Out Now! Sven Laux & Fione – Tomorrow Everything Could Be Different

Our June releases are out today and in this edition we have a collaboration between our regular artist Sven Laux, and his fellow Berliner Fione, a pianist and musician. ‘Tomorrow Everything Could Be Different’ is a collection of solo piano compositions that have been adapted into a magical soundtrack of strings, synths and electronics.

Tomorrow Everything Could Be Different is out now in a run of 100 copies! The best way to keep informed about our low-run releases, is to join our mailing list, and we’ll make sure you’re the first to hear!

press release
“With this latest edition to the Whitelabrecs discography, we welcome back composer Sven Laux with a collaboration with fellow Berliner and musician Fione. This record began from a chance meeting at a party after Fione had discussed her improvisational piano performances and how it might lend itself to Sven’s orchestral Ambient music. After over a year, Fione recorded a track and sent it to Sven, who added layers of additional texture and detail; enough to be a catalyst from which they produced an album.

Each original piano composition was adapted one by one, piece by piece, into its magical whole. Fione tells us that for her, the music was always about what could have been, a sort of pain that we feel inside of us that we know we can’t change, because it is impossible to turn back time. Instead, we live with what we know we have to deal with, facing every day with the uncertainty that something might change in a minute, an hour or, tomorrow. From here, Tomorrow Everything Could Be Different’s concept can be gleaned as we contemplate the past, present and future and it can be interpreted differently by the listener.

Quiet moments of reflection weave a pensive environment in which you can either concentrate your thoughts, or allow them to evaporate. The music feels at times as if it is containing and conserving its energy, only for swells of strings and fleeting crescendos to release the tension. It’s a release which reveals either negative, or positive energy, depending on its listener. The artwork from painter Maliana Wang reflects the album’s themes by offering what appears to be storm clouds or crashing waves.

We all see the future in different ways. Tomorrow Everything Could Be Different doesn’t tell you what will change, that things will get better, or worse. The clouds may thicken, or they may disappear.

credits
Written and Produced by Sven Laux and Fione
Mastered by James Edward Armstrong
Painting by Maliana Wang
Art and design by Andrew Heath

Out Now! Miguel Otero – Brief Tales

Our June releases are out today and in this edition we have an album by Spanish artist Miguel Otero. ‘Brief Tales’ is a collection of classical guitar and synth tape loops, themed around the UK city of Cambridge, tapping into the artist’s fond memories of his time living in this historic city.

Brief Tales is out now in a run of 100 copies! The best way to keep informed about our low-run releases, is to join our mailing list, and we’ll make sure you’re the first to hear!

press release
“Miguel Otero is a multi-instrumentalist composer, sound designer and music producer based in Spain. His multidisciplinary skills include production, post-production, mixing and mastering of his own creations. Otero’s music is characterized by distorted synthesizers, very slow harmonies and processed sound fields of complex textures that the listener can get lost in.

In Brief Tales, Miguel recalls the time he spent in the historic city of Cambridge, UK and the track titles and artwork act as reference points for the music to tell its stories. Each of the tales take us to a oneiric reality, in which Miguel revives memories from this inspiring place, full of harmony and quietness, which is contrasting to the nature of his present. Whilst literally this record is very much attached to a single city, its stories are of the emotions we treasure in our memory for ourselves, of places that we are no longer part of in the here and now.

The core of this album is built around synthesiser loops, classical guitar fragments and tape recorder texture. It’s a fond and heart-warming encounter, navigating the cherished memories of the artist as you overlay your own thoughts. Brief Tales is presented with both an intro and outro, which allow the classical guitar to take centre stage. These two pieces have all the warmth and charm of a spring stroll through quiet backstreets, as a busker serenades you into, and out of a space of memories.

credits
Written and produced by Anne Chris Bakker
Pre-mastered by Andrew Heath
Mastered by James Edward Armstrong
Packaging design by Andrew Heath

out now! glåsbird – cinéma noir

 

We usually release new music at the weekends but for this one, we decided to give a traditional Monday morning release a try! In this new digital edition, a departure from our CDr editions and eRecord series, we welcome Glåsbird with an album called cinéma noir, themed around black and white drama film. Each track has a cryptic title, with an accompanying photograph by Peter Nejedly. Along with the music, these sketch out scenes from an un-written movie, yet to be filmed.

cinéma noir is out now in a digital-only format. The best way to keep informed about our releases, is to join our mailing list, and we’ll make sure you’re the first to hear!

press release
“Since the project’s inception in 2018, anonymous artist Glåsbird has amassed a discography entirely dedicated to geographic themes. Each album from the ‘A Sonic Expedition’ series has been composed specifically as an imaginary film documentary, themed around a specific country, region or remote location. This work has led to some film work, such as Return To Sea and Sardinia and Casa Occupata. With this latest record, the music and its close affinity to visuals is the central theme, as Glåsbird explores a non-geographic theme for the first time. It is also the first digital-only album by this artist.

