Coming soon…Various Artists – Sleeplaboratory2.0


2019 was a truly landmark year for us, with our new gatefold-LP packaging style being so well received, not to mention all of the support and great feedback we received from fans and the press alike. We started the year with a special compilation album themed on sleep; Sleeplaboratory1.0. We’re delighted to launch a new decade and exciting times ahead with the follow-up to this series, Sleeplaboratory2.0. We’ve been working behind the scenes on this one since last summer and we’re proud of the results in an album which features established artists within the scene, alongside label familiar favourites. The album will be released officially on Saturday the 25th of January but if you join our mailing list using the link below, we’ll make sure you’re the first to hear.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“Sleeplaboratory is a compilation series that we launched in 2019 and the success of this effectively launched our printed gatefold-LP style CDrs which featured all of last year. The Sleeplaboratory1/.0 compilation was created as a special celebration for our fiftieth release and we enjoyed the concept so much, that we decided to run another one. Sleeplaboratory2.0 continues the themes of sleep, rest and personal reflection, not necessarily aiming to meet the current trend of mindfulness and well-being but instead, it intends to rest the listener in a way that is appropriate to them.

The idea was originally came about after our label owner Harry and his wife had a baby daughter, Isla. Harry curated a full-length compilation to help soothe his daughter to sleep and whilst Isla hasn’t needed much of a helping hand where sleep is concerned, he was keen to continue this project as a series. Throughout much of last year, we have been working on a follow-up, inviting artists to meet this sleepy brief of minimalist Ambient tones. We’ve invited familiar label artists back as well as established names and perhaps you’ll see that the odd one or two go on to have releases with us later this year.

Over the 16 tracks, a serene and enveloping environment is established. The physical product is as usual presented across four printed panels and this time, artwork is provided by Harry’s wife Beth in an image taken on a family day out. As usual, we will not make any recommendation on how our listeners might best enjoy this record and so it’s down to you to choose the best environment to listen, whether this be late at night with headphones, on a loud system or perhaps played through Bluetooth speakers in and around your home.”

credits
Curated by Harry Towell
Mastered by James Edward Armstrong
Cover Photography by Bethany Towell
Packaging design by Harry Towell

Favourite Records of 2019

Our label owner Harry Towell has put together a post for the Irregular Crates blog of his favourite albums of the year, complete with a mix. Read below for Harry’s summary of the year followed by the top 20, with links and a brief commentary for each record. Click the image above to listen to the mix Harry has created, which counts down with a track from each of his favourite albums. Alternatively, there’s a player below and you can click play whilst you read…


“2019 has been very much the year of Ambient and Modern Classical for me in terms of my listening habits. I didn’t have as much time to devote to scouring weird and wonderful music across all genres as I usually do and tended to stick to ‘my scene’. I’ve been very busy running Whitelabrecs and so much of my spare time from work and family life has been set aside for working on the 18 album releases we managed this year and I tended to listen to upcoming label releases over and over as I prepared to release them. So my year has very much been soundtracked by my own label but I can hardly announce a best of list of work I’ve been directly involved with!

That’s not to say however, that I didn’t discover some truly breathtaking works from other labels and artists that I admire. I was sent quite a lot of the albums I have charted for a potential review on Irregular Crates and I regret not having the time to put pen to paper and support these albums. I always knew that whatever time constraints I was under, I wanted to give something back and keep these end of lists going, as a recommendation to others to hopefully introduce some wonderful music. I’ve always done it expressly to support labels and artists at the end of the year and I know how special it makes an artist feel, when a music-loving person enjoys their work enough to listen over and over again to the point of labelling it their favourite.

It’s now been 10 years since I got into the modern ambient/home listening scene and throughout the years on my old Audio Gourmet blog and Irregular Crates, I’ve done a ‘Best of’ list every time. After I wrote this article and before I made this year’s mix, I decided to glance back at these lists and skim through some mixes… The nostalgia it brought me is indescribable to the point where I realised that as well as giving something back to music by sharing my thoughts with friends and potential listeners, I am also documenting my life in music. The thought struck me to create a best of decade post or mix, but then I wondered if that might just be too big a task! Perhaps I’ll write a post and link to each of the charts and mixes, where applicable sometime before the year’s out?

