Coming soon…Glåsbird – Svalbarð

We’re excited to welcome back Glåsbird after having released the debut album Grønland back in February. This sold out in no time at all so we imagine that copies of the follow-up record Svalbarð will be similarly sought-after. As the title suggests, this one’s another geographic expedition and this time, in the isles of Svalbard. Glåsbird continues the themes of icy modern classical music but this time the sound is less polished as the artist turns to tape saturation effects. Artwork is in the form of location photography on Svalbard, by travelling photographer Aldona PivorieneThis will be available in 2019’s signature gatefold-LP style CD, in a run of 100 copies  and we’ll release this officially on or around the 10th of August 2019. This one might appeal to artists such as Ben Lukas Boysen, Ian Hawgood or Anthene.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“In February 2019 we released the debut album by an anonymous artist named Glåsbird, in the form of Grønland, a sonic expedition of Greenland. The album received much critical acclaim despite being from an anonymous artist and was even featured on Bandcamp Daily under their ‘best Ambient’ feature. CD copies of this record have long since sold out, but the Glåsbird continues its flight to a new destination: Svalbard.

Svalbard lies 78 degrees north, is inside the Arctic Circle and had a population of around 2600 people and an estimated 3000 polar bears! Its calendar year divides between the midnight sun and the polar nights. The former is a period of constant daylight and the latter is the opposite. However, the dark season is broken from time to time by spectacular Northern Lights.

In Svalbarð, Glåsbird became immersed once more in this next excursion, through means of Google Earth, 360° photos, blogger accounts of the isles, maps and also, videos by Efterklang who were an obvious reference point with the band having visited.
This time, we are treated to a greater number of tracks, as ten movements weave Modern Classical influenced Ambient soundscapes. The pristine, polished reverb of Grønland is replaced with a slightly muddier, more lo-fi approach to the sound as the artist strived to present a tape-eroded aesthetic to their work. The recordings deal with dramatic landscapes, glaciers, an abandoned coal community, a seed vault, the Island’s capital city Longyearbyen and of course, polar bears. Each piece feels icy cold, yet the warmth and hiss provided by the decaying tape effects provide a comfort blanket for the listener as perhaps you take in these scenes from a lonely cabin, at one with isolation and natural beauty.

The packaging for the album includes photography from Svalbard itself, courtesy of Aldona Pivoriene who is a professional photographer based in Norway. We are also set to release the next Glåsbird album next year. Where will the destination be? For now, we hope you enjoy immersing yourself in this new set of works exploring Svalbard.”

credits
Written and produced by Glåsbird
Mastered by James Edward Armstrong
Photography by Aldona Pivoriene (http://www.aldonapivoriene.com)
Packaging design by Harry Towell

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Out Now! Spring Quintet – Raven, Raven, Raven

The summer schedule continues, as we welcome a collaboration between Montreal, Canada based artist Stefan Christoff and Milan, Italy based sound artist Matteo Uggeri. The record sees a live recording between Stefan and his fellow musicians at Casa Del Popolo, a music venue  in Montreal passed to Matteo who provided further processing, samples and field recordingsRaven, Raven, Raven is a modern classical micro-symphony, featuring piano, cello, violin, double bass and tabla and the packaging includes the paintings of Chris Day. This will be available in 2019’s signature gatefold-LP style CD, in a run of 100 copies  and we’ll release this officially on or around the 27th of July 2019. This has wide influences so is difficult to classify but should appeal to you if you like Peter Broderick and Machinefabriek, Andrea Ferraris and Matteo Uggeri or Guy Gelem.

Raven, Raven, Raven is available now after having been released to subscribers of our mailing list last weekend, who had the first opportunity to grab a copy. These have been going well but we still have some copies left at the time of writing and you can buy one of these or grab a digital copy by clicking the link below or image above. To avoid missing out on future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/raven-raven-raven

 

 

press release
“We’re pleased to announce our sixtieth release, which is a collaborative project between renowned musician and Montreal, Canada activist Stefan Christoff and Italian sound artist Matteo Uggeri, as well as musicians Claire Abraham (Cello), Fern O’Dactyl (Violin), Peter Burton (Double Bass) and Will Eizlini (Tabla).

‘Raven, Raven, Raven’ is a longform piece which originates from a live performance at Casa Del Popolo in Montreal, between Christoff and the aforementioned musicians. The ensemble performance was for a benefit show at the Native Friendship Centre and at a later date this was subsequently passed to Milan-based artist Matteo Uggeri, who had previously collaborated with Stefan through their mutual contact Vasco Viviani, owner of Old Bicycle Records. Matteo was tasked with the opportunity to deconstruct, rearrange and rebuild this raw recording as well as to adorn it with additional layers of sounds. Matteo’s own take on the original work took up a new approach to something that was originally live and flowing and once each artist had their own space in which to bring their own separate ideas, they then spent a slow period of regular communication via email during which the project gathered the momentum to eventually achieve the final results which have been beautifully mastered by Ian Hawgood.

