Out Now! Nebel lang – Hand in mine

In our second physical edition for February, we welcome Kiel, Germany based artist Nebel lang who has had previous releases on Fluid Audio and Minui. Some may recall their piece ‘Sit Still For‘ which closes our recent Ennio’s Muse compilation. Their new album ‘Hand in mine‘ will be out this Saturday the 20th of February and features beautiful minimal piano compositions.

This limited edition CDr edition makes use of photography provided by Albarran Cabrera as well as a short story, written by Bailey Rose in the interior liner notes. This one makes use of our sleek minimal design template, new for 2021, complete with a vinyl-effect disc.

Our low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

 

press release
“Nebel lang is the latest moniker for a traveling artist, originally from San Rafael, Argentina who is currently based in Kiel, Germany. Previous releases include ‘Chapters’ on Fluid Audio as well as ‘00000’ and ‘motionless for a’ on Minui. That’s not to mention some self-released digital editions via his own Bandcamp page. The name Nebel lang combines the German words for fog and lifelong, to be taken metaphorically as ‘lifelong uncertainty’.

The Nebel lang sound is driven through improvisations, to capture chance moments that cannot be repeated. These sounds were impulsive, as if entirely natural, as part of the environment within a given moment in time. The tuning, environment and textural sound of a particular piano can never truly be replicated or reperformed.

‘Hand in mine’ is an album comprised of an opener, ‘situate’ which is a short piece to help the listener establish the volume and equalisation settings of their sound system. It is followed by two longform pieces of improvised piano compositions performed in Dordogne, (France), on a self-tuned upright piano. The first of the two album pieces is fluid, with a rhythm that ebbs and flows. The second is intentionally quieter and more sparse. This emphasises the need for ‘situate’ to establish with you the listener, your choice of volume setting. If moments sound quiet, it is entirely deliberate.

Two years on from the original recordings, the nuances and details of these sessions had long-since been lost. Additional artists were invited to collaborate and add an extra perspective to these recordings. Bailey Rose was asked to write some words and this lent the album its title as well as an accompanying story. Visual artists Albarran Cabrera were asked to provide the accompanying imagery from their ‘Kairos’ series, which represents their concept ‘the eternal present’, a fitting companion to these sounds.

credits
Written and produced by Nebel lang
Recorded in 2019 at “un temps, un lieu”
Mastered by James Edward Armstrong
Artwork by Albarran Cabrera
Words by Bailey Rose

Out Now! James Osland & Finn Kelvin – Don’t Worry, I’m With You

Our physical editions for 2021 begin with a the return of a collaboration between James Osland and Finn Kelvin. Previous releases have appeared on Kate Carr’s Flaming Pines and our sister netlabel Audio Gourmet. Their new album ‘Don’t Worry, I’m With You‘ will be out this Saturday the 20th of February and features a collection of deep treated drones, improvised guitar sounds fed through a series of bespoke pedals.

This limited edition CDr edition makes use of photography provided by Peter Nejedly, in our sleek minimal design template, new for 2021, complete with a vinyl-effect disc.

Our low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“Don’t Worry I’m With You is a new collaborative album between James Osland and Finn Kelvin who first met one another at Bath Spa University, UK. They initially performed as part of the Elm Collective before releasing an EP under their respective names, on our sister netlabel Audio Gourmet. Their debut album ‘Colourless’ was released via Kate Carr’s Flaming Pines label in 2017 and this new record is their follow-up.

This record was created via remote exchanges of material at the beginning of the emerging pandemic. The resulting nine pieces are a set of foggy, atmospheric works which draw reflections from the passing of James’s grandfather at the beginning of 2020. James’s grandfather suffered with dementia for a long time and Don’t Worry, I’m With You explores the dark and unsettling place the mind must go when suffering with the disease, unable to communicate with those who love you.

The album features two very different approaches to sound creating as James focused on a purely digital sound through the complex processing of electronic sound beds, whilst Finn’s parts were guitar performances fed through a series of bespoke pedals. The human glimmers of guitar that are interspersed between layers of confusion, provide twists and turns throughout, as a milieu of contrasting moments.

The odd and unlikely emotions of sadness and relief meld together, as clearly recollected memories are interspersed with a vacant hum of melancholy and occasional paths of darkness. The album finishes to mark James’s grandfather’s passing on the 10th January 2020; the track ‘Your Love, I Don’t Want To Lose’ is a reflection of the final release from this disease.

credits
Written and produced by James Osland and Finn Kelvin
Mastered by James Edward Armstrong
Photography by Peter Nejedly
CD Packaging Design by Harry Towell

Coming soon…Nebel lang – Hand in Mine

In our physical edition for February, we welcome Kiel, Germany based artist Nebel lang who has had previous releases on Fluid Audio and Minui. Some may recall their piece ‘Sit Still For‘ which closes our recent Ennio’s Muse compilation. Their new album ‘Hand in Mine‘ will be out this Saturday the 20th of February and features beautiful minimal piano compositions.