Aside from my work on the label and my own production work, I’ve of course got a daughter who is almost 15 months old but also, I started a new job recently and gave up my other two. This has given a work/life balance that I can scarcely remember ever having and it’s given more time and space for music, where I’m now feeling less pressed for time. My work is an hour long commute each way, so five days a week, two hours a day I have a chance to listen to music and I’ve found that Spotify has become a more common platform for me since and I’ve created a few playlists across various genres which I’ve been adding to. I like many musicians never planned to use the service but it struck me that I actually own nearly all of what I listen to physically or at the very least as an mp3. The way I see it, there is actually a place for streaming as a tool of convenience when on the move and it gives artists and labels a chance to effectively keep on earning for every play even after a listener has purchased something. I know not everyone listens in this way, but it’s certainly the case for me. I did a survey of Ambient music listeners earlier this year and now have over 1000 people fill it in, so I look forward to sharing the results early next year!

This year I’ve followed a very similar format to last year’s post – my top 20 albums of the year are listed below along with a few words and the relevant links to check the album out for yourself. Then there”s a one and a half hour mix show too in which I’ve used some countdown vox pops that my wife Beth recorded for me a few years back. The cover artwork this year was taken on our first family holiday in Tenby, Wales as we looked out to St. Catherine’s Island one chilly September evening with the moon sat in the distance just above the sea. The holiday also formed a relaxing bridge between two jobs as I left my previous role of five years for pastures new. A wonderful week of reflection, looking forward to the future and making family memories.


1st:
A Winged Victory For The Sullen
The Undivided Five
Ninja Tunes

This album took me by surprise a little, not that it emerged suddenly as I’d been following the social media developments of the production for this record. But instead, it was the label which surprised me – it’s fascinating to see how Ninja Tunes has evolved; a label I’d explored in my teens for Trip Hop music is still around and still relevant, now working with powerhouses of Modern Classical music. It received considerable hype and I have to say deservedly so. I’ve known people who tend to swerve hyped records doubt it…and then listen and immediately get drawn in. It’s interesting for the Spotify or digital age, who build playlists – tell me how you can listen to a single track on this album? For me, it plays as a whole unit and I’ve simply not been able to put it down once a few notes from ‘Our Lord Debussy’ start. It commands a full listen, to be heard in all its glory. I loved O’Halloran and Wiltzie’s debut but this is their masterpiece and something that’s up there with some of the best music I’ve ever heard.

https://awvfts.bandcamp.com/album/the-undivided-five


2nd:
M. Grig
Mount Carmel
12k

I’ve been in touch with Mike (M. Grig) for a while after he’d contributed a track to the sleeplaboratory1.0 compilation on my label, Whitelabrecs. He announced that he’d be releasing an album with 12k, one of my favourite labels. I was so excited to hear it and when the album came out in May, it truly set me up for the summer. The warm guitars shine in the sun on an album steeped in nostalgia. The liner notes on the release page give further insight into the childhood memories which are woven into this beautiful record which is rounded off perfectly with the evocative painted cover art.

https://12kmusic.bandcamp.com/album/mount-carmel


3rd:
Mikael Lind
Contingencies
Archives

Archives, as they do so regularly, were responsible this year for introducing me to another artist. This time, enter Mikael Lind, whose album is set to a backdrop of the deepest, darkest forest. The artwork grabbed me first and I ordered the CD which has become the most played album in my car this year. There isn’t much written in regards to a concept but the artwork and sound are striking enough for this to still feel complete. Different pianos are played, with careful detail and minutiae embedded into the composition. Every track is a winner but Ideas Fade Away blows my mind.

https://archivesdubmusic.bandcamp.com/album/contingencies


4th:
Hoshiko Yamane and Mikael Lind
Spaces In Between
Time Released Sound

This one’s only recently dropped so I’ve not had long to listen to it. But then, I didn’t need long. It’s not difficult to be bowled over by an album when it’s of this quality. This album navigates the distance between Berlin and Reykjavik, the places in which these two respective artists live. Yamane was a violinist as part of Tangerine Dream and Mikael Lind has been forging his career as a modern composer to great effect. This record is utterly incredible and I wonder whether with a bit of time and space, it might have given A Winged Victory For The Sullen’s record a run for its money in first place….

