Out Now! Jens Pauly – Below

In the first of our new CD releases, we have a beautifully minimal package completely designed and created by the artist. Some will remember Jens Pauly’s ‘Vihne’ from last year, which has long since sold out. Jens’ style is a deep and melancholic concoction of warm, textured drones. Fans of 12k artists such as SeaworthyMarcus Fischer or Taylor Deupree should be all ears to this new one, ‘Below‘ and those who grabbed blochemy’s nebe’ from us earlier this year should also enjoy this. The sound has emerged from the dust of ‘Vihne’ into the peace and calm of ‘Below’. The packaging features a cover image taken by the artist last autumn, with minimal white inner panels and a flash of cobalt blue for the vinyl-CD itself.

Our low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

https://whitelabrecs.bandcamp.com/album/below


press release

“After a 3 month hiatus of physical releases, we’re delighted to have come through the other side to be able to resume our schedule of vinyl-effect CDrs. The catalog resumes with ‘Below’ by Cologne, Germany’s Jens Pauly, an artist whose album ‘Vihne’ was released by us last year..

Vihne is a ‘city’ album, full of dust and artificial light whereas Below is more free and open, as it is inspired by the natural world. The cover image was taken by Jens last Autumn and in this record, he tried to reflect the peaceful moments he experienced during this time. There’s a calmness to the sound underpinned by a satisfying melancholy, as we take in these breezy reflections.

Below perpetuates the subtle beauty of a timeless moment. It’s fragile, and yet, in all its reduced textures, it’s demanding in its overall emotional undergrowth – closely intertwined in hope and yearning.”

credits
Written and produced by Jens Pauly
Mastered by Salz mastering
Artwork and design by Jens Pauly
Words by Ralph Schmidt

Coming soon…Pruski – Playground

It’s time for us to breathe a big sigh of relief, as at last we are able to announce a return to our release schedule of our signature vinyl-effect CDrs. Before the Covid-19 pandemic struck, we already had a full 2020 planned and were excited to unveil the exciting artists we planned to work with. We’ve had just over 3 months of pause now, after the closure of our local post office meant we were unable to ship orders. So we launched the digital-only Home Diaries series and have curated 30 EPs, short and long albums. Some fantastic records that have kept us insanely busy.

With barely any time to draw breath between Home Diaries and the re-emergence of our CD catalog, we’re pretty sure we’re on track to release everything as planned this year with a few changes. We think all the changes we’ll make will be for the good of everyone involved, for our artists, our supporters and well, us. Firstly, we are now taking physical orders to be shipped from a local village post-office who are open from 5:30am. They’ll do a drop-off service for us, which means we’ll only be at the premises for a matter of minutes. So we’re confident our relaunch is safe and the right thing to do, as we had been concerned about regular visits to the post office and the queues of people we’d create.

Secondly, we’ll scrap our pre-orders. When we launched, we had 50 CDs of each release to sell and we thought creating a subscriber mailing list would be the fairest way to ensure that our regulars would be able to have a strong chance of getting a copy of an album before they sold out. Since we increased the run-count to 100, we’ve found that albums practically never sell out in days, so we feel there’s enough time for everyone to check out our new records. Of course, if things change this will review it as we value those who collect everything!

Finally, we will be releasing the albums two at a time. This is our way to make up for lost time but also, there’s the added bonus for those who plan to buy both albums in one go, as an extra copy will not increase the shipping cost and we don’t charge for a second item.

Onto the second of our two new additions to the catalog, we welcome back Pruski who some will recall provided the fifth instalment of our Home Diaries series. Paweł Pruski is based in Krakow, Poland and has been keeping busy with online streaming performances, notably Edu Comelles’ Ruido Virico show. ‘Playground‘ was next in line when we had to halt the catalog and we’re pleased to be able to release this journey into the early years of human existence, as we encounter the magic of the world around us for the first time. The subtly varied ambient drones and field recordings reflect various scenes of discovery. The packaging features photography by Bartosz Szadurski along with a white border to frame it and olive green information panels. Inside the inner card sleeve is a white vinyl-effect disc.

