Whitelabrecs Box Set Volume 2

We’ve managed another 20 releases since our last box set, so we thought we’d prepare ‘volume 2’ following our last set which covered releases 1-20.
This new box set starts at re-issuing a ‘whitelabel vinyl’ effect version of our Whitelabsounds compilation and includes all catalog numbers until WLR040, which is Daliah’s Holy Mountain.

Also included are some out of print items, from artists such as Sven Laux, Steve Pacheco, The Prairie Lines and Slow Heart Music.

We’re committed not to re-press any albums as we want to keep things small and collectable but for those looking to either preserve the collection or play ‘catch-up’ if you’ve only recently discovered us, we think it’d be nice to make things available as a box set.

The package itself is simple and ‘DIY‘, very much like each of the CDr releases we put out with a card board box being the perfect size to comfortably house the 20 discs. The boxes are hand-stamped in an ink colour of your choosing and the vinyl-style CDrs will be contained with a polaroid of the cover artwork and inside card sleeves. Again, you can choose the colour of the sleeves.
You’ll be contacted following your purchase and we’ll consult on your options and then we’ll order the materials, burn the discs and deliver to you securely!

You can visit our dedicated page on the Whitelabrecs Bandcamp site where an order can be placed by clicking below or HERE

https://whitelabrecs.bandcamp.com/merch/whitelabrecs-cdr-box-set-21-40

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Out Now! Francis M. Gri – Apart

We’ve some big news to announce and that’s that Harry (the label owner) and his wife will be having a baby in October, so things may slow down just a little towards the end of the year as he adjusts to a few changes…
There’s a lot of the schedule to work to so the plan is step things up a bit so don’t be surprised to see a couple of albums emerge per month from here on in. Stay tuned too for something special to celebrate our 50th release!

Next we head over to Italy to welcome Francis M. Gri, who records under his own name and is based in Milan. Francis runs the KrysaliSound label and is also scheduled to release an album with US label Time Released Sound. His work for us was produced using reworked material assembled from his hard-drive and these are longer pieces than we tend to release. Each piece is completely enveloping, with guitar and synth drones joined by loops, reversing textures and light shards of noise/static. This should grab those who follow Christopher WillitsFennesz or Leandro Fresco.

You can listen to a preview of the album by using the Soundcloud player below or grab one of the remaining copies or a digital version by clicking the bandcamp player or link below.

This went to out to our mailing list last weekend and at time of writing, we’ve still got some copies left. To find out more, you can click the link below or on the image above to listen. To avoid missing out on our future releases, you ca join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/apart

press release
Francis M. Gri is a multi-instrumental composer currently residing in Milan, Italy, who also curates the KrysaliSound record label. His previous releases have appeared on his own label as well as Final Muzik and he’s also due an album on US imprint Time Released Sound.
Francis began playing guitar when he was 13 before he also progressed to piano and in time he began to perform as part of his first dark ethereal band ‘All My Faith Lost’. His musical experiences have culminated in his work under his own name since 2010, which straddles the Ambient, Electro Acoustic and Electronic genres. His studio material draws influence from many contemporary artists, such as Taylor Deupree, Ryuichi Sakamoto, Sigur Ros and Ludovico Einaudi.

Apart shares a name with a former production moniker, as Francis compiles recordings made from unpublished works under this name. The material was gathered from a hard-drive backup created between 2003 and 2005 where he found the previously completed tracks would not load due to a technical glitch. Fortunately he had saved the individual sound components so he decided to rework these into new compositions. He decided not to add any additional tracks and set about stretching, detuning, reversing and treating the sounds with effects before he arrived at a set of 2 mid-length pieces. He created a new piece entitled ‘Last’ which was created around the time he was working with ‘In This Room’ and ‘Hidden Reflections’ and originally shared the work as a free download.

Not long after, Francis had sent us his album and we were thoroughly impressed, feeling that these three tracks serve as a cohesive album experience and deserved a physical release.
The longer-form nature of the tracks which loop with folds of subtle emotional detail make for an immersive listening experience that you’ll surely get lost in, as shimmering drones, synth and guitar lines collide effortlessly.

credits
Written, produced and mastered by Francis M.Gri
Artwork by Francis M.Gri

Out Now! Daliah – Holy Mountain

This morning we’re proud to have released our 40th record, which means the second of our 20 disc box set series will be due out imminently.
For those who are collecting the originals, please read on…

Next up, our roster of artists hops back to USA as we welcome Nashville, Tennessee artist John Clubb, who records as Daliah. John’s output to date consists of a tape release on Chilean label No Problema and he also has self-released material available on his Bandcamp page. ‘Holy Mountain‘ is a curious blend of Ambient drones and electronic sampling techniques, as piano and synth are blended with glitching, light noise and hiss. It also sees the return of our regular collaborator Federica Jeanne de Luca, who has now contributed artwork to three of our releases. This one might be enjoyed by fans of Clark, Tsone or Aphex Twin’s Ambient Works.

