Out Now! teleferick – sixteen frames

For our next release we’re pleased to present a debut from Brugge, Belgium based artist Teleferick who also contributes the weekly electronic/experimental music show ‘Klankschap‘. This is a record compiling some 10 years of work as the artist Christophe Ywaska selects ‘Sixteen Frames‘ that cross section his ranging production styles. Beautiful Ambient moments are juxtaposed against more playful pieces which experiment with electronics and modern classical composition in an unconventional way. This one may appeal to those who enjoy Monolyth & Cobalt, Roel Funcken or Sylvain Chauveau

Sixteen Frames is out this weekend in a limited edition run of 50 copies to the world, packaged in our usual vinyl-imitation CDrs with polaroid artwork prints.

This went to out to our mailing list last weekend and at time of writing, we’ve got copies still available – to find out more or grab a copy, you can click the link below or on the image above to listen. To avoid missing out on future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/sixteen-frames

press release
“Teleferick is Bruges, Belgium based artist Christophe Ywaska who also runs a radio show called Klankschap which dives into the world of experimental music each week. This show has been running for many years and whilst being exposed to a wide range of multi-disciplinary artists, it’s no surprise that Christophe has also been recording his own work as Teleferick since around 2005.

We’re pleased to present his debut physical release after all these years, a sort of ‘selected works’ of sixteen unheralded gems from his collection. These are highlights from a ten year period with tracks presented as ‘frames’ which when played in their intended sequence, draw together as a vivid and cinematic soundtrack to a short film. There is a sheer wealth of production techniques and texture woven into these pieces that gives great variety as you listen; the moods of tracks flit from sad to intense, from serene to amusing. In releasing Sixteen Frames, Christophe intends to ‘archive’ these production methods and ideas and move onto the next chapters that lie ahead.

We’re told that before composing the work of ‘Sixteen Frames’ Christophe would isolate himself from the rest of the world, starting with virtually nothing before kneading the resulting elements into a unique identity. There was no clear plan when sculpting the music or of a deeper album concept. The true meaning of the album reveals itself to you only when the record is complete and could perhaps be compared to therapeutic sessions where there are more questions than answers. Sixteen Frames may indeed feel like a puzzle at times, but something that is appreciated all the more for getting lost in its complexity and in doing so, perhaps you will begin to understand?

Catalog number WLR028
Written and produced by Christophe Ywaska
Mastered by Tim Diagram
Artwork by Christophe Ywaska

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Drifting, Almost Falling Interview

Harry Towell our label curator was fired a few questions by the Drifting, Almost Falling blog this month, focusing on all things Whitelabrecs. It’s been a while since we’ve done an interview so it’s always nice to check in, talk about how things have been going lately and maybe hint at the odd plan for the future.

You can listen read the interview on the Drifting, Almost Falling site by clicking HERE and perhaps read some of the other articles and musical recommendations whilst you’re at it?

Alternatively, the full interview is included below…

DAF: You record under the Spheruleus name (as well as Magnofon) and run the Tesselate, Audio Gourmet and Warehouse Decay labels while also writing for the Irregular Crates Blog. What was the impetus in starting another label? Are you a workaholic? Are Tesselate and Warehouse Decay still active?

HTI am indeed a workaholic. I have no idea how I find the time. But then I don’t truly see music as work so it’s not hard. With all the labels and pseudonyms, I guess like many artists, I have a habit of starting something new! Some creators end things by closing doors neatly behind them when they intend to open a new one. Others, like me, tend to leave doors open and chop and change between projects. Audio Gourmet for instance could have stopped a couple of years back when I was working more on Tesselate and Warehouse Decay, but I am glad I left the door ajar , as this year I’ve been putting out free EP’s again and really enjoyed it, with some great support.

Currently Warehouse Decay is inactive and I’ve no immediate plans to get it going again. I’ve always loved House music and wanted to be a part of the scene and use my experience running Ambient labels to make a go of it. Unfortunately it proved a tough nut to crack and apart from a few friends who supported it loyally, I felt pretty alone. It’s interesting that Ambient music fans, artists, labels etc have all taken different paths to stumble on the genre, many from Post Rock, Metal or IDM, many from the New Age or ethnic Ambient genres too. It seems that Deep House is not such a conventional route and so I didn’t have as many interested contacts or a connected audience.