The album will be released on Saturday the 27th of June with no pre-order. If you join our mailing list using the link below, we’ll make sure you’re the first to hear.

Whitelabrecs low-run releases are likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“Paweł Pruski is an artist from Krakow, Poland who has previously had vinyl albums released under the name of Minoo and more recently, Ambient albums as Pruski. One such was a contribution at the beginning of our Home Diaries series after we had postponed the release of his album ‘Playground’. His work pushes and extends the boundaries of Ambient and Drone music and he also performs as a live act in events and festivals around the world.

Playground is a journey into a child’s world. A world without sophisticated sentences, complicated relationships or conventions. Here, the most important things are gestures, curiosity and surprise. It is discovering what is around, fascinated by nature. It is an attempt to look from the side back to the beginning of our journey in this world. What was it like to be surprised by the colour of the leaves, rain, and the ticking of the clock? For this is a journey to a place where the tree is the whole world, and a small meadow can be the whole cosmos.”

credits
Written and produced by Paweł Pruski
Mastered by Miniature-records
Photography by Bartosz Szadurski
Packaging Design by Harry Towell

Coming soon…Jens Pauly – Below

It’s time for us to breathe a big sigh of relief, as at last we are able to announce a return to our release schedule of our signature vinyl-effect CDrs. Before the Covid-19 pandemic struck, we already had a full 2020 planned and were excited to unveil the exciting artists we planned to work with. We’ve had just over 3 months of pause now, after the closure of our local post office meant we were unable to ship orders. So we launched the digital-only Home Diaries series and have curated 30 EPs, short and long albums. Some fantastic records that have kept us insanely busy.

With barely any time to draw breath between Home Diaries and the re-emergence of our CD catalog, we’re pretty sure we’re on track to release everything as planned this year with a few changes. We think all the changes we’ll make will be for the good of everyone involved, for our artists, our supporters and well, us. Firstly, we are now taking physical orders to be shipped from a local village post-office who are open from 5:30am. They’ll do a drop-off service for us, which means we’ll only be at the premises for a matter of minutes. So we’re confident our relaunch is safe and the right thing to do, as we had been concerned about regular visits to the post office and the queues of people we’d create.

Secondly, we’ll scrap our pre-orders. When we launched, we had 50 CDs of each release to sell and we thought creating a subscriber mailing list would be the fairest way to ensure that our regulars would be able to have a strong chance of getting a copy of an album before they sold out. Since we increased the run-count to 100, we’ve found that albums practically never sell out in days, so we feel there’s enough time for everyone to check out our new records. Of course, if things change this will review it as we value those who collect everything!

Finally, we will be releasing the albums two at a time. This is our way to make up for lost time but also, there’s the added bonus for those who plan to buy both albums in one go, as an extra copy will not increase the shipping cost and we don’t charge for a second item.

Onto our new releases then, first we have a beautifully minimal package completely designed and created by the artist. Some will remember Jens Pauly’s ‘Vihne’ from last year, which has long since sold out. Jens’ style is a deep and melancholic concoction of warm, textured drones. Fans of 12k artists such as Seaworthy, Marcus Fischer or Taylor Deupree should be all ears to this new one, ‘Below‘ and those who grabbed blochemy’snebe‘ from us earlier this year should also enjoy this. The sound has emerged from the dust of ‘Vihne’ into the peace and calm of ‘Below’. The packaging features a cover image taken by the artist last autumn, with minimal white inner panels and a flash of cobalt blue for the vinyl-CD itself.

The album will be released on Saturday the 27th of June with no pre-order. If you join our mailing list using the link below, we’ll make sure you’re the first to hear.

Whitelabrecs low-run releases are likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“After a 3 month hiatus of physical releases, we’re delighted to have come through the other side to be able to resume our schedule of vinyl-effect CDrs. The catalog resumes with ‘Below’ by Cologne, Germany’s Jens Pauly, an artist whose album ‘Vihne’ was released by us last year.

Vihne is a ‘city’ album, full of dust and artificial light whereas Below is more free and open as it was inspired by the natural world. The cover image was taken by Jens last Autumn and in this record, he tried to reflect the peaceful moments he experienced during this time. There’s a calmness to the sound underpinned by a satisfying melancholy, as we take in these breezy reflections.