You can listen to a preview of the album by using the Soundcloud player below or grab one of the remaining copies or a digital version by clicking the bandcamp player or link below.

This went to out to our mailing list last weekend and at time of writing, we’ve still got some copies left. To find out more, you can click the link below or on the image above to listen. To avoid missing out on our future releases, you ca join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/holy-mountain

press release
Daliah is a Nashville, TN based Californian named John Clubb whose output to date has consisted of a tape on Chilean label NO PROBLEMA as well as self releases work. He has been mixing and recording for around a decade and his current approach is based around simple melodies, recorded on the fly with a portable midi controller and laptop. He then goes through a layering process which enables him to escape from reality as he gets lost within the loops.

John has a wide-ranging set of influences to his sound, however he cites Japanese musician Hitoshi Yoshimura’s Music For 9 Postcards as a particular inspiration behind his album for Whitelabrecs.

This formed a starting point for ‘Holy Mountain’ as John was transfixed by how Yoshimura conveyed his memory of several moments of time into sound.

Holy Mountain is a set of recordings which serve as sombre drones and/or sleepy lullabies. The curious approach to production blends live instrument recordings with an electronic sampling approach and includes tiny fragments of detail such as field recordings and the subtle sound of breathing.

Breathing leads onto how John sees his creation process and for him, writing, playing and recording Ambient music is his form of meditation.
Holy Mountain is a sonic journal which documents John’s journey through good and bad, over a two year period. He keeps the exact content of this journal close to his chest and we the listeners are left with a suite of beautiful sound in which we can only dream of how his accompanying postcard memories might appear. As you too get lost inside the loops of John’s journey, you can gaze at the accompanying artwork by Federica Jeanne de Luca, which helps set an abstract scene.

credits
Written and produced by John Clubb
Mastered by Tim Diagram
Artwork by Federica Jeanne de Luca

Out Now! Valotihkuu – Fragile Melodies

This morning we released our 39th release in our usual run of 50 vinyl-effect CDrs…

We’ve got something perfect for the spring/summer as we welcome Russian artist Valotihkuu with Fragile Melodies. This one’s full of warmth as bells, lap harp and guitar are resampled and treated with plenty of tape effects. This should appeal to those who follow Federico Durand, Darren Harper or Cass

Since releasing to our label subscribers last week, this release has absolutely flown out with nearly all copies going before it’s even officially released! Fortunately Sven will soon have some copies available via his Bandcamp page and you’ll be able to purchase a digital version from there or with us.

You can listen to a preview of the album by using the Soundcloud player below or grab one of the remaining copies or a digital version by clicking the bandcamp player or link below.

This went to out to our mailing list last weekend and at time of writing, we’ve still got some copies left. To find out more, you can click the link below or on the image above to listen. To avoid missing out on future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/fragile-melodies

press release
Valotihkuu is Denis Davydov who is from the industrial Russian city of Cherepovets, with previous releases appearing on Russian independent labels such as Ветер в Ивах and Unline. Denis has been active since 2010 and has amassed a discography which also includes several self-released projects available by his Bandcamp page.
We fell in love with 2017’s ‘Spring and All’ and urged Denis to produce something for Whitelabrecs; he kindly obliged by sending us ‘Fragile Melodies’.

Denis tends to start his recording process by searching for interesting or unusual sounds whether this be background noise or the sounds of outdoors. He then marries these with musical instrument, tape and digital sampler experiments with plenty of resampling and layering as part of the process influenced by dreams, the natural world, stargazing and childhood memories.
In Fragile Melodies, we’re pleased to present a record that could be described as both frail and serene, with Denis having spent a great deal of time editing previously recorded samples of musical instruments. These include bells, lap harp, music box and guitar and he strived to manipulate the sounds so that they could tell a story separately without adding new elements, harmonies and melodic lines. The sounds transform in a unique way, as a sort of scent which floats into the air before you and each time you try to capture this, it dissolves. During the period that this album was created, Denis would walk a lot, listening and thinking about the fragments of sound he had been concocting, trying to reflect on how these could be presented as a light but elusive set of textures. With each walk, he’d be aware of the intangible nature of his own childhood memories as they flickered into focus for a fleeting second. He decided to use Fragile Melodies as a means to transfer such delicacy through sounds, textures and melodies.

credits
Written, produced and mastered by Denis Davydov
Photography by Denis Davydov
Artwork by Harry Towell
Catalog Number: WLR039

Out Now! Sven Laux – Schachmatt

This morning we’ve released the new album by Sven Laux who recently featured in the production of The Road Home. Sven’s work is a stately Modern Classcial suite, full of immersive strings and contemporary Ambient sounds.