This limited edition CDr edition makes use of photography provided by Albarran Cabrera as well as a short story, written by Bailey Rose in the interior liner notes. This one makes use of our sleek minimal design template, new for 2021, complete with a vinyl-effect disc.

The album will be released on Saturday the 20th of February with no pre-order. If you join our mailing list using the link below, we’ll make sure you’re the first to hear.

Whitelabrecs low-run releases are likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“Nebel lang is the latest moniker for a traveling artist, originally from San Rafael, Argentina who is currently based in Kiel, Germany. Previous releases include ‘Chapters’ on Fluid Audio as well as ‘00000’ and ‘motionless fo a’ on Minui. That’s not to mention some self-released digital editions via his own Bandcamp page. The name Nebel lang combines the German words for fog and lifelong, to be taken metaphorically as ‘lifelong uncertainty’.

The Nebel lang sound is driven through improvisations, to capture chance moments that cannot be repeated. These sounds were impulsive, as if entirely natural, as part of the environment within a given moment in time. The tuning, environment and textural sound of a particular piano can never truly be replicated or reperformed.

‘Hand in mine’ is an album comprised of an opener, ‘situate’ which is a short piece to help the listener establish the volume and equalisation settings of their sound system. It is followed by two longform pieces of improvised piano compositions performed in Dordogne, (France), on a self-tuned upright piano. The first of the two album pieces is fluid, with a rhythm that ebbs and flows. The second is intentionally quieter and more sparse. This emphasises the need for ‘situate’ to establish with you the listener, your choice of volume setting. If moments sound quiet, it is entirely deliberate.

Two years on from the original recordings, the nuances and details of these sessions had long-since been lost. Additional artists were invited to collaborate and add an extra perspective to these recordings. Bailey Rose was asked to write some words and this lent the album its title as well as an accompanying story. Visual artists Albarran Cabrera were asked to provide the accompanying imagery from their ‘Kairos’ series, which represents their concept ‘the eternal present’, a fitting companion to these sounds.

credits
Written and produced by Nebel lang
Recorded in 2019 at “un temps, un lieu”
Mastered by James Edward Armstrong
Artwork by Albarran Cabrera
Words by Bailey Rose

Coming soon…James Osland & Finn Kelvin – Don’t Worry, I’m With You

Our physical editions for 2021 begin with a the return of a collaboration between James Osland and Finn Kelvin. Previous releases have appeared on Kate Carr’s Flaming Pines and our sister netlabel Audio Gourmet. Their new album ‘Don’t Worry, I’m With You‘ will be out this Saturday the 20th of February and features a collection of deep treated drones, improvised guitar sounds fed through a series of bespoke pedals.

This limited edition CDr edition makes use of photography provided by Peter Nejedly, in our sleek minimal design template, new for 2021, complete with a vinyl-effect disc.

The album will be released on Saturday the 20th of February with no pre-order. If you join our mailing list using the link below, we’ll make sure you’re the first to hear.

Whitelabrecs low-run releases are likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“Don’t Worry I’m With You is a new collaborative album between James Osland and Finn Kelvin who first met one another at Bath Spa University, UK. They initially performed as part of the Elm Collective before releasing an EP under their respective names, on our sister netlabel Audio Gourmet. Their debut album ‘Colourless’ was released via Kate Carr’s Flaming Pines label in 2017 and this new record is their follow-up.

This record was created via remote exchanges of material at the beginning of the emerging pandemic. The resulting nine pieces are a set of foggy, atmospheric works which draw reflections from the passing of James’s grandfather at the beginning of 2020. James’s grandfather suffered with dementia for a long time and Don’t Worry, I’m With You explores the dark and unsettling place the mind must go when suffering with the disease, unable to communicate with those who love you.

The album features two very different approaches to sound creating as James focused on a purely digital sound through the complex processing of electronic sound beds, whilst Finn’s parts were guitar performances fed through a series of bespoke pedals. The human glimmers of guitar that are interspersed between layers of confusion, provide twists and turns throughout, as a milieu of contrasting moments.

