Coming soon…vau – ways of stillness

For our penultimate release of 2018, we welcome Portuguese artist vau with his debut album ways of stillness. For his first solo album, Nuno Craveiro spent four years since 2014, building the intricate finer detai to this electro acoustic masterpiece. The record is designed to be a resting space for its listeners and should appeal to fans of  Ghost and Tape, Hummingbird or Ben Rath might enjoy.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
vau is a Portuguese artist named Nuno Craveiro and Ways Of Stillness is his debut release after having started recording the album in 2014. Nuno is also one of the lead members of the duo Névoa, in which he has performed in festivals alongside bands such as Swans, Mono, Kayo Dot and Anna Von Hausswolff.

Under his solo project, Nuno usually makes music at home, beginning by either playing an instrument or sampling his own recordings that consist of field recordings and past experiments. Once a song begins to develop, he may then record specific instruments on purpose if required, either at home or at a friend’s studio for example.
‘Ways of Stillness’ took four years to complete in its entirety and so lots of experiences and memories are etched into it: places, moments and relationships. All of its sounds have stories attached to them and they are very much a reflection of Nuno’s own thoughts as an individual and musician. He considers the album to be the most personal record he could have wished to create but to us, these stories can only be experienced through the medium of sound, as these six pieces imbue a sense of stillness.

The main ideas behind the concept to this body of music, was to create something which could perfectly fill the listener’s surroundings. Using field recordings, some virtual synthesizers, nyckelharpa, piano, ukulele, sounds sampled from saxophone, Portuguese guitar, Korg Volca Keys and other instruments, Nuno was interested in making sound almost as comfortable as silence. Looking to create a kind of slower time frame, introspection and self-awareness becomes effortless. These conditions may not always be achievable when you first hit play, but it is hoped that Ways of Stillness can unfold its tiny and unobtrusive detail to leave you the listener feeling weightless as it progresses. Vau is the Portuguese word for ‘ford’, so he wanted this debut to be a shallow place amidst the water. A harbour in a way, safe and peaceful.

credits
Written and produced by Nuno Craveiro
Mastered by Luís Neto
Photograph by Leonor Freitas

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Coming soon…Caminauta – Fragments

We’ve a few more limited edition vinyl-effect CDr releases left to release before the year’s out so we’d best get moving. So next up, we welcome Caminauta. Cami Gadea is a Uruguayan sound artist who is residing in Sweden at the time of writing, with a previous release on Ukrainian label Delta Shock. Fragments is the debut Caminauta album and features ten tracks that span the sonic territories of electronic, neo classical and Ambient music. This should be a record that fans of either Jürgen Müller, Andy Stott or Ricardo Donoso might enjoy.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
Caminauta is an artist originally from the small town of Treinta y Tres, Uruguay, currently based in Sweden. Her only previous release to date was a cassette EP named ‘Extinct’ released in September 2017 by Ukrainian label Delta Shock. We’re pleased to be able to present her debut album ‘Fragments’.

She has been performing music since she was 14 years old, starting with guitar before progressing to bass and synthesizers.
Her current sound continues to explore synths, with both software and performance based work being the backbone of the Caminauta sound. She has a live set up too and last year she was able to participate as part of the Flo Festival in Porto Alegre, Brazil.

‘Fragments’ is a record centered around melancholia, loneliness but also nature and stylistically it adopts her signature sound but with plenty of variation within these generous 10 tracks. The opening moments use arpeggios where as other pieces are more drone and soundtrack based. Some pieces have the lightest hint of ‘electronica’, as subtle beats provide a feint pulse and you can even hear poetry, in a tribute to the memory of her friend Alec Wildey.