Below perpetuates the subtle beauty of a timeless moment. It’s fragile, and yet, in all its reduced textures, it’s demanding in its overall emotional undergrowth – closely intertwined in hope and yearning.”

credits
Written and produced by Jens Pauly
Mastered by Salz mastering
Artwork and design by Jens Pauly
Words by Ralph Schmidt

Home Diaries 002: Edu Comelles

We’ve taken a pause from our schedule of CD albums due to our local post office closing, following the outbreak of Covid19. We launched a digital series called Home Diaries, in which we’ll release EPs and albums by an international line-up of artists, with the music created during lockdown and social distancing conditions.

The series reflects a range of sounds, styles and ideas, as each artist portrays their own reflections uniquely. Each release is digital only for now, as we hope to raise what we can to help keep our label ticking over at this time. The releases feature a recurring polaroid image of a small lonely house, with a coloured filter chosen by the artist for each respective release.

Our next album sees the return of Edu Comelles, who released a CD album with us in February called Línia Pedra Paisatge Solc. Mirar Lluny is a single longform arrangement of modern classical tones, including unused recordings from past collaborators Isabel Latorre (piano) and Sara Galán (cello). The piece is meditative and restful, but evolves throughout its duration which Edu says is the exact time it takes to walk his dog!

We have an exciting line-up to follow and each release will include bonus PDF liner notes, which has an interview with the artist on how they made the album, what their situation is like, what they have planned, their influences and what equipment/techniques they used.  There are also studio and artist profile images as part of the PDF too. Click on the link below to check it out:

FROM WHITELABRECS:
https://whitelabrecs.bandcamp.com/album/home-diaries-002

DIRECT FROM THE ARTIST:
https://educomelles.bandcamp.com/album/mirar-lluny-home-diaries-002

press release
“Home Diaries is an invitation to artists and musicians to create an album or EP to document their personal experience during the lockdown or social distancing conditions that are upon us, due to the coronavirus outbreak. The series reflects a range of sounds, styles and ideas, as each artist portrays their own reflections uniquely. Each release is digital only for now, as we hope to raise what we can to help keep our label ticking over at this time. The releases feature a recurring polaroid image of a small lonely house, with a coloured filter chosen by the artist for each respective release. We also interview each artist and this is included as a bonus PDF with the download. You can also check out the Home Diaries series direct from the artist themselves or on Spotify if you prefer.

Next we welcome the return of Edu Comelles, who contributed the album Línia Pedra Paisatge Solc back in February this year. Edu is the founder of the Audiotalaia netlabel and has released music through labels such as Fluid Audio, Archives and Crónica. During the years of his work, he has collaborated with musicians such as Isabelle Latorre (piano) and Sara Galán (cello). It is during this time of ‘lockdown’, where his native Spain is being particularly hit hard, that he finds himself revisiting recordings made with these musicians.

He has had a busy 2020, with the arrival of his twin sons, his release with us and this extra time at home has given rise to Mirar Lluny, meaning to look far away in Catalan. The work was the small moments of time he had spare from caring for his newborn children and he looked to create a meditative sort of modern classical piece, which is surely his most musical yet.”

credits
Originally conceived in Valencia, Spring 2019. Finally composed, mixed and arranged by Edu Comelles between March 13th and April 5th 2020.

Written and produced by Edu Comelles
Grand Piano: Isabel Latorre
Cello: Sara Galán
Recordings: Edu Comelles
Mastered by James Edward Armstrong
Artwork by Harry Towell

Home Diaries 001: Mi Cosa de Resistance

Two days after we released our most recent album ‘Disconnect‘ by S.hel, we were hit with the news from our local post office that they were closing until further notice due to the coronavirus outbreak with fears for staff and customer safety alike. We had already announced that we planned a short break from releasing CDs anyway, as we do not wish to make regular visits to the post office to put people at risks.

So now, we have to diversify a little in these times to help keep our bills paid until the point where we can hopefully release some of the wonderful albums we had lined up!