The odd and unlikely emotions of sadness and relief meld together, as clearly recollected memories are interspersed with a vacant hum of melancholy and occasional paths of darkness. The album finishes to mark James’s grandfather’s passing on the 10th January 2020; the track ‘Your Love, I Don’t Want To Lose’ is a reflection of the final release from this disease.

credits
Written and produced by James Osland and Finn Kelvin
Mastered by James Edward Armstrong
Photography by Peter Nejedly
CD Packaging Design by Harry Towell

Glåsbird Interview for AW Artmag

Followers of Whitelabrecs in the last couple of years will likely be familiar with the work of anonymous composer Glåsbird, whose works embark on a sonic travel from one perilously cold location to the next. This year, all being well, there will be an expedition to Sardinia to retrace the steps of writer D.H Lawrence and this will culminate into a documentary film.

The project is being run by photographer and film director Daniele Marzeddu and Glåsbird has agreed to write the music as a soundtrack. The pairing is a great fit, with Glåsbird showing an ability to capture the essence of a place, to channel the environment into the senses of the listener.

Glåsbird has kept a pretty low profile, allowing the mystery and rumours to circulate. Recently they gave their first interview after being active for a couple of years and this was with Italian site AW Artmag: https://www.awartmag.com/en/node/253

We’ve translated the interview for you to read and hopefully gain a little insight into Glåsbird and their work with Return to Sea and Sardinia:

Interview:

(1).Noticing that you are inspired by imaginary trips and, especially trips to remote islands, I’d like to know more about your background as composer?

From the beginning, my journey creating music goes back many years. I started experimenting with electronic music. It was a noisy, musique concrete sound, as I messed about with handheld recorders, field recordings and anything that made a sound. Over the years I’ve collected lots of instruments and built an extensive collection of digital sound libraries. My music has already been released on a few labels before I started working with Whitelabrecs in 2018 and I decided to just do something completely new and completely anonymous. The whole idea to complete a series of travel based albums just came to me, the name for the artist and everything else just seemed to fall into place one day. My approach to making music changed completely too as I wanted to sound different to my more renowned artist name. I wanted to focus more on creating the stirring moods one can hear in film music. I think a big thing central to Glåsbird projects is all the research I do into my themes. For an album on a location I’ll look at film, photography and maps as well as explore Google Earth for a few hours. I’ll try to understand the culture too and will look to see if I can buy cheap acoustic instruments specific to the area. I don’t think I’ll ever get to visit these sorts of places, so making a soundtrack is my way of connecting with these wonderful places and help bring them closer to me and others too. Maybe it can bring to life the fact that there’s an enormous world out there, full of delicate eco systems which are being damaged.

In terms of composing, so far my work has been used in some documentaries and film as well as a short advert. But I did not compose something new for these. So the Return to Sea and Sardinia project is my first opportunity to do this.

2) How would you describe the influence of travel literature and visual arts on your music?

I must admit, I’m not much of a reader. I certainly don’t tend to read fiction books. Not because I don’t like them, I guess I’ve always got something else to do with music and don’t get much time to get my head into a book. That being said, I do find geography and the Earth to be so fascinating and all of this plays a part in my work. I’m currently reading Sea and Sardinia for the first time and I love how descriptive Lawrence is in his writing. He brings it all to life – if I can get anywhere near as evocative with the compositions I make then it will be a real achievement.

Visual art for me is something which definitely inspires me. Both film and photography; particularly landscape photography. I remember in the early 2000s many ambient album artwork covers were landscape images and I really loved these! People started to get a bit fed up of them but I’m pleased that Whitelabrecs have been able to find some wonderful photographers who capture beautiful landscapes! We wanted to use scenes that the listener could really put themselves into as a window into each location.

As for film, I find that I am able to draw inspiration from most top quality movies. Particularly slow moving crime dramas. However, I do tend to get lost in a sense of atmosphere and the sound too, so I often miss the point of a storyline!

3) How much, in your opinion, Ennio Morricone’s work has marked a boundary in music compositing?

I think the bar that Morricone has set is extraordinary. He was so prolific and devoted his whole life to composing but what makes his work all the more impressive, is that he seems to have been able to have turned his hand to anything. Each time, with new ideas which are still unmistakably his. He was able to score for westerns and became a signature sound in this movie genre, he was at home writing music for comedy – yet he could produce haunting or beautiful compositions too. I think he had the background of performing and being a student of music which many modern composers do not always start from these days (me included). He used that as a platform to have an incredible career which has covered so much ground. To answer the question, the one boundary he has shown us, is that there aren’t boundaries or limits to what you can achieve.

4) What did you find particularly attractive when you took the decision to take on this assignment following the legacy of DH Lawrence?

