyl-effect CDrs, with its epic and undefined nautical theme brought to life through exquisite Modern Classical composition and hand-painted cover artwork from the artist themselves. 

The Fleet will be released for pre-order on Friday the 6th of August. If you join our mailing list using the link below, we’ll make sure you’re the first to hear.

press release
“In summer 2020 we released Adrian Lane’s Home Diaries album ‘Indigo and Salt Peter’ and we’re now pleased to welcome him back with a new album. Adrian, from Southend-on-Sea, UK has also released music with Preserved Sound and Hibernate. His sound has been honed over many years, taking influences in from modern contemporaries such as Jóhann Jóhannsson, Philip Glass, Erik Satie and Max Richter.

Compositions begin at his home studio, using a variety of real instruments alongside virtual instruments, blended with the intention that the listener will be unable to discern which are which. For this new album ‘The Fleet’, Adrian wrote the initial compositions with a strings section as a starting point, to be the intended focal point of the album. The pieces were developed with acoustic instruments such as bowed acoustic guitar, piano, violin and bowed psaltery and variety added in the form of piano and subtle organic synths. The music was built as a collage, with layers and components arranged piece by piece. Once completed, the final presentation was cemented with the help expertise of friend and mixing engineer John Hannon, who sadly passed away recently.

Whilst this album was created as a means of escapism during lockdown rather than with an exact theme in mind, The Fleet plays out as a soundtrack experience to a film that was never written. Adrian’s walks to the sea front inevitably drew in the salty air and cloudy skies, as a nautical theme of maritime drama unfolds throughout. This melancholy epic is full of cinematic detail, telling tales of discovery, open seas, romance, tragedy, and indeed, whatever else you the listener might concoct.

The Fleet is compete, with the cover artwork and inner sleeve texture having been painted by Adrian inside his home art studio.

credits
Written and produced by Adrian Lane
Mixed by John Hannon
Mastered by James Edward Armstrong
Artwork by Adrian Lane
Design by Andrew Heath

Out Now! Guy Gelem – Scenario

For our next digital EP, we welcome back Guy Gelem from Jerusalem, Israel. Scenario combines the sound of guitar and cello along with additional subtle textures.

Scenario is released today, Monday the 21st of June. If you join our mailing list , we’ll make sure you’re the first to hear about future editions.

press release
“In our next digital release we welcome back Guy Gelem from from Jerusalem, Israel. Guy has released music with labels including Quiet Design, Mini50, Time Release Sound and Rural Colours. He also contributed the album ‘Entirety’ back in 2016, our inaugural year. ‘Scenario’ is an EP created using his signature instruments, cello and guitar, with which he has woven a collection of tracks reflecting on themes of creation. The concept considers the world and its processes; how everything is organised, and as one gigantic scenario.

credits

Written and produced by Guy Gelem
Mastered by James Edward Armstrong
Photography by Peter Nejedly

Out Now! anthéne & simon mccorry – the equation of time

Today we announce the latest new addition to our series, which sees the return of anthéne who has joined forces with cellist and composer Simon McCorry.

The Equation Of Time‘ is an album which combines processed guitar and cello, to contemplate the enormity of time. It’s rounded off by the stunning collage artwork of Tom Tebby, who also designed the CD packaging which we’ll be revealing the packaging on release day.

Whitelabrecs low-run releases are likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“We’re pleased to welcome back Toronto, Canada’s anthéne in the form of this collaborative album with UK cellist and composer Simon McCorry. Between them, they have released solo recordings on labels such as Home Normal, Archives, Past Inside The Present, Naviar and Fallen Moon. They’ve also both released on Polar Seas, a label helmed by Brad Deschamps, the man behind anthéne.

Both artists are comfortable collaborators, having worked alongside the likes of Ian Hawgood, Andrew Tasselmyer and Andrew Heath. It was in 2020 when their remote recording sessions translated into The Equation Of Time, combining and processing Brad’s guitar and Simon’s cello into a collage of droning textures. A concept sprang from their work together, during the unfolding pandemic and its resulting lockdowns, where time itself seemed to stand still, go backwards and go forwards, all at once. Add to this the the sheer geographical distance and time zones separating these artists, the often-explored artistic muse of time and space became the central theme.

The title ‘The Equation Of Time’ relates to the differences between the day of the earliest sun rise, the day of the latest sunset, the longest day. Each of these days are different, noted by the ancient Greeks and the Persians before them. The enormity of time and the ability for humans to occupy the same space as multiple predecessors is particularly fascinating when faced with something ancient, such as a cave painting, a forest or the ruins of a fallen civilisation. The track titles are aptly borrowed from parts of T.S. Eliot’s 4 Quartets, which also deals with the contemplation of time. You can surmise from these poems that ideally, one would focus only on the present, in order to make the most of each turn of the clock; the past cannot be altered and the future is unknown. Our memory can subconsciously serve us back our own recollection of past times, which can result in nostalgia, melancholy or both. Our minds can also influence our perception of the future, with feelings of either fear, excitement or both.

The Equation Of Time grapples at these themes and ideas without the intention of ever truly being able to define time. A wash of faded memories, unknowns and current thoughts stir into one-another; ambient music itself always seems so able to reflect and evoke a sense of wonder, at things far bigger than we can ever comprehend.”

credits
Written and Produced by Brad Deschamps and Simon McCorry
Mastered by Ian Hawgood
Artwork by Tom Tebby
Packaging design by Tom Tebby

Out Now! Demetrio Cecchitelli – Tense

In this next digital edition, we welcome Demetrio Cecchitelli  from Rimini in Italy. Tense was originally composed for a theatre production and this body of work plays as a series of abstract cinematic soundscapes that lean more towards Musique Concrete than modern classical composition. 

Tense is released today, Saturday the 22nd of May. If you join our mailing list , we’ll make sure you’re the first to hear about future editions.

press release
“In this new digital edition, we welcome Demetrio Cecchitelli from Rimini, Italy. He has released music with labels such as Sounds Against Humanity, Healing Sound Propagandist and Dornwald among others. ‘Tense’ is an album that was originally composed for a theatre in Santarcangelo di Romagna and in this digital release, it is given a new context. The record explores themes of tension, constructing moments of suspense and quiet, as it both surprises and lulls the listener.

credits

Written and produced by Demetrio Cecchitelli
Mastered by James Edward Armstrong
Photography by Harry Towell