https://timereleasedsound.bandcamp.com/album/spaces-in-between


5th:
Penguin Cafe
Handfuls of Night
Erased Tapes

Quality output on Erased Tapes is expected and there was no disappointment in their release of the Penguin Cafe’s ‘Handfuls of Night’. It’s a record in which Arthur Jeffes attempted translate his experiences travelling to Antarctica, a land which of course is inhabited by the penguin, and not much else! The album uses modern classical composition inclusive of piano, viola, double bass, violin, cello and percussion to name but a few ingredients, to tell the story of endless space. There is not just the vast open white blank canvas that one might imagine, cold and stark nothingness. Instead, this record is brimming with life and wonderment somehow and, it sounds particularly magnificent on vinyl, through a decent sound system and a bit of volume!

https://penguincafe.bandcamp.com/album/handfuls-of-night


6th:
The Humble Bee and Offthesky
All Other Voices Gone, Only Yours Remains
IIKKI

How do two such revered artists from the same scene combine? Craig Tattersall’s defined a generation through his work as The Boats, his label Moteer and of course, The Humble Bee whilst Jason Corder has been refining his work as Offthesky for the same duration. In a word, the combination blends together effortlessly. Whether that was the case in the studio/in production we may never know but this album is a work of art in every sense of the word. You’re left with half a photograph, evocative track titles and a careful unfurling of fuzzy, warm ambience and electro acoustics. Not to mention, a truly special physical edition by the fine art label IIKKI.

https://iikki.bandcamp.com/album/all-other-voices-gone-only-yours-remains


7th:
Justin Wright
Music For Staying Warm
First Terrace

This record was clearly instantly impressive but I found it move further and further up my ‘chart’ as the year went on. I wonder if it could be the weather? We’ve had quite a bit of wind and rain here in the UK so the title of this one helps it feel like a comfort blanket. Justin Wright has composed a suite of modern classical music, with cello at the centre of the production given that this is his chosen instrument. It is not deep, dark cello – rather, it is warm and uplifting in a strange, melancholy way.

https://firstterracerecords.bandcamp.com/album/music-for-staying-warm


8th:
Vieo Abiungo
The Dregs
Lost Tribe Sound

William Ryan Fritch has very much become the signature artist for Lost Tribe Sound but his other moniker Vieo Abiungo deserves every attention too. This year LTS put out an album with a title which doesn’t exactly have positive connotations. However, this record is everything but – there’s far too much detail and careful attention paid to the production of this percussion and instrument laden album. Across 14 short tracks, Fritch builds an exotic tale of a far away land, perhaps one that doesn’t even exist. It will literally suck you in with tribal tunes and its subtle moments of suspense. I’ve had this one playing in my headphones everywhere from the car to the supermarket. A must listen.

https://williamryanfritch.bandcamp.com/album/the-dregs


9th:
Offthesky
Illuminate
Eilean

With Eilean Recs set to bow out this year, it was exciting to see what records they’d put out to conclude this wonderful series. I was delighted to see the return of Offthesky! Anyone who has read pretty much any of my end of year lists, will have seen this artist’s name crop up time and time again. Indeed, Jason Corder’s work is something I’ve tracked ever since I got into the Ambient side of my musical taste a decade ago. This one’s a beautiful electro-acoustic album, which leans more on the Ambient side, also featuring guest vocals, viola, violin, cello, oboe and sax. Corder manages to concoct this into a liquid mix which flows effortlessly.

https://eileanrec.bandcamp.com/album/illuminate


10th:
Skyphone
Marsh Drones
Lost Tribe Sound

Lost Tribe Sound have had a phenomenal year and an artist they provided two superb vinyl editions for was Danish duo Skyphone. I must admit, I hadn’t heard of them but as soon as I caught a glimpse of the artwork, which for me would have to be the cover artwork of the year, I was always going to listen. Then the press videos of a room full of instruments was enough to get me excited enough to want to like their work… then the vinyl arrived! A superb selection of tracks, which traverse synth, guitar, vocal lines in a post rock meets ambient style. This one isn’t bogged down dreary drone, maudlin classical or grizzly grunge – it’s actually really uplifting and one I reach for time and time again.

