out now! andrew heath – quiet noise

Released today is the new album from our regular collaborator Andrew Heath, who our listeners may recognise from his 2021 collaboration with Anne Chris Bakker, or his participation in the recent A Speechless Body compilation. Those of you who read the sleeve notes will recognise him for his design work with Whitelabrecs. Quiet Noise clocks in at almost an hour, and is a melting pot of serene electro-acoustic details. 

Quiet Noise is out now in a run of 100 copies! The best way to keep informed about our low-run releases, is to join our mailing list, and we’ll make sure you’re the first to hear!

 

press release
“Andrew Heath is a UK-based soundscape artist and composer, who creates lower case ambient music based around piano, electronics and field recordings. His discography includes regular output on Toby Marks’ (Banco de Gaia’s) Disco Gecko label, along with contributions for White Paddy Mountain, Rusted Tone and Elm. He has collaborated with many artists, including Hans-Joachim Roedelius, Simon McCorry, Seigo Aoyama, Anne Chris Bakker and Mi Cosa de Resistance. With the latter two, the music has been released by Whitelabrecs, with How To Breathe Like a Stone and A Speechless Body respectively.

Andrew’s latest solo album, Quiet Noise, continues his obsession with small fragments of sound that we are continually surrounded by and exposed to in our everyday lives. Balancing these ‘lower case’ recordings with his fascination of texture and tone through extensive treatments and instruments such as piano and guitar, he explores this quiet and dreamlike world. Quiet Noise also develops a more recent trait in his work towards a warmer and more tonal sound. Andrew’s work is not static and is constantly changing, building and evolving as each piece in this stunning album unfolds.

Quiet Noise presented a perfect opportunity to work with his fellow collaborators within the side project, Konstruct and so thanks must go to cellist, Simon McCorry who adds a soulful elegance to the track Embers which opens this album and to Alexander Caminada (aka Phonsonic) for stunning and majestic, half-speed flute on the concluding piece, Building Mountains. The release is rounded off with packaging designed by Andrew himself, making use of the beautiful collage artwork produced by his wife Zoë.

credits
Written, produced and mastered by Andrew Heath
Collage by Zoë Heath
Image manipulation and artwork by Andrew Heath

Coming soon… Andrew Heath – Quiet Noise

 

The second of our two new artist albums due for release on the 12th of February, is the next solo album by UK based composer Andrew Heath. ‘Quiet Noise‘ will be out for for pre-order this coming Bandcamp Friday, the 4th of February and the audio, clocking in at almost an hour, is a melting pot of serene electro-acoustic details.

Quiet Noise‘ will be available in one of our typically low runs of 100 gatefold vinyl-effect CDrs, complete with collage artwork by Zoe Heath.

It will be released officially on Saturday the 12th of February. If you join our mailing list using the link below, we’ll make sure you’re the first to hear.

press release
“Andrew Heath is a UK-based soundscape artist and composer, who creates lower case ambient music based around piano, electronics and field recordings. His discography includes regular output on Toby Marks’ (Banco de Gaia’s) Disco Gecko label, along with contributions for White Paddy Mountain, Rusted Tone and Elm. He has collaborated with many artists, including Hans-Joachim Roedelius, Simon McCorry, Seigo Aoyama, Anne Chris Bakker and Mi Cosa de Resistance. With the latter two, the music has been released by Whitelabrecs, with How To Breathe Like a Stone and A Speechless Body respectively.

Andrew’s latest solo album, Quiet Noise, continues his obsession with small fragments of sound that we are continually surrounded by and exposed to in our everyday lives. Balancing these ‘lower case’ recordings with his fascination of texture and tone through extensive treatments and instruments such as piano and guitar, he explores this quiet and dreamlike world. Quiet Noise also develops a more recent trait in his work towards a warmer and more tonal sound. Andrew’s work is not static and is constantly changing, building and evolving as each piece in this stunning album unfolds.