Tessellate is not fully closed, despite being inactive of late. I always feel it could be another window if I felt like splashing the cash on some more luxurious packaging but the trouble is the risk as to whether I’d make enough back to justify a bigger release.

I launched Whitelabrecs after an idea which was the blueprint for the packaging and I recalled how well Under The Spire did as a label when starting out, when they released things in simple rubber stamped cardboard packages. I had also recently been reunited with my record collection and was feeling very nostalgic about the days when I’d visit local record stores, purchasing white label vinyl as I got to grips with DJing. Often records would have nothing other than a sticker or rubber stamp, sometimes even just an etching on the black plastic space near the label. So I did the usual, set up a website, a Bandcamp page and started asking around to see if anyone would want to release on this new label of mine. Thankfully there was a lot of interest and here we are today!

DAF: How important is the visual identity to the label? Compared to the Tesselate releases, Whitelabrec’s releases have the hand-made aesthetic. Was it important for the label to have an aesthetic to encompass a concept?

HTFor Whitelabrecs this has become crucially important – it was the idea behind the label and I’ll keep it going for as long as I can. I think this is also why I slowed down with Tessellate, as the packaging is different for pretty much every release and the label never truly found an identity. When the idea struck for Whitelabrecs, I truly connected with it and wanted this to be the plan for all releases on the label. I knew there’d be the odd detour but for general releases, I decided that it was very important to follow the pattern this time so I could build an identity.

DAF: Is the label genre bound or do the releases float over various genres?

HT: The label isn’t genre-bound as it will be rooted in my own music taste which is incredibly varied. So far releases have been generally within the modern Ambient scene, perhaps encompassing most of the sub-genres from floatier drone stuff, to glitch electronics and onto Modern Classical, Folk and even Jazz. This has generally gone down well with listeners. I’m open to pushing the boundaries in the future and taking one or two detours so watch this space! But generally, I’m looking at releasing introspective, thought-provoking music and can’t see that changing. In other words, I’m not likely to rekindle my failed dreams from Warehouse Decay by releasing dancefloor-ready Tech House!

DAF: A glance at the catalog reveals a mixture of familiar names with those that are new (or side projects). How important is it to you to expose people to new artists? Does this become a factor when deciding what to release?

HTI have always worked with both newer names to the scene and more established artists and in the Whitelabrecs catalog there is a blend. I don’t dwell too much on whether an artist has released before, how successful their other work was or how many Instagram followers they have. We’ve only got 50 copies to make and sell, of which the artist gets 10. So I only have to worry about those 40 copies and they tend to shift regardless of how well established an artist is. Sure, it certainly helps to have some familiar names –releases by Tsone, Steve Pacheco and Guy Gelem took little in the way of a push! I’m also delighted to give some other artists their first taste of releasing a physical album however, such as Sea Trials, Ludmila and Ben McElroy. I remember how exciting this felt when I first held a copy of ‘Frozen Quarters’ which I released as Spheruleus on Under The Spire.

Looking at the future of the label there are no plans to just attract well-known artists now it’s a bit more established. We have demos queued up until WLR043 and in that queue we’ve got some well-known artists as well as new comers so the blend will continue.

DAF: You’ve recently done a cassette release and the 20 cdr box set. What other plans do you have for the future? Do you plan quite far in advance?

HTThere’ll likely be another box set for those that don’t mind waiting a year or two to play catch up. I did this so that there’s a way for people new to the label to not miss out completely and also, because I was getting asked about out of print releases. I’ve always said I wouldn’t reissue anything individually, but since box set orders are always likely to be low due to the price tag, I took the decision to do this just so there is a way for new collectors to join in the fun.
I enjoyed making the mix tape too and was surprised at the level of interest having never worked with this format before. I’ll certainly be doing more mix tape releases in the future and perhaps get into the local fields and continue the photography theme for the artwork.