‘Raven, Raven, Raven’ still flows like a live record, as if Matteo was there, present at this intimate live music venue, playing to the small crowd. Field recordings, samples and radio static blend through the individual movements of this modern classical micro-symphony in a seamless way. The album is intended to be gapless, playing continually both as the single track on the CD or as the split 5 movements within the stream or digital version.

The title to this body of work reflects back to how the original concert performance was set up to help support indigenous programs for people struggling with homelessness and poverty, with birds not only being particularly important in poetics, but also in different indigenous cultures too. It is often a symbol and this motif repeats itself within the recurring themes throughout this recording both within the music and the beautiful packaging, which features paintings by Chris Day and graphic design which Matteo also contributed to. Both Stefan and Matteo care deeply about human rights and the playful composition they have produced alongside this group of musicians represent this, with characterful glints of hope and freedom.”

credits
Originally recorded live at Casa del Popolo, Montreal 2017
Written and produced by Stefan Christoff and Matteo Uggeri
Claire Abraham (Cello)
Fern O’Dactyl (Violin)
Stefan Christoff (Piano)
Will Eizlini (Tabla)
Peter Burton (Double Bass)
Matteo Uggeri (Field Recordings, Effects, Samples)
Assembled and mixed by Matteo Uggeri between 2017 and 2018
Mastered by Ian Hawgood in 2019
Artwork by Chris Day
Packaging design Matteo Uggeri

Coming soon…Spring Quintet – Raven, Raven, Raven

The summer schedule continues, as we welcome a collaboration between Montreal, Canada based artist Stefan Christoff and Milan, Italy based sound artist Matteo Uggeri. The record sees a live recording between Stefan and his fellow musicians at Casa Del Popolo, a music venue  in Montreal passed to Matteo who provided further processing, samples and field recordingsRaven, Raven, Raven is a modern classical micro-symphony, featuring piano, cello, violin, double bass and tabla and the packaging includes the paintings of Chris Day. This will be available in 2019’s signature gatefold-LP style CD, in a run of 100 copies  and we’ll release this officially on or around the 27th of July 2019. This has wide influences so is difficult to classify but should appeal to you if you like Peter Broderick and Machinefabriek, Andrea Ferraris and Matteo Uggeri or Guy Gelem.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“We’re pleased to announce our sixtieth release, which is a collaborative project between renowned musician and Montreal, Canada activist Stefan Christoff and Italian sound artist Matteo Uggeri, as well as musicians Claire Abraham (Cello), Fern O’Dactyl (Violin), Peter Burton (Double Bass) and Will Eizlini (Tabla).

‘Raven, Raven, Raven’ is a longform piece which originates from a live performance at Casa Del Popolo in Montreal, between Christoff and the aforementioned musicians. The ensemble performance was for a benefit show at the Native Friendship Centre and at a later date this was subsequently passed to Milan-based artist Matteo Uggeri, who had previously collaborated with Stefan through their mutual contact Vasco Viviani, owner of Old Bicycle Records. Matteo was tasked with the opportunity to deconstruct, rearrange and rebuild this raw recording as well as to adorn it with additional layers of sounds. Matteo’s own take on the original work took up a new approach to something that was originally live and flowing and once each artist had their own space in which to bring their own separate ideas, they then spent a slow period of regular communication via email during which the project gathered the momentum to eventually achieve the final results which have been beautifully mastered by Ian Hawgood.

‘Raven, Raven, Raven’ still flows like a live record, as if Matteo was there, present at this intimate live music venue, playing to the small crowd. Field recordings, samples and radio static blend through the individual movements of this modern classical micro-symphony in a seamless way. The album is intended to be gapless, playing continually both as the single track on the CD or as the split 5 movements within the stream or digital version.

The title to this body of work reflects back to how the original concert performance was set up to help support indigenous programs for people struggling with homelessness and poverty, with birds not only being particularly important in poetics, but also in different indigenous cultures too. It is often a symbol and this motif repeats itself within the recurring themes throughout this recording both within the music and the beautiful packaging, which features paintings by Chris Day and graphic design which Matteo also contributed to. Both Stefan and Matteo care deeply about human rights and the playful composition they have produced alongside this group of musicians represent this, with characterful glints of hope and freedom.”

credits
Originally recorded live at Casa del Popolo, Montreal 2017
Written and produced by Stefan Christoff and Matteo Uggeri
Claire Abraham (Cello)
Fern O’Dactyl (Violin)
Stefan Christoff (Piano)
Will Eizlini (Tabla)
Peter Burton (Double Bass)
Matteo Uggeri (Field Recordings, Effects, Samples)
Assembled and mixed by Matteo Uggeri between 2017 and 2018
Mastered by Ian Hawgood in 2019
Artwork by Chris Day
Packaging design Matteo Uggeri

Spring Quintet

ARTIST NAME: Spring Quintet
CONTRIBUTING ARTISTS: Stefan Christoff, Piano and composition, Montreal, Canada
Matteo Uggeri, Post Production, Field Recordings, Effects and Samples, Milan, Italy