Quiet Noise presented a perfect opportunity to work with his fellow collaborators within the side project, Konstruct and so thanks must go to cellist, Simon McCorry who adds a soulful elegance to the track Embers which opens this album and to Alexander Caminada (aka Phonsonic) for stunning and majestic, half-speed flute on the concluding piece, Building Mountains. The release is rounded off with packaging designed by Andrew himself, making use of the beautiful collage artwork produced by his wife Zoë.

credits
Written, produced and mastered by Andrew Heath
Collage by Zoë Heath
Image manipulation and artwork by Andrew Heath

out now! various artists – a speechless body

Released today is a various artists compilation album called A Speechless Body. This is a concept album idea, originally conceived by Argentinian artist Mi Cosa de Resistance who then invited Andrew Heath, Ciro Berenguer, Hymns57 and Pepo Galan to create 2 tracks each, relating back to the previous track. The idea is that the album plays as a series of ‘chapters’, as if it were a book.

A Speechless Body is out now in a run of 100 copies! The best way to keep informed about our low-run releases, is to join our mailing list, and we’ll make sure you’re the first to hear!

press release
“Take five ambient composers from around the world. Ask them to create two pieces or chapters each which in turn relate, just as in a book, to the previous chapter but all constructed in two halves as a palindrome and you have an amazing and intriguing ambient work – A Speechless Body.

Originally conceived by the Argentinian experimental musician, Mi Cosa de Resistance, it quickly grew to include Ciro Berenguer, Pepo Galán, Hymns 57 and Andrew Heath and became an incredible journey from one place to another and then back again, taking in some beautiful ambient scenes along the way.

Diverse? Yes but delightfully so and it’s testament to these artist’s wonderful craft that everything works seamlessly. It guides you along this stunning ambient journey and is finally set into its own cohesive world by the mastering skills of James Edward Armstrong who frames the work perfectly. The stories and narrative within these ‘chapters’ is told through track titles, sound and the album artwork only. The rest, is to your own imagination.

credits
Written and produced by Mi Cosa de Resistance, Andrew Heath, Ciro Berenguer, Hymns 57, Pepo Galán
Mastered by James Edward Armstrong
Art and design by Andrew Heath

out now! various artists – sleeplaboratory3.0

Released today is a various artists compilation album called sleeplaboratory3.0. This is the third in the series, after a two year break and the concept for these albums is for the curated artists to produce their interpretation of sleep music. The result is CDr packed full of tracks designed to help induce the listener to sleep and this edition features work by the likes of Federico Mosconi, The Lifted Index, Stijn Hüwels, Tapes and Topographies, Andrew Heath and Ian Hawgood, who also mastered the album.

sleeplaboratory3.0 is out now in a run of 100 copies! The best way to keep informed about our low-run releases, is to join our mailing list, and we’ll make sure you’re the first to hear!

press release
“Sleeplaboratory3.0 is the third edition of Whitelabrecs’ long-standing concept compilation, a series that aims to induce the listener into a peaceful sleep. The series began in 2019 to mark the 50th release in the label’s catalog and was followed up with a second edition in 2020. It has seen contributions from the likes of Offthesky, Janek Schaefer, M.grig, The Green Kingdom, Warmth and Halftribe as well as artists from the label, including Mikael Lind, Gray Acres, Sven Laux, Glåsbird and Valotihkuu.

Sleeplaboratory compilations are typically released in January and after a two year break, 3.0 continues the themes established in the previous two records. Each artist in the line-up takes the brief of creating ‘sleep music’ and paints the sonic field with their own ideas. Some artists develop restful electro-acoustic compositions, whilst others sketch out soothing drones or vacant ambient textures. With a varied spectrum of warmth and cold, light and floaty, weighted and deep, this new collection features label-regulars such as Andrew Heath, blochemy and Pruski alongside the likes of Ian Hawgood, The Lifted Index, Federico Mosconi and Stijn Huwels. The track titles tend to tie back to the central album theme with words synonymous with rest, phases of sleep or calm places. This album can be experienced in many ways, such as at low volume with headphones, or streamed through hi-fi in a dimly lit room, consciously, or subconsciously.

credits
All rights reserved with the artists
Mastered by Ian Hawgood
Curated by Harry Towell
Art and design by Tom Tebby

Coming soon… Various Artists – A Speechless Body

We have another compilation album of sorts lined-up to begin this new year. This one is a concept album called A Speechless Body an idea originally conceived by Argentinian artist Mi Cosa de Resistance who then invited Andrew Heath, Ciro Berenguer, Hymns57 and Pepo Galan to create 2 tracks each, relating back to the previous track. The idea is that the album plays as a series of ‘chapters’, as if it were a book and this compilation album will be available for pre-order on Friday the 7th of January.

