Two days after we released our most recent album ‘Disconnect‘ by S.hel, we were hit with the news from our local post office that they were closing until further notice due to the coronavirus outbreak with fears for staff and customer safety alike. We had already announced that we planned a short break from releasing CDs anyway, as we do not wish to make regular visits to the post office to put people at risks.
So now, we have to diversify a little in these times to help keep our bills paid until the point where we can hopefully release some of the wonderful albums we had lined up!
So we had the idea to launch ‘Home Diaries‘, an invitation to artists and musicians to create an album or EP to document their personal experience during the lockdown or social distancing conditions that are upon us, due to the outbreak of the virus. The series reflects a range of sounds, styles and ideas, as each artist portrays their own reflections uniquely. Each release is digital only for now, as we hope to raise what we can to help keep our label ticking over at this time. The releases feature a recurring polaroid image of a small lonely house, with a coloured filter chosen by the artist for each respective release.
Our first album is from Buenos Aires, Argentina based artist Fernando Perales, under his Mi Cosa de Resistance alias. His record is a fuzzy haze of melancholic drones, carved out on the morning of Sunday 29th of March from 8am. All of the pieces were created on that day, 12 days into the lockdown conditions imposed by the Argentinian government. Usually recording multiple tracks in a day can feel like a pressure to achieve something, with distractions often preventing success. But currently, time stands on end and this transcendence finds its way into these restful, labyrinthine recordings.
We have an exciting line-up to follow and each release will include bonus PDF liner notes, which has an interview with the artist on how they made the album, what their situation is like, what they have planned, their influences and what equipment/techniques they used. There are also studio and artist profile images as part of the PDF too. Click on the link below to check it out:
https://whitelabrecs.bandcamp.com/album/home-diaries-001
press release
“Home Diaries is an invitation to artists and musicians to create an album or EP to document their personal experience during the lockdown or social distancing conditions that are upon us, due to the coronavirus outbreak. The series reflects a range of sounds, styles and ideas, as each artist portrays their own reflections uniquely. Each release is digital only for now, as we hope to raise what we can to help keep our label ticking over at this time. The releases feature a recurring polaroid image of a small lonely house, with a coloured filter chosen by the artist for each respective release. We also interview each artist and this is included as a bonus PDF with the download. You can also check out the Home Diaries series direct from the artist themselves or on Spotify if you prefer.
For our inaugural album in this collection, we begin in Buenos Aires, Argentina as we welcome Fernando Perales who records as Mi Cosa de Resistance. Fernando was a member of Argentinian experimental band Reynols during the 1990s but in recent years, he has released with labels such as Aural Tethers, Elm Records and Left Tapes.
His sound is achieved through sampling, reel to reel recording and other experimental techniques.
The Mi Cosa de Resistance Home Diary is a fuzzy haze of melancholic drones, carved out on the morning of Sunday 29th of March from 8am. All of the pieces were created on that day, 12 days into the lockdown conditions imposed by the Argentinian government. Usually recording multiple tracks in a day can feel like a pressure to achieve something, with distractions often preventing success. But currently, time stands on end and this transcendence finds its way into these restful, labyrinthine recordings.”
credits
Recorded in Le Silence Studios, Buenos Aires
Written and produced by Fernando Perales
Mastered by James Edward Armstrong
Artwork by Harry Towell