So we had the idea to launch ‘Home Diaries‘, an invitation to artists and musicians to create an album or EP to document their personal experience during the lockdown or social distancing conditions that are upon us, due to the outbreak of the virus. The series reflects a range of sounds, styles and ideas, as each artist portrays their own reflections uniquely. Each release is digital only for now, as we hope to raise what we can to help keep our label ticking over at this time. The releases feature a recurring polaroid image of a small lonely house, with a coloured filter chosen by the artist for each respective release.

Our first album is from Buenos Aires, Argentina based artist Fernando Perales, under his Mi Cosa de Resistance alias. His record is a fuzzy haze of melancholic drones, carved out on the morning of Sunday 29th of March from 8am. All of the pieces were created on that day, 12 days into the lockdown conditions imposed by the Argentinian government. Usually recording multiple tracks in a day can feel like a pressure to achieve something, with distractions often preventing success. But currently, time stands on end and this transcendence finds its way into these restful, labyrinthine recordings.

We have an exciting line-up to follow and each release will include bonus PDF liner notes, which has an interview with the artist on how they made the album, what their situation is like, what they have planned, their influences and what equipment/techniques they used.  There are also studio and artist profile images as part of the PDF too. Click on the link below to check it out:

https://whitelabrecs.bandcamp.com/album/home-diaries-001

press release
“Home Diaries is an invitation to artists and musicians to create an album or EP to document their personal experience during the lockdown or social distancing conditions that are upon us, due to the coronavirus outbreak. The series reflects a range of sounds, styles and ideas, as each artist portrays their own reflections uniquely. Each release is digital only for now, as we hope to raise what we can to help keep our label ticking over at this time. The releases feature a recurring polaroid image of a small lonely house, with a coloured filter chosen by the artist for each respective release. We also interview each artist and this is included as a bonus PDF with the download. You can also check out the Home Diaries series direct from the artist themselves or on Spotify if you prefer.

For our inaugural album in this collection, we begin in Buenos Aires, Argentina as we welcome Fernando Perales who records as Mi Cosa de Resistance. Fernando was a member of Argentinian experimental band Reynols during the 1990s but in recent years, he has released with labels such as Aural Tethers, Elm Records and Left Tapes.
His sound is achieved through sampling, reel to reel recording and other experimental techniques.

The Mi Cosa de Resistance Home Diary is a fuzzy haze of melancholic drones, carved out on the morning of Sunday 29th of March from 8am. All of the pieces were created on that day, 12 days into the lockdown conditions imposed by the Argentinian government. Usually recording multiple tracks in a day can feel like a pressure to achieve something, with distractions often preventing success. But currently, time stands on end and this transcendence finds its way into these restful, labyrinthine recordings.”

credits
Recorded in Le Silence Studios, Buenos Aires
Written and produced by Fernando Perales
Mastered by James Edward Armstrong
Artwork by Harry Towell

Out Now! S.hel – Disconnect

For our next release then, we have something truly striking in the form of this debut album by Reykjavik’s S.hel. It will be released on Piano Day, combines piano and strings compositions with electronics and cinematic effects. To my ears, it sits somewhere between the quieter moments of Aphex Twin’s Drukqs, and then the work of composers such as Hauschka, Nils Frahm and perhaps even the artist’s mentor Mikael Lind, who mixed the album. For us, the artwork absolutely sets this album off in a truly unique way, thanks to the work of Sarah Maria Yasdani, helped by Rakel Ýr Stefánsdóttir. It really embodies the concept of this album which is disconnection and questions of origin. We have a feeling it may very well strike a chord with people right now, even though the concept for this album was born long before Covid 19 was a thing and is not actually related! Our message to the world right now is to think of the people all around you and care for one another. Get connected, even if it has to be at a distance. The album was released on Piano Day, Saturday the 28th of March

Disconnect was released to subscribers of our mailing list last weekend, who had the first opportunity to grab one of these 100 CDs. We do have some available however, please note, there will be a delay in shipping following the closure of our post office due to Covid 19. We aim to ship every order as soon as we can but please bear this in mind if you decide to order. You can also stream the album in full on Bandcamp as well as Spotify and of course, you can grab a digital version if you prefer, by clicking the player above or link below. To avoid missing out on future releases, you can join our mailing list HERE: low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

https://whitelabrecs.bandcamp.com/album/disconnect


press release

“There’s a well-known German saying ‘Ich bin Weltbürger: überall zu Hause, überall fremd’ which roughly translates to ‘I’m a world citizen: I am everywhere at home and everywhere a stranger’. S.hel believes this is a phrase which describes him well; London his birthplace, being partly raised in Germany and residing in Iceland.