There are no other clear ideas just yet as I’m currently just getting my head down and working my way through the discography queue. I think another compilation could be in order at some point but there’s no overall rush on that. There will be new ideas though – with both the box set and the tape, the ideas struck me suddenly and it doesn’t take me long to pull it all together once ideas such as these set in.

With schedule, I’ll take in demos and add them to the back of the queue once approved. I’ll leave them until I get nearer – perhaps drop in with the artist and have a chat now and again. Some artists are very keen and understandably so, so we organise things well in advance so everything’s ready. Other artists are happy to leave it until the few weeks in the run up to the release and wait for me to get back in touch.

There is a lot to do for each release but we’ve followed a similar formula since the beginning, so I’m quite used to it now, 28 releases in – so the work isn’t too daunting. I guess burning the CDs is the most time-consuming thing but that gives me a chance to work on other things, listen to music and relax bit too.

Coming soon…teleferick – sixteen frames

For our next release we’re pleased to present a debut from Brugge, Belgium based artist Teleferick who also contributes the weekly electronic/experimental music show ‘Klankschap‘. This is a record compiling some 10 years of work as the artist Christophe Ywaska selects ‘Sixteen Frames‘ that cross section his ranging production styles. Beautiful Ambient moments are juxtaposed against more playful pieces which experiment with electronics and modern classical composition in an unconventional way. This one may appeal to those who enjoy Monolyth & Cobalt, Roel Funcken or Sylvain Chauveau You can listen to a preview of the album by using the Soundcloud player below or keep a check on our Facebook or Instagram pages to preview the packaging when we share it.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
“Teleferick is Bruges, Belgium based artist Christophe Ywaska who also runs a radio show called Klankschap which dives into the world of experimental music each week. This show has been running for many years and whilst being exposed to a wide range of multi-disciplinary artists, it’s no surprise that Christophe has also been recording his own work as Teleferick since around 2005.

We’re pleased to present his debut physical release after all these years, a sort of ‘selected works’ of sixteen unheralded gems from his collection. These are highlights from a ten year period with tracks presented as ‘frames’ which when played in their intended sequence, draw together as a vivid and cinematic soundtrack to a short film. There is a sheer wealth of production techniques and texture woven into these pieces that gives great variety as you listen; the moods of tracks flit from sad to intense, from serene to amusing. In releasing Sixteen Frames, Christophe intends to ‘archive’ these production methods and ideas and move onto the next chapters that lie ahead.

We’re told that before composing the work of ‘Sixteen Frames’ Christophe would isolate himself from the rest of the world, starting with virtually nothing before kneading the resulting elements into a unique identity. There was no clear plan when sculpting the music or of a deeper album concept. The true meaning of the album reveals itself to you only when the record is complete and could perhaps be compared to therapeutic sessions where there are more questions than answers. Sixteen Frames may indeed feel like a puzzle at times, but something that is appreciated all the more for getting lost in its complexity and in doing so, perhaps you will begin to understand?”

credits
Catalog number WLR028
Written and produced by Christophe Ywaska
Mastered by Tim Diagram

Out Now! Slow Heart Music – This Body Is Not Me

Next up on Whitelabrecs, we welcome Ben Rath under his Slow Heart Music moniker. Ben has released with labels such as Sound In Silence and Cathedral Transmissions and we’re pleased to present a debut under this new project, which sees an emphasis on his guitar in which limited electronic interference is applied. If you bought our releases by Finglebone or Ben McElroy then you’ll likely enjoy this, with a raw folk charm being a perfect way to end the summer. Also recommended if you like Francesco Morittu, Pullman or John Fahey. You can listen to a preview of the album by using the Soundcloud player below or keep a check on our Facebook or Instagram pages to preview the packaging when we share it.

