Out Now! Tropic of Coldness – Human Kindness

Completing the line-up for these two last-gasp October editions, we welcome Brussels-based duo Tropic of Coldness. The artists, David and Giovanni have released with labels such as Cathedral Transmissions, Organic Industries, Shimmering Moods, Glacial Movements and Krysalisound. Their album ‘Human Kindness‘ will be out this Saturday the 31st of October and features improvised guitar drones tread the finest lines: between hope and despair, fragility and strength.

This limited edition CDr edition makes use of photography provided by the artists, a strikingly blue macro water scene with bold, modern typography and complete with a minimal white vinyl-effect disc.

Our low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“Tropic of Coldness is an Italian-US duo both based in Brussels, Belgium. David Gutman and Giovanni La Placa have been recording together since 2011 and have released through labels such as Cathedral Transmissions, Organic Industries, Shimmering Moods, Glacial Movements and Krysalisound. Their live performances have taken them across the Belgian cities as well as London, Paris, Berlin, Vienna, Frankfurt, and a couple of venues in The Netherlands.

Their new album ‘Human Kindness’ has been inspired by the current social and political framework, in particular the rise and mainstreaming of far-right political movements with their disheartening racism, authoritarianism, intolerance, bigotry and science-denialism, just to name a few of their contributions to the regression of mankind.

It is also dedicated to all the people who, everywhere in the world, are trying to peacefully resist and oppose the deterioration of our societies by being kind, empathic and helpful towards their fellow human beings.

In this sense, each song title is the outcome of a reflection on one of the above mentioned issues or has been inspired by a particular event. The sounds are slow and evolving as a long process of fully improvised guitar patterns are finely tuned into cathartic drones.

These pieces are landscapes that tread the finest lines: between hope and despair, fragility and strength. In between these lines are each one of us and the choices we make.

credits
Recorded and mixed in Brussels by Tropic of Coldness between September 2018 and December 2019.
Mastered by Alessandro Rorato in December 2019.
Artwork by Tropic of Coldness
Packaging design by Harry Towell

Out Now! Glacis & Gavin Miller – Nothing Hurts Forever

We’re just about to head into the penultimate month of a crazy 2020 and we will do so, with our penultimate batch of two releases. First up, due out this Saturday the 31st of October is a collaboration between British artists Glacis and Gavin Miller. ‘Nothing Hurts Forever‘ was originally planned for the early part of this year before we halted our catalog and somehow, summer didn’t feel the right time to release this. The tail-end of October on the other hand is perfect… expect raw and honest piano accounts from a family home, joined by textured strings, licks of guitar and the occasional drone.

This limited edition CDr edition makes use of photography by Ali Safavi against a minimal white border, with dark green inner panels with contrasting text and a beautiful gold vinyl-effect disc.

Our low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can join our mailing list by clicking HERE.

 

press release
“Glacis is Euan Millar-McMeeken, originally from Dundee but currently residing in London after a recent move South. Gavin Miller is an artist from Bradford, a city tucked away in the shadow of Leeds and he also records as Worriedaboutsatan. This British duo have released solo records through labels such as Lost Tribe Sound, Sound In Silence, Fluid Audio, Facture and Shimmering Moods to name but a few and in ‘Nothing Hurts Forever’ they have undertaken an exercise of collaboration, to sensitively compliment one another’s sound.

The result is a raw and intimate set of ten pieces for piano, strings, guitar and drone, which stop just short of what you might call modern classical music. Euan’s piano compositions retain an authentic character which deliberately documents the original recording environment, as marks are left on this album by creaking chairs, scraping floors and a family environment. Gavin’s strings and guitar adornments add a richness to these, emphasising texture and heightening a melancholic mood.

‘Nothing Hurts Forever’ is free from a clear concept, as Euan wrestled with homesickness having moved to England and was looking for a creative outlet in which to channel his feelings, or perhaps escape them. He was struck one day whilst listening to Frightened Rabbit, whose lead singer Scott Hutchinson had passed away in 2018. He recalled words that were said back then: ‘nothing hurts forever’. He remembered thinking at the time of Scott’s death that this wasn’t always true, as some things do in fact hurt forever. Perhaps this statement is more useful, to provide reassurance during a period of discomfort or unease. Adapting to changes, such as moving home or changing jobs for example. For bigger things, perhaps the hurt can lessen or fade over time or perhaps it never truly goes. From this point, the record felt like a follow-on to the previous Glacis album ‘The World Is A Little Lonelier Without You’, a tribute to his father.