Disconnect is a debut album by an emerging artist, arriving at a time of uncertainty and disarray, where terms such as self-isolation and social distancing are on everyone’s lips. However, this record’s theme is not born out of the adversity that coined these phrases. Instead, when creating these works the artist was informed by his thoughts around identity and how we perceive it as a whole. Do places of origin matter? He moved around a lot as a child and at times, felt he had no roots which left him feeling very disconnected at times. Some years on and settling in Iceland, he now realises the valuable lessons and skills the experience has brought.

Disconnect follows the self-released EP ‘Lucid’ in 2018 and the primary instrument is the piano. Aptly, we will be releasing this album for piano day as this unique record draws in wide influences including mentor Mikael Lind who mixed the album, S.hel’s piano teachers Sunna Gunnlaugs and Kjartan Valdemarsson as well as compatriots Jóhann Jóhannsson and Hildur Guðnadóttir. Contemporary composers play their part too in the stimulus, such as Nils Frahm, Arvo Pärt and Max Richter. Disconnect flits between intimate and organic piano compositions and granulated or randomised electronic effects, interspersed with swathes of strings and synthesizer. Creaks and pensive moments navigate perceived silence and suspense, whilst the mood switches effortlessly to the grandeur of modern classical orchestration in equal measure.

This striking album package is complete with the wonderful concept artwork of Sarah Maria Yasdani and Rakel Ýr Stefánsdóttir who have also produced and directed accompanying music videos. The concept works hand in hand with the music and the themes of disconnection S.hel portrays and reflects on the loneliness resulting from being part of a society that has lost itself in daily routine. Currently the routine may be all we crave, but maybe amongst all this we can all find some way to connect again.”

credits
Written and produced by S.hel
Mixed by Mikael Lind
Mastered by James Edward Armstrong
Art concept and photography by Sarah Maria Yasdani and Rakel Ýr Stefánsdóttir

Coming soon…S.hel – Disconnect

The world is faced with a huge wave of adversity right now and the uncertainty will continue over the coming months and dare I say, beyond. Uncertainty isn’t anything new of course but I guess many of us get used to the status quo and find our normal. What do these times mean for Whitelabrecs? Well, the truth is – we don’t know in the short term. We’re pretty sure however, that the long term will be fine.
So with the rest of this year’s releases, we’ll be guided by you our listeners and followers and see what happens! For some regions, expect postal delays but for now here in the UK, my trusty postman assures me he still wants my business. So for now until I’m forced to stop, I’ll keep selling CDs and visiting him once or twice a week 🙂

Onto our next release then, we have something truly striking in the form of this debut album by Reykjavik’s S.hel. It will be released on Piano Day, combines piano and strings compositions with electronics and cinematic effects. To my ears, it sits somewhere between the quieter moments of Aphex Twin’s Drukqs, and then the work of composers such as Hauschka, Nils Frahm and perhaps even the artist’s mentor Mikael Lind, who mixed the album. For us, the artwork absolutely sets this album off in a truly unique way, thanks to the work of Sarah Maria Yasdani, helped by Rakel Ýr Stefánsdóttir. It really embodies the concept of this album which is disconnection and questions of origin. We have a feeling it may very well strike a chord with people right now, even though the concept for this album was born long before Covid 19 was a thing and is not actually related! Our message to the world right now is to think of the people all around you and care for one another. Get connected, even if it has to be at a distance.