This went to out to our mailing list last weekend and at time of writing, we’ve got copies still available – to find out more or grab a copy, you can click the link below or on the image above to listen. To avoid missing out on future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/this-body-is-not-me

press release
“Slow Heart Music is the acoustic side project of ambient music artist Ben Rath. Based in Manchester, UK, Ben has released music under his own name via labels such as Sound In Silence, Cathedral Transmissions, and Unkown Tone Records. As Slow Heart Music, Ben has released a short EP on Cape Town netlabel MoonSwing at the beginning of 2016 entitled ‘A Place To Forget’. ‘This Body Is Not Me’ is Ben’s full-legth debut as Slow Heart Music.

The ambient music Ben has released under his own name typically involves a lot of digital manipulation and arrangement of sound samples on a computer, and Slow Heart Music was conceived as a way to create music in a more spontaneous and live way, with minimal electronic interference and using a basic, lo-fi set-up.
The tracks on ‘This Body Is Not Me’ were recorded on a small classical guitar Ben purchased for £5 from a bring-and-buy sale in the basement of a cafe. Ben would improvise on this guitar in a relatively free and unstructured way until a theme or melody organically developed. He’d then press record on a digital audio recorder and create a spontaneous composition out of that theme. Most of the tracks that make up ‘This Body Is Not Me’ are first take recordings, with minimal post-editing. There are some subtle ambient elements in some sections where it seemed appropriate to add an extra dimension to the track.
Whilst the album does not have a clear, cohesive concept, the title and track names make loose reference to Ben’s interest in spirituality, which also informed the emphasis on flow, spontaneity, and improvisation in the writing and recording process. The sweet and delicate tones of Ben’s guitar playing provide a warm and pleasant soundtrack to the end of Summer and the fade into Autumn, capturing an abundance of warmth and sunshine with each note of this beautifully light set of recordings.”

Catalog number WLR027
Written and produced by Ben Rath
Mastered by Tim Diagram

Coming soon…Slow Heart Music – This Body Is Not Me

Next up on Whitelabrecs, we welcome Ben Rath under his Slow Heart Music moniker. Ben has released with labels such as Sound In Silence and Cathedral Transmissions and we’re pleased to present a debut under this new project, which sees an emphasis on his guitar in which limited electronic interference is applied. If you bought our releases by Finglebone or Ben McElroy then you’ll likely enjoy this, with a raw folk charm being a perfect way to end the summer. Also recommended if you like Francesco Morittu, Pullman or John Fahey. You can listen to a preview of the album by using the Soundcloud player below or keep a check on our Facebook or Instagram pages to preview the packaging when we share it.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
“Slow Heart Music is the acoustic side project of ambient music artist Ben Rath. Based in Manchester, UK, Ben has released music under his own name via labels such as Sound In Silence, Cathedral Transmissions, and Unkown Tone Records. As Slow Heart Music, Ben has released a short EP on Cape Town netlabel MoonSwing at the beginning of 2016 entitled ‘A Place To Forget’. ‘This Body Is Not Me’ is Ben’s full-legth debut as Slow Heart Music.

The ambient music Ben has released under his own name typically involves a lot of digital manipulation and arrangement of sound samples on a computer, and Slow Heart Music was conceived as a way to create music in a more spontaneous and live way, with minimal electronic interference and using a basic, lo-fi set-up.
The tracks on ‘This Body Is Not Me’ were recorded on a small classical guitar Ben purchased for £5 from a bring-and-buy sale in the basement of a cafe. Ben would improvise on this guitar in a relatively free and unstructured way until a theme or melody organically developed. He’d then press record on a digital audio recorder and create a spontaneous composition out of that theme. Most of the tracks that make up ‘This Body Is Not Me’ are first take recordings, with minimal post-editing. There are some subtle ambient elements in some sections where it seemed appropriate to add an extra dimension to the track.
Whilst the album does not have a clear, cohesive concept, the title and track names make loose reference to Ben’s interest in spirituality, which also informed the emphasis on flow, spontaneity, and improvisation in the writing and recording process. The sweet and delicate tones of Ben’s guitar playing provide a warm and pleasant soundtrack to the end of Summer and the fade into Autumn, capturing an abundance of warmth and sunshine with each note of this beautifully light set of recordings.”

Catalog number WLR027
Written and produced by Ben Rath
Mastered by Tim Diagram