With the adaptation and sensitive expansion of Euan’s piano environments, Gavin has retained all of the personal character which is so important to his peer. Yet the stories are given an extra dimension and something so personal becoming a collaboration opens this out to be a space for our own interpretation as the moods and track titles provide food for thought.

credits
Written and produced by Euan Millar-McMeeken
Mastered by Gavin Miller
Photography by Ali Safavi
Packaging Design by Harry Towell

Out Now! Max Ananyev – Midday

We’re pleased to announce the second album out now! This one is by Saint-Petersburg, Russia based artist Max Ananyev, an accomplished  guitarist and composer who has released with fellow British labels Serein and Preserved Sound. Electric guitar appears in the subtlest of ways as it is surrounded by warm drones, restful bells and hints of piano notes.

Our low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

https://whitelabrecs.bandcamp.com/album/midday

press release
“Max Ananyev is a composer and classical guitarist originally from Far Eastern-Russia, who currently resides in Saint-Petersburg. Max began studying and playing classical guitar in music school as a child, composing his own pieces from this early age. In the last 10 years, he has become increasingly focused in his work as a composer, with numerous albums and EPs, released on British labels Serein and Preserved Sound as well as Moscow’s Fancymusic.

His process for creating music is to schedule some time specifically to compose. He does not wait for inspiration to strike, instead allowing this to take place once his studio sessions begin. Time is all that is needed for the work to develop and it is timbre which is the target, so that specific sounds can be achieved. He prefers his recordings to flow into an album or record, rather than selecting the best sounds from a large pool of material.

Thematically, anything from the sunlight beaming onto the wall in a room, chance communications with people and traveling can influence Max as an artist. His unrelated studies at the time of recording subconsciously feel linked to this body of work somehow, with lectures on Renaissance alchemists, mythology, death and human evolution having been an area of research during this album’s production period. Nietzsche’s tightrope walker was also a poignant read at the time and purely by coincidence, the person in the cover image appears to be walking a tightrope.

However, conceptually there is not a neatly mapped-out journey for the listener. Instead the asymmetric shapes of atmospheric sound and the names they have inherited, along with the cover artwork tell different stories as each track passes. Introductions, codes, different parts and moods unfurl carefully in the lightest breeze, like classical music. Midday creates a warm and restful environment for the listener to make sense of this collection of moods; a task made all too easy thanks to its shimmeringly adherent gathering of light sounds.”

credits
Written, Produced and Mastered by Max Ananyev
Photography by Natalia Poluyanova and Dmitriy Ratushniy
Packaging design by Harry Towell

Out Now! Zoltan Fecso – Daylight In An Empty Room

Here’s the first of two new albums, out now! This one’s by Melbourne, Australia based artist Zoltan Fecso, who uses a custom-built guitar to create a unique sound. These compositions are warm and bright reflections as the artist wanted to create a more open, spacious sound. His partner Claire Lefebvre is an artist and she provided the cover painting for this album, entitled ‘Daylight In An Empty Room‘.

Our low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

https://whitelabrecs.bandcamp.com/album/daylight-in-an-empty-room

 

press release
“Zoltan Fecso is a composer based in Naarm (Melbourne), Australia. With previous releases on Hush Hush Records, Sonder House, The Slow Music Movement and Shimmering Moods, Whitelabrecs is thrilled to present Zoltan’s most restrained work to date on ‘Daylight in an Empty Room.’

Zoltan’s pointillist compositions combine single notes of varying lengths to form ever-changing patterns. A composition technique he’s been exploring since 2018, Pointillism borrows its name from the post-impressionist painting technique which uses individually coloured dots to form an image. Zoltan’s works are performed on a modified guitar, on which he captures fragments of notes, creating ever-shifting tonal permutations.