This album was recorded during a process of personal growth, as she wanted to express those emotions. The recordings are intended to speak of her perception of how she sees the world in general and her process of internal search. The tracks themselves and the details within each of these are fragments, to represent moments in her life and this is where the album adopts a melancholic approach as well as a sense of wonder to the world around us.

credits
Written and produced by Cami Gadea
Mastered by Raul Tizze
Photograph by Carlos Ramirez

Coming soon…Sleepland – Transition / Composition

It’s time for another limited edition vinyl-effect CDr release and next up we welcome Sleepland. Kengo Yonemura the man behind the project has recently returned to Kobe in his native Japan following a short time spent residing in Berlin. His sound has emerged on labels such as Taâlem, White Paddy Mountain and Cellar Tapes. ‘Transition / Composition‘ is a gapless album comprised of an overall continuous presentation which also contains a hidden album. It blends guitars with effects pedals, synthesizers and field recordingsThis one might appeal to those who enjoy Seaworthy, Asuna or Wil Bolton.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
Sleepland is Kobe, Japan based artist Kengo Yonemura who has released albums with labels such as Taâlem, White Paddy Mountain and Cellar Tapes since he began operating under this project back in 2011. Kengo has recently returned to his homeland after having spent some time residing in Berlin.

His sound is mainly based around guitar and synthesiser as well as the use of some field recordings. He has performed live on many occasions, including events which headlined fellow artists such as Chihei Hatakeyama, F.S Blumm, Asuna and Christoph Berg. He also plays guitar as part of a band named Weather Spoon in Osaka.

Transition/Composition was recorded in the comfort of his home town between 2012 and 2017. This album in fact consists of two different albums merged into one: ‘Transition’ is three mid/longform drones with longer track titles, whereas ‘Composition’ is made up of eight short form pieces with shorter names. The two albums overlap as they play, with each of the separate recordings folding into one. Not only are the recordings buried inside the mix but the track titles for ‘Transition’ are also embedded within those of ‘Composition’. The tracks of Transition are listed below along with a guide of where these sit within the wider album presentation:

Transition

a. Tall slant
b. So far away
c. Lines has led a plane

Transition / Composition

01. Crys(tall)ized [a-i]
02. Moment(s la)ter [a-ii]
03. Varia(nt) [a-iii]
04. point(s of) view [b-iii]
05. (A ra)in check [b-iv]
06. S(way)ed by [b-v]
07. fine (lines) [c-v]
08. P(has)e bubble [c-vi]
09. Tang(led) up [c-vii]
10. In tr(ap lane) [c-viii]

The albums blend over a gapless audio presentation to emit a warmth in its early stages, as gentle guitar strokes adorn the hum of a comforting drone accompanied by washes of water and bird song. Before long, the album delves into deeper drone territory whilst retaining a restorative, comforting aesthetic. Towards the mid stages a foggy murk transmits before swathes of warm drone return, concluding with familiar sounds of bird song and soft rain.

credits
Written and produced by Kengo Yonemura
Mastered by Tim Diagram
Photograph by Kengo Yonemura
Artwork arranged by Akihiro Morita

Coming soon…Ed Cooke – Little Fire

For our 45th limited edition release, which of course is a CDr presented to mimic a ’45’ vinyl record, we welcome aboard Ed Cooke. Ed has released previously with the likes of  Rural Colours, Audio Gourmet and Vent. ‘Little Fire‘ is a warm and exotic blend of guitar and percussion songs, a perfect reflection back over the summer months for those of us with seasons! For Ed, the record is a personal account of his family and work life between Thailand and Malaysia. For the rest of us, this not only serves as a window into this but also, as a sun-bleached transmission of far eastern climes. This one might appeal to those who enjoy Danny Paul Grody, Pullman or Padang Food Tigers.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
Ed Cooke is a Londoner currently living in Malaysia and Thailand, who has previous releases on Rural Colours, Vent Sounds and Audio Gourmet. Ed began home recording in the late 1990s, not long after days of performing in a few bands. Ed’s approach begins with experiments with different guitar tunings and a search for a hook or melody which usually contains more sonic elements in the mix. He doesn’t leave things there, once the backbone of a song is created as a lot happens in the production stage, with careful editing of fades and subtly woven Asian textures inspired by his current lifestyle.

