Out Now! Overshift – Of Light and Shade

Out now on Whitelabrecs, we welcome a textured Ambient/minimal electronic producer from the United States, named Overshift who has appeared on labels such as Psicodelica, Yoruba Grooves and Galanding. Of Light and Shade is an immersive listen full of detail, intended for either conscious, or subconscious listening in line with Brian Eno’s original concept of Ambient music. Those who enjoy Krill.Minima, Robert Henke or Echospace might enjoy this record – you can stream or purchase the album by clicking the player above.
Of Light and Shade is also available in our usually limited run of 50 copies to the world, housed in vinyl imitation CDr packaging.

This went to out to our mailing list last weekend and at time of writing, we’ve got copies still available – to find out more or grab a copy, you can click the link below or on the image above to listen. To avoid missing out on future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/of-light-and-shade

press release
“Overshift is an Electronic Sound artist from New Jersey, USA who has released through several labels including Psicodelica, Yoruba Grooves, Galanding and Listen:React. At an early age, he became fascinated with DJing and learnt to mix on belt-driven turntables. Production was then the natural evolution as he began recording just after the millennium. After a ten year hiatus to focus on his career, the creative urge returned in 2013, as he assembled a small studio after time spent researching different room modes and installing proper acoustic treatment. This studio has been expanded and adapted as his collection of hardware and software has developed.

Overshift’s approach to music production is steeped in a ‘less is more’ approach as layered Ambient environments and textured Minimal Techno have become his signature. Initially, he will work on something new with a certain feeling or story in mind. This is usually something which correlates to an intellectual concept and can be inspired by almost anything. The process is usually a matter of just experimenting with sounds until it aligns with the concept that he intends to convey. Subtle background textures are carved from tape and vinyl noise. Random modular sequences and patches are prepared to compose a general melody and in some cases, percussive and rhythmic elements are developed. Once the basic building blocks are in place, slight variations are applied over a four to eight bar loop. From here, dozens and dozens of layers can be added from items such as field recordings, old vinyl records, textures, rhythms, but it is also not uncommon for there to be considerably less. All the while, a crucial element to the Overshift sound is the juxtaposed concept of controlled randomness: once a general arrangement is in place, multiple takes are patched randomly with generated sequences and modulation. Further micro-edits are developed from each take, using the bits that work, and deleting those which don’t.

Overshift straddles the lines between Ambient music and Minimal Techno striving to overlap these genres. For Whitelabrecs and in his album ‘Of Light and Shade’ he focuses more towards the Ambient aspect as marginal movements of innumerable sound sources combine to form what is ultimately a truly immersive listening experience, built from almost nothing. He aimed to flesh out a sonic duality and as a result, Of Light and Shade is an experience that could either be listened to intently, or simply heard.”

credits
Catalog number WLR030
Written and produced by Overshift
Mastered by Slow Clinic
Photography by Overshift
Artwork by Harry Towell

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Out Now! Polaroid Notes – Unsung Memories

Today marks our 29th release as we welcome Polaroid Notes, who some may recall from our sister labels Tessellate and Audio Gourmet. Polaroid Notes is an artist named Andreas who resides in the Bavarian Alps, not far from Munich. His Ambient work is very much inspired by film and TV series, as he strives to carve out sketches for his own unreleased movie score. Unsung Memories plays out with each track as an episode with brooding piano and electronic drone texture. We suspect fans of Willits+SakamotoRobert Scott Thompson or Christof Dejean may enjoy this record – you can listen to the album in the Bandcamp player above.

Unsung Memories is out this weekend in a limited edition run of 50 copies to the world, packaged in our usual vinyl-imitation CDrs with polaroid artwork prints.

This went to out to our mailing list last weekend and at time of writing, we’ve got copies still available – to find out more or grab a copy, you can click the link below or on the image above to listen. To avoid missing out on future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/unsung-memories

press release
“Polaroid Notes is a German artist named Andreas residing in the countryside between Munich and The Alps and also records as Kraut Sounds. His work as Polaroid Notes has seen releases through our sister labels Tessellate Recordings and most recently, a free netlabel EP called ‘Days Of Our Lives’ on Audio Gourmet. He has also released on Büro für Erdrotation as well as a string of dub-techno geared records as Kraut Sounds on the likes of Terra Rossa, Spiel:feld and Adept Label.