‘Daylight in an Empty Room’ is an album of solo guitar improvisations, in which Zoltan has aimed to create a more open, spacious sound than in previous records. Zoltan works closely with his partner and painter Claire Lefebvre, who created the artwork for this album. ‘Daylight in an Empty Room’ suggests finding new detail in simplicity.”

credits
Written and produced by Zoltan Fecso
Mastered by James Edward Armstrong
Artwork by Claire Lefebvre
Packaging design by Harry Towell

Out Now! Pie Are Squared – Con Calma

Onto the second of our two new additions, we welcome back Pie Are Squared who provided the thirteenth instalment of our Home Diaries series, which was entitled ‘muri‘. Pie Are Squared is Ravenna, Italy based Egyptian artist Mohammed Ashraf, who has released with labels such as Handstitched*, Eilean and Lost Children. Con Calma has been mastered by Ian Hawgood and is a personal album that Mohammed originally created from lengthy loops, designed to give him an escape route from the mundane world of office work. The album makes use of beautiful, serene soundscapes for daydreaming, joined by light distortion at times for added texture.

The album will be released on Saturday the 25th of July with no pre-order. If you join our mailing list using the link below, we’ll make sure you’re the first to hear.

Our low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

https://whitelabrecs.bandcamp.com/album/con-calma

press release
“Pie Are Squared is Italy-based Egyptian musician Mohammed Ashraf. He has previously released music through labels such as Handstitched*, Lost Children and on Eilean Records as Śruti, his collaboration with Omar El Abd. Some of you may also recall this year’s ‘muri’, which was the 13th addition to our Home Diaries Series.

‘Con Calma’ is a serene album for quiet contemplation, as minimalist tones glide and encourage a sense of detachment. It began as Mohammed gathered recordings on his mobile phone whilst travelling, which were later fed through various chains of effects. Guitars and a range of utilities were used to craft these lulling tones, with the wealth of source and detail somehow liquefying into a collection of daydreams.

These reveries were assembled from lengthy loop sessions, which Mohammed listened to for almost a year to help him detach from the mundane office routine. He wanted this work to be a form of escapism, yet free from anxiety; a slow, calm exit.

Con Calma is not completely weightless and feather-lite; at times the light abrasion of distortion joins the wash, to add texture. The album is best enjoyed with the tracks played in sequence, as they envelope you into a sense of contemplation, starting from humble, quiet beginnings, journeying through air and rail in ‘Flügezüge’, onto more than a hint of stormy seas towards the second half, before closing with the daze of its final moments in ‘Away, World, Away’.”

credits
Written and produced by Mohammed Ashraf
Mastered by Ian Hawgood
Photography by Mohammed Ashraf
Packaging design by Harry Towell

Out Now! Mikael Lind – Give Shape To Space

In the first of two new physical editions on Whitelabrecs, we welcome Iceland’s Mikael Lind, who many may recognise from his sublime album ‘Contingencies‘ on Archives, his collaboration with Hoshiko Yamane for Time Released Sound or perhaps keen readers of our liner notes, as he helped mix S.hel’s Disconnect which we released in March.
His new album ‘Give Shape To Space‘ straddles the line of friction between his two production styles as modern classical minimalism is interwoven with modular synths.

The album will be released on Saturday the 25th of July with no pre-order. If you join our mailing list using the link below, we’ll make sure you’re the first to hear.

Our low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

https://whitelabrecs.bandcamp.com/album/give-shape-to-space

press release
“Mikael Lind is a composer and musician originally from Sweden, currently based in Reykjavik, Iceland. He has released music through labels such as Morr Music, Archives and Polar Seas Recordings and has also collaborated with Tangerine Dream’s Hoshiko Yamane in an album for Time Released Sound. Mikael had played a concert with Hoshiko late last year and had planned a European tour for 2020 which has been cancelled due to the covid-19 pandemic. He also contributed some of the groundwork and mixing expertise in S.hel’s ‘Disconnect’ which we released back in March this year.

Growing up, Mikael was influenced by Aphex Twin and much of the Warp catalog as well as showing a keen interest in classical music, with Arvo Pärt a particular inspiration. Piano and synthesisers form the forefront of his sound as he combines orchestral timbres with subtle electronics. Recently he has been moving increasingly away from the typical Ambient sound in two directions; one is towards more classical music, and the other towards more electronic, modular music. ‘Give Shape to Space’ is somehow representative of this friction, without taking sides; modern classical minimalism with strings and pianos share the field with evolving modular synths, both contributing to ripping apart the comfortable ambient soundscapes and making them more expressive.

