Coming soon…teleferick – sixteen frames

For our next release we’re pleased to present a debut from Brugge, Belgium based artist Teleferick who also contributes the weekly electronic/experimental music show ‘Klankschap‘. This is a record compiling some 10 years of work as the artist Christophe Ywaska selects ‘Sixteen Frames‘ that cross section his ranging production styles. Beautiful Ambient moments are juxtaposed against more playful pieces which experiment with electronics and modern classical composition in an unconventional way. This one may appeal to those who enjoy Monolyth & Cobalt, Roel Funcken or Sylvain Chauveau You can listen to a preview of the album by using the Soundcloud player below or keep a check on our Facebook or Instagram pages to preview the packaging when we share it.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
“Teleferick is Bruges, Belgium based artist Christophe Ywaska who also runs a radio show called Klankschap which dives into the world of experimental music each week. This show has been running for many years and whilst being exposed to a wide range of multi-disciplinary artists, it’s no surprise that Christophe has also been recording his own work as Teleferick since around 2005.

We’re pleased to present his debut physical release after all these years, a sort of ‘selected works’ of sixteen unheralded gems from his collection. These are highlights from a ten year period with tracks presented as ‘frames’ which when played in their intended sequence, draw together as a vivid and cinematic soundtrack to a short film. There is a sheer wealth of production techniques and texture woven into these pieces that gives great variety as you listen; the moods of tracks flit from sad to intense, from serene to amusing. In releasing Sixteen Frames, Christophe intends to ‘archive’ these production methods and ideas and move onto the next chapters that lie ahead.

We’re told that before composing the work of ‘Sixteen Frames’ Christophe would isolate himself from the rest of the world, starting with virtually nothing before kneading the resulting elements into a unique identity. There was no clear plan when sculpting the music or of a deeper album concept. The true meaning of the album reveals itself to you only when the record is complete and could perhaps be compared to therapeutic sessions where there are more questions than answers. Sixteen Frames may indeed feel like a puzzle at times, but something that is appreciated all the more for getting lost in its complexity and in doing so, perhaps you will begin to understand?”

credits
Catalog number WLR028
Written and produced by Christophe Ywaska
Mastered by Tim Diagram

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Coming soon…Slow Heart Music – This Body Is Not Me

Next up on Whitelabrecs, we welcome Ben Rath under his Slow Heart Music moniker. Ben has released with labels such as Sound In Silence and Cathedral Transmissions and we’re pleased to present a debut under this new project, which sees an emphasis on his guitar in which limited electronic interference is applied. If you bought our releases by Finglebone or Ben McElroy then you’ll likely enjoy this, with a raw folk charm being a perfect way to end the summer. Also recommended if you like Francesco Morittu, Pullman or John Fahey. You can listen to a preview of the album by using the Soundcloud player below or keep a check on our Facebook or Instagram pages to preview the packaging when we share it.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
“Slow Heart Music is the acoustic side project of ambient music artist Ben Rath. Based in Manchester, UK, Ben has released music under his own name via labels such as Sound In Silence, Cathedral Transmissions, and Unkown Tone Records. As Slow Heart Music, Ben has released a short EP on Cape Town netlabel MoonSwing at the beginning of 2016 entitled ‘A Place To Forget’. ‘This Body Is Not Me’ is Ben’s full-legth debut as Slow Heart Music.

The ambient music Ben has released under his own name typically involves a lot of digital manipulation and arrangement of sound samples on a computer, and Slow Heart Music was conceived as a way to create music in a more spontaneous and live way, with minimal electronic interference and using a basic, lo-fi set-up.
The tracks on ‘This Body Is Not Me’ were recorded on a small classical guitar Ben purchased for £5 from a bring-and-buy sale in the basement of a cafe. Ben would improvise on this guitar in a relatively free and unstructured way until a theme or melody organically developed. He’d then press record on a digital audio recorder and create a spontaneous composition out of that theme. Most of the tracks that make up ‘This Body Is Not Me’ are first take recordings, with minimal post-editing. There are some subtle ambient elements in some sections where it seemed appropriate to add an extra dimension to the track.
Whilst the album does not have a clear, cohesive concept, the title and track names make loose reference to Ben’s interest in spirituality, which also informed the emphasis on flow, spontaneity, and improvisation in the writing and recording process. The sweet and delicate tones of Ben’s guitar playing provide a warm and pleasant soundtrack to the end of Summer and the fade into Autumn, capturing an abundance of warmth and sunshine with each note of this beautifully light set of recordings.”