Andreas’ long-standing involvement with music began in the 80s with him performing in bands as well as DJing. His musical journey absorbed 70s Kraut electronica, dub techno and modern Ambient sounds and in Polaroid Notes, he’s settled on a deeply reflective and cinematic sound that plays out like a film score. The work begins with a few simple piano lines before being developed into a soundtrack with analogue and digital equipment, electronics and drone texture.

Against a chilling backdrop of mountains, trees and inspirational landscapes, Andreas’ ambition is to compose a film soundtrack with his piano movements as Polaroid Notes. With every note, Unsung Memories yearns to be the score for an unfilmed movie or TV series, as the matters of dark characters play out across the frames. Each track could represent a single episode or scene. It’s like a journey through deserted and desolate landscapes, cities, hearts and minds, provoking pictures of fate and despair, always with tension. Maybe there is a chance for relief, somewhere, sometimes? But nothing is ever over… ”

credits
Catalog number WLR029
Written, produced and mastered by Polaroid Notes
Photography by Polaroid Notes
Artwork by Harry Towell

Out Now! teleferick – sixteen frames

For our next release we’re pleased to present a debut from Brugge, Belgium based artist Teleferick who also contributes the weekly electronic/experimental music show ‘Klankschap‘. This is a record compiling some 10 years of work as the artist Christophe Ywaska selects ‘Sixteen Frames‘ that cross section his ranging production styles. Beautiful Ambient moments are juxtaposed against more playful pieces which experiment with electronics and modern classical composition in an unconventional way. This one may appeal to those who enjoy Monolyth & Cobalt, Roel Funcken or Sylvain Chauveau

Sixteen Frames is out this weekend in a limited edition run of 50 copies to the world, packaged in our usual vinyl-imitation CDrs with polaroid artwork prints.

This went to out to our mailing list last weekend and at time of writing, we’ve got copies still available – to find out more or grab a copy, you can click the link below or on the image above to listen. To avoid missing out on future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/sixteen-frames

press release
“Teleferick is Bruges, Belgium based artist Christophe Ywaska who also runs a radio show called Klankschap which dives into the world of experimental music each week. This show has been running for many years and whilst being exposed to a wide range of multi-disciplinary artists, it’s no surprise that Christophe has also been recording his own work as Teleferick since around 2005.

We’re pleased to present his debut physical release after all these years, a sort of ‘selected works’ of sixteen unheralded gems from his collection. These are highlights from a ten year period with tracks presented as ‘frames’ which when played in their intended sequence, draw together as a vivid and cinematic soundtrack to a short film. There is a sheer wealth of production techniques and texture woven into these pieces that gives great variety as you listen; the moods of tracks flit from sad to intense, from serene to amusing. In releasing Sixteen Frames, Christophe intends to ‘archive’ these production methods and ideas and move onto the next chapters that lie ahead.

We’re told that before composing the work of ‘Sixteen Frames’ Christophe would isolate himself from the rest of the world, starting with virtually nothing before kneading the resulting elements into a unique identity. There was no clear plan when sculpting the music or of a deeper album concept. The true meaning of the album reveals itself to you only when the record is complete and could perhaps be compared to therapeutic sessions where there are more questions than answers. Sixteen Frames may indeed feel like a puzzle at times, but something that is appreciated all the more for getting lost in its complexity and in doing so, perhaps you will begin to understand?