https://skyphone.bandcamp.com/album/marsh-drones


11th:
Marek Kamiński
Not Here
Self Released

“Marek Kamiński sent me his self-released album early on in 2019 and I subsequently ordered it on vinyl. I was drawn to the cover artwork to begin with in that it is a good reference point to consider when listening: the tree is clearly no longer there, but there is plenty of evidence that it existed and something so colossal has left its mark. The music in Not Here is a selection of modern classical piano-led melodies, riddled in static and field recordings, reminiscent perhaps of Library Tapes which is no bad thing!

https://marekkaminski.bandcamp.com/album/not-here


12th:
Silmus
Laaksum
Volkoren

I reviewed Silmus’ ‘Shelter’ back in 2014 and it was to become one of my favourite albums for that year and beyond. So I was thrilled when Gert sent me ‘Laaksum’ at the beginning of the year. I regret not being able to review this one, especially given how impressive this album is, which features the cello talent of Guy Gelem. However, it’s a record that again features in my ‘best of’ list and something I’ve listened to over and over this year. If Shelter was one for indoors, Laaksum is an album for cold, wide-open spaces. The title ‘Dancing on the Pier, Discovering the Sea’ is a wonderfully evocative title for a track which fittingly, begins from hushed, slow tones before evolving into something more alive and vibrant against the backdrop of a darkened sky.

https://silmus.bandcamp.com/album/laaksum


13th:
Kira Kira and Hermigervill
Sumarbörn
Time Released Sound

Fine art imprint Time Released Sound continues to share superb material with the world, combining lavish packaging ideas with high quality modern composition, ambient and electronic music. I was taken aback by Sumarbörn by Kira Kira and Hermigervill, which combines glacial ambient and classical music with choral vocals. Doesn’t sound much on paper but it’s difficult to describe, so I strongly recommend you click on the link and sink into this one:

https://timereleasedsound.bandcamp.com/album/sumarb-rn


14th:
anthéne
Lost Channel
Archives

I was lucky this year to work with Brad Deschamps who records as anthéne, as part of a pretty special year for him: three album releases! My pick of the bunch would be ‘Lost Channel’ on Archives, with its warm drones which swell and soar, with the saturated sounds of tired tapes. The whole thing feels like a time lapse low drone-helicopter flight across the globe, with stormy choppy shores giving way to the gaping wide ocean.

https://anthene.bandcamp.com/album/lost-channel


15th:
Sven Laux and Daniela Orvin
The Writings
Dronarivm

Another entry for Dronarivm and a record collaboration between my good friend and collaborator Sven Laux alongside Daniela Orvin. The duo met over several studio sessions and this is their output, a cinematic epic that includes icy cold dramatics, slow and brooding soundscapes, warm and charming ambience and fuzzy orchestration. Check out ‘A Moment Of Silence’ in particular and be prepared to be amazed. What’s particularly impressive here, is just how effortlessly the two styles of these artists combine.

https://dronarivm.bandcamp.com/album/the-writings


16th:
Santilli
Surface
Into The Light

I discovered this one when prowling the feed of new releases on Boomkat and was drawn to the immediacy of this melancholy sound. It was hard to believe that this one’s a debut as it feels like years of honing a craft although, perhaps it is of sorts, since multi-instrumentalist Max Santilli has worked with many acts and artists over the years. I ordered this one on vinyl and have enjoyed the spacey chords, guitar and exotic percussive sounds ever since.

https://into-the-light.bandcamp.com/album/surface


17th:
Aries Mond
Cut Off
IIKKI

“I get sent most IIKKI albums for Irregular Crates and it pains me that I can’t find the time to write more about these works on the blog, as absolutely everything is pristine quality in terms of artwork and curation. This one by Aries Mond floored me the first time I heard it and has the same effect every time – it begins with rustling, prepared-piano style sounds – gentle and unfolding. The live sounding notes blur through reversing and subtle electronic looping and sampling, a truly clever record that never fails to immerse and pull you in, so long as you give it your time.”

https://iikki.bandcamp.com/album/cut-off


18th:
Halftribe
Backwater Revisited
Dronarivm

I’ve been enjoying Ryan Bissett’s work as Halftribe for quite some time now and a jaw dropping moment occurred not long after I hit play on ‘Backwater Revisited’ from the trusty Dronarivm label. The record features synth and electro acoustic tones, drenched in reverb and a tasteful hint of chorus. Plenty of crackle and space between the lines to allow for a glistening, wintry backdrop. The artwork features an adaptation of open source imagery by Mikalojus Konstantinas Čiurlionis from back in 1908 and this rustic, vintage cover fits in perfectly with the blanket-like folds of Ambience Ryan created here.

