Out Now! Benjamin Finger – Voice Frames

We have two new physical out and this one is by Oslo, Norway’s Benjamin Finger, who has released with labels such as Time Released Sound, Shimmering Moods and Flaming Pines, not to mention a recent collaboration with James Plotkin.

Voice Frames‘ is available in a low run of 100 gatefold vinyl-effect CDrs, complete with a series of analog photography by the artist. Themes of sentimentality, time and melancholia thread through this varied album of electro-acoustic tapestries

Voice Frames is out now! The best way to keep informed about our low-run releases, is to join our mailing list, and we’ll make sure you’re the first to hear!

press release
“Benjamin Finger is an artist from Oslo in Norway with releases on labels such as Time Released Sound, Eilean, Shimmering Moods and Flaming Pines. He has performed live both in Norway and abroad. UK performances have seen several appearances at Café Oto and Brighton’s Supernormal festival. He has also played with a trio at The Rewire festival in Hague and the Mekausma Festival in Belgium, not to mention a short US tour in 2014. Benjamin’s sound combines acoustic sources with electronics and his impressive collection of around 8000 records, provides a backdrop of wide musical influences.

He operates from a small studio on an island just outside of Oslo, taking acoustic instrument recordings and treating them with effects to create electronic soundscapes. In Voice Frames, hardware synths, guitars and pedals, voice, field records, piano and Inga-Lill Farstad’s vocals make up the spine of this album. Its central themes of loss, isolation and time unfold over a range of intriguing compositions which draw out the sentimental mindset of their author.

Traits from previous albums are present, with some techniques and ideas having been borrowed and reframed into a new context. The melancholy in passing time is further shared through Voice Frames’ cover artwork; a photo Benjamin tool of his partner in Salema, a small Portuguese fishing village. It was shot through a wine bottle using an analogue Kodak camera and the series features throughout the packaging design.

Different moods and tones permeate this wondrous record as a weight of reflection halts your mind’s ability to focus on one element for too long. At times the voices being framed are through the people in distant field recordings, other times they might be through Inga-Lill’s ethereal singing or Benjamin’s own voice. They could be the voices of those around you or the artist’s memories. Perhaps they could even be your own voice?

credits
Written and produced by Benjamin Finger
Mastered by James Edward Armstrong
Analog Photography by Benjamin Finger
Art and Design by Andrew Heath

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