The album will be released officially on Piano Day, Saturday the 28th of March but if you join our mailing list using the link below, we’ll make sure you’re the first to hear.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“There’s a well-known German saying ‘Ich bin Weltbürger: überall zu Hause, überall fremd’ which roughly translates to ‘I’m a world citizen: I am everywhere at home and everywhere a stranger’. S.hel believes this is a phrase which describes him well; London his birthplace, being partly raised in Germany and residing in Iceland.

Disconnect is a debut album by an emerging artist, arriving at a time of uncertainty and disarray, where terms such as self-isolation and social distancing are on everyone’s lips. However, this record’s theme is not born out of the adversity that coined these phrases. Instead, when creating these works the artist was informed by his thoughts around identity and how we perceive it as a whole. Do places of origin matter? He moved around a lot as a child and at times, felt he had no roots which left him feeling very disconnected at times. Some years on and settling in Iceland, he now realises the valuable lessons and skills the experience has brought.

Disconnect follows the self-released EP ‘Lucid’ in 2018 and the primary instrument is the piano. Aptly, we will be releasing this album for piano day as this unique record draws in wide influences including mentor Mikael Lind who mixed the album, S.hel’s piano teachers Sunna Gunnlaugs and Kjartan Valdemarsson as well as compatriots Jóhann Jóhannsson and Hildur Guðnadóttir. Contemporary composers play their part too in the stimulus, such as Nils Frahm, Arvo Pärt and Max Richter. Disconnect flits between intimate and organic piano compositions and granulated or randomised electronic effects, interspersed with swathes of strings and synthesizer. Creaks and pensive moments navigate perceived silence and suspense, whilst the mood switches effortlessly to the grandeur of modern classical orchestration in equal measure.

This striking album package is complete with the wonderful concept artwork of Sarah Maria Yasdani and Rakel Ýr Stefánsdóttir who have also produced and directed accompanying music videos. The concept works hand in hand with the music and the themes of disconnection S.hel portrays and reflects on the loneliness resulting from being part of a society that has lost itself in daily routine. Currently the routine may be all we crave, but maybe amongst all this we can all find some way to connect again.”

credits
Written and produced by S.hel
Mixed by Mikael Lind
Mastered by James Edward Armstrong
Art concept and photography by Sarah Maria Yasdani and Rakel Ýr Stefánsdóttir

Coming soon…Glåsbird – Norskfjǫrðr

For our next release we welcome back Glåsbird, an anonymous artist who debuted last year with two albums, both of which received plenty of critical acclaim. Both Grønland and Svalbarð sold out quickly, thanks in part to being picked up by Bandcamp’s ‘best Ambient’ feature and a few other trusty blogs, reviewers and radio shows. Norskfjǫrðr sees the sonic expedition continue, with the destination this time being the Norwegian fjords, again, accompanied by the landscape photography of Aldona Pivoriene. The album uses familiar hints of modern classical orchestration alongside creaks, clangs and acoustic instruments. The album will be released officially on Saturday the 14th of March but if you join our mailing list using the link below, we’ll make sure you’re the first to hear.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“Glåsbird’s anonymous and imaginary travels to far flung locations continues, with this next excursion landing at the Norwegian fjords. The first two releases dealt with the more treacherous locations of Greenland and Svalbard but in Norskfjǫrðr, the dramatic and breathtaking landscape is underpinned by a road network which connects islands, peninsulas and mountains. A human thread of highway runs through this wild and rugged setting, passing lonely wood cabins and flashes of green.

To reflect this landscape, Glåsbird imagined a journey north to the edge of the Arctic sea over several days, stopping to capture the intimate acoustics of painted wooden shacks and drawing in the landscape through tiny window panes. Whilst the previous releases use reverb-heavy strings or tape-decaying piano to reflect the cold, stark expanse of snow, Norskfjǫrðr makes use of more acoustic instruments with more emphasis on the raw sound. Various creaks and scrapes rustle underneath these melodies to reflect the sound from inside the cabin, micro-sound fragments being all the more audible due to the silent outdoors. A hint of folk is present at times in the form of bowed and plucked strings, to reflect the fauna and flora present across the West of Scandinavia. The familiar modern classical tones of piano and strings breathe a stark and chilling spine from time to time before the gently dramatic Endeligfjord marks the end of the journey, looking back out to the Barents sea.”

