Jazzdefector and Slow Clinic

ARTIST NAME: Jazzdefector and Slow Clinic
LOCATION: Oadby, UK / Farnham, UK
FILE UNDER: Ambient, Drone, Guitar
RELEASES: WLR065

Out Now! Gray Acres – Material Forces

We’ve had another short break since releasing the recent album by xu and next we’re excited to announce the follow-up album by Gray Acres, whose debut emerged on Sound In Silence last year. Brothers Andrew and Mike Tasselmyer are based in Philadelphia and Baltimore respectively and some will recall their work as Hotel Neon, which has appeared on labels such as Archives and Fluid Audio.Material Forces‘ combines tactile field recordings based in Asia with immersive drones. This will be available in 2019’s signature gatefold-LP style CD, in a run of 100 copies  and we’ll release this officially on or around the 5th of October 2019. This one might appeal to artists such as Warmth, Wil Bolton or James A. McDermid.

Material Forces was released to subscribers of our mailing list last weekend, who had the first opportunity to grab a copy and these have been selling fast! You can stream the album on Bandcamp and of course, grab one of the remaining physical copies or a download if you prefer by clicking the link below or image above. To avoid missing out on future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/material-forces

press release
“Gray Acres are brothers Michael and Andrew Tasselmyer, whose debut album was released last year on Sound In Silence. The project began in 2017 as another creative avenue for these two artists, who are already established as Hotel Neon as well as working on other collaborations and solo ventures. Andrew records under his own name as well as working with Tobias Hellkvist as Mordançage whereas Mike records under the alias Transient Sounds.
The brothers are originally from Baltimore in USA and whilst Mike still lives there, Andrew moved a hundred miles or so away to neighbouring city Philadelphia. Their work is initially created independently by building ideas, loops and recordings and these are realised into full tracks once they get together in person.

Material Forces became the name of the follow-up to last year’s eponymous unveiling, a dense but physical drift session which is as tactile as it is lulling. They did not initially have a clear vision on what this record would eventually become and much of it was performed live, with limited post-production. A key element is some field recordings taken in Asia, which provided the influence for the concept as they were all selected specifically for their powerful, intense characteristics. Rushing water, thunder claps, rock, earth and other heavy materials helped inspire the title ‘Material Forces’ as these field recordings become a focal point in which the power of the natural world collide with softer, processed guitar and synth drones to mimic the undeniable beauty that is left behind by nature as it shifts and evolves.”

credits
Written and produced by Andrew and Mike Tasselmyer
Mastered by Ian Hawgood
Photography by Andrew Tasselmyer
Packaging design by Harry Towell

Coming soon…Gray Acres – Material Forces


We’ve had another short break since releasing the recent album by xu and next we’re excited to announce the follow-up album by Gray Acres, whose debut emerged on Sound In Silence last year. Brothers Andrew and Mike Tasselmyer are based in Philadelphia and Baltimore respectively and some will recall their work as Hotel Neon, which has appeared on labels such as Archives and Fluid Audio.Material Forces‘ combines tactile field recordings based in Asia with immersive drones. This will be available in 2019’s signature gatefold-LP style CD, in a run of 100 copies  and we’ll release this officially on or around the 5th of October 2019. This one might appeal to artists such as Warmth, Wil Bolton or James A. McDermid.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“Gray Acres are brothers Michael and Andrew Tasselmyer, whose debut album was released last year on Sound In Silence. The project began in 2017 as another creative avenue for these two artists, who are already established as Hotel Neon as well as working on other collaborations and solo ventures. Andrew records under his own name as well as working with Tobias Hellkvist as Mordançage whereas Mike records under the alias Transient Sounds.
The brothers are originally from Baltimore in USA and whilst Mike still lives there, Andrew moved a hundred miles or so away to neighbouring city Philadelphia. Their work is initially created independently by building ideas, loops and recordings and these are realised into full tracks once they get together in person.

Material Forces became the name of the follow-up to last year’s eponymous unveiling, a dense but physical drift session which is as tactile as it is lulling. They did not initially have a clear vision on what this record would eventually become and much of it was performed live, with limited post-production. A key element is some field recordings taken in Asia, which provided the influence for the concept as they were all selected specifically for their powerful, intense characteristics. Rushing water, thunder claps, rock, earth and other heavy materials helped inspire the title ‘Material Forces’ as these field recordings become a focal point in which the power of the natural world collide with softer, processed guitar and synth drones to mimic the undeniable beauty that is left behind by nature as it shifts and evolves.”

credits
Written and produced by Andrew and Mike Tasselmyer
Mastered by Ian Hawgood
Photography by Andrew Tasselmyer
Packaging design by Harry Towell

Out now! xu – embodying formlessness

We’ve had a short break since our last release by Emanuele Errante and we’re also due to go on holiday next week. Before we go, we’d like to introduce another Italian sound artist Nicola Fornasari, who records as xu. Those who pay close attention to liner notes may recognise Nicola’s name, as he is one half of La Petite Vague, who we worked with back in  2016. thoughts of the present as electronics and organic instruments layer together. As xu, Nicola has released with labels such as Eilean and Cathedral Transmissions and in ‘embodying formlessness‘, we have a beautifully minimal set of electro-acoustic tracks created using a toy ukulele and electronics. Artwork is provided by our regular collaborator Peter Nejedly. This will be available in 2019’s signature gatefold-LP style CD, in a run of 100 copies  and we’ll release this officially on or around the 14th of September 2019. This one might appeal to artists such as Masaya Kato, Offthesky or Marcus Fischer.