Catalog number WLR028
Written and produced by Christophe Ywaska
Mastered by Tim Diagram
Artwork by Christophe Ywaska

Out Now! Slow Heart Music – This Body Is Not Me

Next up on Whitelabrecs, we welcome Ben Rath under his Slow Heart Music moniker. Ben has released with labels such as Sound In Silence and Cathedral Transmissions and we’re pleased to present a debut under this new project, which sees an emphasis on his guitar in which limited electronic interference is applied. If you bought our releases by Finglebone or Ben McElroy then you’ll likely enjoy this, with a raw folk charm being a perfect way to end the summer. Also recommended if you like Francesco Morittu, Pullman or John Fahey. You can listen to a preview of the album by using the Soundcloud player below or keep a check on our Facebook or Instagram pages to preview the packaging when we share it.

This went to out to our mailing list last weekend and at time of writing, we’ve got copies still available – to find out more or grab a copy, you can click the link below or on the image above to listen. To avoid missing out on future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/this-body-is-not-me

press release
“Slow Heart Music is the acoustic side project of ambient music artist Ben Rath. Based in Manchester, UK, Ben has released music under his own name via labels such as Sound In Silence, Cathedral Transmissions, and Unkown Tone Records. As Slow Heart Music, Ben has released a short EP on Cape Town netlabel MoonSwing at the beginning of 2016 entitled ‘A Place To Forget’. ‘This Body Is Not Me’ is Ben’s full-legth debut as Slow Heart Music.

The ambient music Ben has released under his own name typically involves a lot of digital manipulation and arrangement of sound samples on a computer, and Slow Heart Music was conceived as a way to create music in a more spontaneous and live way, with minimal electronic interference and using a basic, lo-fi set-up.
The tracks on ‘This Body Is Not Me’ were recorded on a small classical guitar Ben purchased for £5 from a bring-and-buy sale in the basement of a cafe. Ben would improvise on this guitar in a relatively free and unstructured way until a theme or melody organically developed. He’d then press record on a digital audio recorder and create a spontaneous composition out of that theme. Most of the tracks that make up ‘This Body Is Not Me’ are first take recordings, with minimal post-editing. There are some subtle ambient elements in some sections where it seemed appropriate to add an extra dimension to the track.
Whilst the album does not have a clear, cohesive concept, the title and track names make loose reference to Ben’s interest in spirituality, which also informed the emphasis on flow, spontaneity, and improvisation in the writing and recording process. The sweet and delicate tones of Ben’s guitar playing provide a warm and pleasant soundtrack to the end of Summer and the fade into Autumn, capturing an abundance of warmth and sunshine with each note of this beautifully light set of recordings.”

Catalog number WLR027
Written and produced by Ben Rath
Mastered by Tim Diagram

[whitelabtapes] – wlr-t01

For a good while, we’ve been meaning to put together a sampler mix to showcase some work from select releases in our catalog. Ever since recent studio experiments with tapeloops, we’ve taken an interest in the cassette format again and decided that our sampler would literally take the format of a mixtape, similar to how bootleg vinyl mixes might have been home-taped back in the 1990s.

The mix is a ‘guess-who’ of material from our discography, blending tracks harmonically into 22 minutes and 50 seconds each side of the tape. The mix is available digitally if you’ve sold your cassette player on a car boot sale but for anyone who still have a machine, the added hiss will surely add to your listening experience.

The cover artwork printed on the packaging was taken in a field a couple of hundred yards away from our home, on a warm summers day.
Our tape supplier has many colour options so these will change as this infrequent sub-series continues but naturally, we plumped for white in this inaugural edition.

released August 29, 2017
Mixed by Harry Towell
Artwork by Harry Towell

You can visit the dedicated page on the Whitelabrecs Bandcamp site where an order can be placed by clicking below or HERE


https://whitelabrecs.bandcamp.com/album/wlr-t01

Out now! WLR026 Ludmila – 1 Day 1 Track

As posted on our website/Facebook, next up is Lyon, France based Argentinian Ludmila with 1 Day 1 Track. This is an album of 7 tracks, with the artist (Jori Borla) having recorded for around 10-20 minutes for each day of his holiday. The tracks were then cut and mastered to be presented in a beautiful electro-acoustic/Ambient album that may appeal to fans of HammockWillamette or Shaula.