I had already been really keen to compose music for a film from scratch, to test myself in this regard. But when Daniele first contacted me, the fact that the composition will be based around retracing a journey from history, in a curious island named Sardinia it just seemed too perfect to turn down. I find a clear concept or idea to be really important when I am writing music and this gives me the passion and energy to create. What’s more, I am able to approach this in a way which almost feels like a part of the ‘sonic expedition’ series I am working my way through. I am not likely to be able to visit Sardinia any time soon. Whilst I’ve been to Italy, I don’t know much about Sardinia so this is a chance to put in motion my thirst to learn and I am already making good progress in transcribing my thoughts into music.

5) How can you describe your cinematic sounds of Sea, Sicily and Sardinia (Ennio’s Muse) and what’s your perception of an imaginary trip across those lands in 2021?

Daniele and Harry (from Whitelabrecs) came up with the theme of making cinematic music, based around an image taken near to Sardinia. I like how the artists invited will all have their own ideas and interpretations of the same theme and I imagine this album will be a kind of imaginary soundtrack to the journey taken to get to the beginning of the actual journey. The piece I’ve created makes use of silence in places, as the strings and piano keys fade down. I am more than a bit influenced by the late Jóhann Jóhannsson it’s fair to say and he’d often talk about what happens in the space between notes. I used these rises and falls in places on my most recent album Novaya Zemlya, so this felt like a good place to pick up from.

The title of the track is Lavender Sea in Italian and it takes on a term Lawrence used to describe the sea as he set off on his journey towards Sardinia. This compilation album feels like the start of an exciting journey ahead of us in which we hope to create a beautiful work of art and it’s a great idea to try to raise a bit of money to hopefully make this happen. The sea is more than a bit fierce at times and its scale and enormity can be very unnerving. Especially for me as I can’t swim! I hope some of the drama in Lavanda di Mare gets this across. Lawrence referred to this particular stretch of sea as ‘Lavender Sea’ also suggesting a hope, promise or beauty. So I tried to contrast the drama in the track with a bitter sweetness. I also thought that I would really limit the use of electronics or ambient soundscaping effects in this piece, as I wanted to try to make it into more of a classical feel, to think back to 1921 before we had synthesisers and sine waves.

Links

Return to Sea and Sardinia

AW Artmag

Ennio’s Muse

Glåsbird

Out Now! Various Artists – The Home Diaries

We’re delighted to get back to making CDs again after our break over December. It was good to have some down time and to do some planning too but it’s wonderful to be back, with our exciting schedule for 2021.
We’d like to thank all of those who supported us over this period, getting involved with our winter sale. Our stock cupboard is looking lighter and at last there is some space in the drawer for this year’s release schedule!

First up is the double-album Home Diaries compilation, which includes a track from each of the 30 Home Diaries releases from last year. For those unfamiliar, Home Diaries was an invitation to artists to write a record about their situation in lockdown. It was a digital only series, put together to keep our label going after we had to stop releasing CDs.

We know that many prefer a physical edition and so we wanted to create something so that those who do are able to experience this series in some way. So we decided to go all out on the packaging for this one. There is a standard double gatefold edition as well as an ultra deluxe edition, in which the double gatefold CD is contained within a gold foil-printed matchbox, which also includes a booklet which contains a photo of each artist’s home.

There were only around 65 copies of the ultra deluxe to sell after artist allocations, and these have sold out already having been snapped up quickly by our subscribers. However, at the time of writing we have around 50 copies of the standard double album edition, which we feel is still quite a spectacle in itself. It’s complete with the cover artwork, which is an oil painting by Adrian Lane who re-imagined the original series cover.

Our low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“It’s fair to say that the events of the year 2020 will go down as quite a year and may form a large part of the history curriculum for the children of tomorrow. The pandemic is of course just part of the story, against a backdrop of political unrest, climate change and injustice too.

Whitelabrecs was affected with the closure of our local post office, meaning we were unable to ship our CDs. We also felt we had a duty not to hold up a queue of people and decided to stop production of our catalog. During that time, to make sure we still had a label left to return to, we launched the ambitious Home Diaries series. It ran for 3 months and in that relatively short space of time, the series reached 30 releases!

Home Diaries was an invitation to artists and musicians to create an album or EP to document their personal experience during the lockdown or social distancing conditions caused by the Covid-19 pandemic in 2020. The series reflects a range of sounds, styles and ideas, as each artist portrayed their own reflections uniquely, available as a digital only edition including a bonus interview and photos.
Each of the 30 digital editions in the Home Diaries series is an individual work of art, created to share the varying experiences felt by each artist.