MUSICIANS: Claire Abraham (Cello), Fern O’Dactyl (Violin), Will Eizlini (Tabla), Peter Burton (Double Bass)
FILE UNDER: Modern Classical, Electro-Acoustic
RELEASES: WLR060

Out Now! Logic Moon – I See Planets

The show must go on and we’re over mid-way through our busy schedule for 2019. Next we’re back in Germany as we welcome Mainz based artist Tobias Lorsbach who records as Logic MoonI See Planets is a deep and dense Ambient/Drone album created using guitar and retro synths and it features the collage artwork of Thomas Easton. This will be available in 2019’s signature gatefold-LP style CD, in a run of 100 copies with packaging design arranged by the artists themselves. The album is out today and has plenty of detail, so should not be viewed as a pure drone album. It should appeal to those who follow artists such as Truthiscolor, Hotel Neon or Tone Color.

I See Planets is available now after having been released to subscribers of our mailing list last weekend, who had the first opportunity to grab a copy. These have been going well but we still have copies left at the time of writing and you can buy one of these or grab a digital copy by clicking the link or image above. To avoid missing out on future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/i-see-planets

 

press release
“Logic Moon is Tobias Lorsbach, an artist from Mainz, Germany. His previous releases have appeared on labels such as Archives, Archipel and his own spontanMusik imprint across all physical and digital formats. He spent many years in the minimal techno scenes since the early 2000s and whilst out on a field recording excursion, he fell upon the idea of layering some Ambient drones. From here, his debut album as Logic Moon was born, Herbst11.

Tobias’ musical background has drawn in a widescreen of genres with him having performed guitar in a death metal band, embarked on a DJ career and now as an Ambient musician. His varied experiences have only served to give birth to a range of ideas which are evident in his latest album ‘I See Planets’, clocking in at just over an hour.
Compositions typically start life as a sketch on guitar before synth and additional components were added to build an environment.

Retro-futurism is the over-arching concept to I See Planets, something which Tobias does not map out for you the listener to read so you’re clear. Instead, this bewildering atmosphere is a heady journey that requires the time and space for it to unfold carefully.
The title track opens proceedings over 8 minutes, taking its time to wash over science fiction tales from the 70s. ‘Somnia’ follows, hinting of a drowsy night’s gaze into the black sky above as you imagine all kinds of stars, galaxies and planets. Fleeting moments of warmth are interspersed with themes of artificial intelligence, comprehension of time and darkness.

We’ve teamed up with Thomas Easton for the artwork, who produces retro-futuristic collages. We discovered his work through Instagram and we’re pleased to find a work of art which truly encapsulates the tales of I See Planets.”

credits
Written, produced and mastered by Tobias Lorsbach
Artwork by Thomas Easton
Packaging design by Harry Towell

Coming soon…Logic Moon – I See Planets

The show must go on and we’re over mid-way through our busy schedule for 2019. Next we’re back in Germany as we welcome Mainz based artist Tobias Lorsbach who records as Logic MoonI See Planets is a deep and dense Ambient/Drone album created using guitar and retro synths and it features the collage artwork of Thomas Easton. This will be available in 2019’s signature gatefold-LP style CD, in a run of 100 copies with packaging design arranged by the artists themselves. We’ll release this officially on or around the 13th of July 2019. This has plenty of detail so should not be viewed as a pure drone album and it should appeal to those who follow artists such as Truthiscolor, Hotel Neon or Tone Color.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“Logic Moon is Tobias Lorsbach, an artist from Mainz, Germany. His previous releases have appeared on labels such as Archives, Archipel and his own spontanMusik imprint across all physical and digital formats. He spent many years in the minimal techno scenes since the early 2000s and whilst out on a field recording excursion, he fell upon the idea of layering some Ambient drones. From here, his debut album as Logic Moon was born, Herbst11.

Tobias’ musical background has drawn in a widescreen of genres with him having performed guitar in a death metal band, embarked on a DJ career and now as an Ambient musician. His varied experiences have only served to give birth to a range of ideas which are evident in his latest album ‘I See Planets’, clocking in at just over an hour.
Compositions typically start life as a sketch on guitar before synth and additional components were added to build an environment.

Retro-futurism is the over-arching concept to I See Planets, something which Tobias does not map out for you the listener to read so you’re clear. Instead, this bewildering atmosphere is a heady journey that requires the time and space for it to unfold carefully.
The title track opens proceedings over 8 minutes, taking its time to wash over science fiction tales from the 70s. ‘Somnia’ follows, hinting of a drowsy night’s gaze into the black sky above as you imagine all kinds of stars, galaxies and planets. Fleeting moments of warmth are interspersed with themes of artificial intelligence, comprehension of time and darkness.

We’ve teamed up with Thomas Easton for the artwork, who produces retro-futuristic collages. We discovered his work through Instagram and we’re pleased to find a work of art which truly encapsulates the tales of I See Planets.”

credits
Written, produced and mastered by Tobias Lorsbach
Artwork by Thomas Easton
Packaging design by Harry Towell