A Speechless Body‘ will be available in one of our typically low runs of 100 gatefold vinyl-effect CDrs, complete with art and design by Andrew Heath.

It will be released officially on Saturday the 15th of January. If you join our mailing list using the link below, we’ll make sure you’re the first to hear.

press release
“Take five ambient composers from around the world. Ask them to create two pieces or chapters each which in turn relate, just as in a book, to the previous chapter but all constructed in two halves as a palindrome and you have an amazing and intriguing ambient work – A Speechless Body.

Originally conceived by the Argentinian experimental musician, Mi Cosa de Resistance, it quickly grew to include Ciro Berenguer, Pepo Galán, Hymns 57 and Andrew Heath and became an incredible journey from one place to another and then back again, taking in some beautiful ambient scenes along the way.

Diverse? Yes but delightfully so and it’s testament to these artist’s wonderful craft that everything works seamlessly. It guides you along this stunning ambient journey and is finally set into its own cohesive world by the mastering skills of James Edward Armstrong who frames the work perfectly. The stories and narrative within these ‘chapters’ is told through track titles, sound and the album artwork only. The rest, is to your own imagination.

credits
Written and produced by Mi Cosa de Resistance, Andrew Heath, Ciro Berenguer, Hymns 57, Pepo Galán
Mastered by James Edward Armstrong
Art and design by Andrew Heath

Coming soon… various artists – sleeplaboratory3.0

 

We kick off what is sure to be another exciting year of releases, with the long-awaited return of our Sleeplaboratory compilation series. We’ve had a two year break since the last edition, and we welcome 3.0 to the series, and a line-up including label artists such as Andrew Heath, Tapes and Topographies, Lauge and Simon McCorry as well as artists that are new to the label, such as Ian Hawgood, The Lifted Index, Federico Mosconi and Stijn Hüwels. This compilation album will be available for pre-order on Friday the 7th of January and if the previous two releases are anything to go by, this will be quick to sell-out.

sleeplaboratory3.0‘ will be available in one of our typically low runs of 100 gatefold vinyl-effect CDrs, complete with art and design by Tom Tebby.

It will be released officially on Saturday the 15th of January. If you join our mailing list using the link below, we’ll make sure you’re the first to hear.

press release
“Sleeplaboratory3.0 is the third edition of Whitelabrecs’ long-standing concept compilation, a series that aims to induce the listener into a peaceful sleep. The series began in 2019 to mark the 50th release in the label’s catalog and was followed up with a second edition in 2020. It has seen contributions from the likes of Offthesky, Janek Schaefer, M.grig, The Green Kingdom, Warmth and Halftribe as well as artists from the label, including Mikael Lind, Gray Acres, Sven Laux, Glåsbird and Valotihkuu.

Sleeplaboratory compilations are typically released in January and after a two year break, 3.0 continues the themes established in the previous two records. Each artist in the line-up takes the brief of creating ‘sleep music’ and paints the sonic field with their own ideas. Some artists develop restful electro-acoustic compositions, whilst others sketch out soothing drones or vacant ambient textures. With a varied spectrum of warmth and cold, light and floaty, weighted and deep, this new collection features label-regulars such as Andrew Heath, blochemy and Pruski alongside the likes of Ian Hawgood, The Lifted Index, Federico Mosconi and Stijn Huwels. The track titles tend to tie back to the central album theme with words synonymous with rest, phases of sleep or calm places. This album can be experienced in many ways, such as at low volume with headphones, or streamed through hi-fi in a dimly lit room, consciously, or subconsciously.

credits
All rights reserved with the artists
Mastered by Ian Hawgood
Curated by Harry Towell
Art and design by Tom Tebby

Favourite Records of 2021

Our label owner Harry Towell has finalised his top 20 list of favourite albums of 2021, complete with a mix. See below a few words from Harry on his year in music, followed by the top 20, each with a link, a brief commentary and artwork. You can check out the mix Harry created by clicking the picture above, which counts down with a track from each of his favourite albums. Alternatively, there’s a player below and you can click play whilst you read on…


“2021 has been a year of forging onwards, back ‘to normal’ after the pandemic, returns to work, business as usual etc. However, it doesn’t feel completely the same, with climate change, destruction, scandal, social and political unrest all around us and the constant shadow of a pandemic that’s still very much here to stay. That’s before we even talk about Brexit, in particular the challenges it has brought to running the label. All that sounds pretty negative, but the year for me has been positive on so many fronts and all the while, the year has been soundtracked by some fantastic music the whole year through.