embodying formlessness was released to subscribers of our mailing list last weekend, who had the first opportunity to grab a copy and the CDs have been going well! You can stream the album on Bandcamp and of course, grab one of the remaining physical copies or a download if you prefer by clicking the link below or image above. To avoid missing out on future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/embodying-formlessness

 

press release
“With our next release we welcome back Nicola Fornasari who is one half of La Petite Vague, a project which we’ve almost exclusively supported across Whitelabrecs and our sister label Audio Gourmet. Nicola also records solo work as xu, with material released through labels such as Eilean, Cathedral Transmissions and most recently, Manyfeetunder.

The next album in the xu catalog is ‘Embodying Formlessness’, which Nicola created by recording improvisations performed on his daughter Nina’s toy ukulele and then setting these into non-synchronised loops. These were made by using various pedals by experimenting with ‘blind looping’, a technique used to create unpredictable variations of a certain loop. Additional sounds were layered into the compositions by adding minibrute parts which were also fed into effects pedals and these provide an array of high and low frequencies.
The resulting sound throughout the six tracks that encompass this album is one of a tactile minimalism and the sound itself is a representation of the concept.

In the period during which Embodying Formlessness was created, Nicola was studying the Two Truths, fundamental points developed by Buddhist philosopher Nāgārjuna. These consist of Relative Truth, which is the conventional way in which we perceive reality and Absolute Truth, which is the theory that objects and events have no intrinsic existence and no individual identity, except in our thoughts. Both perspectives are true and neither intellectual position is the correct one. So in summary, phenomena are both real and not real; things exist, yet nothing exists.
There is a sentence in the Heart Sutra which inspired the title for this album:
Form is no other than emptiness; emptiness no other than form. Form is exactly emptiness; emptiness exactly form.

Embodying Formlessness sets out a short collection of existential pieces, crafted from the random placement of melodic source material, adorned with subtle electronics. This provides an ideal backdrop to contemplate the theme of the Two Truths, as you try to separate the difference of what is real and what is perceived.”

credits
Written and produced by Nicola Fornasari
Mastered by Tim Diagram
Cover artwork by Peter Nejedly
Packaging design by Harry Towell

Coming soon…xu – embodying formlessness



We’ve had a short break since our last release by Emanuele Errante and we’re also due to go on holiday next week. Before we go, we’d like to introduce another Italian sound artist Nicola Fornasari, who records as xu. Those who pay close attention to liner notes may recognise Nicola’s name, as he is one half of La Petite Vague, who we worked with back in  2016. thoughts of the present as electronics and organic instruments layer together. As xu, Nicola has released with labels such as Eilean and Cathedral Transmissions and in ‘embodying formlessness‘, we have a beautifully minimal set of electro-acoustic tracks created using a toy ukulele and electronics. Artwork is provided by our regular collaborator Peter Nejedly. This will be available in 2019’s signature gatefold-LP style CD, in a run of 100 copies  and we’ll release this officially on or around the 14th of September 2019. This one might appeal to artists such as Masaya Kato, Offthesky or Marcus Fischer.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“With our next release we welcome back Nicola Fornasari who is one half of La Petite Vague, a project which we’ve almost exclusively supported across Whitelabrecs and our sister label Audio Gourmet. Nicola also records solo work as xu, with material released through labels such as Eilean, Cathedral Transmissions and most recently, Manyfeetunder.

The next album in the xu catalog is ‘Embodying Formlessness’, which Nicola created by recording improvisations performed on his daughter Nina’s toy ukulele and then setting these into non-synchronised loops. These were made by using various pedals by experimenting with ‘blind looping’, a technique used to create unpredictable variations of a certain loop. Additional sounds were layered into the compositions by adding minibrute parts which were also fed into effects pedals and these provide an array of high and low frequencies.
The resulting sound throughout the six tracks that encompass this album is one of a tactile minimalism and the sound itself is a representation of the concept.

In the period during which Embodying Formlessness was created, Nicola was studying the Two Truths, fundamental points developed by Buddhist philosopher Nāgārjuna. These consist of Relative Truth, which is the conventional way in which we perceive reality and Absolute Truth, which is the theory that objects and events have no intrinsic existence and no individual identity, except in our thoughts. Both perspectives are true and neither intellectual position is the correct one. So in summary, phenomena are both real and not real; things exist, yet nothing exists.
There is a sentence in the Heart Sutra which inspired the title for this album:
Form is no other than emptiness; emptiness no other than form. Form is exactly emptiness; emptiness exactly form.

Embodying Formlessness sets out a short collection of existential pieces, crafted from the random placement of melodic source material, adorned with subtle electronics. This provides an ideal backdrop to contemplate the theme of the Two Truths, as you try to separate the difference of what is real and what is perceived.”

credits
Written and produced by Nicola Fornasari
Mastered by Tim Diagram
Cover artwork by Peter Nejedly
Packaging design by Harry Towell