Mikael had various shapes in his mind as he developed the structure and detail that this record has become. He was reading about physics and in particular, quantum leaps. Beyond this, Mikael doesn’t want to dissect his album too much, in the hope that you, the listener will bring your own shapes and imagination to this sound space.”

credits
Written and produced by Mikael Lind
Mastered by James Edward Armstrong
Artwork by Sigga Björg
Design by Harry Towell

Home Diaries 030: Luis Miehlich

We’ve taken a pause from our schedule of CD albums due to our local post office closing, following the outbreak of Covid19. We launched a digital series called Home Diaries, in which we’ll release EPs and albums by an international line-up of artists, with the music created during lockdown and social distancing conditions.

The series reflects a range of sounds, styles and ideas, as each artist portrays their own reflections uniquely. Each release is digital only for now, as we hope to raise what we can to help keep our label ticking over at this time. The releases feature a recurring polaroid image of a small lonely house, with a coloured filter chosen by the artist for each respective release.

In final Home Diaries release, we welcome back Luis Miehlich, who provided last year’s ‘Timecuts‘. Heidelberg, Germany based Luis has also had a release back in 2018 with Archives and we’re excited to present this almost hour-long suite of piano improvisations. Luis found that the repetition of days indoors made time go quickly in lockdown, so he used this as inspiration to try to revers this, by making an album centralised on his piano, with only the slightest of subtle electronic techniques

Each Home Diaries release will include bonus PDF liner notes, which has an interview with the artist on how they made the album, what their situation is like, what they have planned, their influences and what equipment/techniques they used.  There are also additional photos provided by the artist as part of the PDF too. Click on the link below to check it out:

-LABEL LINK-
https://whitelabrecs.bandcamp.com/album/home-diaries-030

-ARTIST LINK-
https://woolookologie.bandcamp.com/album/home-diaries-030

press release
“Home Diaries is an invitation to artists and musicians to create an album or EP to document their personal experience during the lockdown or social distancing conditions that are upon us, due to the coronavirus outbreak. The series reflects a range of sounds, styles and ideas, as each artist portrays their own reflections uniquely. Each release is digital only for now, as we hope to raise what we can to help keep our label ticking over at this time. The releases feature a recurring polaroid image of a small lonely house, with a coloured filter chosen by the artist for each respective release. We interview each artist and this is included as a bonus PDF with the download. You can also check out the Home Diaries series on Spotify if you prefer, which will be available to stream in due course.

Our final Home Diaries sees the return of Luis Miehlich whose album Timecuts was released by us last year. Luis has also been active with self-released works as well as the beautiful ‘Silences’ on Archives in 2018. He is a music student and pianist and the pandemic resulted in the cancellation of a performance he’d written music for. Whilst the lockdown in Heidelberg, Germany was less stringent than many other countries, Luis spent his time at home and the endless repetition of days gave him a sense of time running away at pace.

Luis’ Home Diaries is an expansive, almost hour-long collection of piano improvisations, which he created to counter his perception of time, to slow the world down. He used subtle delay effects to force him to have an awareness of the past and future as he played. The gentlest of electronics and guitar is used to accompany the piano at times and the result is something we feel is the perfect way to end the journey that has been this Home Diaries series.”

credits
Written and produced by Luis Miehlich
Mastered by James Edward Armstrong
Artwork by Harry Towell

Home Diaries 029: Darkroom

We’ve taken a pause from our schedule of CD albums due to our local post office closing, following the outbreak of Covid19. We launched a digital series called Home Diaries, in which we’ll release EPs and albums by an international line-up of artists, with the music created during lockdown and social distancing conditions.

The series reflects a range of sounds, styles and ideas, as each artist portrays their own reflections uniquely. Each release is digital only for now, as we hope to raise what we can to help keep our label ticking over at this time. The releases feature a recurring polaroid image of a small lonely house, with a coloured filter chosen by the artist for each respective release.

In this next Home Diaries release, we welcome UK artists Darkroom, who have been active since the 1990s. Darkroom consists of Andrew Ostler and Michael Bearpark and we have an album due on CD later this year. This Home Diaries was originally two live performances by Andrew, in which Michael was unable to join physically. So he used a cassette with Mike’s previously recorded guitar composition as part of the sessions, so that Mike could still have a presence as a key part of the performance. The resulting two tracks ebb and flow with detail, retaining a live feel yet adopting the quality of presentation you’d expect to come from a studio.