Sven has released with labels such as Dronarivm and Sleep Is Commercial and this beautiful album should appeal to those who enjoy A Winged Victory For The Sullen, Hans Zimmer or Max Richter. Since releasing to our label subscribers last week, this release has absolutely flown out with nearly all copies going before it’s even officially released! Fortunately Sven will soon have some copies available via his Bandcamp page and you’ll be able to purchase a digital version from there or with us.

You can listen to a preview of the album by using the Soundcloud player below or grab one of the remaining copies or a digital version by clicking the bandcamp player or link below.

This went to out to our mailing list last weekend and at time of writing, we’ve got 3 copies left. To find out more, you can click the link below or on the image above to listen. To avoid missing out on future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/schachmatt


press release

“Sven Laux is a German artist residing in Berlin, a city with a rich heritage in minimalism and modern composition. Sven isn’t new to this scene having started creating electronic music in 2003, with material released through labels such as Microcosm Music, Archipel, Sleep is Commercial and most recently, Dronarivm.

Sven’s early work would often focus on Minimal Techno rhythms, adorned by vacant Ambient tones. His more recent work has been centred more around developing his Ambient sound, with modern classical influences listing the likes of A Winged Victory For The Sullen, Hans Zimmer, Max Richter and the late Jóhann Jóhannsson. 2017 saw the emergence of ‘Paper Streets’ on Dronarivm which felt like a landmark release in Sven’s discography, ranking highly in many an end of year list.

We’re pleased to present his follow up ‘Schachmatt’ which is a German phrase for something that ends or when something is finalised or indeed, the last move in chess. The concept was born as Sven was inspired by watching a movie about famous chess players and as a result, he has created a set of disparate tracks to reference this as each player in the film had a different strategy. He wanted the approach for each track to play out along a differing path, each with its own unique characteristics or game plan, if you will.
The resulting soundtrack presents itself as a melancholic space for the listener, with every move of the chess pieces offered as undefined metaphors for your own interpretation.”

credits
Written and produced by Sven Laux
www.svenlaux.com
Mastered by Pheek
Photography by James Gelsthorpe

Out Now! Paper Relics – The Road Home

This morning we announce a release we’ve been working on for quite some time and we’re pleased to increase the run count to 100 copies rather than the usual 50. This is because we have two editions – our usual white label vinyl effect CDrs as well as a special printed gatefold LP effect CDr which we’ve pushed the boat out for.

The Road Home‘ is an album from Paper Relics (brothers Harry Towell (Spheruleus) and Stuart Towell). The record centres around Stuart’s electric guitar and is joined by Harry’s electronics, acoustic guitar, zither, violin, voice, tapeloops, samples and field recordings. It’s also had some additional strings and production from Berlin’s Sven Laux.

This one should appeal to fans of The Frozen Vaults, Gentleman Losers or Mute Forest

You can listen to a preview of the album by using the Soundcloud player below or grab one of the remaining copies or a digital version by clicking the bandcamp player or link below.

This went to out to our mailing list last weekend and at time of writing, we’ve got some copies left. To find out more, you can click the link below or on the image above to listen. To avoid missing out on future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/the-road-home


press release

“Paper Relics are brothers Harry and Stuart Towell who reside 16.1 miles apart. Their debut album was released back in the summer of 2011 on American imprint Time Released Sound, entitled ‘Over Exposure’. This was a record steeped in the past as they used lo-fi blues and folk guitar Ambience to reflect over childhood memories spent on a farm on which their grandparents live. The farm was set to become a housing development so the memories became all the more cherished through the recordings and accompanying artwork.

Now nearly 7 years on, the brothers’ follow-up record ‘The Road Home’ traces the journey from that very point of reflecting on childhood memories as young adults circa 2010/11, to now. The title might read to some as a return home, a struggle back to a family abode however, this record deals with the trials, triumphs and time in between, having both set out to forge their own paths to become homeowners with their respective wives. When they began recording, the brothers lived in the same home with their parents, each with a new relationship and a stuttering career. Yet whilst The Road Home tells the story of the last 7 years reflecting on what is now already history – it is an album firmly about the present as they enjoy the foundation for their futures, clinging onto what they’ve worked hard to achieve. The lyrics in ‘Timeframing’ are about freezing these moments and the dozens of clocks you can hear ticking at the beginning can also be heard in ‘Tinted by Time’ on Over Exposure. Harry revisited the same antique shop where these were originally captured to see if they were still there and was able to re-record them once more. This recording plays briefly as the track opens to focus your thoughts on time once more.