https://halftribe.bandcamp.com/album/backwater-revisited


19th:
Hampshire and Foat
Saint Lawrence
Athens of the North

I discovered Hampshire and Foat for the first time when I stumbled across their album ‘Saint Lawrence’ which came out on Edinburgh’s Athens of the North label. It was released in March and I grabbed it in the summer, in time to enjoy it in the sun which feels the best setting, particularly whilst driving or walking through the British countryside. The album itself was recorded live during a couple of sunny afternoons spent in churches on the Isle of Wight and whilst this album is truly masterful in its presentation, its recurring themes and acoustic presentation give it a beautifully intimate feel.

https://aotns.bandcamp.com/album/saint-lawrence


20th:
Leo Svirsky
River Without Banks
Unseen Worlds

“US based Russian pianist and composer Leo Svirsky first grabbed my attention via the cover artwork to his album ‘River Without Banks’ which appeared on the Unseen World label. It retains an organic feel to it despite the fact that it’ll probably be filed under Modern Classical; yes the piano pans across the stereo field from time to time, accent notes feel extended into drones and crystalline piano notes hover over one another. But, the piano is undoubtedly the focus throughout, making this one have that live feel. The sound is just magical and I recall many mornings sipping espresso in a coffee shop before work.”

https://unseenworlds.bandcamp.com/album/river-without-banks

End of 2019 Winter Sale – 15% Off

2019 is just about finished, with just a few weeks left to run. We have decided not to run any releases in December and draw a bit of breath ahead of what will surely be another exciting year in 2020.

We decided that a good way to close out this landmark year for us, in which we increased our run count of 100 copies of every release, each in a premium gatefold-LP style vinyl-effect CDr packaging, was to run a winter sale!
So until midnight on the 31st of December 2019, you can enjoy an extra 15% off all of our catalog, both physical and digital.

Simply enter the following code into the discount box provided when you check out to enjoy a 15% reduction on all items:

CODE: anextra15
LINK: https://whitelabrecs.bandcamp.com/merch

If you’re in a rush or new to the label and not sure where to start, please see below for a run down of all our releases!


Various Artists “Sleeplaboratory1.0”
January | Sold Out

We kicked off both 2019 and our new Sleeplaboratory compilation series. The album is themed around sleep as we strive to make this series a snoozy, lulling listen. It begins with a piece from Janek Schaefer and includes work by other renowned artists such as Darkroom, Maps and Diagrams, M. Grig and Tropic of Coldness as well as Whitelabrecs favourites such as Sven Laux, Valotihkuu, Anthéne and Ben Rath. It sold out in no time so there are no CDrs left however, you can check it out digitally here:



Glåsbird “Grønland”
February | Sold Out

Our new-look gatefold LP style packaging did so well for our compilation release, that we decided that all of our albums would run in this way for 2019. The first artist in this year’s discography was a debut for Glåsbird and things went a bit nuts! All CDrs were gobbled up in no time and you can’t even locate these on Discogs; you can check it out a digital copy here:


Jens Pauly “Vihne”
March | Sold Out

In March we welcomed aboard Cologne, Germany based artist Jens Pauly with Vihne. The packaging was designed entirely by the artist and the music is a tapestry of electro-acoustics. When we first heard Jens’ sound we knew it was going to be something special and sure enough, it’s sold out at source now. You can listen or purchase a digital copy here:


anthéne “asymmetry”
April | Sold Out

In April Canadian artist Brad Deschamps as anthéne joined aboard with asymmetry, an album which features the photography of Peter Nejedly. The record is a collection of beautiful drones, from an industrious artist who has worked on other labels such as Archives and Home Normal this year. With so much great output this year, it’s easy to see why this one’s sold out. You can stream or purchase a digital copy here:


Ben Rath “Any Given Moment”
April | Available

For the first time in April we decided to run with two albums in a calendar month. We welcomed back British artist Ben Rath who had previously released with us as Slow Heart Music. ‘Any Given Moment’ covers warm, acoustic ground via the use of a guitar and drones. A few copies are still available as well as a digital copy which you can check out here:


Hipnotic Earth “Suspended In Silence”
May | 12 Copies Remaining

In May we moved towards the warmer months with a delicate and beautiful album by Hipnotic Earth, a project by Cosmos Rennert. Suspended In Silence is presented as an electro-acoustic record centred around what appears to be prepared piano sounds, bird song and light synth decorations. The last few copies are available at the time of writing and a digital version too, which you can check out here:


Samsuo “The Other Gold Side”
May | Available

Towards the end of May we released the debut album by Cambridge artist Samsuo. Entitled ‘The Other Gold Side’, this Ambient/Drone record saw us welcome back Peter Nejedly on photography duty and the rotating ceramic dish which features across the four panels suitably reflects the looping, spherical drones created by this artist. There are some copies left at the time of writing as well as a digital version too, which you can check out here:


Sven Laux “ODD”
June | 16 Copies Remaining

After the success of Sven Laux’s ‘Schachmatt’ which we released in 2018, we were delighted to welcome Sven back with his follow-up album, ‘ODD’. Whilst Schachmatt was an album steeped in modern composition, ODD adapted this with a slightly more contemporary electronic feel in places. We’re down to the last 16 copies at the time of writing and you can also stream or download a digital version, which you can check out here:


Old Amica “Taiga”
June | Available

We were excited to welcome aboard Swedish duo Old Amica, who split their discography between folk-tinged post rock and cinematic Ambient. For us, they turned in a beautiful instrumental album featuring piano, guitar and synth and stunning artwork, arranged by the artists’ friend J. M Almqvist. We’ve still got some copies left as it stands and you can also check out their video and a digital version here:


Logic Moon “I See Planets”
July | 12 Copies Remaining

We returned to deep drone with this one by Logic Moon in some of the sleepiest music we’ve released to date. Tobias Lorsbach, the man behind the project created an album with a retro-futuristic theme and we decided to splash out on talented collage artist Thom Easton to provide the artwork. Just a few copies remind and you can check them out, as well as the usual stream/digital versions here:


Spring Quintet “Raven, Raven, Raven”
July | Available

We chopped back to modern classical with this one, with a live performance by Montreal’s Stefan Christoff and several other musicians being handed to Italian sound artist Matteo Uggeri to assist with post production. The result is a playful electro-acoustic piece with several movements across half an hour, complete with artwork by painter Chris Day. Some copies are still around in our shop, which you can buy or stream a digital version here:


Glåsbird “Svalbarð”
August | Sold Out

Somehow after a debut album, Glåsbird manages to follow it up with a second album in a year. The first album was a sonic expedition to Greenland and in August, the trip continued to the Arctic isles of Svalbard. Just like the last one, this album was gobbled up quickly by our listeners and is unavailable physically. You can stream or buy a digital version here, however:


Emanuele Errante “This World”
August | Available

We were really excited to release ‘This World’ by Naples, Italy based artist Emanuele Errante, whose work we’d admired for years. Emanuele teamed up with Peppe Trotta of So What magazine for the cover artwork and also invited guest musicians Bruno Sanfilippo and Max Fuschetto to feature in this magical electro-acoustic recording. Copies are available still at the time of writing or you can stream/buy a digital version here:


xu “embodying formlessness”
September | Available

In a hat-trick of releases by Italian artists for 2019, we welcomed back Nicola Fornasari who had collaborated for the La Petite Vague release which we put out in 2016. This one’s a lovely minimal album of toy ukulele and careful sound design that rewards repeated listening. You can still grab a copy at the moment or stream/buy a digital version here:


Gray Acres “Material Forces”
October | Sold Out

Not due to the talent of the Tasselmyer brothers and a helping hand from Bandcamp’s ‘Best of Ambient’ feature, this album by Gray Acres sold out in a flash. It’s a wonderful collection of tactile drones with far-flung field recordings, mastered by Ian Hawgood. There are no physical versions left but you can stream it or own a digital version here:


Jazzdefector and Slow Clinic “Green Echo”
October | Available

We’re always really pleased to see our artists return with another demo but when two came along at once and as a collaboration, we were particularly excited! ‘Green Echo’ combines moody guitar Ambience by Jazzdefector with the sound design expertise of Slow Clinic across 6 tracks. There are some CDrs left or you may prefer to stream or own a digital version:


