Here’s the first of two new releases out today on Whitelabrecs. This one’s a cinematic modern classical album called ‘What Remains‘ by Sven Laux, combining piano and strings arrangements with sensitively placed electronics. It’s out now in a run of 100 gatefold vinyl-effect CDrs after a short pre-order last week. If you click here: mailing list, we’ll make sure you’re the first to hear.
“Since 2018 we’ve released five albums from Berlin, Germany based composer Sven Laux, including his most recent collaboration with Fione and solo albums ‘Schachmatt’, ‘ODD’, his Home Diaries edition and 2020 and the extended version, Scattered Fragments of Separation (The Complete Story). Sven’s sound design has found its home in short films, advertisement and in audio branding but he also maintains his discography as an artist, focusing on deeply stirring cinematic themes.
A well-balanced contemporary sound awaits you in this latest edition ‘What Remains’ and you are urged by the title to consider what you think about when something is left over? The record uses a depth of sprawling orchestral timbres, across its at-first cryptically titled tracks, to set out the phases of processing an event. At first there is ‘patience’ and ‘hope’, then there is the passing of the event (‘the goodbye’) followed by ‘what remains’; the now. Memory may serve ‘the return’ and perhaps ‘the cohesion’ and for some, there may be ‘the ending’.
You may choose a past experience to relate with these titles or, you might choose to allow it to relate to the present day. It does not matter whether you think positively about something from the past, or whether you mourn something afterwards in a sad or melancholy way. Whether negative, positive or even indifferent, it is the contemplative environment that each track brings which will allow this record to become a thinking space; a ceremonial framework to process events.“
Written and Produced by Sven Laux
Mastered by James Edward Armstrong
Artwork by Zoë Heath
Art and Design by Andrew Heath