Catalog number WLR027
Written and produced by Ben Rath
Mastered by Tim Diagram

Coming soon…Ludmila – 1 Day 1 Track

We’ve another limited edition vinyl-effect CDr lined up on Whitelabrecs and this time we welcome Lyon, France based artist Ludmila. Jori Borla, the artist originally hails from Argentina and to date has only self released his material, meaning that 1 Day 1 Track is his first physical release. This record was made in a week during a holiday period when Jori would spend a short time recording live. The result is a beautiful electro-acoustic album that may appeal to anyone who enjoys Willamette, Hammock or Shaula. You can listen to a preview of the album by using the Soundcloud player below or keep a check on our Facebook or Instagram pages to preview the packaging when we share it.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
“Ludmila is an artist named Jori Borla who currently resides in Lyon, France but originally from Salta, Argentina. To date, Jori has largely self-released his material and we’re pleased to be able to offer his debut of sorts on Whitelabrecs. Jori has experience performing in bands as well as playing instruments such as guitar, cello and bass however he began his project as Ludmila a couple of years ago, after the birth of his son. Typically he would perch upon an uncomfortable stool by his amplifier and experiment with spontaneous tape loops.

In ‘1 Day 1 Track’, Jori set about recording one track every day for a week in which he describes it as the ‘best holidays ever’. Each track on the album is a cropped section of a recording session that lasted from between 10 and 20 minutes, a process repeated each day. In one very peaceful week, Jori recalls playing free from thought, with the takes being improvised without the aid of a computer. Often when artists embark on the creative process, rules and pressure are applied and a lack of quality time devoted to one’s craft can breed frustration. By taking time out during his holidays for just a short period each day, the music flowed and a beautifully cohesive album was born.

Jori also states that 1 Day 1 Track has an additional loose concept which is about finding himself in other lands. This is reflected in the cover artwork as a distant image of an ill-equipped human being can be seen free-falling from high in the sky, towards the unknown ground beneath them.”

Catalog number WLR026
Written and produced by Jori Borla
Mastered by David Georgos

Coming soon…Steve Pacheco – The 4th

Next on Whitelabrecs we welcome Los Angeles, USA based artist Steve Pacheco, fresh from his recent release ‘Constellate‘ on the excellent Dauw imprint. The 4th is an album that is perhaps some of the purest Ambient material we’ve put out since Dave Kirby or Russell Glynn back in 2016, with its lush drones. This one might be something those who like Taylor Deupree, Twincities or The Humble Bee will enjoy. You can listen to a preview of the album by using the Soundcloud player below or keep a check on our Facebook or Instagram pages to preview the packaging when we share it.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
“Steve Pacheco is an artist born and raised in Los Angeles, California who had spent a period of three years in Santa Fe, New Mexico from 2012 to 2015 before returning to LA. From an early age Steve could be seen carrying a red transistor radio set to a classical station and this lo-fi sound has stayed with him into his adult life. His debut album Constellate was released this year on Belgian label Dauw and like many of their releases, it has sold out.

Steve had actually agreed to release his first album ‘The 4th’ with Whitelabrecs however a change in schedule at Dauw meant that Constellate was moved from its scheduled release in fall 2017 meaning it became his debut.
Typically, Steve’s sound begins life as a simple melody or loop typically created using guitar, piano, kalimba, xylophone or other acoustic sources. These are then processed until a texture or drone is achieved and then stored to a library of sound. In the next stage, Steve will then look to assemble these loops and carve out different frequencies from them into a track and this process can take quite a long time. For an extreme example, the final track on this album ‘Completion’ was first drafted in 2010 as Steve does not set out to create something specific – he strives to work until something ‘reveals itself’ so the process is as much down to chance and persistence than anything else.

The 4th is an album themed around cherished memories, loss and letting go as each track is deeply connected to memories he experienced during his time in Sante Fe. The first three tracks are set in Santa Fe whereas the final piece ‘Completion’ is a reference to Steve’s return to Los Angeles for a new job opportunity. The title of the album is a reference to the Chakra system, with the fourth of these being the heart. Whilst the deeply personal events and circumstances that inspired the work within this album may not translate to you the listener, it is intended that the material will inspire memories and feelings dear to you as the warm textures will envelope you.”

Catalog number WLR025
Written and produced by Steve Pacheco
Mastered by Tim Diagram
Artwork by Steve Pacheco

Coming soon…Sea Trials – Sea Trials

We’re back from a holiday by the sea and raring to go with more limited edition releases. So fittingly, we welcome Sea Trials, an artist from Hungary (originally Cork, Ireland) called Ian W. McCarthy. This one’s a fascinating record using the decaying, dilapidated sounds of dying loops from cassette tapes that had been left out in the rain, submerged in salt-water and even burnt. This record certainly has its refreshing Ambient moments as old fragments of music float to the surface but this is experimental in nature as the synths and instrument sounds glean occasionally on a bed of noise and murk. This should appeal to those who enjoy sounds by Maps and Diagrams (or his work as Atlantis), Billy Gomberg or Skjølbrot. You can listen to a preview of the album by using the Soundcloud player below or keep a check on our Facebook page to preview the packaging when we share it.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
“The self-titled Sea Trials album is the debut from Irish born, Hungary based artist Ian McCarthy who has previously released in the Techno field under monikers Romart and Wilhelm on labels such as Flux Recordings, Nice Try Records and I Had An Accident Records. Sea Trials was spawned in 2015 as the foundations for Ian’s idea began with him creating a pool of material to draw from as he planned a number of recordings and we’re pleased to present his eponymous debut album to serve as the perfect introduction to this sound.