credits
Written and produced by Glåsbird
Mastered by James Edward Armstrong
Photography by Aldona Pivoriene
Packaging design by Harry Towell

Coming soon…blochemy – nebe

We have our next release geared up to go, as we welcome Czech Republic artist Blochemy to our catalog. Nebe is a woozy Ambient album full of fine, lo-fi detail. Nebe means sky in Czech and this record was inspired by the constantly shifting tones and cloud structures of the sky. We welcome back our regular photographic collaborator Peter Nejedly for the cover artwork which sits neatly against a white border and complimented by a vintage type-writer font. Those who enjoy music by Jens Pauly, Valotihkuu and Magnetophonique should love this. The album will be released officially on Saturday the 22nd of February but if you join our mailing list using the link below, we’ll make sure you’re the first to hear.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“Blochemy is an artist from the Czech Republic, with previous releases on labels such as Clean Error Records and Sun Sea Sky Production. The latter release featured remixes by Halftribe, Sinerider and Stray Theories. Blochemy has been making music one way or another since the late nineties, following the Ambient and IDM scenes, informed by the likes of Warp and Ghostly International. His current sound is inspired by labels such as Home Normal, Spekk, Dronarivm and 12k.

His work is produced in a small home studio, as a form of escapism from the daily routine; for relaxation and self-expression.
We’re pleased to welcome the Blochemy sound to Whitelabrecs with his new album ‘Nebe’, which translates to sky in Czech. The album was created using a combination of software and hardware and is a beautiful blend of lo-fi Ambient drones, full of rich melodic tones.

Nebe expresses into sound a fascination of the variability and complexity of the sky. Its form and tone constantly evolve, as shapeshifting clouds decorate the full spectrum of blue hues. Sometimes, they disappear completely and sometimes, darkness is dotted by glittering stars.”

credits
Written and produced by Blochemy
Mastered by James Edward Armstrong
Photography by Peter Nejedly
Packaging design by Harry Towell

Coming soon…Edu Comelles – Línia Pedra Paisatge Solc

We’re ready to begin an exciting catalog of artist albums for 2020, starting with Línia  Pedra Paisatge Solc by Barcelona based artist Edu Comelles. This two track album of mid-length drones was mastered by Pedro Pina and was composed based on the skyline which can be seen from the castle of Culla. The pieces are drone soundscapes, full of evolving textural detail from acoustic instruments. Those who like Greg Haines, The Humble Bee and Ben McElroy. The album will be released officially on Saturday the 8th of February but if you join our mailing list using the link below, we’ll make sure you’re the first to hear.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“Línia / Pedra / Paisatge / Solc (Line, stone, landscape and groove in Catalan) is a sound composition in two parts, based on the skyline that can be seen from the top of the ruins of the castle of Culla, a small village inland of the Castelló province (Eastern Spain). The first piece (Línia / Pedra) is composed based on the skyline between northeast and southwest. The second piece (Paisatge / Solc) has been composed using the skyline between southwest and northeast.

The line is the voice that describes the landscape. The stone is the central element, a source of history, legacy and shelter for those who live in this hard land. The landscape is all around us, it extends in-clemently into the stratified and muffled horizon. The groove is the drawing of man in this land, a cut on the ground, and the groove where the sound travels in this album.

Both sonic pieces were recorded and composed at the old school at Pla del Sabater nearby Culla, during October 2018. All sound sources used in the production of this work were captured during a period of a week living in residence on that isolated place. Sound sources include field recordings and voice, nothing else.

Weeks after the residency period at Culla, double bass was overdubbed in Valencia by Rafa Ramos. Mastering for the vinyl version was done by Pedro Pina in Barcelona. Four unique vinyl discs enclosed each on handcrafted wooden boxes, which have been left in Culla as artistic objects to be preserved and listened to there in its definitive format. The project is a commission of the Culla City Hall as part of a contemporary art program held on this small village. ■ Edu Comelles”

credits
Written and produced by Edu Comelles
Mastered by Pedro Pina
Photography by Edu Comelles
Packaging design by Harry Towell