Cinéma Noir is intended to play out the soundtrack to a film that was never made. The track titles are cryptic, as the music sketches out scenes of a noir movie. Some pieces use wide-screened orchestration techniques whereas others use pensive, sprawling or tensioned tones to draw out cinematic moods.

If the track titles are too mysterious, then it may become ever so slightly clearer with monochrome photography by Peter Nejedly, who has provided 10 images; one to accompany each track. These pictures were matched to the track titles and their compositions by Glåsbird, who hopes that your own imagination will form the missing movie scenes.

credits
Written and Produced by Glåsbird
Mastered by James Edward Armstrong
Photography by Peter Nejedly

eRecord007 federico mosconi – outdoor melodies

We recently announced the next editions in our digital-only series, eRecords!
‘outdoor melodies’ is a mini-album/EP from Italian artist Federico Mosconi.

eRecords is a digital record series created by Whitelabrecs, to run alongside our physical releases. These editions aim to transform the digital format into something that can be experienced in a similar way to a listener’s interaction with a real, white label vinyl record. Each edition includes a special PDF scrapbook including polaroids and liner notes.

We do not publish details about the concepts or production methods of a release so that the liner notes and content in each scrapbook will reveal the background of each edition in the series.

catalog: eR007
artist: federico mosconi
release title: outdoor melodies
release type: ep
location: italy

released may 28, 2022

Written, produced and mastered by Federico Mosconi
Cover artwork by Federico Mosconi
Art and design by Harry Towell

You can find out more information about eRecords in our landing page link, below:

eRecord006 a view from a window – s/t

We recently announced the next editions in our digital-only series, eRecords!
‘a view from a window’ is the debut self-titled album by Nottingham-based musician A View From A Window.

eRecords is a digital record series created by Whitelabrecs, to run alongside our physical releases. These editions aim to transform the digital format into something that can be experienced in a similar way to a listener’s interaction with a real, white label vinyl record. Each edition includes a special PDF scrapbook including polaroids and liner notes.

We do not publish details about the concepts or production methods of a release so that the liner notes and content in each scrapbook will reveal the background of each edition in the series.

catalog: eR006
artist: a view from a window
release title: a view from a window
release type: album
location: nottingam, united kingdom

released may 28, 2022

Written and produced by Dan Woodward
Mastered by James Edward Armstrong
Cover artwork by Dan Woodward
Art and design by Harry Towell

You can find out more information about eRecords in our landing page link, below:

Coming soon… Sven Laux & Fione – Tomorrow Could Be Different

Here’s the second of two new releases lined-up for the 17th of June and in this one, we welcome back Sven Laux who has collaborated with a fellow Berlin-based artist Fione, who is a musician and pianist. Tomorrow Everything Could Be Different is an album inspired by time and place, with Sven taking Fione’s piano compositions into lush, orchestrated Ambient territory. The release is complete, with an original painting as the cover artwork, by Maliana Wang. Tomorrow Everything Could Be Different‘ will be up for pre-order this coming Bandcamp Friday, the 3rd of June.

Then ‘Tomorrow Everything Could Be Different‘ will be available officially in one of our typically low runs of 100 gatefold vinyl-effect CDrs, complete with art and design by Andrew Heath.

It will be released officially on Saturday the 17th of June. If you join our mailing list using the link below, we’ll make sure you’re the first to hear.

press release
“With this latest edition to the Whitelabrecs discography, we welcome back composer Sven Laux with a collaboration with fellow Berliner and musician Fione. This record began from a chance meeting at a party after Fione had discussed her improvisational piano performances and how it might lend itself to Sven’s orchestral Ambient music. After over a year, Fione recorded a track and sent it to Sven, who added layers of additional texture and detail; enough to be a catalyst from which they produced an album.

Each original piano composition was adapted one by one, piece by piece, into its magical whole. Fione tells us that for her, the music was always about what could have been, a sort of pain that we feel inside of us that we know we can’t change, because it is impossible to turn back time. Instead, we live with what we know we have to deal with, facing every day with the uncertainty that something might change in a minute, an hour or, tomorrow. From here, Tomorrow Everything Could Be Different’s concept can be gleaned as we contemplate the past, present and future and it can be interpreted differently by the listener.

