Out Now! Spring Quintet – Raven, Raven, Raven

The summer schedule continues, as we welcome a collaboration between Montreal, Canada based artist Stefan Christoff and Milan, Italy based sound artist Matteo Uggeri. The record sees a live recording between Stefan and his fellow musicians at Casa Del Popolo, a music venue  in Montreal passed to Matteo who provided further processing, samples and field recordingsRaven, Raven, Raven is a modern classical micro-symphony, featuring piano, cello, violin, double bass and tabla and the packaging includes the paintings of Chris Day. This will be available in 2019’s signature gatefold-LP style CD, in a run of 100 copies  and we’ll release this officially on or around the 27th of July 2019. This has wide influences so is difficult to classify but should appeal to you if you like Peter Broderick and Machinefabriek, Andrea Ferraris and Matteo Uggeri or Guy Gelem.

Raven, Raven, Raven is available now after having been released to subscribers of our mailing list last weekend, who had the first opportunity to grab a copy. These have been going well but we still have some copies left at the time of writing and you can buy one of these or grab a digital copy by clicking the link below or image above. To avoid missing out on future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/raven-raven-raven

 

 

press release
“We’re pleased to announce our sixtieth release, which is a collaborative project between renowned musician and Montreal, Canada activist Stefan Christoff and Italian sound artist Matteo Uggeri, as well as musicians Claire Abraham (Cello), Fern O’Dactyl (Violin), Peter Burton (Double Bass) and Will Eizlini (Tabla).

‘Raven, Raven, Raven’ is a longform piece which originates from a live performance at Casa Del Popolo in Montreal, between Christoff and the aforementioned musicians. The ensemble performance was for a benefit show at the Native Friendship Centre and at a later date this was subsequently passed to Milan-based artist Matteo Uggeri, who had previously collaborated with Stefan through their mutual contact Vasco Viviani, owner of Old Bicycle Records. Matteo was tasked with the opportunity to deconstruct, rearrange and rebuild this raw recording as well as to adorn it with additional layers of sounds. Matteo’s own take on the original work took up a new approach to something that was originally live and flowing and once each artist had their own space in which to bring their own separate ideas, they then spent a slow period of regular communication via email during which the project gathered the momentum to eventually achieve the final results which have been beautifully mastered by Ian Hawgood.

‘Raven, Raven, Raven’ still flows like a live record, as if Matteo was there, present at this intimate live music venue, playing to the small crowd. Field recordings, samples and radio static blend through the individual movements of this modern classical micro-symphony in a seamless way. The album is intended to be gapless, playing continually both as the single track on the CD or as the split 5 movements within the stream or digital version.

The title to this body of work reflects back to how the original concert performance was set up to help support indigenous programs for people struggling with homelessness and poverty, with birds not only being particularly important in poetics, but also in different indigenous cultures too. It is often a symbol and this motif repeats itself within the recurring themes throughout this recording both within the music and the beautiful packaging, which features paintings by Chris Day and graphic design which Matteo also contributed to. Both Stefan and Matteo care deeply about human rights and the playful composition they have produced alongside this group of musicians represent this, with characterful glints of hope and freedom.”

credits
Originally recorded live at Casa del Popolo, Montreal 2017
Written and produced by Stefan Christoff and Matteo Uggeri
Claire Abraham (Cello)
Fern O’Dactyl (Violin)
Stefan Christoff (Piano)
Will Eizlini (Tabla)
Peter Burton (Double Bass)
Matteo Uggeri (Field Recordings, Effects, Samples)
Assembled and mixed by Matteo Uggeri between 2017 and 2018
Mastered by Ian Hawgood in 2019
Artwork by Chris Day
Packaging design Matteo Uggeri

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Coming soon…Spring Quintet – Raven, Raven, Raven

The summer schedule continues, as we welcome a collaboration between Montreal, Canada based artist Stefan Christoff and Milan, Italy based sound artist Matteo Uggeri. The record sees a live recording between Stefan and his fellow musicians at Casa Del Popolo, a music venue  in Montreal passed to Matteo who provided further processing, samples and field recordingsRaven, Raven, Raven is a modern classical micro-symphony, featuring piano, cello, violin, double bass and tabla and the packaging includes the paintings of Chris Day. This will be available in 2019’s signature gatefold-LP style CD, in a run of 100 copies  and we’ll release this officially on or around the 27th of July 2019. This has wide influences so is difficult to classify but should appeal to you if you like Peter Broderick and Machinefabriek, Andrea Ferraris and Matteo Uggeri or Guy Gelem.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“We’re pleased to announce our sixtieth release, which is a collaborative project between renowned musician and Montreal, Canada activist Stefan Christoff and Italian sound artist Matteo Uggeri, as well as musicians Claire Abraham (Cello), Fern O’Dactyl (Violin), Peter Burton (Double Bass) and Will Eizlini (Tabla).