I think this year, I may well have explored more music than ever before, with a mixture of homeworking, commuting and leisure-time listening which covered a wide range of genres. I focused on a few scenes in particular; in the summer I went mad on Deep House music again, as I launched my Wallofhouse blog. Then I’ve been fascinated by Modern Classical music and the volume of sheer quality that is emerging from this scene. And Ambient, drone, electro acoustic styles, being the focus of Whitelabrecs, also dominated my listening.

This year my wife and I welcomed our second daughter Emily, into the family and so we’ve turned the music studio into a little bedroom for her. My physical music collection is in storage for now and so my listening has been much more digital than ever before. I know there’s a lack of a fair deal for musicians with Spotify in particular, but it has enabled me to cast the net much wider as I search for albums to indulge in. I still can’t help but feel that ‘liking’ an album on Spotify so I can scroll through some menus and stream it again on demand, is more than a little soul-less. But for the time being, it has suited our circumstances and I have committed to buying physical versions of the music I feel will stay with me forever. I.e, albums that make my best of list!

Onto my best of lists, and Bandcamp followers or my Spheruleus Mixcloud followers will have seen my historic best-of list mix shows being uploaded. This summer I added an iPod playlist of all the mixes I’ve made each year and I was bowled over by the nostalgia each one brought to me. Listening to the music literally transported me back in time, so I decided to get them all uploaded to Mixcloud, add them to a playlist and I’ll maintain this going forward. As of today, we have 12 years of listening to tons of records, whittling them down to a list, and recording a show to listen back to.


Below is my final list then – my favourite 20 albums of the year each with a few thoughts and a link where you can find out more about an album for yourself. Then there’s mix show featuring a track from each album, which I’ve made as a countdown with the help of my wife Beth who recorded the numbers a few years back. The cover artwork this year was taken on our holiday in Tenby, Wales, our first as a family of four.  We love Tenby, a family-favourite holiday destination and it was particularly beautiful on the morning I took the photo. I woke up to the sound of the sea, which was less than 100 meters away from our apartment. I looked out of the window and saw the sun rising impressively over the sea and had to take a walk along the promenade to take photos. Of course, with the sepia polaroid effect I’ve added, you can’t see the sun…


1st:
Origamibiro
Miscellany
Denovali

Towards the second half of a year it’s not unusual for me to put out a social media message, asking people to recommend albums for me to check out, as I begin to refine my end of year list. I did so this year and Brian from Stationary Travels recommended Miscellany, by Origamibiro. I’m familiar with the artist’s work from several years ago and within very little time, this moved its way to the very top of my list. And stayed there. It’s experimental, playful, good fun and full of ideas, moments of satisfying calm, moments of decaying, clanking rhythms.

https://origamibiro.bandcamp.com/album/miscellany


2nd:
Eydís Evensen
Bylur
XXIM Records

Over the last ten years, there’s been a real wealth of quality modern classical music and talented composers are springing up each year. Some countries have a knack for producing a greater percentage of these and Iceland is at the top of the list. The latest name to appear is Eydís Evensen and it’s been on heavy rotation this year, and a record that I can easily listen through from start to finish. The thing I’m finding with modern classical these days, is that there’s so much of it, that the works managing to really stand out need that added magic. Bylur is one such example; there are rich strings against which the piano is more sparse, and then more piano-led pieces. Overall, the mood really is magical and this is at its peak in the vocal track ‘Midnight Moon’.

https://eydisevensen.lnk.to/bylur


3rd:
Sebastian Plano
Save Me Not
Mercury KX

Argentinian cellist Sebastian Plano is an artist I’ve been following since enjoying his album Impetus as well as his collaboration with Ben Lukas Boysen, both of which I own on vinyl. I jumped on this record as soon as I became aware that it was out and it’s right up there with the best, this year. I can’t really call it between the top three of this chart, and this could/should be higher given that it soundtracked some dramatic walks along the high promenade of the Tenby cost, as I walked to fetch breakfast on our holiday in September. Plano may be a cellist, but I have always seen him as an all-round composer; this one’s beautiful, rich, melancholy and imaginative.