Quiet moments of reflection weave a pensive environment in which you can either concentrate your thoughts, or allow them to evaporate. The music feels at times as if it is containing and conserving its energy, only for swells of strings and fleeting crescendos to release the tension. It’s a release which reveals either negative, or positive energy, depending on its listener. The artwork from painter Maliana Wang reflects the album’s themes by offering what appears to be storm clouds or crashing waves.

We all see the future in different ways. Tomorrow Everything Could Be Different doesn’t tell you what will change, that things will get better, or worse. The clouds may thicken, or they may disappear.

credits
Written and Produced by Sven Laux and Fione
Mastered by James Edward Armstrong
Painting by Maliana Wang
Art and design by Andrew Heath

Coming soon… Miguel Otero – Brief Tales

We have two new releases lined-up for the 17th of June and with this one, we welcome Spanish artist Miguel Otero to our catalog, an artist whose previous releases have appeared on labels including Archives, El Muelle and Playneutral. Brief Tales is an album which is greatly influenced by a sense of place, following the artist’s time spent living in Cambridge, UK. ‘Brief Tales‘ will be up for pre-order this coming Bandcamp Friday, the 3rd of June.

Then ‘Brief Tales‘ will be available officially in one of our typically low runs of 100 gatefold vinyl-effect CDrs, complete with art and design by Andrew Heath.

It will be released officially on Saturday the 17th of June. If you join our mailing list using the link below, we’ll make sure you’re the first to hear.

press release
“Miguel Otero is a multi-instrumentalist composer, sound designer and music producer based in Spain. His multidisciplinary skills include production, post-production, mixing and mastering of his own creations. Otero’s music is characterized by distorted synthesizers, very slow harmonies and processed sound fields of complex textures that the listener can get lost in.

In Brief Tales, Miguel recalls the time he spent in the historic city of Cambridge, UK and the track titles and artwork act as reference points for the music to tell its stories. Each of the tales take us to a oneiric reality, in which Miguel revives memories from this inspiring place, full of harmony and quietness, which is contrasting to the nature of his present. Whilst literally this record is very much attached to a single city, its stories are of the emotions we treasure in our memory for ourselves, of places that we are no longer part of in the here and now.

The core of this album is built around synthesiser loops, classical guitar fragments and tape recorder texture. It’s a fond and heart-warming encounter, navigating the cherished memories of the artist as you overlay your own thoughts. Brief Tales is presented with both an intro and outro, which allow the classical guitar to take centre stage. These two pieces have all the warmth and charm of a spring stroll through quiet backstreets, as a busker serenades you into, and out of a space of memories.

credits
Written and Produced by Miguel Otero
Mastered by Ian Hawgood
Illustration art by Mugre
Design by Andrew Heath

Out Now! Anne Chris Bakker – A Sketch in Leaving

Our May releases are out today and in this edition we have an album by Netherlands based artist Anne Chris Bakker. This record follows last year’s collaborative album for Whitelabrecs alongside Andrew Heath, ‘How To Breathe Like A Stone’ and through these twelve tracks, we’re pleased to present ‘A Sketch in Leaving‘ which is a range of piano, synth and experimental compositions, themed around the Scandinavian landscape.

A Sketch in Leaving is out now in a run of 100 copies! The best way to keep informed about our low-run releases, is to join our mailing list, and we’ll make sure you’re the first to hear!

press release
“In this edition we welcome back Anne Chris Bakker, a musician and composer from the Netherlands. Some may recall 2021’s collaboration with Andrew Heath, with their album ‘How To Breathe Like A Stone’ and we are pleased to be able to present this solo record, ‘A Sketch in Leaving’.

Anne Chris Bakker’s music makes use of electro acoustic sound sources, to create minimal and experimental ambient music. Releases have been made available through labels such as White Paddy Mountain, Dronarivm and Unknown Tone, as well as a further collaboration with Andrew Heath on Rusted Tone Recordings. There were also recordings as Kleefstra|Bakker|Kleefstra on labels which include Low Point.

Bakker typically starts with small compositions created with guitar and for A Sketch in Leaving, a new approach was forged by using a piano and samples so that a new experimental path could be explored. Inspiration has been drawn from long walks in the Norwegian mountains and this album is in part based upon these experiences. The immense landscape, battered and bruised by the elements represents change and loss, as well as the emergence of freshly formed details. The titles of the album are mainly of places, people and concepts all set to the vast Scandinavian landscape, which is placed as a focal point within the packaging artwork.

credits
Written and produced by Anne Chris Bakker
Pre-mastered by Andrew Heath
Mastered by James Edward Armstrong
Packaging design by Andrew Heath