This went to out to our mailing list last weekend and at time of writing, we’ve got copies still available – to find out more or grab a copy, you can click the link below or on the image above to listen. To avoid missing out on future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/1-day-1-track

We decided for the first time to run a ‘win a free copy’ competition on our Facebook page which was fun. We’ll be doing this again in the future so make sure to ‘like’ our page HERE so you have a chance to win too.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
“Ludmila is an artist named Jori Borla who currently resides in Lyon, France but originally from Salta, Argentina. To date, Jori has largely self-released his material and we’re pleased to be able to offer his debut of sorts on Whitelabrecs. Jori has experience performing in bands as well as playing instruments such as guitar, cello and bass however he began his project as Ludmila a couple of years ago, after the birth of his son. Typically he would perch upon an uncomfortable stool by his amplifier and experiment with spontaneous tape loops.

In ‘1 Day 1 Track’, Jori set about recording one track every day for a week in which he describes it as the ‘best holidays ever’. Each track on the album is a cropped section of a recording session that lasted from between 10 and 20 minutes, a process repeated each day. In one very peaceful week, Jori recalls playing free from thought, with the takes being improvised without the aid of a computer. Often when artists embark on the creative process, rules and pressure are applied and a lack of quality time devoted to one’s craft can breed frustration. By taking time out during his holidays for just a short period each day, the music flowed and a beautifully cohesive album was born.

Jori also states that 1 Day 1 Track has an additional loose concept which is about finding himself in other lands. This is reflected in the cover artwork as a distant image of an ill-equipped human being can be seen free-falling from high in the sky, towards the unknown ground beneath them.”

Catalog number WLR026
Written and produced by Jori Borla
Mastered by David Georgos

Out now! WLR025 Steve Pacheco – The 4th

Next up on Whitelabrecs we welcome Steve Pacheco to the catalog who some of you may recognise for his excellent album ‘Constellate‘, recently released on Belgian imprint Dauw. Steve is based in Los Angeles but this album is about memories and loss following him leaving his former residence in Santa Fe for a new job opportunity back in LA. The material in ‘The 4th‘ is some of our most Ambient‘ work since the likes of Russell Glynn or Dave Kirby. This one may appeal to those who like Taylor DeupreeThe Humble Bee or Twincities.

At time of writing, we’ve got copies still available – to find out more or grab a copy, you can click the link below or on the image above to listen. To avoid missing out on future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/the-4th

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
“Steve Pacheco is an artist born and raised in Los Angeles, California who had spent a period of three years in Santa Fe, New Mexico from 2012 to 2015 before returning to LA. From an early age Steve could be seen carrying a red transistor radio set to a classical station and this lo-fi sound has stayed with him into his adult life. His debut album Constellate was released this year on Belgian label Dauw and like many of their releases, it has sold out.

Steve had actually agreed to release his first album ‘The 4th’ with Whitelabrecs however a change in schedule at Dauw meant that Constellate was moved from its scheduled release in fall 2017 meaning it became his debut.
Typically, Steve’s sound begins life as a simple melody or loop typically created using guitar, piano, kalimba, xylophone or other acoustic sources. These are then processed until a texture or drone is achieved and then stored to a library of sound. In the next stage, Steve will then look to assemble these loops and carve out different frequencies from them into a track and this process can take quite a long time. For an extreme example, the final track on this album ‘Completion’ was first drafted in 2010 as Steve does not set out to create something specific – he strives to work until something ‘reveals itself’ so the process is as much down to chance and persistence than anything else.

The 4th is an album themed around cherished memories, loss and letting go as each track is deeply connected to memories he experienced during his time in Sante Fe. The first three tracks are set in Santa Fe whereas the final piece ‘Completion’ is a reference to Steve’s return to Los Angeles for a new job opportunity. The title of the album is a reference to the Chakra system, with the fourth of these being the heart. Whilst the deeply personal events and circumstances that inspired the work within this album may not translate to you the listener, it is intended that the material will inspire memories and feelings dear to you as the warm textures will envelope you.”

Catalog number WLR025
Written and produced by Steve Pacheco
Mastered by Tim Diagram
Artwork by Steve Pacheco