4th:
Addex
Eko
Limitation Music

In the warm summer of 2020 I made a dub techno mix and discovered how beautiful this genre of music sounded in the sun. This year I set up a blog called Wallofhouse and spent a few months scouring for House music in all its guises. Yet my best (very loosely linked) ‘House’ discovery of the year is this dub techno/ambient record by Addex. ‘Eko’ is a spacious hour and a half of blissed-out, poolside chill and I found myself reaching for this record over and over this summer. The album also sounds great when the sun is well and truly down, late at night, with its minimal techno micro beats and lush, infinitely cascading pads.

https://www.beatport.com/release/eko/3314244


5th:
Mikael Lind
Geographies
Dronarivm

In 2019 i became aware of Mikael Lind’s work through his album for Archives and I’ve since been lucky to welcome him to Whitelabrecs with his album Give Shape To Space, followed by an EP with S.hel. His album this year for Dronarivm hasn’t left my car CD player and the packaging from this top label makes Geographies an all round spectacle I’m only to glad to appreciate time and time again, on my long commutes.

https://dronarivm.bandcamp.com/album/geographies


6th:
Andrew Tuttle and Padang Food Tigers
A Cassowary Apart
Bedroom Suck

I’ve followed Padang Food Tigers for many years now, since their EP ‘Born Music’ on Under The Spire. I am less familiar of Andrew Tuttle’s work, although I was aware of him as an artist – I’d just not explored his work before now. In this record, Padang Food Tigers’ signature folk sound combines into beautifully warm electro-acoustic drones; a record that I’ve had towards the top of my list all year.

https://andrewtuttle.bandcamp.com/album/a-cassowary-apart


7th:
Gaspar Claus
Tancade
InFine

A record I returned to throughout autumn this year is Parisian cellist Gaspar Claus’ debut album Tancade. When you think of grand, stirring modern classical music, you think of the cello. Its deep, rich texture and bass tones are so satisfying and powerful. But it can also sound excellent when the limits of conventional playing are stretched. Here, Claus uses bowed strings alongside plucked and rhythmic patterns and I’m led to believe the entire compositions are made purely from the cello. This is quite incredible given the detail and fully orchestrated pieces of music on offer.

https://gasparclaus.bandcamp.com/album/tancade


8th:
Fabiano do Nascimento
Ykytu
Now-Again

LA based Brazilian Fabiano do Nascimento was a discovery I made last year and his last album Preludio made my chart, after sound-tracking walks in a sunny pandemic-stricken UK. I was eager to check out his new album ‘Ykytu’ and this one is somehow even better than last year.

https://fabianodonascimento.bandcamp.com/album/ykytu-2


9th:
Valgeir Sigurðsson
Kvika
Bedroom Community

I’ve been following Valgeir Sigurðsson’s music and Bedroom Community label for many years now and was excited to learn of his film score release KVIKA, used in the film MALÁ RÍŠA which features various musicians including violinist Daniel Pioro. The album’s title is the Icelandic word for magma, which is fitting given the eruption at Fagradalsfjall which began in March, when this record was released. This record is sprawling with a wealth of orchestral timbres, through the multiple musicians that performed in the score but there are also plenty of electronics and effects that underly the mix, which help make this a fascinating listen all the way through its 21 tracks.

https://valgeir.bandcamp.com/album/kvika


10th:
The Lifted Index
Sanctuary
Seil

Seil Records have been storming it this year and I could have had a few inclusions from their catalog this year, that didn’t quite make the list in the end, notably albums by Jogging House and Thme. But the stand-out for me and my favourite electronic ambient album is Sanctuary by The Lifted Index. I’ve been working with artist Tom Tebby this year and he recommend I check out The Lifted Index, and this one really stood out. There’s no clear concept, it’s just seriously good ambient/post rock, created with synths, guitars and pedals.