This compilation album pulls together a track from each record, sequenced in a way that flows as a specially curated environment, over the course of two CDs. We have two versions available as follows:

A standard edition, which is a double-disc gatefold vinyl-effect CDr album, featuring a re-interpretation of the original cover artwork, painted by Adrian Lane.

A deluxe matchbox edition, in which the double-disc gatefold vinyl-effect CDr is housed inside a gold foil-etched box, which also contains a booklet which includes a photo from each artist’s home during lockdown. This version serves as a time capsule into the original series; a keepsake which is limited to just 70 copies.

If you opt for the digital version, this also includes the photo booklet as a bonus PDF item.

credits
Released January 23, 2021

Painting and artwork by Adrian Lane
Booklet images provided by each respective artist
Packaging layout by Harry Towell
Compilation curated by Harry Towell

All tracks mastered by James Edward Armstrong, except:
12 ‘Out In The Open’ Mastered by John Hannon
17 ‘Distance Learning’ Mastered by Michael Southard
29 -‘Stanze e Distanze (part 2)’ Mastered by Francis M. Gri

Coming soon…Ennio’s Muse

Ennio’s muse: Cinematic Sounds of Sea and Sardinia

Today, the 4th of January 2021 marks exactly 100 years since D.H Lawrence set out with his wife Freida to travel through Sardinia. He captured the thoughts, sights and events of his journey in the book Sea and Sardinia and now, a century later, a return exploration of the locations in the book is planned.

Daniele Marzeddu and his team plan to retrace Lawrence’s steps this year and will capture their experiences through photography and a documentary film. The music to accompany the film will be composed by Whitelabrecs’ very own Glåsbird and so we’re keen to help with the fund raising efforts required realise this exciting project. Click the button below to find out more:

We are pleased to announce that as a precursor to the film and Glåsbird soundtrack, we are curating a compilation album called Ennio’s Muse. The album will feature artists from our roster, some we plan to work with later this year and friends of the label. It will be digital only and all money raised will be donated to the Return to Sea and Sardinia team for a period of 12 months. We’ll announce more news soon, including a preview of some of the tracks and confirmation of the release date.

The compilation draws influence from film scores and modern composition, inspired by the late Maestro, Ennio Morricone as well as glistening or atmospheric Ambient sounds. The cover artwork was taken by Daniele Marzeddu; a pedalo just out to shore under the starry Mediterranean sky. Early contributions to the compilation include work by artists such as Logic Moon, Autistici, Lauge, Glåsbird and Adrian Lane. More names will join soon and we’re actively looking for submissions; if artists wish to get in touch, please visit our contact page.

In the meantime, there is a Go Fund Me page if you wish to support the project directly and there are some extra opportunities listed below, depending on the amount you choose. You can click on the link button below to find out more and any support you can give is greatly appreciated:

  • £20.00 / €25 gives you a funders credit on the travel guide/photo book. (includes a copy or the limited edition of the book)
  • £50.00 / €60 gives you a funders credit on the Return to Sea and Sardinia. (includes a limited edition of the film
  • £125.00 / €140 gives you a funders credit on both the Return to Sea and Sardinia film and photo book. (includes both a limited edition of the film and copy of the book)
  • £400.00 / €430 gives you a 4-day photography tuition class aboard the train routes Lawrence used while travelling in Sardinia (the Trenino Verde).

Supporters of the project will be given an opportunity to have themselves credited on the book and/or film produced as record.


Compilation album Press Release

Ennio’s Muse is a digital compilation album, released by British record label Whitelabrecs, as a means to generate funds and interest into an ambitious project called Return to Sea and Sardinia. 2021 marks 100 years since D.H Lawrence’s travel book Sea and Sardinia, in which he documents his travels from Sicily, through the Mediterranean Sea and up through Sardinia, before returning to his Sicilian home.

In Return to Sea and Sardinia, photographer and film maker Daniele Marzeddu plans to retrace Lawrence’s steps, a full century on since the original voyage. The journey will be captured through photography and a documentary film, which will be scored by Glåsbird. This ambitious plan is currently underway as we work together to hopefully obtain the funding needed to realise it.

Whitelabrecs have decided to curate a digital compilation, in which all proceeds will be donated to Return to Sea and Sardinia for a period of 12 months. The album is themed on cinematic scoring, inspired by the late great Ennio Morricone and throwing forward the themes of Mediterranean travel that lie ahead. The artists invited have been asked to produce a piece of music, as if they are scoring for an imaginary film. The result is a series of dream-infused pieces, in which you can expect modern classical composition and ambient moods, all draped under a clear-night-sky canopy of stars. The artists each pull in their own direction but collectively, Ennio’s Muse is bound as a cohesive whole.