Each Home Diaries release will include bonus PDF liner notes, which has an interview with the artist on how they made the album, what their situation is like, what they have planned, their influences and what equipment/techniques they used.  There are also additional photos provided by the artist as part of the PDF too. Click on the link below to check it out:

-LABEL LINK-
https://whitelabrecs.bandcamp.com/album/home-diaries-029

-ARTIST LINK-
https://darkroomtheband.bandcamp.com/album/home-diaries-029

press release
“Home Diaries is an invitation to artists and musicians to create an album or EP to document their personal experience during the lockdown or social distancing conditions that are upon us, due to the coronavirus outbreak. The series reflects a range of sounds, styles and ideas, as each artist portrays their own reflections uniquely. Each release is digital only for now, as we hope to raise what we can to help keep our label ticking over at this time. The releases feature a recurring polaroid image of a small lonely house, with a coloured filter chosen by the artist for each respective release. We interview each artist and this is included as a bonus PDF with the download. You can also check out the Home Diaries series on Spotify if you prefer, which will be available to stream in due course.

Our penultimate Home Diaries edition is the first and only collaboration as part of the series. UK duo Darkroom – Andrew Ostler and Michael Bearpark – have been active since the late 1990s with releases on Burning Shed and more recently via their Bandcamp site. They are renowned for their extended live performances: rarer following Andrew’s move to Scotland; now even more challenging with the pandemic and resulting lockdown.

Seeking and finding positives through the ‘new normal’, Andrew has been performing as part of streaming event series. Mike was present on these occasions from a distance via guitar recordings transferred to cassette: one from their Edinburgh performance towards the end of 2019, and another, inspired by Scotland, that seeded the recording of their full Whitelabrecs album planned for November 2020. The pieces evolve through multiple shades of colour and dynamics, retaining an open live feel; ‘Arrokoth’ and ‘The Uncut Stones of Night’ are very much of their time, yet combine to make a timeless album experience, with a total running time of 40 minutes.”

credits
Arrokoth

Original recording for Fuzz Bat Live Stream – 31st March 2020
Guitar: recorded at The Darkroom, 2nd February 2019

The Uncut Stones Of Night

Original recording for More Kicks Than Friends – 29th April 2020
Guitar: recorded at Henry’s Cellar Bar, Edinburgh, 13th November 2019

Recorded by Andrew Ostler
Edited, mixed, and produced by Darkroom
Mastered by James Edward Armstrong

Andrew Ostler – bass clarinet, modular synth, laptop
Michael Bearpark – guitar, field recordings

Special thanks: Stuart Fraser (Fuzz Bat), Ned Rush (More Kicks), Elif Yalvaç, New Horizons, Roy Fuller. Go well, LB

Home Diaries 028: Ben McElroy

We’ve taken a pause from our schedule of CD albums due to our local post office closing, following the outbreak of Covid19. We launched a digital series called Home Diaries, in which we’ll release EPs and albums by an international line-up of artists, with the music created during lockdown and social distancing conditions.

The series reflects a range of sounds, styles and ideas, as each artist portrays their own reflections uniquely. Each release is digital only for now, as we hope to raise what we can to help keep our label ticking over at this time. The releases feature a recurring polaroid image of a small lonely house, with a coloured filter chosen by the artist for each respective release.

In this next Home Diaries release, we welcome back Ben McElroy, who provided 2016’s ‘Bird-stone‘. Nottingham, UK based Ben has gone on to have releases with Eilean RecUnknown Tone and our sister netlabel Audio Gourmet. His Home Diaries edition is a mini album of is signature Ambient Folk sound, woven together during the English lockdown, in which his girlfriend Lizzie and her pet dog moved in.

Each Home Diaries release will include bonus PDF liner notes, which has an interview with the artist on how they made the album, what their situation is like, what they have planned, their influences and what equipment/techniques they used.  There are also additional photos provided by the artist as part of the PDF too. Click on the link below to check it out:

-LABEL LINK-
https://whitelabrecs.bandcamp.com/album/home-diaries-028

-ARTIST LINK-
https://benmcelroy.bandcamp.com/album/home-diaries-28-whitelabrecs

press release
“Home Diaries is an invitation to artists and musicians to create an album or EP to document their personal experience during the lockdown or social distancing conditions that are upon us, due to the coronavirus outbreak. The series reflects a range of sounds, styles and ideas, as each artist portrays their own reflections uniquely. Each release is digital only for now, as we hope to raise what we can to help keep our label ticking over at this time. The releases feature a recurring polaroid image of a small lonely house, with a coloured filter chosen by the artist for each respective release. We interview each artist and this is included as a bonus PDF with the download. You can also check out the Home Diaries series on Spotify if you prefer, which will be available to stream in due course.