We’re informed that Ed has a widespread selection of influences but he cites Bert Jansch, Scott Tuma, Padang Food Tigers and Six Organs of Admittance as primary drivers to his own experiments with guitar and electro acoustic music. ‘Little Fire’ was designed to be meditative and distant and the varying tunings and harmonics help the sound wash over you as you listen. The album is centered around melodic arpeggio hooks on both acoustic and electric guitar, alongside layers of slide guitar and feedback, not to mention Asian Folk rhythms and texture. Wind and percussion sounds were made using local bamboo instruments. The sound structures blend cultures, as the album draws from colourful Eastern and Western Folk sounds and places these against a warmth reminiscent of 70s Dub production.
Little Fire contains autobiographical moments recorded during the first 7 years of Ed’s eldest son’s life. These songs are Ed’s tribute to him and the inspiration he and the rest of the family give him. The track ‘Waiting For Water’ was named because it was recorded when his family’s home was nearly flooded during the Bangkok floods of 2011. His wife also sings vocals on the track ‘Worth’. Some pieces were recorded during a time when Ed had to live away from his family for career reasons. ‘Closer To The Equator’ was made in Southern Malaysia where he felt a long way from his home in Thailand. It is also a tribute to his much missed Thai father-in-law, who sadly passed away during post-production.

Whilst to us the listener the sounds could not possibly map out all of Ed’s journeys and experiences, the tone and presentation of the recordings give an exotic, well-travelled account, which is full of warmth to fuel our own imagination.

credits
Written and produced by Ed Cooke
Mastered by James Armstrong
Photography by Ed Cooke
Artwork by Harry Towell

Coming soon…dziadosz/mreńca – mirage (reworks)

Next we welcome Polish artists Bartosz Dziadosz and Tomasz Mreńca with Mirage, which is a reissue and adaptation from a release on Taalem last year. The album includes artwork by Peter Nejedly and the album opens with interpretations of the original Modern Classical composition by SpheruleusSven Laux and Giulio Aldinucci. The remastered version of Mirage then closes out this record, with the dark and mysterious listening experience recalling the work of The Frozen Vaults, Erik Skodvin or Max Richter.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
Bartosz Dziadosz and Tomasz Mreńca are friends and artists from Poland. They started collaborating on musical projects a few years ago, most notably as part of modern classical group The Frozen Vaults which also include Harry Towell, Yuki Murata and Dave Dhonau. This group saw a far flung collaboration with locations including the United Kingdom, Japan as well as Poland and recordings shared over great distance as the project developed.

In ‘Mirage’ and also the recent ‘Black Lake’, the project sees Bartosz and Tomasz collaborate closer to home. Bartosz records solo material as Pleq and works with sound as part of the theatre whereas Tomasz generates sounds on analog synthesisers and violin. Mirage was originally released as a 3 inch CDr via Belgian label Taâlem last year and we’re pleased to present this piece in its remastered state, alongside reworks and interpretations from Spheruleus, Sven Laux and Giulio Aldinucci. Each of these renowned composers were invited to portray the dark, mysterious passages of Mirage in a different light, making for an album experience rather than a simple reissue with ‘remixes’.

Spheruleus selected a looping section of the original strings in a brooding, dramatic piece steeped in tape decay, Sven Laux has focused more on the timbral quality of the strings whereas Giulio Aldinucci sculpts the piece into a dynamic drone which reaches a subtly noise shrouded crescendo. The reworks are followed by the original, in all its glory.