Luis Miehlich “Timecuts”
November | Available

Silences by Luis Miehlich was simply one of our favourite records from 2018. So we were delighted when his demo ‘Timecuts’ came in and over time, Luis arranged remixes by the likes of Gallery Six, Erder, SineRider and our very own Glåsbird to complete the package. The album flits between Ambient/Drone, Electro Acoustic and Modern Classical and the remixes carefully compliment the originals as every bit a part of the album experience. Some physical copies are available or if you prefer, you can stream or own a digital version by clicking here:


Jack Hyde “Lowlands”
November | Available

Last but not least, we closed out this busy year with our 18th release, courtesy of Jack Hyde. Lowlands is a debut album from this Edinburgh, UK based artist and it covers Ambient, Dub and Field Recording territory in a careful, fascinating record. We have physical copies available as well as the option to stream or download here:

Out Now! Jack Hyde – Lowlands

2019 has been another busy year for us, perhaps our busiest yet after increasing our run count from 50 to 100 CDrs for each release! So we’d like to release one more album, then take a breather ready for what promises to be an exciting 2020. We’ll have a couple of surprises up our sleeve still but in the meantime, we welcome Jack Hyde with his debut album named Lowlands‘, a micro-detailed Ambient album with a subtle hint of dub and the lightest of electronica. If you like creativity, variety and attention to detail in your Ambient music then this could be just for you! This will be available in 2019’s signature gatefold-LP style CD, in a run of 100 copies  and we’ll release this officially on or around the 16th of November 2019. This one might appeal to artists such as Shuttle358, The Green Kingdom or Segue.

Lowlands was released to subscribers of our mailing list last weekend, who had the first opportunity to grab a copy and these have been selling fast! You can stream the album on Bandcamp and of course, grab one of the remaining physical copies or a download if you prefer by clicking the link below or image above. To avoid missing out on future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/lowlands

press release
“Jack Hyde is a British artist currently based in Edinburgh where he is studying a degree in sound design. He released tracks Heather and Ebb via American label Past Inside The Present. These pieces became the starting point for his debut album, which becomes the final release in busy a 2019 for us.

Jack’s sound draws on wide musical influences; from the folk and psychedelic music he discovered via his father, to the dub and dance music exposure from his time residing in an urban environment, as well as his taste for ambient and experimental artists such as the 12k label. He approaches his own sound design by collecting a range of sonic material, to build a library of sound in which to instigate a project. Textures and loops are developed through a collage approach with samples and additional instrumentation being processed and mangled into a new cohesive whole.

Whilst living in London, Jack created Lowlands, a collection of fifteen sketches presented as a sound diary of sorts. It does not have a fixed concept, but the track titles are influenced by the landscapes he had visited, in which photos and field recordings were collected. The overlapping, slowly evolving sounds fold and unfold as a series of sonic impressions to map the images in Jack’s mind. The works are strongly linked to the natural world, which will feel apparent as you listen. Submerged, underwater drones and hydrophone-captures slowly spawn a lattice of minute detail beyond the aquatic weeds. Light of the outside world peers through the condensation-concealed windows of a humid greenhouse. The drone of distant ships fogging in over sea play out to heather flecked fells.”

credits
Written and produced by Jack Hyde
Mastered by Tim Diagram
Cover Photography by Harry Towell
Inner Panel Photography by Pheobe Law
Packaging design by Harry Towell

Coming soon…Jack Hyde – Lowlands


2019 has been another busy year for us, perhaps our busiest yet after increasing our run count from 50 to 100 CDrs for each release! So we’d like to release one more album, then take a breather ready for what promises to be an exciting 2020. We’ll have a couple of surprises up our sleeve still but in the meantime, we welcome Jack Hyde with his debut album named Lowlands‘, a micro-detailed Ambient album with a subtle hint of dub and the lightest of electronica. If you like creativity, variety and attention to detail in your Ambient music then this could be just for you! This will be available in 2019’s signature gatefold-LP style CD, in a run of 100 copies  and we’ll release this officially on or around the 16th of November 2019. This one might appeal to artists such as Shuttle358, The Green Kingdom or Segue.

Whitelabrecs low-run releases will be made available suddenly without official release dates, meaning they’re likely to sell out fast. The best way to keep informed is to join our mailing list which can be located through our website menu or you can click HERE

press release
“Jack Hyde is a British artist currently based in Edinburgh where he is studying a degree in sound design. He released tracks Heather and Ebb via American label Past Inside The Present. These pieces became the starting point for his debut album, which becomes the final release in busy a 2019 for us.