https://theliftedindex.bandcamp.com/album/sanctuary


11th:
Balmorhea
The Wind
Deutsche Grammophon

“I’ve enjoyed Balmorhea’s work for many years and ‘The Wind’ was eagerly anticipated, and did not disappoint. Contemporary classical music befitting of Deutsche Grammophon but some folk moments and guest musicians, including Clarice Jensen, give this record a variation that makes it easy for me to enjoy in one sitting. The artwork is minimal, classic and striking and a loose theme around the natural world provides food for thought as you listen.

https://www.deutschegrammophon.com/en/catalogue/products/the-wind-balmorhea-12219


12th:
Olivia Belli
Sol Novo
XXIM

The high bar that is classical music is something I’ve already touched on and this is another example, of yet another talented composer, Mantova, Italy’s Olivia Belli. She says that dawn is her favourite time to compose and intended for this album ‘Sol Novo’ meaning new sun, to be filled with light. A further example of an artist inspired by the world around them and the result, is some exquisite modern classical music, centered around the piano, joined with gently stirring strings.

https://oliviabelli.com/sol-novohttps://silmus.bandcamp.com/album/laaksum


13th:
Schreel Van De Velde
Balts
Blickwinkel

There were some excellent guitar-driven records this year, that nodded back to post-rock from the early to mid 2000s in particular. I discovered this one by Schreel Van De Velde in the summer and whilst in reminded me of Tape with its use of guitar instrumentals, it has a sound of its own. Schreel Van De Velde is a Belgian duo combining the surnames of Lucas Schreel, who creates the melody in this project and Casper Van De Velde, who provides percussion.

https://blickwinkel.bandcamp.com/album/balts


14th:
Andrew Heath
New Eden
Disco Gecko

I’ve been in touch with Andrew now for over a year, working with him for his release for Whitelabrecs, a collaboration with Anne Chris Bakker as well as having him help with our label’s design work. We have more planned from Andrew in 2022 but also this year, he had been sending me his other releases. All are unmistakably excellent but New Eden stands out as the big one for me. I’ve listened to this over and over towards the end of 2021, a truly complete listen, urging the listener to search for a purer, more natural world; a better place. It works well as a sleep album but also, there is so much detail in the drones, electric piano and superb field recordings, that you can turn this up to a reasonable volume and allow your ears to explore.

https://andrewheath.bandcamp.com/album/new-eden


15th:
Teis Ortved
Parks At Night
Bathurst

Last year I listened to a lot of Jazz music and this year, less so. I think it may be due to listening to Jazz FM less and also, I didn’t go out searching for as much in the genre. However, I did stumble across this debut album by 17 year old Danish musician and composer, Teis Ortved. He comes from a musical family so you can expect a degree of competency in his approach to his first album. But listening to this album, I have been repeatedly bowled over at the talent oozing from the production of every beat, every synth and every sound. It’s such an accomplished first step into releasing an album that I’m excited to track Teis’ future career.

https://teisortved.bandcamp.com/album/parks-at-night


16th:
Philip G Anderson
Figment
Self Released

I have been following American composer Philip G Anderson’s career for a couple of years now and instantly jumped on his self-released album Figment, when it came out in June. His album ‘Wilderness’ was a firm favourite Modern Classical discovery last year and I’m sure it would have made my 2019 chart had I discovered it at the time. Figment does not have a clearly stated concept other than a single line talking about it being a personal reflection of struggle, growth and evolution. The album artwork shows the composer casting a downward glance, but these grand, technically brilliant, sonically fascinating compositions show that any struggle is paying off, if it relates to his musical career. His work is exceptional and I’m sure he’ll go far.

https://philipganderson.bandcamp.com/album/figment


17th:
Seaworthy and Matt Rösner
Snowmelt
12k

“Many years back during my early ‘ambient years’, when I’d first got into 12k, Seaworthy was one artist in particular that really got into a more acoustic version of ambient music. 1897 was out of this world for me back then and shortly after, Cameron Webb did a collab with Matt Rösner called ‘Two Lakes’, another exceptional piece of music on 12k. Several years on, the duo made a follow-up which I instantly took to exploring. Exotic field recordings, plaintive guitar and acoustic drones make for a truly compelling listen. And as always, beautiful artwork too from 12k.”