Opening track ‘Stoke’s Hall’ was something Stuart penned and recorded the night before Harry’s wedding and the title reflects the name of the venue. Likewise, Wyke’s Retreat harks back to Stuart’s wedding from the summer of 2017. Over Exposure was creaking with rustic charm, whereas The Road Home sees a more structured approach to production. There is more variety, as some pieces drone gloriously in an elegant daze, others are more alive as the subtle power of Stuart’s guitar takes centre stage. Then this time around Harry has provided vocals in ‘Timeframing’ and ‘Frost’ as well as building a couple of tracks that use drumloops and percussion, recalling some of his downtempo work as Spheruleus. To give one final twist to the presentation, Harry and Stuart enlisted the assistance of Berlin artist Sven Laux, who provided additional orchestration and sound mixing.

Paper Relics albums are never likely to be released on a regular basis due to the busy lifestyles the brothers lead, so we felt our usual run of 50 copies wouldn’t be enough to do this album justice. So The Road Home is available in two runs of 50 copies; our familiar ‘white label vinyl-effect CDr’ as well as a special printed CDr edition that looks just like a mini gatefold LP.”

credits
Catalog number WLR037

Paper Relics are Harry and Stuart Towell
Tracks were written, produced and recorded by Harry and Stuart Towell with additional sound mixing and orchestration by Sven Laux

Stuart Towell: Electric Guitar, Acoustic Guitar, eBow, Bass
Harry Towell: Acoustic Guitar, Voice, Violin, Harmonica, Zither, Electronics, Sampling, Field Recordings, Tapeloop

Mastered by James Armstrong
Artwork by Harry Towell

Out Now! Slow Clinic – Discarded Things Once Lost

Today we’ve another edition this morning to our growing catalog as we continue to release the exciting set of records we’ve got lined up for 2018. Next we welcome James Armstrong as Slow Clinic with a pair of mid-longform guitar drones, full of warmth and texture.

Discarded Things Once Lost‘ was recorded for a dance production at Northampton University, UK and it was created using gifts James had received from a previous relationship which gave the album an unintended theme.

This one should appeal to fans of Gareth HardwickWil Bolton or Ian Hawgood

You can listen to a preview of the album by using the Soundcloud player below or grab one of the remaining copies by clicking the bandcamp player or link below.

This went to out to our mailing list last weekend and at time of writing, we’ve got just 12 copies left! To find out more, you can click the link below or on the image above to listen. To avoid missing out on future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/discarded-things-once-loved


press release

“Slow Clinic is Farnham, UK based artist James Armstrong who also runs the newly formed tape label Rusted Tone Recordings and has works previously released through labels such as Elm Recordings, ARCHIVES, Cruel Nature Recordings and Audio Gourmet. The Slow Clinic sound varies depending on the reason it is being created but typically, James starts by building layers of guitar swells pushed through an endless feedback delay pedal and then into a large reverb pedal. He will then usually improvise loops until something develops, incorporating unconventional techniques along the way such as using violin bows, hand percussion and found objects as a way of conjuring unusual sounds and textures.

‘Discarded Things Once Loved’ was originally created as part one of a two movement composition for a dance production choreographed by Vania Gala at the University of Northampton. Initially, James began making textural recordings by playing various hand percussion instruments and non-musical objects against muted strings. Things like rattles, shakers and hand drums were used to bring out the non-standard qualities of the electric guitar. He added some more conventional drones by sending swells through the usual delay and reverb combination so that it retains some of the characteristics of my previous releases. Everything was improvised and none of the sounds recorded were planned and James would like listeners to treat the album as an opportunity for discovery, to allow the longform recordings time and space to evolve.

All of the items that were used to play the guitar were gifts from an ex-partner and their family. As much as James was trying to avoid thinking about that period of time, there was no escaping it when the items were physically in his hands. From here the title ‘Discarded Things Once Loved’ emerged as the instruments had been hidden away gathering dust for quite some time. James also strived to see what sort of sounds could be created as a result of playing the guitar in such a way that the majority of his control and intention was removed from what came out of the instrument.”

credits
Catalog number WLR036
Written and produced by James Armstrong
Mastered by Alexander Roberts
Photography by Penny Day
Artwork by Harry Towell