‘Raven, Raven, Raven’ is a longform piece which originates from a live performance at Casa Del Popolo in Montreal, between Christoff and the aforementioned musicians. The ensemble performance was for a benefit show at the Native Friendship Centre and at a later date this was subsequently passed to Milan-based artist Matteo Uggeri, who had previously collaborated with Stefan through their mutual contact Vasco Viviani, owner of Old Bicycle Records. Matteo was tasked with the opportunity to deconstruct, rearrange and rebuild this raw recording as well as to adorn it with additional layers of sounds. Matteo’s own take on the original work took up a new approach to something that was originally live and flowing and once each artist had their own space in which to bring their own separate ideas, they then spent a slow period of regular communication via email during which the project gathered the momentum to eventually achieve the final results which have been beautifully mastered by Ian Hawgood.

‘Raven, Raven, Raven’ still flows like a live record, as if Matteo was there, present at this intimate live music venue, playing to the small crowd. Field recordings, samples and radio static blend through the individual movements of this modern classical micro-symphony in a seamless way. The album is intended to be gapless, playing continually both as the single track on the CD or as the split 5 movements within the stream or digital version.

The title to this body of work reflects back to how the original concert performance was set up to help support indigenous programs for people struggling with homelessness and poverty, with birds not only being particularly important in poetics, but also in different indigenous cultures too. It is often a symbol and this motif repeats itself within the recurring themes throughout this recording both within the music and the beautiful packaging, which features paintings by Chris Day and graphic design which Matteo also contributed to. Both Stefan and Matteo care deeply about human rights and the playful composition they have produced alongside this group of musicians represent this, with characterful glints of hope and freedom.”

credits
Originally recorded live at Casa del Popolo, Montreal 2017
Written and produced by Stefan Christoff and Matteo Uggeri
Claire Abraham (Cello)
Fern O’Dactyl (Violin)
Stefan Christoff (Piano)
Will Eizlini (Tabla)
Peter Burton (Double Bass)
Matteo Uggeri (Field Recordings, Effects, Samples)
Assembled and mixed by Matteo Uggeri between 2017 and 2018
Mastered by Ian Hawgood in 2019
Artwork by Chris Day
Packaging design Matteo Uggeri

Coming soon…Ben McElroy | Bird-stone

We’re back from holiday and without wasting any further time, we’re exited to present our tenth release, in the form of Ben McElroy’s ‘Bird-stone‘ which sees us veer down a rural folk route, perfect for the summer. The spine of this five track record fuses painstakingly arranged strings including cello, viola and violin with additional sounds of guitar, voice and not to mention some subtly-captured home improvements courtesy of Ben’s next door neighbour. Ben has also performed as part of more traditional folk bands but his work for us sees this woven into slightly more ‘Ambient’ territory, appealing to fans of Plinth, Richard Skelton and Padang Food Tigers. You can listen to a preview of the album by using the Soundcloud player below or keep a check on our Facebook page to preview the packaging when we share it.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
“Ben McElroy is a musician originally from The Wirral, near Liverpool (UK) who moved to Nottingham to do a music course around a decade ago and has lived there ever since. Ben’s sound is typically based around acoustic instruments such as guitar, strings and voice with a little additional computer based processing and his work is influenced by artists as diverse as Nick Drake, Gavin Bryars and Neu! as well as literary figures such as Virginia Woolf, David Mitchell and Philip K. Dick.

Ben’s previous material to date has seen various EPs released either under his own name or other moniker The Four Fishermen, one of which emerged on Dirty Demos back in 2008. He has also performed in various bands including folk-influenced Apples For Faces and Mucus Mules, electronica trio Howling Buddha and 8 piece pirate band Seas of Mirth. He also works writing and performing with theatre company Handmade Theatre.

For Whitelabrecs, Ben has produced ‘Bird-Stone’ which features pieces that are based mostly around his long and improvised recordings of cello, viola and violin set into a five track album that tells a story. The story isn’t clearly defined, however a warm and muted essence of traditional folk music portrays something that is rustic, of the outdoors and reminiscent of the British countryside. At times, voice and guitar join the strings with the recordings also capturing a neighbours home improvement projects which is fitting, given the title: ‘Bird-stone’ sets about drawing the lines between structures, inanimate objects and man-made buildings with nature, animals and mankind. It is pleasant and enveloping but a sadness can be detected, as Ben’s love for the natural world turns to fear of what humans are doing to the planet, nature and our future generations.”