We’re informed that Mirage was inspired by Witold Lutosławski as Bartosz and Tomasz had listened to his work together.
When they set about composing Mirage, they wanted to create this in their image and since they are so used to each other’s company, they did not need to labour into plans and concepts. Instead, the music flowed freely. The concept became the action of creating itself, in a way which etches a description of the artists themselves, for the listener to decode.

credits
Written and produced Bartosz Dziadosz and Tomasz Mreńca
Mastered by Tim Diagram
Artwork by Peter Nejedly

Out Now! Masaya Kato – Contact

Next up, we’re pleased to welcome Yokohama, Japan based artist Masaya Kato who has previously released with Time Released Sound and Somehow RecordingsContact is an album which focuses on just two elements: subtle drones using Rhodes keys and magnetic noise using tape reel noise, 8mm film, vinyl and VHS noise. The album unfolds subconsciously over 8 movements, with a minimalist approach to production serving as a sleepy listen from start to finish. This might be one for those who enjoy work by Jan Jelinek, Sustainer’s ‘Taps’ or Masayoshi Fujita.

This album was announced to our mailing list last weekend and there are a few copies left at the time of writing. You can listen to the album in full by hitting play above or clicking the link below, where you can purchase a physical or digital version. To avoid missing out on our future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/contact

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
Masaya Kato is an artist from Japan who has been active since 2011, with previous releases on Time Released Sound and Somehow Recordings. Masaya’s influences tend to be from poetry as well as video and performing arts.

Typically, his compositions will are born out of Fender Rhodes or Piano sketches along with additional sounds of magnetic noises. ‘Contact’ is an album which focuses on two elements: Fender Rhodes keys and layers of magnetic noise derived from tape reels, vinyl, 8mm film and VHS. Masaya has created a body of work that serves to relax, unrest and restore through passages of crackling, unassuming Rhodes drones.

The tone of Rhodes keys is typically an immediate rush of melody, instantly recognisable and usually used in soul, house and jazz genres for its deep tones. When used to create Ambient drones, the feint swells of decaying chords serve as the subtlest blend. Against the hiss, crackle and pop of the magnetic noise sounds, the minimalist melodic textures were created as Masaya has strived to extinguish his body into the empty air around him.
Contact is something that simply exists and seems to transcend time as if dozens of blank audio/visual recording mediums are combined, to reveal lulling caverns of light. If you’ve ever seen dust rise into a room when sunlight appears through partially open curtains, or puddles of water rippling in the rain, you’ll already know how this feels.

credits
Written, produced and mastered by Masaya Kato
Artwork by Peter Nejedly

Coming soon…Masaya Kato – Contact

Next up, we’re pleased to welcome Yokohama, Japan based artist Masaya Kato who has previously released with Time Released Sound and Somehow RecordingsContact is an album which focuses on just two elements: subtle drones using Rhodes keys and magnetic noise using tape reel noise, 8mm film, vinyl and VHS noise. The album unfolds subconsciously over 8 movements, with a minimalist approach to production serving as a sleepy listen from start to finish. This might be one for those who enjoy work by Jan Jelinek, Sustainer’s ‘Taps’ or Masayoshi Fujita.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu.

press release
Masaya Kato is an artist from Japan who has been active since 2011, with previous releases on Time Released Sound and Somehow Recordings. Masaya’s influences tend to be from poetry as well as video and performing arts.

Typically, his compositions will are born out of Fender Rhodes or Piano sketches along with additional sounds of magnetic noises. ‘Contact’ is an album which focuses on two elements: Fender Rhodes keys and layers of magnetic noise derived from tape reels, vinyl, 8mm film and VHS. Masaya has created a body of work that serves to relax, unrest and restore through passages of crackling, unassuming Rhodes drones.

The tone of Rhodes keys is typically an immediate rush of melody, instantly recognisable and usually used in soul, house and jazz genres for its deep tones. When used to create Ambient drones, the feint swells of decaying chords serve as the subtlest blend. Against the hiss, crackle and pop of the magnetic noise sounds, the minimalist melodic textures were created as Masaya has strived to extinguish his body into the empty air around him.
Contact is something that simply exists and seems to transcend time as if dozens of blank audio/visual recording mediums are combined, to reveal lulling caverns of light. If you’ve ever seen dust rise into a room when sunlight appears through partially open curtains, or puddles of water rippling in the rain, you’ll already know how this feels.

credits
Written, produced and mastered by Masaya Kato
Artwork by Peter Nejedly