Jack’s sound draws on wide musical influences; from the folk and psychedelic music he discovered via his father, to the dub and dance music exposure from his time residing in an urban environment, as well as his taste for ambient and experimental artists such as the 12k label. He approaches his own sound design by collecting a range of sonic material, to build a library of sound in which to instigate a project. Textures and loops are developed through a collage approach with samples and additional instrumentation being processed and mangled into a new cohesive whole.

Whilst living in London, Jack created Lowlands, a collection of fifteen sketches presented as a sound diary of sorts. It does not have a fixed concept, but the track titles are influenced by the landscapes he had visited, in which photos and field recordings were collected. The overlapping, slowly evolving sounds fold and unfold as a series of sonic impressions to map the images in Jack’s mind. The works are strongly linked to the natural world, which will feel apparent as you listen. Submerged, underwater drones and hydrophone-captures slowly spawn a lattice of minute detail beyond the aquatic weeds. Light of the outside world peers through the condensation-concealed windows of a humid greenhouse. The drone of distant ships fogging in over sea play out to heather flecked fells.”

credits
Written and produced by Jack Hyde
Mastered by Tim Diagram
Cover Photography by Harry Towell
Inner Panel Photography by Pheobe Law
Packaging design by Harry Towell

Out Now! Luis Miehlich – Timecuts

Onto our penultimate release of the year then and for this, we welcome Heidelberg, Germany based artist Luis Miehlich with an album which follows his much acclaimed debut Silences, which appeared on Archives. Timecuts’ was re-created through careful development and adaptation of material that Luis had recorded between 2013 and 2015. It presents seven tracks to form the basis of the album, followed with further adaptations by Erder, SineRider, Gallery Six and Glåsbird. This record clocks in at a generous hour long and has plenty of variation, as droning bells, electro acoustic compositions, solitary piano, drone and modern classical orchestration fill a wide open sound-palette. This will be available in 2019’s signature gatefold-LP style CD, in a run of 100 copies  and we’ll release this officially on or around the 2nd of November 2019. This one might appeal to artists such as Halftribe, Asuna and Opitope or Marcus Fischer.

Timecuts was released to subscribers of our mailing list last weekend, who had the first opportunity to grab a copy and these have been selling fast! You can stream the album on Bandcamp and of course, grab one of the remaining physical copies or a download if you prefer by clicking the link below or image above. To avoid missing out on future releases, you can join our mailing list HERE

https://whitelabrecs.bandcamp.com/album/timecuts

 

press release
“For our next release, we are pleased to present Luis Miehlich, an artist based in Heidelberg, South Germany. Luis has contributed compilation pieces to labels such as Eilean and Dronarivm as well as an EP on Kage Recordings and most prominently, his debut album Silences on Archives. Whilst he is relatively young when compared with many of his Ambient peers, Luis has been performing music since the age of five thanks to a musical household and over recent years has drawn influence from composers Jean-Michel Jarre, Steve Reich and Béla Bartók as well as Ambient labels such as Hibernate, Home Normal and Archives.

In ‘Timecuts’ we have the follow-up record to ‘Silences’ which builds upon some unused/rediscovered material from between 2013 and 2015. These were heavily processed and then expanded upon with additional compositions and instrument sounds. The reworking of past material became a concept of sorts, as matching the old with the new became an important part of the process. Luis decided to extend a wider invitation to adapt these works to other artists, with a brief to reinterpret rather than simply remix. Erder and SineRider were logical participants, after both having featured in the ‘Silences’ album. Then our own Glåsbird as well as Gallery Six joined to complete the line-up.

Timecuts clocks in generously at just over an hour, starting with Luis’ seven pieces. Everything from bells, drones, static, guitar, piano and radio static becomes a woven fabric to this beautifully varied album which is a tapestry of short dreams. The invited artists were given the stems from the original works rather than Luis’ own recreations, to help give further room for experimentation. The remixes add an extra dimension, which becomes every bit as crucial a part of a record steeped around themes of adaptation.”

credits
Written and produced by Luis Miehlich
Mastered by James Edward Armstrong
Photography by Luis Miehlich
Artwork by Harry Towell