Next we welcome Polish artists Bartosz Dziadosz and Tomasz Mreńca with Mirage, which is a reissue and adaptation from a release on Taalem last year. The album includes artwork by Peter Nejedly and the album opens with interpretations of the original Modern Classical composition by Spheruleus, Sven Laux and Giulio Aldinucci. The remastered version of Mirage then closes out this record, with the dark and mysterious listening experience recalling the work of The Frozen Vaults, Erik Skodvin or Max Richter.
This album was announced to our mailing list last weekend and there are but a few copies left at the time of writing. You can listen to the album in full by hitting play above or clicking the link below, where you can purchase a physical or digital version. To avoid missing out on our future releases, you can join our mailing list HERE
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Bartosz Dziadosz and Tomasz Mreńca are friends and artists from Poland. They started collaborating on musical projects a few years ago, most notably as part of modern classical group The Frozen Vaults which also include Harry Towell, Yuki Murata and Dave Dhonau. This group saw a far flung collaboration with locations including the United Kingdom, Japan as well as Poland and recordings shared over great distance as the project developed.
In ‘Mirage’ and also the recent ‘Black Lake’, the project sees Bartosz and Tomasz collaborate closer to home. Bartosz records solo material as Pleq and works with sound as part of the theatre whereas Tomasz generates sounds on analog synthesisers and violin. Mirage was originally released as a 3 inch CDr via Belgian label Taâlem last year and we’re pleased to present this piece in its remastered state, alongside reworks and interpretations from Spheruleus, Sven Laux and Giulio Aldinucci. Each of these renowned composers were invited to portray the dark, mysterious passages of Mirage in a different light, making for an album experience rather than a simple reissue with ‘remixes’.
Spheruleus selected a looping section of the original strings in a brooding, dramatic piece steeped in tape decay, Sven Laux has focused more on the timbral quality of the strings whereas Giulio Aldinucci sculpts the piece into a dynamic drone which reaches a subtly noise shrouded crescendo. The reworks are followed by the original, in all its glory.
We’re informed that Mirage was inspired by Witold Lutosławski as Bartosz and Tomasz had listened to his work together.
When they set about composing Mirage, they wanted to create this in their image and since they are so used to each other’s company, they did not need to labour into plans and concepts. Instead, the music flowed freely. The concept became the action of creating itself, in a way which etches a description of the artists themselves, for the listener to decode.
Written and produced Bartosz Dziadosz and Tomasz Mreńca
Mastered by Tim Diagram
Artwork by Peter Nejedly