https://12kmusic.bandcamp.com/album/snowmelt


18th:
Oliver Patrice Weder
The Pool Project
SA Recordings

I’m a follower of Spitfire Audio, a quality company offering sample libraries for musicians and composers. I watch a lot of their videos and one of the video presenters is Oliver Patrice Weder, who unveiled the immersive Pool Project, in which an album was recorded inside an indoor swimming pool, at a beautiful location. Guests were involved in the process and Weder pulled everything together into this fantastic ambient/cinematic album, full of warmth and an airiness. Not to mention an accompanying and affordable sample pack available through Spitfire.

https://oliverpatriceweder.bandcamp.com/album/the-pool-project


19th:
Miguel Angel Tolosa
Nostalgia (Circa 1987)
LINE

Another discovery on the advice of a friend; James Armstrong dropped me a note to let me know I might want to check out this record. He knows I’m a fan of vinyl-crackle and ‘vintaged’ sound aesthetics and he was right on the money. I’ve had these snoozy, antiquated piano and orchestral loops on a lot this year – an exquisite record on Richard Chartier’s LINE imprint.

https://lineimprint.bandcamp.com/album/nostalgia-circa-1987


20th:
Prequel
Love Or (I Heard You Like Heartbreak)
Rhythm Section

“I went mad on House music again this year after setting up a new blog, Wallofhouse. Posts have been sparse in the last 6 months but during the summer, I was scouring new releases daily. What I’ve found over the years is that in the House music genre, albums are often geared towards retrospectives, or a collection of dancefloor tracks. The best albums contain a concept and here with this one by Prequel, it joins an impressive Rhythm Section catalog and already stands out. It’s a record I can listen to from start to finish; lots of deep loops, dusty samples and percussive breaks.”

https://prequel.bandcamp.com/album/love-or-i-heard-you-like-heartbreak

Out Now! Andrew Heath & Anne Chris Bakker – How To Breathe Like A Stone

Today we released two new CDs and in the first we have an exciting collaboration between UK’s Andrew Heath and Anne Chris Bakker from the Netherlands. Their next album ‘How To Breathe Like A Stone‘ will be out this Saturday the 20th of March and is an album full of acoustic warmth from real life improvisations, recorded environments and reel to reel tape, yet it also feels lulling, drifting and very ambient.

This limited edition CDr edition makes use of photography provided by Renske Zijlstra as well as packaging art and design by Andrew himself. As a special gift from the artists, there are 25 hand-numbered prints which will be included with the first 25 CDs purchased.

Our low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

 

press release
“‘How to breathe like a stone’ is the third release from the ongoing collaboration between Dutch, ambient and experimental guitarist Anne Chris Bakker and British, minimal pianist Andrew Heath. Their work charts a slow moving, lower case journey inspired by place and process. Combining tonal washes and textural recordings, punctuated by pointillist piano and guitar notes to produce music that creates an ephemeral, dreamlike state.

Previous releases have been on Chihei Hatakeyama’s small Japanese label, White Paddy Mountain (Lichtzin) and the English, tape cassette label, Rusted Tone Recordings (A Gift for the Ephemerist).
Having been aware of each other’s music, Chris and Andrew finally met when Andrew invited Chris to play in the UK’s Resound festival several years ago. This cemented a friendship and mutual admiration of each other’s music. Various visits to both The Netherlands and the UK offered opportunities to record and improvise together before a file exchanging process followed, allowing their work to be edited and further refined.

Both artists are experienced performers and collaborators, with Andrew having played at Iceland’s Extreme Chill festival and working with Hans-Joachim Roedelius and Toby Marks; Chris Has performed with the trio Kleefstra/Bakker/Kleefstra, touring Europe and Japan.