The 9 tracks were created from source material recorded to old or damaged cassette tapes which were treated by either being left outside exposed to the elements, by being burnt or submerged in salt-water for long periods. Inevitably, the deterioration of sound and medium became a crucial part of the process and became the concept: decay and rebirth.
Ian found himself unexpectedly longing for the sea as he was land-locked in North Eastern Hungary and so maritime references are aplenty along with a sweeping nostalgia that creates feelings of loss and longing.

Originally, Ian had set out to create almost orchestral styled pieces by using various instruments and synthesisers as his starting point for loops however, the methods of tape erosion played a part in warping this sound into dilapidated memories of the original works which occasionally resurface and reimagine as sections are spared the decay of the sea bed. Other sections of the source material did not survive the process so well and somewhere on this record, you will hear a tape machine dying an uncomfortable death.”

Catalog number WLR024
Written, produced and mastered by Ian W. McCarthy
Photo by Ian W. McCarthy
Artwork by Harry Towell

Coming soon…Floor Overhead – Uses For Pavement

We’re keen to release more of the exciting collection of albums we have lined up for the summer months and next up our artist roster heads across the pond to Brooklyn, NYC, USA. Floor Overhead is a project by Andrew Farwell and Uses For Pavement is his debut album after a couple of self-released works. This one sees us return to our Ambient roots after a couple of more experimental/musical releases as Andrew’s Guitar drones will recall work by artists such as Tsone, Darren Harper or Field Rotation. You can listen to a preview of the album by using the Soundcloud player below or keep a check on our Facebook page to preview the packaging when we share it.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
“Floor Overhead is Brooklyn, USA based artist Andrew Farwell who some may recognise from our recent compilation album ‘Whitelabsounds’. His previous output has seen a few self-released projects on Bandcamp and we’re now pleased to be able to present the debut album ‘Uses For Pavement’

Andrew has been playing guitar since the age of 12 and eventually migrated to making electronic and ambient music on computers some years later. His current approach to sound uses guitar recordings deconstructed and processed with inspiration drawn from industry heavyweights such as Steve Reich, Kevin Drumm, William Basinski and Fennesz.

Uses For Pavement is the product of quiet, happy accidents from guitar recordings that have been gently brushed over with some production to create a collage focused on spacing and permanence.
The album is an attempt to refuse the temptation to alter accident-prone inputs and superimpose the ‘shoulds’ of creation. Like thoughts, inputs are inherently unchangeable while our reaction to those inputs is negotiable. The result of this album is a heavy but structure-less space that serves as a shelter for otherwise lost ideas.”

Catalog number WLR023
Written and produced by Andrew Farwell
Mastered by Tim Diagram
Artwork by John Robert Clark Moore (http://johnrcm.com/)

 

Coming soon…Covarino/Incorvaia – Granada

After the excitement of releasing our very first compilation which has all but sold out, we’re now keen to press on with the demos we have lined up as the summer months approach. Fittingly, we are pleased to present a live album by Francesco Covarino and Alessandro Incorvaia (Covarino/Incorvaia) entitled Granada which is full of warmth. The cover artwork features Granada’s signature cactus, the prickly pear and provides a focal point to this concept-free set of improvisations for guitar and drumsGranada draws on influences of Post Rock, Ambient and Free Jazz and should appeal to fans of Mogwai, Dirty Three or Godspeed You Black Emperor. You can listen to a preview of the album by using the Soundcloud player below or keep a check on our Facebook page to preview the packaging when we share it.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
“Covarino/Incorvaia are musicians Francesco Covarino (drums) and Alessandro Incorvaia (guitar), originally from Perugia in central Italy. Their debut release emerged last year on UK imprint Preserved Sound and was named after the artists’ hometown.
Both artists currently reside in countries further afield now with Alessandro based in London, UK and Francesco in Granada, Spain. So their follow-up album is named after the latter as they focused on a live and more improvised set as a duo, without the additional musicians included in ‘Perugia’.

Both artists grew up together and were in a band in the late nineties before it disbanded. It wasn’t until 2015 until Francesco and Alessandro re-united to work together musically as they set about recording over several sessions during the Christmas holidays. Their musical influences of Post Rock, Indie, Free Jazz and Ambient collide and spiral fluidly into the material that can be heard within ‘Granada’.
Over the course of six unedited live tracks, percussion and warm guitar meld together beautifully in one afternoon session, best enjoyed in daylight when there is at least a glimmer of sunshine. The cover artwork was fittingly taken in Granada, of a Prickly Pear Cactus plant on a clear-sky day.

The album is simply named after the location it was recorded and since it was spontaneous, the tracks do not have specific titles as the artists wish to leave the album as free from a concept as possible. It was felt that to add some fabric or stories to their work post-production would devalue the fact that this record was made off the cuff.”

Catalog number WLR021
Francesco Covarino: Drums, Classical guitar on #6
Alessandro Incorvaia: Guitar

Recorded in Granada, may 1st, 2016, at Sonobalance by Marcos Muniz
Mixed by Marcos Muniz at Love Thy Neighbour Labs
Mastered at Kadifornia

Cover photo by Francesco Covarino