We’re pleased to welcome back Ben McElroy, who contributed the album ‘Bird-stone’ to our catalog back in our inaugural year, 2016. Since then, Nottingham, UK’s Ben has gone onto have releases with Unknown Tone, Eilean Recs and our sister netlabel Audio Gourmet. Ben normally teaches and performs music as part of a theatre Ceilidh band and this has all been cancelled for the summer due to the pandemic.

Ben’s Home Diaries record is a mini-album of wistful pieces, in his typical hybrid Folk Ambient style. Warm traditional instrument performances are lightly affected with passages of Ambient drone, for this fleeting 20 minute session. It is a warm and hazy collection which reflects strongest in the bright sunshine, offering a truly idyllic listening environment for its listener.”

credits
Written and produced by Ben McElroy
Mastered by James Edward Armstrong
Artwork by Harry Towell

Home Diaries 027: The Inventors of Aircraft

We’ve taken a pause from our schedule of CD albums due to our local post office closing, following the outbreak of Covid19. We launched a digital series called Home Diaries, in which we’ll release EPs and albums by an international line-up of artists, with the music created during lockdown and social distancing conditions.

The series reflects a range of sounds, styles and ideas, as each artist portrays their own reflections uniquely. Each release is digital only for now, as we hope to raise what we can to help keep our label ticking over at this time. The releases feature a recurring polaroid image of a small lonely house, with a coloured filter chosen by the artist for each respective release.

In our next edition, we welcome Phil Tomsett, who also records as The Inventors of Aircraft with releases on labels such as Home NormalHibernateFluid Audio and Time Released Sound. Phil had two albums lined up for release this year which have been delayed. One of these is ‘Velatore’ so when we explained there’d be a delay, Phil decided to create a Home Diaries. Twenty-third of the Third is a fully realised album, which he recorded in lockdown whilst staying with his friend Annie after he was unable to complete a planned house move. This album was created with a restrictive studio but a macro-approach to creativity as he filled his time.

We have an exciting line-up to follow and each release will include bonus PDF liner notes, which has an interview with the artist on how they made the album, what their situation is like, what they have planned, their influences and what equipment/techniques they used.  There are also additional photos provided by the artist as part of the PDF too. Click on the link below to check it out:

-LABEL LINK-
https://whitelabrecs.bandcamp.com/album/home-diaries-027

-ARTIST LINK-
Coming soon…

press release
“Home Diaries is an invitation to artists and musicians to create an album or EP to document their personal experience during the lockdown or social distancing conditions that are upon us, due to the coronavirus outbreak. The series reflects a range of sounds, styles and ideas, as each artist portrays their own reflections uniquely. Each release is digital only for now, as we hope to raise what we can to help keep our label ticking over at this time. The releases feature a recurring polaroid image of a small lonely house, with a coloured filter chosen by the artist for each respective release. We interview each artist and this is included as a bonus PDF with the download. You can also check out the Home Diaries series on Spotify if you prefer, which will be available to stream in due course.

For our next Home Diaries edition, we welcome Phil Tomsett who has revived his The Inventors of Aircraft moniker for this release. Between his own name and as TIOA, Phil has released with labels such as Time Released Sound, Hibernate, Home Normal and Fluid Audio. Last year he collaborated with Ian Hawgood to produce the album Fragmented Boundaries, released on Ian’s Home Normal label. This year, Phil had two solo albums delayed due to the outbreak of the coronavirus pandemic. Velatore is one of these, which we plan to release later this year.

When we broke the news that Velatore would be delayed, Phil responded by working on an album for our Home Diaries series. He was just about to move house before lockdown commenced and ended up staying with his friend Annie in South London. He’s been able to set up a temporary studio and make full use of the inspiration and resources that this new environment and circumstance provided. He switched from hardware synths to software, took several daily domestic field recordings, Annie is a professional sound recordist, so she provided some recordings of some dawn choruses and another good friend Ian contributed some slide guitar in a couple of the pieces. The production of this record began on Phil’s birthday, the day lockdown here in the UK commenced and this became the title of the album.”

credits
Written and produced by Phil Tomsett
Additional field recordings by Annie Needham
Slide Guitar in tracks 2 and 7 by Ian Bircumshaw
Purring by Haloumi
Mastered by James Armstrong
Artwork by Harry Towell