How To Breathe Like A Stone utilises Chris’s mainstay, the guitar, often processed with a huge 20 second delay and placed alongside Andrew’s piano and electronic sounds. Two different church pianos were used for their natural tones, one recorded in Noordlaren and the other in the village of Sheepscombe. Additional textures derived from field recordings and reel to reel tape machines, providing a layer of subtle detail to complete the aesthetic. One of the more unusual recordings on the album was made at the Kröller Müller museum in The Netherlands in the large sculpture room. The sun outside was causing the building to emit various quiet creaks and clicks, amplified by the acoustics of the space. It was as if the weather had its own improvised response to the collaboration, creating further notable moments that became woven into this story of chance.

This album does not have a mapped out concept, more that it uses the artist’s evident love of process and improvisation as a springboard into their sound world. It is hoped that the listener will pause to absorb this environment, both contemplating and losing track of time.

credits
Written and produced by Andrew Heath and Anne Chris Bakker
Acoustic and Electric Pianos, Electronics, Treatments and Field Recordings by Andrew Heath
Guitars, Electronics, Tape Manipulation and Field Recordings by Anne Chris Bakker
Artwork by Andrew Heath
Cover Photography by Renske Zijlstra

Coming soon…Andrew Heath & Anne Chris Bakker – How To Breathe Like A Stone

It’s about time that we released some more CDs and next we welcome an exciting collaboration between UK’s Andrew Heath and Anne Chris Bakker from the Netherlands. Their next album ‘How To Breathe Like A Stone‘ will be out this Saturday the 20th of March and is an album full of acoustic warmth from real life improvisations, recorded environments and reel to reel tape, yet it also feels lulling, drifting and very ambient.

This limited edition CDr edition makes use of photography provided by Renske Zijlstra as well as packaging art and design by Andrew himself. As a special gift from the artists, there are 25 hand-numbered prints which will be included with the first 25 CDs purchased.

The album will be released on Saturday the 20th of March with no pre-order. If you join our mailing list using the link below, we’ll make sure you’re the first to hear.

Whitelabrecs low-run releases are likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“‘How to breathe like a stone’ is the third release from the ongoing collaboration between Dutch, ambient and experimental guitarist Anne Chris Bakker and British, minimal pianist Andrew Heath. Their work charts a slow moving, lower case journey inspired by place and process. Combining tonal washes and textural recordings, punctuated by pointillist piano and guitar notes to produce music that creates an ephemeral, dreamlike state.

Previous releases have been on Chihei Hatakeyama’s small Japanese label, White Paddy Mountain (Lichtzin) and the English, tape cassette label, Rusted Tone Recordings (A Gift for the Ephemerist).
Having been aware of each other’s music, Chris and Andrew finally met when Andrew invited Chris to play in the UK’s Resound festival several years ago. This cemented a friendship and mutual admiration of each other’s music. Various visits to both The Netherlands and the UK offered opportunities to record and improvise together before a file exchanging process followed, allowing their work to be edited and further refined.

Both artists are experienced performers and collaborators, with Andrew having played at Iceland’s Extreme Chill festival and working with Hans-Joachim Roedelius and Toby Marks; Chris Has performed with the trio Kleefstra/Bakker/Kleefstra, touring Europe and Japan.

How To Breathe Like A Stone utilises Chris’s mainstay, the guitar, often processed with a huge 20 second delay and placed alongside Andrew’s piano and electronic sounds. Two different church pianos were used for their natural tones, one recorded in Noordlaren and the other in the village of Sheepscombe. Additional textures derived from field recordings and reel to reel tape machines, providing a layer of subtle detail to complete the aesthetic. One of the more unusual recordings on the album was made at the Kröller Müller museum in The Netherlands in the large sculpture room. The sun outside was causing the building to emit various quiet creaks and clicks, amplified by the acoustics of the space. It was as if the weather had its own improvised response to the collaboration, creating further notable moments that became woven into this story of chance.

This album does not have a mapped out concept, more that it uses the artist’s evident love of process and improvisation as a springboard into their sound world. It is hoped that the listener will pause to absorb this environment, both contemplating and losing track of time.

credits
Written and produced by Andrew Heath and Anne Chris Bakker
Acoustic and Electric Pianos, Electronics, Treatments and Field Recordings by Andrew Heath
Guitars, Electronics, Tape Manipulation and Field Recordings by Anne Chris Bakker
Artwork by Andrew Heath
Cover Photography by Renske Zijlstra